Love Is Blindness

Last updated

"Love Is Blindness"
Song by U2
from the album Achtung Baby
Released18 November 1991
RecordedOctober 1990 – September 1991
Studio
Genre Alternative rock
Length4:23
Label Island
Composer(s) U2
Lyricist(s) Bono
Producer(s) Daniel Lanois
Audio sample
"Love Is Blindness"

"Love Is Blindness" is a song by rock band U2, and the twelfth and final track on their 1991 album Achtung Baby . The song was written on piano by lead singer Bono during the recording sessions for U2's 1988 album Rattle and Hum . Originally intending to give the song to singer Nina Simone, the band decided to keep it for Achtung Baby after playing it together. Thematically, the song describes a failing romance, mixing personal themes with imagery of metaphorical acts of terrorism. During the recording sessions for Achtung Baby, guitarist the Edge separated from his wife, Aislinn O'Sullivan. The separation had a major effect on the development of the song; Bono said that the ending guitar solo was a cathartic experience for the Edge, as he snapped several guitar strings during the recording.

Contents

"Love Is Blindness" made its live debut on the group's 1992–1993 Zoo TV Tour and was performed regularly during the tour, appearing in 154 of its 157 concerts. It was commonly played as either the penultimate or closing song; as the penultimate song, it was usually followed by a rendition of the Elvis Presley song "Can't Help Falling in Love". The track was favourably received by critics and has been covered by multiple artists.

Writing, recording, and inspiration

"I was pushing him and pushing him and pushing him, and he played until the strings fell off. Actually, you'll hear strings snapping during the solo towards the end. He was, I think, in tears on the inside, and the outside was just raging."

—Bono on the Edge's solo [1]

"Love Is Blindness" was developed by lead singer Bono during the recording sessions for U2's 1988 album Rattle and Hum . [2] He wrote the song on a piano, which guitarist the Edge said is "not an instrument he is noted for playing." [3] The torch songs of Jacques Brel influenced Bono's songwriting. [2] His initial plan was to send it to Nina Simone, one of his favourite singers, [2] [3] although after playing the song together, the band decided to keep it for themselves. [4] [5] They did not include the song on Rattle and Hum because they believed it was not "U2 enough". [6]

During the recording sessions for Achtung Baby, the Edge separated from his wife, Aislinn O'Sullivan. Reflecting on the impact it had on U2, Bono said, "We're a really tight community. This is not like somebody's, you know, girlfriend's left. We've grown up with these people, this our family, our community. This was really hard for us... It was like the first cracks on the beautiful porcelain jug with those beautiful flowers in it that was our music and our community, starting to go 'crack'." [7] The Edge explained that travelling to Berlin to write and record provided him with an escape from his failing marriage: "I was disappearing into the music for a different reason. It was a refuge in a way. That approach didn't completely work. You know, I wasn't really... in a good positive headspace. I was running away, I suppose." [7] While recording the guitar solo that concludes the song, the Edge "put everything into it, all the feeling, all the hurt, all the angst, everything went into that solo." [7] Bono said, "his whole life came out of him when he played... when we went for the take, one string broke and he just kept playing harder and harder. Another string broke. And he has such a light touch, ordinarily, he's so gentle. All that left him for a kind of rage. And yet there's not one bum note in there." [8] Audio engineer Flood said the "bold, unadulterated, naked [guitar solo] sound was a combination of the part, the moment, a good guitar, a small amp, a simple mic. Edge just got an idea, tried it, and it worked straightaway." [9]

Composition and theme

The Edge (pictured in 1993) separated from his wife during the recording of Achtung Baby. He channeled his painful emotions from that time into his guitar playing on the song. The Edge performing on Zoo TV Tour in Melbourne Nov 13 1993.jpg
The Edge (pictured in 1993) separated from his wife during the recording of Achtung Baby. He channeled his painful emotions from that time into his guitar playing on the song.

"Love Is Blindness" runs for four minutes, 23 seconds. According to Hal Leonard Corporation's sheet music published at Musicnotes.com, it is played in a 6/4 time signature at a tempo of 48 beats per minute in a key of B-flat minor. [10]

The production team gave bassist Adam Clayton's bass a "low end bass throbbing effect", which the Edge described as "a real stroke of genius from the production team." [3] Drummer Larry Mullen, Jr.'s drum pattern was taken from U2's 1987 single "I Still Haven't Found What I'm Looking For" and slowed down. [8] The lyrics "[mix] up the personal and the political." Bono noted that "There was some reference to the little death, which can be taken to mean a faint during orgasm but also works as an image of terrorism." [3] Quoting the lyric "A little death without mourning / No call and no warning / Baby, a dangerous idea / That almost makes sense", he said, "There's nothing more deadly than an idea – or a person – that's almost right. You know, it took the 20th century a hundred years to get over communism. There's another dangerous idea that almost made sense." [3]

"The song has images of terrorism, bomb-building, clockworks and cold steel, parked car. In a personal sense, I have observed the phenomenon of a person planting a kind of landmine that years later they will accidentally tread on and blow their lives to pieces. You can watch people doing it, wilfully getting involved in actions they will pay a very heavy price for later. Trajectory is everything."

—Bono [3]

U2 biographer Bill Flanagan credits Bono's habit of keeping his lyrics "in flux until the last minute" with providing a narrative coherence to the album. [11] Flanagan interpreted Achtung Baby as using the moon as a metaphor for a dark woman seducing the singer away from his virtuous love, the sun; he is tempted away from domestic life by an exciting nightlife and tests how far he can go before returning home. [12] For Flanagan, the final three songs on Achtung Baby—"Ultraviolet (Light My Way)", "Acrobat", and "Love Is Blindness"—are about how the couple deal with the suffering they have forced on each other. [11] Uncut contributor Gavin Martin believed the song contained "images of love, debased or abandoned." [6] He wrote, "With its stark, churchlike organ intro, pulsating bass synth and guitar reverb stretched into a hallucinatory squall, it brilliantly describes the discord and dread that provide a constant undertow to Achtung Baby. And yet, through its alluring sonic palette and wounded but sensual vocal, 'Love Is Blindness' also maps out a search for harmony and salvation". [6]

Author Atara Stein wrote that the song "suggests that love can operate only through a willful self-deception, a voluntary surrender to what one knows is an illusion. The singer begs his lover to 'wrap the night' around him because, as he proclaims, 'I don't want to see.' The singer knows that the image he creates of his loved one is false, but it is the only image that can satisfy him. He must perceive his beloved in idealized terms, so she can reflect back to him the image of himself that he desires to see." [13] Journalist Bill Graham believed the song was a bleak account of a failing romance. [14] Hot Press editor Niall Stokes wrote that the song "takes us back – again – to the shadowy world of deceit, infidelity, and betrayal. It depicts love at the end, the very end, of its tether. It is as bleak and as despairing a view of the world as you're likely to get, reflecting the emotional climate in which the entire album had been made." [2] He noted, "In terms of its mood, 'Love Is Blindness' had the dark, sensual and decadent feel of pre-war Berlin", adding that the lyric "Love is blindness / I don't want to see" was "a desolate acknowledgement of the terrible reality that it is sometimes better not to know." [2]

Reception

"Love Is Blindness" was favourably received by critics. Uncut contributor Gavin Martin rated the song five stars, calling it "rapturous and unsettling." [6] Hot Press editor Niall Stokes said, "its sentiments made it the perfect conclusion to Achtung Baby, describing the Edge's playing as "a mournful, ejaculatory guitar solo, stabbing out thick emotional blues notes that linger and then fall away like tears." [2] Third Way reviewer Roland Howard described it as "haunting and melodic", believing it to be about the loss of virginity. [15] Music journalist Bill Wyman said the Edge's guitar playing on the song sounded like a "dentist's drill". [16] Jon Pareles of The New York Times described it as "a kind of summation", calling it "an elegy that compares love to 'drowning in a deep well' and wishes for it anyway." [17] Geoffrey Himes of The Washington Post wrote that it has "a gospel quality, as swooning synth parts are set against block piano chords, and Bono acknowledges that mismatched lovers will suffer their inevitable fate." [18]

Greg Potter of The Vancouver Sun believed it to be a "dour closer" that was "riddled with images of self-doubt and uncertainty". [19] A critic for the Waterloo Region Record said it was "hardly great U2, but U2 closers have always been anti- climactic." [20] Writing for the Boston Herald, Romandetta called it a "broken-hearted [lament]" that was "gentle" and "subdued". [21] George Varga of The San Diego Union-Tribune said it was one of the most interesting tracks on the albums, calling it a "spare, David Bowie-like [ode] to tormented love". [22] Michael Ross of The Sunday Times and James Healy of The San Diego Union-Tribune lamented that U2 did not include it on the compilation album The Best of 1990–2000 . [23] [24] The Edge called it "a great end to the album and probably one of Bono's finest lyrics." [3] Bono said, "The bass sounds like liquid at the centre of the earth, a kind of molten lava bass sound." Describing the Edge's guitar playing, he said, "It's incredible." [8]

Live performances

"Love Is Blindness" debuted on 29 February 1992 in Lakeland, Florida, on the opening night of the Zoo TV Tour, where it closed the concert. [25] It remained in this position throughout the first and second leg of the tour, with only two concerts concluding with an alternate song – "With or Without You". "Love Is Blindness" was not performed on either of those two occasions. [26] Beginning on the third leg of the tour it was followed by a cover of the Elvis Presley song "Can't Help Falling in Love" and, on one occasion, "Are You Lonesome Tonight?". [27] The song was performed at 154 of 157 concerts on the tour, closing 67 of them. [28] On multiple occasions Bono brought a girl from the audience on to the stage to dance with during the song. [25] [29]

Following the conclusion of the Zoo TV Tour, "Love Is Blindness" went on almost total hiatus from live concerts for many years, only being performed twice over nearly three decades. The first reappearance was on the Elevation Tour; while performing in Calgary, Alberta, on 10 April 2001, Bono sang a few lines from the song at the conclusion of "One". [30] [31] The second reappearance was during a Vertigo Tour concert in Buenos Aires, Argentina, on 1 March 2006, when U2 performed the song spontaneously to conclude the concert. [32] [33] The song made its live return in 2023, as the band played it at all 40 shows of U2:UV Achtung Baby Live at Sphere. The song concluded the main set of the concerts, and during performances the venue LED's screen was mostly a solid blue hue before it began to fill up with the silhouettes of insects until it was nearly blacked out completely. [34]

U2 concert historian Pimm Jal de la Parra called the live rendition "sultry, as the screens show a constellation map, giving the crowd a feeling of floating across the universe by the way it moves, transmitting a mood of distance and loneliness that corresponds with the nature of the song." [25] Mark Lepage of The Gazette described the dance at the conclusion as "an appropriate moment of human contact after almost two hours of uproar." [35] Julie Romandetta of the Boston Herald believed it to be an anticlimactic finish to the concert, calling the song "low-key" and saying "U2 soared for more than 90 minutes, but left with a whimper, instead of a bang." [36] Gary Graff of the Houston Chronicle believed it to be a "moody show-closer". [37] Writing for The Arizona Daily Star , Gene Armstrong called it an "achingly romantic closing tune", describing the Edge's solo as "especially tender". [38]

A live performance of the song appears on Zoo TV: Live from Sydney (1994), [29] and Zoo TV Live (2006). [39] The Zoo TV Live performance is an audio rip of the performance from Zoo TV: Live from Sydney. [39] One performance, recorded on 30 August 1992 in New York City, was included as a B-side on some versions of U2's 1994 single "Stay (Faraway, So Close!)". [40] A video for the song, directed by Matt Mahurin, was included on the 1994 VHS single "Numb". It featured the studio recording set to footage of the Zoo TV Tour. [41] An acoustic performance by the Edge appears in the 2011 documentary From the Sky Down . [7]

Cover versions

"Love Is Blindness" has been covered several times. Cassandra Wilson included it on her 1995 album New Moon Daughter . [42] Dutch band Kane recorded a version for their 2000 album With or Without You . [43] Trespassers William covered it on the 2001 tribute album Even Better Than the Real Thing, [44] and on their 2002 self-released album Different Stars . [45] Sixpence None the Richer recorded a cover for the 2004 benefit album In the Name of Love: Artists United for Africa . [46] The Devlins featuring Sharon Corr included a version on the 2005 tsunami relief album Even Better Than the Real Thing Vol. 3 . [47] Angolan musician Waldemar Bastos recorded a cover for the 2008 album In the Name of Love: Africa Celebrates U2. [48]

A rendition by Jack White appears on the 2011 tribute album AHK-toong BAY-bi Covered , and as the B-side of his own single, "Sixteen Saltines". It was later released as a bonus track on the Japanese edition of White's Blunderbuss album. This cover is also featured on the album The Great Gatsby: Music from Baz Luhrmann's Film . In March 2015, video director DirectorBrazil and choreographer Zach Venegas released a music video using the Jack White rendition's audio track and starring 13-year-old American dancer Chloe Lukasiak (formerly of Dance Moms reality show), as well as brief appearances by other teenage dancers. The video was filmed in Nov. 2014 in Los Angeles and released as part of the Team Chloe Dance Project on Lukasiak's YouTube channel. [49]

In 2013, Jacquie Lee covered the song on the fifth season of The Voice .[ citation needed ] Madi Davis subsequently covered it on the show's ninth season.[ citation needed ]

In 2016, singer Lee-La Baum (of the band The Damn Truth) covered the song for a television commercial for Yves Saint Laurent's Mon Paris. [50]

Personnel

Related Research Articles

<i>Achtung Baby</i> 1991 studio album by U2

Achtung Baby is the seventh studio album by the Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 by Island Records. After criticism of their 1988 release Rattle and Hum, U2 shifted their direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Thematically, Achtung Baby is darker, more introspective, and at times more flippant than their previous work. For his lyrics, lead vocalist Bono was partly inspired by the marital issues of guitarist the Edge.

<i>Zooropa</i> 1993 studio album by U2

Zooropa is the eighth studio album by Irish rock band U2. Produced by Flood, Brian Eno, and the Edge, it was released on 5 July 1993 on Island Records. Inspired by the band's experiences on the Zoo TV Tour, Zooropa expanded on many of the tour's themes of technology and media oversaturation. The record was a continuation of the group's experimentation with alternative rock, electronic dance music, and electronic sound effects that began with their previous album, Achtung Baby, in 1991.

<span class="mw-page-title-main">Where the Streets Have No Name</span> 1987 single by U2

"Where the Streets Have No Name" is a song by Irish rock band U2. It is the opening track from their 1987 album The Joshua Tree and was released as the album's third single in August 1987. The song's hook is a repeating guitar arpeggio using a delay effect, played during the song's introduction and again at the end. Lead vocalist Bono wrote the lyrics in response to the notion that it is possible to identify a person's religion and income based on the street on which they lived, particularly in Belfast. During the band's difficulties recording the song, producer Brian Eno considered erasing the song's tapes to have them start from scratch.

<span class="mw-page-title-main">One (U2 song)</span> 1992 single by U2

"One" is a song by Irish rock band U2. It is the third track from their seventh album, Achtung Baby (1991), and it was released as the record's third single on 24 February 1992. During the album's recording sessions at Hansa Studios in Berlin, conflict arose between the band members over the direction of U2's sound and the quality of their material. Tensions almost prompted the band to break up until they achieved a breakthrough with the improvisation of "One"; the song was written after the band members were inspired by a chord progression that guitarist the Edge was playing in the studio. The lyrics, written by lead singer Bono, were inspired by the band members' fractured relationships and the German reunification. Although the lyrics ostensibly describe "disunity", they have been interpreted in other ways.

<span class="mw-page-title-main">Zoo TV Tour</span> 1992–93 concert tour by U2

The Zoo TV Tour was a worldwide concert tour by rock band U2. Staged primarily to support their 1991 album Achtung Baby along with their subsequent 1993 album Zooropa, the tour visited arenas and stadiums from 1992 to 1993. Intended to mirror the group's new musical direction on Achtung Baby, the Zoo TV Tour departed from the band's previously austere stage setups by providing an elaborately staged multimedia spectacle, satirising television and media oversaturation by attempting to instill "sensory overload" in its audience. To escape their reputation for being earnest and over-serious, U2 embraced a more lighthearted and self-deprecating image on tour. Zoo TV and Achtung Baby were central to the group's 1990s reinvention.

<span class="mw-page-title-main">Beautiful Day</span> 2000 single by U2

"Beautiful Day" is a song by Irish rock band U2. It is the first track on their tenth studio album, All That You Can't Leave Behind (2000), and was released as the album's lead single on 9 October 2000. The song was a commercial success, helping launch the album to multi-platinum status, and is one of U2's biggest hits to date.

<span class="mw-page-title-main">City of Blinding Lights</span> 2005 single by U2

"City of Blinding Lights" is a song by Irish rock band U2. It is the fifth track on their eleventh studio album, How to Dismantle an Atomic Bomb (2004), and was released as the album's fourth single on 6 June 2005. It was produced by Flood, with additional production by Chris Thomas and Jacknife Lee. The song reached number one in Spain, and peaked in the top ten in Canada, Ireland, the United Kingdom, and several other countries. The music video was shot at the General Motors Place in Vancouver, British Columbia, Canada.

<span class="mw-page-title-main">Numb (U2 song)</span> 1993 song by U2

"Numb" is a song by Irish rock band U2. It is the third track from their eighth album, Zooropa (1993), and was released in June 1993 by Island Records and PolyGram as the album's first single. The song features a monotonous mantra of "don't" commands spoken by guitarist the Edge amidst a backdrop of various sound effects and samples. The noisy composition and lyrical concept for "Numb" were inspired by the theme of sensory overload, which had prominently been incorporated into the Zoo TV Tour. Lead singer Bono and drummer Larry Mullen Jr. provided backing vocals on the track.

<span class="mw-page-title-main">Mysterious Ways (song)</span> 1991 single by U2

"Mysterious Ways" is a song by Irish rock band U2. It is the eighth track from their 1991 album, Achtung Baby, and was released as the album's second single on 2 December 1991, two weeks after the album. The song began as an improvisation called "Sick Puppy", with the band liking only the bass part that bassist Adam Clayton composed. The band struggled to build a song from it, with vocalist Bono and producer Daniel Lanois arguing intensely during one songwriting session. The song's breakthrough came after guitarist the Edge began experimenting with the Korg A3 effects unit. "Mysterious Ways" features a danceable beat, funky guitar hook, and conga-laden percussion, as well as mystical lyrics by Bono about romance and women.

<span class="mw-page-title-main">The Fly (U2 song)</span> 1991 single by U2

"The Fly" is a song by Irish rock band U2. It is the seventh track from their 1991 album, Achtung Baby, and it was released as the album's first single on 21 October 1991 by Island Records. "The Fly" introduced a more abrasive-sounding U2, as the song featured danceable hip-hop beats, industrial textures, distorted vocals, and an elaborate guitar solo. Lead vocalist Bono described the song as "the sound of four men chopping down The Joshua Tree", due to its departure from the sound that had traditionally characterised the band in the 1980s.

"Zoo Station" is a song by Irish rock band U2. It is the opening track from their 1991 album Achtung Baby, a record on which the group reinvented themselves musically by incorporating influences from alternative rock, industrial, and electronic dance music. As the album's opening track, "Zoo Station" introduces the band's new sound, delivering industrial-influenced percussion and several layers of distorted guitars and vocals. Similarly, the lyrics suggest the group's new intents and anticipations. The introduction, featuring an "explosion" of percussion and a descending glissando for a guitar hook, was meant to make the listener think the album was mistakenly not U2's latest record or that their music player was broken.

"Until the End of the World" is a song by rock band U2 and the fourth track from their 1991 album Achtung Baby. The song began as a guitar riff composed by lead vocalist Bono from a demo, which the band revisited with success after talking with German filmmaker Wim Wenders about providing music for his film Until the End of the World. The song's lyrics describe a fictional conversation between Jesus Christ and Judas Iscariot. The first verse discusses the Last Supper; the second is about Judas identifying Jesus with a kiss on the cheek in the Garden of Gethsemane; and the final is about Judas' suicide after being overwhelmed with guilt and sadness.

"Ultraviolet (Light My Way)" is a song by Irish rock band U2. It is the tenth track from their seventh studio album Achtung Baby. Ostensibly about love and dependency, the song also lends itself to religious interpretations, with listeners finding allusions to the Book of Job and writers finding spiritual meaning in its invocation of the light spectrum.

<span class="mw-page-title-main">Zooropa (song)</span> 1993 song by U2

"Zooropa" is a song by Irish rock band U2, and is the opening track from their 1993 album of the same name. The song was the result of combining two pieces of music, the first of which was conceived in the studio, and the second of which was a soundcheck recording from one of the group's concert tours that was discovered by guitarist the Edge. The lyrics were written by lead vocalist Bono and describe two characters in a brightly lit city in a futuristic version of European society. Some lyrics in the song were taken directly from advertising slogans, and they also featured the phrase "dream out loud", which has appeared in other U2 media. The song touched on several themes, including moral confusion and the future of European society.

<span class="mw-page-title-main">The Hands That Built America</span> 2002 song by U2

"The Hands That Built America" is a song by Irish rock band U2. It was released on the soundtrack to the film Gangs of New York, and was one of two new songs on the group's The Best of 1990–2000 compilation. It was nominated for Best Original Song at the 75th Academy Awards, but lost to Eminem's "Lose Yourself".

This is a timeline of the history of rock band U2:

<span class="mw-page-title-main">One Tree Hill (song)</span> 1988 single by U2

"One Tree Hill" is a song by Irish rock band U2 and the ninth track on their 1987 album The Joshua Tree. In March 1988, it was released as the fourth single from the album in New Zealand and Australia, while "In God's Country" was released as the fourth single in North America. "One Tree Hill" charted at number one on the New Zealand Singles Chart and was the country's second-most-successful hit of 1988.

"Acrobat" is a song by rock band U2, and is the eleventh track on their 1991 album Achtung Baby. The song developed from a riff created by guitarist the Edge, and is played in a 12
8
time signature
. Lyrically, the song expresses themes of hypocrisy, alienation, and moral confusion. Although "Acrobat" was rehearsed prior to the third leg of the Zoo TV Tour, it had not been performed live until its debut on the Experience + Innocence Tour on 2 May 2018.

<span class="mw-page-title-main">Stay (Faraway, So Close!)</span> 1993 single by U2

"Stay " is a song by Irish rock band U2. It is the fifth track on their eighth album, Zooropa (1993), and it was released as the album's third single on 22 November 1993 by Island Records. The song reached number one in Ireland and reached the top 10 in Australia, Iceland, the United Kingdom, and several other countries. The accompanying music video, directed by Wim Wenders, was shot in Berlin, Germany. The earliest incarnation of the song developed during sessions for the group's 1991 album Achtung Baby. It was written for and inspired by Frank Sinatra and bore his surname as the original working title. An alternative recording was used in the 1993 film Faraway, So Close!, also by Wim Wenders.

"So Cruel" is a song by rock band U2. It is the sixth track on their 1991 album Achtung Baby, concluding side one of the album. The song was written at Elsinore in Dalkey. While audio engineer Flood changed reels to listen to a demo of another song, lead singer Bono began to improvise a song on guitar. The rest of the band quickly joined in, creating the first take of the song. It was developed as an acoustic track, with Flood adding overdubs and additional elements later. Bassist Adam Clayton and Flood noted that the technology in the studio was crucial in transforming the acoustic song into the final mix.

References

Footnotes

  1. Assayas (2005), p. 66
  2. 1 2 3 4 5 6 Stokes (2005), p. 109
  3. 1 2 3 4 5 6 7 McCormick (2006), p. 228
  4. Luerssen (2010), p. 262
  5. Hilburn, Robert (12 September 1993). "U2's Pride (In the Name of Songs): Achtung, Babies: Bono and Edge evaluate one critic's choices for the group's 10 best recordings, from 'I Will Follow' to 'One'". Los Angeles Times . Archived from the original on 10 January 2014. Retrieved 12 October 2011.
  6. 1 2 3 4 Martin, Gavin (April 2009). "Achtung Baby". The Ultimate Music Guide (U2). Uncut: 74–77.
  7. 1 2 3 4 U2, Davis Guggenheim (Director) (2011). From the Sky Down (film). BBC Worldwide Canada. Event occurs at 50:53.
  8. 1 2 3 McCormick (2006), p. 232
  9. Gore, Joe (1 July 1995). "Flood (record producer)". Guitar Player . 29 (7): 49. ISSN   0017-5463.
  10. "U2 – Love Is Blindness – Digital sheet music". Musicnotes.com. Hal Leonard Corporation. Archived from the original on 30 June 2022. Retrieved 12 October 2011.
  11. 1 2 Flanagan (1996), p. 20
  12. Flanagan (1996), p. 187
  13. Richey (1999), p. 271
  14. Graham (2004), p. 45
  15. Howard, Roland (Summer 1992). "U2 – Achtung Baby". Third Way . 15 (6): 42.
  16. Wyman, Bill (19 November 1991). "Music Review: Achtung Baby". Entertainment Weekly . No. 94. Archived from the original on 7 June 2011. Retrieved 12 October 2011.
  17. Pareles, Jon (17 November 1991). "U2 Takes a Turn From the Universal To the Domestic (Page 3)". New York Times . Archived from the original on 14 October 2014. Retrieved 12 October 2011.
  18. Himes, Geoffrey (17 November 1991). "U2's 'Achtung, Baby': Apocalypse and Heartbreak". The Washington Post . p. G6. Archived from the original on 17 October 2014. Retrieved 12 October 2011.
  19. Potter, Greg (21 November 1991). "Achtung Baby: faith and flesh with a kick". The Vancouver Sun . p. 6.
  20. "Achtung, rock fans : U2 hasn't lost its grip on first place". Waterloo Region Record . 28 November 1991. p. C9.
  21. Romandetta, Julie (18 November 1991). "Band returns to its roots with 'Achtung Baby'". Boston Herald. p. 31.
  22. Varga, George (24 November 1991). "Jackson takes some surprising, 'Dangerous' risks with new album - The remade artist is off mark at times". The San Diego Union-Tribune . p. E4.
  23. Ross, Michael (3 November 2002). "For U2, such albums are not just about picking their best songs, they're about reshaping themselves". The Sunday Times . p. Eire 13.
  24. Healy, James (14 November 2002). "B-SIDES 1990-2000 U2 Island". The San Diego Union-Tribune. p. Night&Day 21.
  25. 1 2 3 de la Parra (2003), pp. 140-141
  26. de la Parra (2003), p. 142
  27. de la Parra (2003), p. 162
  28. de la Parra (2003), pp. 140-172
  29. 1 2 U2, David Mallet (Director) (1994). Zoo TV: Live from Sydney (VHS). Island Records.
  30. de la Parra (2003), p. 232
  31. "U2 Calgary, 2001-04-10, Saddledome, Elevation Tour - U2 on tour". U2gigs.com. Retrieved 2024-06-22.
  32. Mühlbradt, Matthias; Axver, André (1 March 2006). "2006-03-01: River Plate Stadium - Buenos Aires, Argentina". U2Gigs.com. Retrieved 12 October 2011.
  33. Cohen, Jonathon (6 January 2007). "From Joshua Trees to Palm Trees". Billboard . Vol. 119, no. 1. p. 17. ISSN   0006-2510.
  34. Willman, Chris (30 September 2023). "U2 Takes to Playing in the Round (the Very, Very Round) at Las Vegas' Sphere With Spectacular Results: Concert Review". Variety . Retrieved 2 October 2023.
  35. Lepage, Mark (24 March 1992). "Headlong U2 raises frenzied roars at Forum; Walls fall between band and fans". The Gazette . p. 1.
  36. Romandetta, Julie (2 March 1992). "U2 makes up for lost time. Fla. fans find what they're looking for". Boston Herald . p. 29.
  37. Graff, Gary (5 April 1992). "It's a zoo! U2 playfully pokes holes in its image with new show". Houston Chronicle . p. 10.
  38. Armstrong, Gene (13 April 1992). "U2 shows its mature, serious side to fans at ASU". The Arizona Daily Star . p. 3E.
  39. 1 2 Zoo TV Live (CD). U2. United Kingdom: Island Records. 2006. U2.com2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  40. Stay (Faraway, So Close!) (CD). U2. Australia: Island Records. 1993. CIDX 578.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  41. Numb (VHS). U2. Australia: Island Records. 1994. 088 162-3.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  42. New Moon Daughter (CD). Cassandra Wilson. United States: Blue Note Records. 1995. CDP 7243 8 37183 2 0.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  43. With or Without You (CD). Kane. Netherlands: BMG Records. 2000. 7432 1 81957 9 2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  44. Even Better Than the Real Thing - A Tribute to U2 (Digipack). Various artists. United States: Delerium Records. 2001. CDMGRAM162.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  45. Different Stars (CD). Trespassers William. United States: Self-release. 2002.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  46. In the Name of Love: Artists United for Africa (CD). Various artists. Canada: Sparrow Records. 2004. 7243 5 83552 2 2 SPD 83552.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  47. Even Better Than the Real Thing Vol. 3 (CD). Various artists. Ireland: RMG Chart Entertainment. 2005. TODAYCD3.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  48. In the Name of Love: Africa Celebrates U2 (CD). Various artists. Canada: Shout! Factory. 2008. 826663-10608.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  49. Chloe Lukasiak (31 March 2015). "Love Is Blindness-Jack White - Chloe Lukasiak - Zack Venegas - Team Chloe Dance Project" . Retrieved 6 April 2018 via YouTube.
  50. "YSL Mon Paris Commercial Song – 2016 'Love Is Blindness' Yves Saint Laurent Advert | Sounds-Familiar - TV Advert Music Songs". sounds-familiar.info. 22 October 2016. Retrieved 2016-10-26.
  51. 1 2 3 Achtung Baby (CD). U2. Canada: Island Records. 1991. 510 347-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)

Bibliography