"Seconds" | |
---|---|
Song by U2 | |
from the album War | |
Released | 28 February 1983 |
Recorded | September–November 1982 |
Studio | Windmill Lane Studios (Dublin) |
Genre | Rock, post-punk |
Length | 3:10 |
Label | Island |
Songwriter(s) | U2 |
Producer(s) | Steve Lillywhite |
"Seconds" is the second track on U2's 1983 album, War . The track, with its recurring lyric of "it takes a second to say goodbye", refers to nuclear proliferation. It is the first song in the band's history not sung solely by Bono, as the Edge sings the first two stanzas.
There is a break of approximately 11 seconds in the song at 2:10 featuring a sample of a 1981 documentary film titled Soldier Girls . Bono said that he was watching this documentary while he was waiting in the green room in Windmill Lane Studios and he recorded it. The band felt it would fit well into the song as unsettling evidence of soldiers training for an atomic bomb explosion.
"'Seconds' is particularly pertinent today because it's about the idea that at some point someone, somewhere, would get their hands on nuclear material and build a suitcase bomb in an apartment in western capital. It was twenty years early but I wouldn't call it prophetic, I'd just call it obvious."
—Bono, on the meaning of the song [1]
During his writer's block period in 1982, Bono felt it was lonely writing lyrics, so he asked the Edge to assist in writing, but the guitarist wasn't interested in such a goal. The Edge finally wrote the line "It takes a second to say goodbye". Bono wrote the remainder of the lyrics. On the recording, the Edge sings the first verse of the song. Lyrics in the song about dancing to the atomic bomb is a reference to "Drop the Bomb," a song by Go-go group Trouble Funk, who were U2's labelmates on Island Records. [2]
In a Rolling Stone review of the album itself, editor J.D. Considine wrote, "'Seconds,' ... opens with a sleepy funk riff driven by a cheerful toy bass drum. It's a pleasant juxtaposition, but as the song's subject matter becomes clear – the insanity of nuclear blackmail, where, as Bono Vox puts it, 'the puppets pull the strings'—you realize that this jolly noisemaker is no more an innocent plaything than is the one in Gunter Grass' The Tin Drum." [3]
In 2008, for a review of new reissues of the band's first three albums, Pitchfork editor Joe Tangari wrote "'Seconds' rides a hypnotic bass line to a final verse that conflates nuclear standoff with a dance craze". [4]
"Seconds" accordingly became the first song to feature the Edge on lead vocals live when it debuted at the first concert of the War Tour on 26 February 1983. It was a regular inclusion in the first half of the band's main sets for the War Tour during 1983 and during the Unforgettable Fire Tour during 1984 and 1985. A live performance of the song at Red Rocks Amphitheatre is featured on the concert film U2 Live at Red Rocks: Under a Blood Red Sky , recorded on 5 June 1983. On 3 November 2023, the played the song again during a concert during their U2:UV Ultraviolet Achtung Baby Live at Sphere residency, marking the first performance of the song since 7 July 1985. [5]
U2 are an Irish rock band from Dublin, formed in 1976. The group consists of Bono, the Edge, Adam Clayton, and Larry Mullen Jr.. Initially rooted in post-punk, U2's musical style has evolved throughout their career, yet has maintained an anthemic quality built on Bono's expressive vocals and the Edge's chiming, effects-based guitar sounds. Bono's lyrics, often embellished with spiritual imagery, focus on personal and sociopolitical themes. Popular for their live performances, the group have staged several elaborate tours over their career.
October is the second studio album by Irish rock band U2. It was released on 12 October 1981 by Island Records, and was produced by Steve Lillywhite. The album was lyrically inspired by the memberships of Bono, the Edge, and Larry Mullen Jr. in a Christian group called the Shalom Fellowship, and consequently it contains spiritual and religious themes. Their involvement with Shalom Fellowship led them to question the relationship between the Christian faith and the "rock and roll" lifestyle, and threatened to break up the band.
War is the third studio album by Irish rock band U2. It was produced by Steve Lillywhite, and was released on 28 February 1983 on Island Records. The album is regarded as U2's first overtly political album, in part because of songs like "Sunday Bloody Sunday" and "New Year's Day", as well as the title, which stems from the band's perception of the world at the time; lead vocalist Bono stated that "war seemed to be the motif for 1982."
How to Dismantle an Atomic Bomb is the eleventh studio album by Irish rock band U2. It was released on 22 November 2004 in the United Kingdom by Island Records and a day later in the United States by Interscope Records. Much like their previous album All That You Can't Leave Behind (2000), the record exhibits a more mainstream rock sound after the band experimented with alternative rock and dance music in the 1990s. It was produced by Steve Lillywhite, with additional production from Chris Thomas, Jacknife Lee, Nellee Hooper, Flood, Daniel Lanois, Brian Eno, and Carl Glanville.
The Unforgettable Fire is the fourth studio album by Irish rock band U2. It was produced by Brian Eno and Daniel Lanois, and released on 1 October 1984 by Island Records. The band wanted to pursue a new musical direction following the harder-hitting rock of their previous album, War (1983). As a result, they employed Eno and Lanois to produce and assist in their experimentation with a more ambient sound. The resulting change in direction was at the time the band's most dramatic. The album's title is a reference to "The Unforgettable Fire", an art exhibit about the atomic bombing of Hiroshima.
"Miss Sarajevo" is a song by Irish rock band U2 and British musician Brian Eno, credited to the pseudonym "Passengers". It was released on 20 November 1995 as the only single from their album Original Soundtracks 1. Italian tenor Luciano Pavarotti makes a vocal appearance, singing the opera solo. The song was written about a group of women who held a beauty pageant during the Siege of Sarajevo as an act of defiance.
"Where the Streets Have No Name" is a song by Irish rock band U2. It is the opening track from their 1987 album The Joshua Tree and was released as the album's third single in August 1987. The song's hook is a repeating guitar arpeggio using a delay effect, played during the song's introduction and again at the end. Lead vocalist Bono wrote the lyrics in response to the notion that it is possible to identify a person's religion and income based on the street on which they lived, particularly in Belfast. During the band's difficulties recording the song, producer Brian Eno considered erasing the song's tapes to have them start from scratch.
"New Year's Day" is a song by Irish rock band U2. It is the third track on their 1983 album War and was released as the album's lead single in January 1983. With lyrics written about the Polish Solidarity movement, "New Year's Day" is driven by Adam Clayton's distinctive bassline and the Edge's piano and guitar playing. It was the band's first UK hit single, peaking at number 10, and was also their first international hit, reaching for number 9 in Norway, number 11 on the Dutch Top 40, number 17 in Sweden, and number 53 on the Billboard Hot 100 in the United States, becoming the band's first single to chart in the US.
"Vertigo" is a song by Irish rock band U2. It is the opening track on their eleventh studio album, How to Dismantle an Atomic Bomb (2004). It was released to radio as the album's lead single on 8 November 2004, and upon release, it received extensive airplay. The song was an international success, bolstered by its usage in a television advertisement featuring the band for Apple's iPod digital music player. The song lent its name to the band's 2005–2006 Vertigo Tour.
"City of Blinding Lights" is a song by Irish rock band U2. It is the fifth track on their eleventh studio album, How to Dismantle an Atomic Bomb (2004), and was released as the album's fourth single on 6 June 2005. It was produced by Flood, with additional production by Chris Thomas and Jacknife Lee. The song reached number one in Spain, and peaked in the top ten in Canada, Ireland, the United Kingdom, and several other countries. The music video was shot at the General Motors Place in Vancouver, British Columbia, Canada.
"40", also known as "40 (How Long)", is a song by Irish rock band U2. It is the tenth and final track on their 1983 album, War. The song is noted for its live performances; guitarist the Edge and bassist Adam Clayton trade instruments during performances of it, and as it was commonly played to end their concerts, the band would leave the stage one-by-one as the audience continued to sing the refrain "How long to sing this song?". The lyrics are a modification of the Bible's Psalm 40.
"Two Hearts Beat as One" is a song by Irish rock band U2. It is the seventh track on their 1983 album, War, and was released as its second single in the United States, United Kingdom, and Australia on 21 March 1983.
"A Celebration" is a song by Irish rock band U2. It was released as a non-album single in March 1982, between the records October (1981) and War (1983). The song's music video was filmed at the Kilmainham Gaol former prison in Dublin. The single reached number 47 on the UK Singles Chart and number 15 on the Irish Singles Chart. "Trash, Trampoline and the Party Girl", commonly shortened to "Party Girl", was released on the single's B-side. It later became a live favourite with fans.
"Gloria" is a song by rock band U2. It is the opening track and second single from the band's 1981 album, October.
The War Tour was a concert tour by the Irish rock band U2, which took place in 1982 and 1983 in support of the group's third album War. The tour took place in Western Europe, the United States, Canada and Japan, with new material from War taking an increasing role as the tour progressed. Venues were mostly halls, but some arenas were introduced later on. U2's performances were very well received both critically and commercially, especially in the United States where U2 broke through to become a major act. Scenes of lead singer Bono waving a white flag during the song "Sunday Bloody Sunday" became an emblematic image of this phase of U2's career. It was their first tour as full-time headlining act and their first to be profitable.
"Bullet the Blue Sky" is a song by Irish rock band U2, and is the fourth track from their 1987 album The Joshua Tree. Lyrically, the song was inspired by a trip that lead vocalist Bono made to Nicaragua and El Salvador, where he saw firsthand how local peasants were affected by United States military intervention in the region. Angered by what he witnessed, Bono asked guitarist the Edge to "put El Salvador through an amplifier." "Bullet the Blue Sky" is one of the band's most overtly political songs, with live performances often being heavily critical of political conflicts and violence.
"Bad" is a song by Irish rock band U2 and the seventh track on their 1984 album, The Unforgettable Fire. Thematically, the song is about heroin addiction, though lead vocalist Bono has given varying accounts of who was the inspiration behind his lyrics. "Bad" is considered a fan favourite and is one of U2's most frequently performed songs in concert. The band's 12-minute performance of the song at the Live Aid charity concert in 1985 was a breakthrough moment for them.
"Zooropa" is a song by Irish rock band U2, and is the opening track from their 1993 album of the same name. The song was the result of combining two pieces of music, the first of which was conceived in the studio, and the second of which was a soundcheck recording from one of the group's concert tours that was discovered by guitarist the Edge. The lyrics were written by lead vocalist Bono and describe two characters in a brightly lit city in a futuristic version of European society. Some lyrics in the song were taken directly from advertising slogans, and they also featured the phrase "dream out loud", which has appeared in other U2 media. The song touched on several themes, including moral confusion and the future of European society.
"Sunday Bloody Sunday" is a song by Irish rock band U2. It is the opening track from their 1983 album War and was released as the album's third single on 21 March 1983 in the Netherlands and West Germany. "Sunday Bloody Sunday" is noted for its militaristic drumbeat, harsh guitar, and melodic harmonies. One of U2's most overtly political songs, its lyrics describe the horror felt by an observer of the Troubles in Northern Ireland, mainly focusing on the 1972 Bloody Sunday incident in Derry where British troops shot and killed unarmed civil rights protesters. Along with "New Year's Day", the song helped U2 reach a wider listening audience. It was generally well received by critics on the album's release.
"Mothers of the Disappeared" is a song by Irish rock band U2. It is the eleventh and final track on their 1987 album The Joshua Tree. The song was inspired by lead singer Bono's experiences in Nicaragua and El Salvador in July 1986, following U2's participation in the Conspiracy of Hope tour of benefit concerts for Amnesty International. He learned of the Madres de Plaza de Mayo, a group of women whose children had "forcibly disappeared" at the hands of the Argentine and Chilean dictatorships. While in Central America, he met members of COMADRES, a similar organization whose children had been abducted by the government in El Salvador. Bono sympathized with the Madres and COMADRES and wanted to pay tribute to their cause.