![]() Jams: The Rhythm of St. Louis | |
Broadcast area | Greater St. Louis |
---|---|
Frequency | 88.1 MHz |
Programming | |
Format | Rhythmic AC Dance |
Ownership | |
Owner |
|
once pending sale closes: KXBS-FM, KLJY-FM | |
History | |
First air date | 1968 (as KHRU-FM) |
Former call signs | KDHX (1987-2025) |
Call sign meaning | similar to future sister station KLJY |
Technical information [1] | |
Licensing authority | FCC |
Facility ID | 17380 |
Class | C1 |
ERP | 42,000 watts |
HAAT | 225 meters (740 ft) |
Links | |
Public license information | |
Website | boostradio.com |
KLJT (88.1 FM) is a radio station in St. Louis, Missouri, currently simulcasting the feed of KXBS-HD2 as "88.1 Jams: The Rhythm of St. Louis", with a sale pending to Gateway Creative Broadcasting.
The station formerly operated as KDHX, a non-commercial community radio station. Owned by Double Helix Corporation, the station primarily aired adult album alternative music. As KDHX, the station broadcast from studios on Washington Blvd. in the Grand Center Arts District, with its transmitter located on Fairfax Avenue in Arnold, Missouri.
The station previously aired an array of community radio shows, including specialty music, cultural, and public affairs programming. KDHX's operations began to decline in the 2020s, following accusations of mismanagement by current and former volunteers of the station, and a resulting decline in revenue from donations. Amid these issues, the station dismissed all of its volunteer DJs and staff in January 2025 and shifted to broadcasting only archived recorded programming on an automated basis until KDHX programming permanently ceased broadcasting on 88.1 FM and online near the beginning of September 2025. After filing for bankruptcy protection in March, a bidding war ensued between two Christian radio broadcasters. Gateway Creative Broadcasting won the right to purchase the station in an auction conducted by a bankruptcy court.
The music heard when the station operated as KDHX was primarily a roots-based AAA format. Other musical genres included blues, bluegrass, soul, folk, Americana, Latin, indie rock, world music, electronica and hip hop. Also heard were public affairs programs one evening a week and short-form features throughout the broadcast schedule. The on-air DJs were all volunteers chosen by an elected program committee and trained by station staff.
In addition to its on-air activities, KDHX Community Media previously produced a variety of music-oriented events such as Midwest Mayhem and Art Attack as well as collaborations with other community organizations. They included Harvest Sessions at the Tower Grove Farmers Market, Thursdays at the Intersection in Grand Center, Sheldon Sessions with the Sheldon Concert Hall, and Sound Waves with the Pulitzer Arts Foundation. Most of these events ended around 2015, largely due to the resignation of station management.
The station signed on the air in October 1987. [2] At the time of KDHX's founding, the frequency 88.1 MHz was occupied by 10-watt, Class D station KHRU-FM, operated by Clayton High School in Clayton, Missouri. It began broadcasting in 1968. KHRU-FM was on the air from 5:00-8:00 only on weeknights during the school year. The frequency was silent the rest of the week and during the summer.
A public corporation, the Double Helix Foundation, was looking for a spot on the St. Louis FM dial to start a community radio station. Double Helix tried to work out a cooperative arrangement with the Clayton School District to share 88.1 FM, but the school district was unwilling to accept a frequency-sharing proposal. Eventually, Double Helix sued in federal court, resulting in a decision that broadcast stations had to "use it or lose it" with regard to frequencies. Stations licensed by the Federal Communications Commission are required to broadcast a minimum number of hours each week. After that decision, the FCC revoked KHRU's license and awarded the frequency to Double Helix Corporation.
From that point, KDHX began broadcasting most hours of the day with non-commercial programs. A variety of musical genres and talk shows aired. Most of the staff were volunteers.
In 2013, KDHX relocated from its original studios on Magnolia Avenue in Tower Grove South to a renovated building in the Grand Center Arts District, which also houses a coffee shop and 125-seat concert venue on its ground floor. It was named the "Larry J. Weir Center for Independent Media" in honor of the station's former operations manager, who died in 2010. [3]
In 2014, the station fell behind on payroll taxes due to expenses amassed from the construction of its new studios. In 2015, executive director Beverly Hacker was dismissed, and half of KDHX's board resigned. Hacker was replaced by station employee Kelly Wells. [4] By 2018, the station had amassed at least $2.3 million in debt. [5] In July 2019, Wells faced allegations of sexual harassment and of the mistreatment of African-American employees. [5] Station veterans also criticized her "top-down" management, a lack of input in its operations, and a large amount of staff turnover. [6] [7]
In February 2023, KDHX released several volunteer DJs, including long-time host Tom "Papa" Ray; he told the Riverfront Times that he had come into conflicts with management, stemming initially from the station's decision to not acknowledge the death of veteran personality John McHenry, and other issues such as its non-participation in the Music at the Intersection festival. Ray described the current management as being "180 degrees opposite of the intentions, desires and profile that the founders of this radio station wanted". [6] [4]
In September 2023, ten more DJs were controversially dismissed by the station, while two more resigned in solidarity. Wells publicly stated that most of the dismissals were of DJs who had objected to moves by KDHX to adopt diversity, equity, and inclusion (DEI) policies in response to the prior harassment allegations. Some of the dismissed DJs accused KDHX of removing them for raising concerns regarding the station's management. This decision resulted in protests by other volunteers, associate members, and listeners, with many longtime donors withdrawing their financial support to the station. [8] [6]
In February 2024, over 450 local and national musicians signed a letter demanding the resignation of station leadership, citing that KDHX had "divorc[ed] itself from the St. Louis community" with its "poor management decisions". [9] [10] At that time, KDHX had lost nearly a third of its donors. [11] The 990 tax filing for the 2023 tax year stated that donations were $808,378, down from $1,314,351 brought in before the allegations against Wells began. [12] Following the legal agreement that seated two new board members, both were suspended during their first board meeting. A lawsuit was filed against the remaining members of the board for "gross abuses of authority". [13]
In December 2024, Double Helix reached an agreement to sell KDHX to Gateway Creative Broadcasting (owner of contemporary Christian music station KLJY) for $5.2 million. [14] On January 31, 2025, Double Helix Corporation dismissed all volunteer staff and ceased live broadcasts on KDHX, stating that the station would carry "previously recorded programming". Board president Gary Pierson attributed the cuts to "recent disparagement campaigns and senseless lawsuits" that have "severely impacted fundraising". [15]
Double Helix filed for Chapter 11 bankruptcy protection on March 10, 2025, revealing that KDHX only had about $7,000 in cash remaining. [16] [17] Due to expired insurance, employees could not enter KDHX's studios. [18] Double Helix requested the naming of K-Love Inc. (a subsidiary of the Educational Media Foundation (EMF)) as a debtor-in-possession creditor and negotiated a $400,000 loan. [19] [14]
On March 25, despite the previous Gateway deal, [14] the board of directors approved an agreement to sell KDHX's broadcast assets to EMF for $4.35 million, which would likely result in the station joining its K-Love Christian radio network. At the time, KDHX planned to continue operations on internet radio once the sale closed. St. Louis is one of the few markets where EMF does not currently have a station, with Radio Insight noting that the organization no longer avoided entering markets that already had established Christian music stations (in this case, KLJY). Double Helix stated that the sale would result in a cost savings of $500,000 in maintenance expenses. Double Helix declined an offer by the supporter group League of Volunteer Enthusiasts of KDHX (LOVE of KDHX), which consists of DJs and other staff who had been laid off by Double Helix, [14] to contribute $100,000 in funding to the station. [20] [18] [21]
On April 5, the station briefly carried K-Love programming. [22] On April 15, reports noted that Gateway made a $5.5 million counter-offer, and requested that the bankruptcy court launch a bidding process for the station. [19] On May 15, the bankruptcy court authorized an auction of the station and its assets for May 30. [14] Gateway won the auction with a bid of $8.75 million. LOVE of KDHX announced its intent to file an opposition to the sale. [23]
Near the beginning of September 2025, the KDHX signal went dark, both over-the-air and online. [24]
On October 1, the call letters of 88.1 FM were changed to KLJT (similar to future sister station KLJY), a sign that the sale of the station to Gateway was nearing completion. [25] On the same day, Double Helix posted a message on the homepage of the KDHX website that "KDHX, a program of Double Helix, has ceased operations". [26] KDHX's website now serves only as an archive of its history. It is possible that KDHX could resume broadcasting in the future on an HD Radio feed after the sale to Gateway Creative closes if Gateway upgraded 88.1 FM to allow for HD Radio broadcasts. However, KDHX and Double Helix currently have no specific plans to resume broadcasting on HD Radio. [27] [28]
Former DJs of KDHX formed a group called "Love of Community Radio STL" in the hopes of launching a new online community-based radio service for St. Louis. [24]
On October 2, 88.1 resumed broadcasting as a simulcast of KXBS-HD2's "Jams: The Rhythm of St. Louis", a Rhythmic AC format, which is a stunt until a new permanent station is launched once the sale of the station closes. [29] [28]
Due to limited services of the FCC as a result of the October 2025 U.S. government shutdown, it is unclear when the sale of 88.1 may close and when the new ownership group may launch a new permanent format.
Double Helix Corporation is a community media organization governed by a 15-member Board of Directors. It is a 501(c)3 non-profit arts and educational organization with a mission to create community through media. The Double Helix Corporation was formed after the demise of KDNA, a countercultural community-radio station that operated in St. Louis's Gaslight Square in the late 1960s and early 1970s. The corporation is independent of any governmental entity, and is not affiliated with any religious or educational organization.
Prior to December 31, 2011, when statewide video franchise legislation sunsetted the city's cable franchise ordinance, Double Helix Corporation managed the public and community access television stations for the City of St. Louis.
As part of the announcement concluding KDHX operations, Double Helix said they would continue to operate their building and studio in Grand Center and expressed hope that they would work to build community in a "twenty-first century emergent media landscape." However, Double Helix also said they will not begin producing any new programming until at least late 2026. [30]