"If I Had a Rocket Launcher" | |
---|---|
Single by Bruce Cockburn | |
from the album Stealing Fire | |
Released | 1984 |
Recorded | 1984 |
Genre | Pop rock |
Length | 4:58 |
Label | True North, Gold Mountain |
Songwriter(s) | Bruce Cockburn |
Producer(s) | Jon Goldsmith, Kerry Crawford |
"If I Had a Rocket Launcher" is a song by Canadian singer-songwriter Bruce Cockburn, from his 1984 album Stealing Fire .
The song was inspired by Cockburn's visit, sponsored by Oxfam, to Guatemalan refugee camps in Mexico following the counterinsurgency campaign of dictator Efraín Ríos Montt. [1] Although Cockburn had occasionally touched on political themes in his earlier songs, "If I Had a Rocket Launcher" was his first explicitly political song to be released as a single, and earned him a new reputation as an outspoken musical activist.
In the song, Cockburn despairs of waiting for a political solution to the crisis, and expresses the desire to take matters into his own hands. Each verse ends with a line stating what Cockburn would do if he had a rocket launcher: in the first verse, "I'd make somebody pay". In the second, "I would retaliate". In the third, "I would not hesitate". The fourth and final verse ends with the song's most famous and controversial lyric: "If I had a rocket launcher, some son-of-a-bitch would die".
In a later interview, Cockburn stated that the song "is not a call to arms; this is a cry." [1]
In 2009, Cockburn performed the song for Canadian troops in Afghanistan; he was subsequently presented (temporarily) with a rocket launcher. [2]
Although the song received considerable airplay on Canadian radio in early 1985, many radio stations played an edited version which faded out before the "son-of-a-bitch" lyric was heard. The song failed to reach the national Top 40, peaking at No. 49 on the Canadian charts in the week of 9 March 1985. [3] It did, however, reach the Top 40 in some individual markets – for example, it peaked at No. 24 on the CHUM Chart in Toronto.
The song also reached No. 88 [4] on the Billboard Hot 100 charts in the United States. It was Cockburn's only single besides "Wondering Where the Lions Are" to reach the Top 100 in that country.
The song was covered by Cottage Industry on the 1991 Bruce Cockburn tribute album Kick at the Darkness .
During their Maybe You Should Drive tour, Barenaked Ladies often inserted the "some son-of-a-bitch would die" lyric into their own song "If I Had $1000000".
Following their album Rattle and Hum , U2 reportedly rehearsed the song a number of times with the intention to record a cover, although this never materialized. [1]
Bruce Douglas Cockburn is a Canadian singer-songwriter and guitarist. His song styles range from folk to folk- and jazz-influenced rock to soundscapes accompanying spoken stories. His lyrics reflect interests in spirituality, human rights, environmental issues, and relationships, and describe his experiences in Central America and Africa.
"A Boy Named Sue" is a song written by Shel Silverstein and made famous by Johnny Cash. Cash recorded the song live in concert on February 24, 1969, at California's San Quentin State Prison for his At San Quentin album. Cash also performed the song in December 1969 at Madison Square Garden. The live San Quentin version of the song became Cash's biggest hit on the Billboard Hot 100 chart and his only top ten single there, spending three weeks at No. 2 in 1969, held out of the top spot by "Honky Tonk Women" by The Rolling Stones. The track also topped the Billboard Hot Country Songs and Easy Listening charts that same year and was certified Gold on August 14, 1969, by the RIAA.
"The Wreck of the Edmund Fitzgerald" is a 1976 hit song written, composed and performed by the Canadian singer-songwriter Gordon Lightfoot to memorialize the sinking of the bulk carrier SS Edmund Fitzgerald in Lake Superior on November 10, 1975. Lightfoot considered this song to be his finest work.
"White Room" is a song by British rock band Cream, composed by bassist Jack Bruce with lyrics by poet Pete Brown. They recorded it for the studio half of the 1968 double album Wheels of Fire. In September, a shorter US single edit was released for AM radio stations, although album-oriented FM radio stations played the full album version. The subsequent UK single release in January 1969 used the full-length album version of the track.
"I Write the Songs" is a popular song written by Bruce Johnston. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976.
"Nightshift" is a 1985 song by the Commodores and the title track from their album of the same name. The song was written by lead singer Walter Orange in collaboration with Dennis Lambert and Franne Golde as a tribute to soul/R&B singers Jackie Wilson and Marvin Gaye, both of whom died in 1984. The song was released as the album's first single in January 1985 by Motown Records. "Nightshift" was recorded in 1984 and became the Commodores' first hit after Lionel Richie's departure from the group. Bruce Springsteen covered the song in his 2022 studio album, Only the Strong Survive.
"High School Confidential" is a song by Canadian new wave band Rough Trade, from their 1980 album Avoid Freud. The band's breakthrough Top 40 hit in Canada, it remains their most famous song.
"Born in the U.S.A." is a song written and performed by American singer-songwriter Bruce Springsteen and released in 1984 on the album of the same name as its opening track. One of Springsteen's best-known songs, it was ranked 275th on Rolling Stone's list of "The 500 Greatest Songs of All Time", and in 2001, the RIAA's Songs of the Century placed the song 59th, remaining a favorite in classic rock. The song addresses the economic hardships of Vietnam veterans upon their return home, juxtaposed ironically against patriotic glorification of the nation's fighting forces.
"Standing Outside a Broken Phone Booth with Money in My Hand" is a song by American alternative rock group Primitive Radio Gods. Their debut single, it was released from the soundtrack to the 1996 black comedy film The Cable Guy and was also included on the band's first album, Rocket. Its chorus consists of a sample from the 1964 B.B. King song "How Blue Can You Get", and the enigmatic lyrics of the song describe a troubling relationship in which two people cannot connect on an emotional level. The song was released in the United Kingdom on March 18, 1996, and was serviced to US radio on June 11, 1996.
"Pink Cadillac" is a song by Bruce Springsteen released as the non-album B-side of "Dancing in the Dark" in 1984. The song received much airplay worldwide and appeared on the Billboard Top Tracks chart for 14 weeks, peaking at No. 27. The song was also a prominent concert number during Springsteen's Born in the U.S.A. Tour.
"Poor Side of Town" is a song by Johnny Rivers that reached number one on the U.S. Billboard Hot 100 and the RPM Canadian Chart in November 1966. The song marked a turning point in Rivers' career that saw him move away from his earlier rock and roll style toward pop ballads.
Stealing Fire is an album by Bruce Cockburn released in 1984. It featured the hit singles "If I Had a Rocket Launcher", an angry political commentary on refugees under fire, and "Lovers in a Dangerous Time". John Naslen received a Juno Award for "Recording Engineer of the Year" for his work on this album, and producers Goldsmith and Crawford received a nomination for "Producer of the Year".
"The Last Song" is a song by English musician Elton John, released as the third single from his 23rd studio album, The One (1992). It was composed by John, with lyrics provided by Bernie Taupin. The song marked the first of John's American singles to benefit his AIDS foundation. It reached No. 7 in Canada and No. 21 in the United Kingdom while peaking within the top 40 in several countries worldwide, including Australia, Ireland, New Zealand, and the United States.
"Lovers in a Dangerous Time" is a song by Bruce Cockburn, originally released on his 1984 album Stealing Fire. The song was a top 40 hit for Cockburn, peaking at No. 25 on the Canadian charts the week of August 18, 1984.
"Written in the Stars" is a song by English musician Elton John and American singer LeAnn Rimes. The song came from the musical Aida, written by Elton John and Tim Rice. There are two different recordings of the song, one with Rimes performing the first verse, the other with John. The song was later featured on Rimes' 2002 album I Need You and the concept album for the musical. The song was performed live at VH1 Divas Live '99.
"On Down the Line" is a song written by Kostas, and recorded by American country music artist Patty Loveless. It was released in May 1990 as the first single and title track from her album On Down the Line.
"Danny's Song" is a song written by American singer-songwriter Kenny Loggins, as a gift for his brother Danny for the birth of his son, Colin. It first appeared on an album by Gator Creek and a year later on the album Sittin' In, the debut album by Loggins and Messina. The song is well remembered for both the Loggins and Messina original, as well as for Anne Murray's 1972 top-ten-charting cover.
"The Valley Road" is a song recorded by Bruce Hornsby and the Range. Hornsby co-wrote the song with his brother John Hornsby and co-produced it with Neil Dorfsman. The song is included on Bruce Hornsby and the Range's 1988 album, Scenes from the Southside. It is written in the key of A major.
"Then You Can Tell Me Goodbye" is a song written by John D. Loudermilk. It was first released in 1962 by Don Cherry, as a country song and again as a doo-wop in 1967 by the group The Casinos on its album of the same name, and was a number 6 pop hit that year. The song has since been covered by Eddy Arnold, whose version was a number 1 country hit in 1968, and by Neal McCoy, whose version became a Top 5 country hit in 1996.
"Tell Me Why" is a song written and recorded by Karla Bonoff for her 1988 studio album New World. In 1993, the song was covered by American country music artist Wynonna Judd and released in April 1993 as the first single and title track from her album Tell Me Why. The song reached number 3 on the Billboard Hot Country Singles & Tracks chart in May 1993 and number 1 on the RPM Country Tracks chart in Canada the following month.