This article needs additional citations for verification .(July 2020) |
I Blame the Government | ||||
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Studio album by | ||||
Released | January 1998 | |||
Recorded | 1997 | |||
Genre | Alternative dance, alternative rock | |||
Label | Cooking Vinyl | |||
Producer | Carter the Unstoppable Sex Machine and Simon Painter | |||
Carter the Unstoppable Sex Machine chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
NME | 3/10 [2] |
I Blame the Government is the final studio album by Carter the Unstoppable Sex Machine. [3] [4] It was released on Cooking Vinyl Records in 1998, and reached #92 on the UK charts. [5]
It was originally conceived as a double album, but Carter guitarist Les "Fruitbat" Carter felt double albums were a chore in general to listen through from start to finish, so the plan was scrapped. The album was recorded with a seven-member line-up rather than just a two-member line-up which they had used on their early recordings. Many of the songs released on the album were demo versions, recorded in Fruitbat’s home studio and not final studio recordings, as the band had split up before they had completed work on the album.[ citation needed ] Carter decided not to scrap the material but rather to release it as it stood.
It is the only Carter album not to see any singles released from it, although Fruitbat has stated that he felt there were a couple of songs that could have been singles had the band not split before its release.[ citation needed ]
Dave Thompson, in Alternative Rock, wrote that "the lyrics once again shine with punchy wit and the frantically guitar-driven music recaptures their old madcap pop flair." [6]
All songs written by Morrison/Carter
The album was produced by Carter USM and Simon Painter. It was recorded at Notice Studios, House In The Woods and at Chateau Fruitbat.
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1992 – The Love Album is an album by English band Carter the Unstoppable Sex Machine. Released on Chrysalis Records, following the demise of Rough Trade Records, the album achieved commercial success and became the band's first and only Number 1 album on the UK Albums Chart. It also contained their only Top 10 hit, "The Only Living Boy in New Cross", which reached No. 7 on the UK Singles Chart. The album also included two further singles, "Do Re Me So Far So Good" and "The Impossible Dream". An earlier single, "After the Watershed" was originally planned to be included on the album, but due to an injunction from the publishers of The Rolling Stones over a line in the lyrics quoted from their single "Ruby Tuesday"), the band had to credit the composition to Morrison / Carter / Richards / Jagger. It was omitted from the album as they would otherwise have had to forgo publishing royalties for every copy of the album sold.
Starry Eyed and Bollock Naked was the first b-side collection by Carter the Unstoppable Sex Machine. It was released in March 1994 and reached 22nd place on the UK charts. The album artwork features an orange Volkswagen Beetle which belonged to Jim Bob at the time of release.
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101 Damnations is the debut studio album by English rock band Carter the Unstoppable Sex Machine, released on 15 January 1990 through Big Cat Records. After playing in different bands, James Robert "Jim Bob" Morrison and Les "Fruitbat" Carter formed Bob and played their first show in August 1987, before changing the name to Carter the Unstoppable Sex Machine. Over the next year, they played various shows across London before signing to Big Cat; with shows further north of the city in early 1989, a fanbase started building. The duo recorded their debut album with producer Simon Painter at Important Notice Studios, which was a garage on Painter's property, in Mitcham, South London. 101 Damnations is a punk rock and glam rock album that merges the styles of David Bowie and Pet Shop Boys, alongside loud guitars, drum machines and samples taken from films and TV shows.
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