Carter the Unstoppable Sex Machine | |
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Background information | |
Also known as | Carter USM |
Origin | London, England |
Genres | |
Years active |
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Labels | |
Spinoff of | Jamie Wednesday |
Members | |
Past members |
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Website | carterusm |
Carter the Unstoppable Sex Machine (also known as Carter USM or simply Carter) were an English indie rock band [1] formed in 1987 by singer Jim "Jim Bob" Morrison and guitarist Les "Fruitbat" Carter. [2] They made their name with a distinctive style of power pop, fusing samples, sequenced basses and drum machines with rock 'n' roll guitars and off-beat wordplay-loaded lyrics. They reached the height of their fame in 1992. Over the following years the band took on new members, reaching a six-piece, but struggled to regain their earlier popularity. They initially split up in 1998 after releasing seven albums.
Based in Lambeth in South London, England, Carter and Morrison originally played in an indie band called Jamie Wednesday, which released two singles – "Vote For Love" and "We Three Kings of Orient Aren't". Carter the Unstoppable Sex Machine was formed on Thursday 6 August 1987, [3] when Carter and Morrison were the only band members to turn up for a charity gig at the London Astoria, and went on stage to perform as a duo with backing tapes. [4] The debut single "A Sheltered Life" was released later in 1988 on the Big Cat label, but it was not until the second single "Sheriff Fatman" was released in 1989 that the band began to receive recognition. [2] The song was followed by the album 101 Damnations – a critical account of life south of the River Thames, full of black humour, cynicism, wordplay and puns. [2] The album reached number 29 on the UK Albums Chart.
The band's gigs became well known for a wall of white stage lights that threw off enormous heat and contributed to the sweaty, stage-diving crowd scenes that became part of the band's image. Such scenes are depicted in the video In Bed With Carter, filmed at the Brixton Academy.
In 1991 – having signed to Rough Trade Records – Carter USM released the album 30 Something which, thanks to non-stop touring, entered the UK Albums Chart at number eight. [2] One of the singles released from the album, "Bloodsport for All", an attack on racism and bullying in the army, was released at the start of the Gulf War and consequently banned by the BBC. [2] Spurred on by infamy, Jim Bob and Fruitbat toured Japan, Yugoslavia and the United States (with EMF) and made a second-on-the-bill appearance at the Reading Festival. The band also made its first Top of the Pops appearance with the single "After the Watershed (Early Learning The Hard Way)", a song about child abuse that would become more famous for its subsequent legal battle with The Rolling Stones' publisher over the use of the lyrics "Goodbye Ruby Tuesday" in the chorus. [2] The band also hit the headlines when Fruitbat rugby tackled the children's TV presenter Phillip Schofield in front of millions of television viewers at the Smash Hits Poll Winners Party in 1991.
The demise of Rough Trade records necessitated a change of label, and Carter made the switch to Chrysalis Records to work on their third album. [2] That album, 1992 – The Love Album , went straight to number one in the UK Albums Chart, propelling the band to pop stardom. Also, in 1992, the band headlined the Glastonbury Festival where Fruitbat, annoyed at the shortening of their headline set due to other bands overrunning insulted Michael Eavis and was subsequently banned from the festival forever. The band was unhappy, however, and this came across in the anger and cynicism of their next record, Post Historic Monsters .
In 1994, Carter's friend Wez, from former support band Resque, joined the band on drums and the newly inspired trio played America, Japan and Europe, including a major concert in Croatia which was recorded and later released on video. [2] The recording was also given away as a free live album with Carter's fifth studio LP, Worry Bomb – a punk-pop album with upbeat material such as "Let's Get Tattoos" and slow acoustic songs such as "My Defeatist Attitude".
In 1996, Carter left Chrysalis Records and joined Cooking Vinyl. With Salv from the band S*M*A*S*H on bass, Wez's brother Steve on guitar, and teenager Ben Lambert on keyboards, Carter became a six-piece band. [2]
After signing to Cooking Vinyl they released a mini-album, A World Without Dave , [2] and started their longest ever UK tour. The band then went back to Canada and the U.S. They decided to split shortly after their 10th anniversary, and their final studio album, I Blame The Government , was released in January 1998. Two further albums, Live! and BBC Sessions, were released in the same year, in June and October respectively.
Les Carter currently lives in Folkestone and plays with the band Abdoujaparov and was announced on 27 November 2014 as the new guitarist for Ferocious Dog. He plays bass with Keith TOTP. He is also a former presenter on the Brentwood radio station Phoenix FM, having presented a regular weekly show between 2001 and 2011. James Morrison's projects included the band Jim's Super Stereoworld before moving on to solo albums including Angelstrike! He has also written four books: Goodnight, Jim Bob, detailing his experiences on the road with Carter USM; and three novels – Storage Stories, Driving Jarvis Ham, The Extra Ordinary Life of Frank Derrick, Age 81, and Frank Derrick's Holiday of a Lifetime. He also appeared in Gutted – A Revengers Musical that debuted at the 2010 Edinburgh Fringe Festival.
EMI released Anytime Anyplace Anywhere, a "best of" record featuring tracks from the band's birth until their switch to Cooking Vinyl. This reportedly annoyed the band as they were not consulted or even made aware of the release of the record. In 2004 two new Carter CDs were released: a live album of BBC concerts from the early 1990s, and Brixton Mortars, a compilation album of tracks from their final two studio albums. In 2006, Carter released a new compilation of unreleased tracks and rarities called The Good, The Bad, The Average And Unique . Echoing the earlier Starry Eyed And Bollock Naked , the sleeve features a Volkswagen Beetle – this time a bright green new model convertible. Autumn 2007 saw the release of a band-authorised best of compilation album spanning their entire career on EMI, under the title, You Fat Bastard . The title came from a chant performed by the crowd at gigs. It originated from MC (and lighting man) Jon "Fat" Beast's topless on-stage band introductions. Jon "Fat" Beast died on 27 July 2014. [5]
In 2001 and 2002, Jim Bob and Fruitbat toured as Who's The Daddy Now? The pair's two bands, Jim's Super Stereoworld and Abdoujaparov, would play a set each, after which the pair combined to perform a number of Carter USM songs. On 4 March 2007, almost ten years after the band last performed, Carter USM's original two-man line-up played a set of four songs as part of a gig to celebrate the life of Darren 'Wiz' Brown, former frontman of the Mega City Four, who had died in December 2006. The band had been booked to play acoustically but surprised the audience by playing a traditional electric set at the last moment.
Due to the success of this performance, Carter reunited for two 'farewell' gigs later that year. The first show took place on 2 November 2007 at London's Brixton Academy with support from The Sultans of Ping. Another concert was later arranged, which took place at Glasgow Barrowlands on 20 October 2007. This was recorded for the "Back in Bed With Carter" DVD that contained the whole concert, along with an interview and rehearsal footage. Support at The Barrowlands came from The Frank and Walters and Chris T-T. The reunion celebrated twenty years since the band's foundation and ten years since their split. The gigs were performed as the original two-piece of Fruitbat and Jim Bob.
To coincide with the reunion EMI released a two-CD anthology, You Fat Bastard, compiled by Jim Bob and Fruitbat. The songs were digitally remastered at Abbey Road studios. This was released in conjunction with the majority of their back catalogue (albums and promo videos) being made available digitally for the first time by EMI.
On 6 February 2008, Jim Bob and Fruitbat hinted at the possibility of further Carter USM gigs when they sent an email to members of the band's mailing list. Two dates were then announced for Birmingham Academy and Brixton Academy for 21 and 22 November 2008. Support came from EMF at both gigs. Two further sell out gigs followed in London in November 2009, titled "The Drum Machine Years". Further concerts followed in November 2011, with the band playing Manchester Academy on Friday 18 November and London O2 Academy Brixton on Saturday 19 November.
In February 2012, more reunion concerts were announced, in Leeds O2 Academy on 9 November and London O2 Academy Brixton on Saturday 10 November. EMI also announced re-mastered versions of the albums 30 Something and 1992 – The Love Album to coincide with these concerts. Carter announced in February 2014 that they would play another one-off gig at the Brixton Academy on 22 November that year, billed as the final ever Carter the Unstoppable Sex Machine live show – The Last Tango in Brixton. Due to popular demand, a further date was added at Shepherd's Bush Empire on 21 November.
Year | Title | Chart positions | Certifications (sales thresholds) | ||
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UK [6] [7] | AUS [8] [9] [10] | SWE [11] | |||
1990 | 101 Damnations
| 29 | – | – | |
1991 | 30 Something
| 8 | 138 | – | |
1992 | 1992 – The Love Album
| 1 | 89 | 35 | |
1993 | Post Historic Monsters
| 5 | 128 | – | |
1995 | Worry Bomb
| 9 | – | – | |
1998 | I Blame the Government
| 92 [13] | – | – | |
Year | Title | UK [6] |
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1993 | This Is the Sound of an Eclectic Guitar
| – |
1994 | Starry Eyed and Bollock Naked
| 22 |
1995 | Straw Donkey... The Singles
| 37 |
2005 | The Good, the Bad, the Average and Unique
| – |
2007 | You Fat Bastard
| – |
Year | Title |
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1998 | Sessions
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1999 | Live!
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2009 | The Drum Machine Years
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2014 | The Final Comedown
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Year | Title | UK [6] |
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1997 | A World Without Dave
| 73 |
Release date | |Title | Chart Positions | Album | ||||
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UK [6] | AUS [8] [9] [10] | IRL [14] | US Alt [15] | ||||
1988 | Oct | "A Sheltered Life" | – | – | – | – | — |
1989 | Nov | "Sheriff Fatman" | – | – | – | – | 101 Damnations |
1990 | Jun | "R.u.b.b.i.s.h" | – | – | – | – | — |
Oct | "Anytime Anyplace Anywhere" | 83 | – | – | – | 30 Something | |
1991 | Jan | "Bloodsport for All" | 48 | – | – | – | |
Jun | "Sheriff Fatman" (Reissue) | 23 | – | – | 29 | 101 Damnations | |
Oct | "After the Watershed (Early Learning the Hard Way)" | 11 | 124 | 21 | – | — | |
1992 | Jan | "R.u.b.b.i.s.h" (Reissue) | 14 | – | 13 | – | |
Apr | "The Only Living Boy in New Cross" | 7 | 70 | 18 | 26 | 1992 – The Love Album | |
Jun | "Do Re Me So Far So Good" | 22 | 136 | – | – | ||
Nov | "The Impossible Dream" | 21 | – | – | – | ||
1993 | Aug | "Lean on Me I Won't Fall Over" | 16 | – | – | – | Post Historic Monsters |
Oct | "Lenny and Terence" | 40 | – | – | – | ||
1994 | Feb | "Glam Rock Cops" | 24 | – | – | – | Starry Eyed and Bollock Naked |
Nov | "Let's Get Tattoos" | 30 | – | – | – | Worry Bomb | |
1995 | Jan | "The Young Offender's Mum" | 34 | – | – | – | |
Sep | "Born on the 5th of November" | 35 | – | – | – | Straw Donkey | |
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James Robert Morrison, known as Jim Bob, is a British musician and author. He was the singer of indie punk band Carter the Unstoppable Sex Machine.
Jamie Wednesday were a British 1980s jangle pop band, formed in Streatham, South London in 1984, that released eight songs on three records between 1985 and 1986. Previously they had been called The Ballpoints, and then they became Peter Pan's Playground, later deciding on the name Jamie Wednesday.
Leslie George Carter, known as Fruitbat is an English musician who was a member of Carter the Unstoppable Sex Machine.
Anthony Eric James is an English pop musician and record producer, who was the bassist for the 1970s–1980s bands Generation X, Sigue Sigue Sputnik and the Sisters of Mercy.
"We Care a Lot" is a song by American rock band Faith No More. There are three versions of the song, all of which have been officially released over three different albums. The original was recorded for and released on the band's first studio album, We Care a Lot. A re-recorded version, with new lyrics, was included on the album Introduce Yourself and was the lead single, reaching number 53 on the UK Singles Chart. The live version, without original singer Chuck Mosley, was included on the live album and video Live at the Brixton Academy and was also released as a single in 1991. It was the second most frequently-played song during the band's live performances, behind "Epic". "We Care a Lot" featured different lyrics and ad-libs when performed by Mike Patton, much like performances of "Chinese Arithmetic".
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I Blame the Government is the final studio album by Carter the Unstoppable Sex Machine. It was released on Cooking Vinyl Records in 1998, and reached #92 on the UK charts.
A World Without Dave is an EP by Carter the Unstoppable Sex Machine. It was the group's only EP release of original material and was their first release after signing for Cooking Vinyl in 1997.
30 Something is the second album by Carter the Unstoppable Sex Machine, released in 1991 on Rough Trade Records. It was recorded in 20 days on 8-track, costing only £4,000. The album was given a 10/10 review in NME, which described 30 Something as a "brilliant, bold record". It was prefaced with a single "Anytime Anyplace Anywhere", which was a major indie hit and also included on the album.
Post Historic Monsters is the fourth album by Carter the Unstoppable Sex Machine. It reached No. 5 on the UK Charts becoming the band's second highest album after 1992 - The Love Album which reached No. 1. The album featured two singles "Lean On Me I Won't Fall Over", which reached No. 16 on the UK charts, and "Lenny And Terence," which reached number 40. The band recorded the album with co-producer and engineer Simon Painter and worked in a much more spontaneous approach than before, to an extent that even saw the band crafting songs from accidental pieces.
1992 – The Love Album is an album by English band Carter the Unstoppable Sex Machine. Released on Chrysalis Records, following the demise of Rough Trade Records, the album achieved commercial success and became the band's first and only Number 1 album on the UK Albums Chart. It also contained their only Top 10 hit, "The Only Living Boy in New Cross", which reached No. 7 on the UK Singles Chart. The album also included two further singles, "Do Re Me So Far So Good" and "The Impossible Dream". An earlier single, "After the Watershed" was originally planned to be included on the album, but due to an injunction from the publishers of The Rolling Stones over a line in the lyrics quoted from their single "Ruby Tuesday"), the band had to credit the composition to Morrison / Carter / Richards / Jagger. It was omitted from the album as they would otherwise have had to forgo publishing royalties for every copy of the album sold.
Subliminal Girls are a London based pop punk/disco band.
Starry Eyed and Bollock Naked was the first b-side collection by Carter the Unstoppable Sex Machine. It was released in March 1994 and reached 22nd place on the UK charts. The album artwork features an orange Volkswagen Beetle which belonged to Jim Bob at the time of release.
Worry Bomb is the fifth studio album by English indie rock band Carter the Unstoppable Sex Machine, released in 1995. It reached number nine on the UK Albums Chart. It included a limited-edition CD of the live show Doma Sportova...Live at Zagreb, recorded on 20 May 1994.
In a Big Flash Car on a Saturday Night is a solo album by the former Carter USM singer/guitarist Jim Bob, released with the "Jim's Super Stereoworld" nickname in 2002. A fellow Carter USM member, Fruitbat, is credited in the album's liner notes as shouting on "Big Flash Car" and "Heads Will Rock".
101 Damnations is the debut studio album by English rock band Carter the Unstoppable Sex Machine, released on 15 January 1990 through Big Cat Records. After playing in different bands, James Robert "Jim Bob" Morrison and Les "Fruitbat" Carter formed Bob and played their first show in August 1987, before changing the name to Carter the Unstoppable Sex Machine. Over the next year, they played various shows across London before signing to Big Cat; with shows further north of the city in early 1989, a fanbase started building. The duo recorded their debut album with producer Simon Painter at Important Notice Studios, which was a garage on Painter's property, in Mitcham, South London. 101 Damnations is a punk rock and glam rock album that merges the styles of David Bowie and Pet Shop Boys, alongside loud guitars, drum machines and samples taken from films and TV shows.
"After the Watershed" is a 1991 single by Carter the Unstoppable Sex Machine. Although never featured on any original album by the band, it is included on several later compilations.