Dead Winter Dead is the ninth studio album by the American heavy metal band Savatage, released in 1995. It is a concept album, that tells a story from the perspectives of a Serb boy, a Bosniak girl and an old man. The story of the album is set during the Bosnian War, which was ongoing at the time.[2]
Dead Winter Dead marked the first Savatage album to feature guitarist Chris Caffery, who had been an occasional and touring member of the band since 1987, but had become an official permanent member by the time the album was recorded. Alex Skolnick, who had played guitars on Savatage's previous album Handful of Rain, opted not to stay around for the next album in order to concentrate on his solo band. Singer Jon Oliva took drummer Jeff Plate from the Handful of Rain tour, and brought in his old friend Caffery, former member and Doctor Butcher member to join the band. Atlantic Records also felt that the band needed a second, more well-known guitarist to complete the line-up. Al Pitrelli, formerly a member of Alice Cooper's touring band, became the co-lead guitarist for the band.[2]
This record gave the band an unexpected radio hit in "Christmas Eve (Sarajevo 12/24)", and the band decided they wanted to explore this kind of music in a different way. Around this time, Paul O'Neill, along with Robert Kinkel, was interested in starting up what became the Trans-Siberian Orchestra. It was later re-released by TSO as "Christmas Eve/Sarajevo 1994" on their first release, Christmas Eve and Other Stories.
The track "Mozart and Madness" quotes directly from the opening theme of Mozart's Symphony No. 25, and was re-recorded as "Mozart and Memories" as released on the later TSO album "Night Castle"; whilst "Memory" quotes directly from the fourth movement of Beethoven's 9th symphony ("Ode to Joy").
Story
In the Bosnian capital of Sarajevo, there is a town square surrounded by buildings that were constructed during the Middle Ages. The square has a beautiful stone fountain at its center and at one corner there is a thousand year old church with a gargoyle carved into its belfry. This gargoyle, for the last thousand years, has spent all his time trying to comprehend the human emotions of laughter and sorrow, but even after a millennium of contemplation, these most curious of human attributes remain a total mystery to him. Our story begins in the year of 1990; the Berlin Wall has just fallen, communism has collapsed and for the first time since the Roman Empire, Yugoslavia finds itself a free nation. Serdjan Aleskovic cannot believe his good fortune to be alive and young at such a moment. The future and the happiness of all seem assured in what must surely be "the best of times" ("Sarajevo", "This Is the Time").
However, even as Serdjan celebrates with his fellow countrymen, there are little men with little minds who are already busy sowing the seeds of hate between neighbors. Young and impressionable Serdjan joins some of his friends in a Serbian Militia Unit and eventually finds himself in the hills outside of Sarajevo firing mortar shells nightly in the city ("I Am"). Meanwhile, in Sarajevo itself, Katrina Brasic, a young Muslim girl, finds herself buying weapons from a group of arms merchants and then joining her comrades firing in the hills around the city ("Starlight", "Doesn't Matter Anyway").
The years pass by and it is now late November 1994. An old man who had left Yugoslavia many decades before, has now returned to the city of his birth, only to find it in ruins. As the season's first snowfall begins, he stands in the town square, looks toward the heavens and explains that when the Yugoslavians prayed for change, this is not what they intended ("This Isn't What We Meant").
As the old man finishes his prayer, the sun begins to set and the first shells of the evening's artillery barrage are starting to arc overhead. But instead of heading for the shelters with the rest of the civilians, he climbs atop the rubble that used to be the fountain and taking out his cello, starts to play Mozart as the shells explode around him. From this night forward he would repeat this ritual every evening. And every evening Serdjan and Katrina each find themselves listening to the thoughts of Mozart and Beethoven as they drift between the explosions across no man's land ("Mozart and Madness", "Memory").
Though the winter does its best to cover the landscape with a blanket of temporary innocence, the war only escalates in violence and brutality ("Dead Winter Dead"). One day in late December, Serdjan on a patrol in Sarajevo, comes across a schoolyard where a recent exploding shell has left the ground littered with the bodies of young children. It is one thing to drop shells into a mortar and quite another to see where they land. Long after Serdjan returns to his own lines, he cannot get the faces of the children out of his mind. Realizing that what he has been participating in is not the glorious nation building that their leaders had described, but rather a path to mutual oblivion, he decides right then and there that he can no longer be a part of this, that you cannot build a future on the bodies of others. At the first opportunity, he resolves that he will desert ("One Child").
Sitting in his bunker on December 24, he listens to the sounds of Christmas carols from the old cello player mingling with the sounds of war. Katrina, on the other side of the battlefield, is also listening. It had just stopped snowing and the clouds had given way to reveal a beautiful star-filled sky when suddenly the cellos player's music abruptly ceases. Fearing the worst, Serdjan and Katrina both do something quite foolish and from their respectives sides, start to make their ways across no man's land toward the town square. Arriving at exactly the same moment, they see one another. Instinctively realizing that they are both there for the same reason, they do not start to fight, but instead, together walk slowly to the fountain. There they find the old man lying dead in the snow, his face covered with blood, his cello lying smashed and broken at his side ("Christmas Eve (Sarajevo 12/24)").
Then without warning, a single drop of liquid falls from the cloudless sky, wiping some of the blood off the old man's cheek. Serdjan looks up, but he can see nothing except the stone gargoyle high up on the church belfry. Overcome by what he has seen this night, he decides that he must leave this war immediately. Turning to the Muslim girl he asks her to come with him, but now all she sees is his Serbian uniform. Pouring out his feelings, he explains that he is not what she thinks that he is. Eventually winning her to his side, they leave the night together ("Not What You See").[3]
In a contemporary review, Matthias Breusch of Rock Hard magazine remarked how the album is the band's "most significant move so far in the direction of classical-symphonic bombast compositions" with "piano and string arrangements (...) omnipresent", even if "dedicated fans" would miss the "fine line between genius and madness, on which the interaction of the two Oliva brothers up to and including Edge of Thorns has driven every Savatage album." He judged "the instrumentals 'Overture: Sarajevo', 'Mozart and Madness' and 'Christmas Eve'" and the quieter numbers, "like the exquisite 'This Is Not What We Meant', 'Now What You See', 'This Is the Time' or 'One Child'", the true highlights of the album, while he considered the title track "somewhat lethargic" and the uptempo songs "mediocre".[7]
Modern reviews are positive. AllMusic reviewer wrote that "Savatage have built upon the musical ground of Handful of Rain with grand but heavy arrangements of theatrical and complex pieces", resulting in "something that could appear in many a Broadway show" and with the music nicely capturing "the wide range of emotion that the narrative calls for."[4] In fact, Sputnikmusic reviewer declared that "Dead Winter Dead really feels like a sort of heavier, more vocally-driven first Trans-Siberian Orchestra album", but also "true to metal form with plenty of aggressive vocals and fast, heavy riffs" establishing "war as the predominant atmosphere."[8]Martin Popoff in his review for The Collector's Guide to Heavy Metal wrote that Dead Winter Dead is simply "a great piece of theatre, elegant, expressive, guitar-driven storytelling of the highest order", making "one of the most forceful concept records going, not so much sad as it might have been, but imposing."[5]
Trans-Siberian Orchestra (TSO) is an American heavy metal band founded in 1996 by producer, composer, and lyricist Paul O'Neill, who brought together Jon Oliva and Al Pitrelli and keyboardist and co-producer Robert Kinkel to form the core of the creative team. The band gained in popularity when they began touring in 1999 after completing their second album, The Christmas Attic, the year previous. In 2007, The Washington Post referred to them as "an arena-rock juggernaut" and described their music as "Pink Floyd meets Yes and the Who at Radio City Music Hall." TSO has sold more than 10 million concert tickets and over 10 million albums. The band has released a series of rock operas: Christmas Eve and Other Stories, The Christmas Attic, Beethoven's Last Night, The Lost Christmas Eve, their two-disc Night Castle and Letters From the Labyrinth. Trans-Siberian Orchestra is also known for their extensive charity work and elaborate concerts, which include a string section, a light show, lasers, moving trusses, video screens, and effects synchronized to music.
Hall of the Mountain King is the fourth studio album by the American heavy metal band Savatage, released in 1987 under the direction of producer Paul O'Neill. It is their first album produced by O'Neill, who was assigned to the band after the tour in support of Fight for the Rock. O'Neill's influence pushed Savatage to adopt a conceptual progressive metal style beginning with this album.
Edge of Thorns is the seventh studio album by the American heavy metal band Savatage, released on April 2, 1993, by Atlantic Records. It was the last Savatage album to feature guitarist Criss Oliva, who died six months after its release, and their first release with Zachary Stevens on lead vocals, following the departure of Jon Oliva from his role as singer in Savatage, although he did produce and write songs for the album.
Streets: A Rock Opera is the sixth studio album by the American heavy metal band Savatage and is a rock opera dealing with the rise and fall of the fictional musician DT Jesus. It was originally released in October 1991 on Atlantic Records. The album took almost a year to record, with pre-production beginning in October 1990. It was also Jon Oliva's last album as lead vocalist until 1995's Dead Winter Dead and 1997's The Wake of Magellan, where he shared lead vocal duties with Zak Stevens. He resumed lead vocal duties exclusively on 2001's Poets and Madmen.
Savatage is an American heavy metal band founded by brothers Jon and Criss Oliva in 1979 in Tarpon Springs, Florida. The band was first called Avatar, but, shortly before the release of their debut album Sirens (1983), they changed their name to Savatage, as Avatar was already taken by at least one other band. Savatage is considered to be an integral part of the American heavy metal movement of the early-to-mid-1980s and has been cited as a key influence on numerous heavy metal subgenres.
The Wake of Magellan is the tenth studio album released by the American heavy metal band Savatage. The album was released in September 1997 in Europe and Japan, and in April 1998 in the US.
Poets and Madmen is the eleventh studio album by American heavy metal band Savatage, released in 2001. It was their last album before their 12-year hiatus, which lasted from 2002 to 2014. The album has a loose concept inspired by the career and death of journalist Kevin Carter, but has much less narrative in the lyrics than the previous two rock operas penned by Paul O'Neill. Everything said in the album is fiction, except with regards to what is sung about Carter. The album is also noted as it is the only Savatage album to not feature a title song from the album, although the title was taken from lyrics to the track "Symmetry" from the band's 1994 album, Handful of Rain.
Handful of Rain is the eighth studio album by American heavy metal band Savatage, released in 1994. This is the first album since the death of the band's founding member and lead guitarist Criss Oliva. who had contributed to writing on its songs "Taunting Cobras" and "Nothing's Going On" before his death.
Jeff Plate is an American professional hard rock/heavy metal drummer. He plays with the group Trans-Siberian Orchestra. He is best known as drummer for American heavy metal band Savatage on their albums since Japan Live '94, and was also a member of Metal Church from 2006 to their break up in 2009 and again from their reunion in 2012 to 2017.
John Nicholas "Jon" Oliva is an American singer and musician. He is best known as the co-founder, keyboardist and lead vocalist of the heavy metal band Savatage, which he co-founded with his younger brother Criss Oliva. Since 1996 he has also been a songwriter, musician and vocalist in Trans-Siberian Orchestra. Producer Paul O'Neill referred to Oliva in numerous interviews as the single greatest vocalist/musician he has ever worked with.
Robert Kinkel is an American professional session keyboardist and music engineer most known for his role as a co-creator/co-producer/co-composer and touring keyboardist with Trans-Siberian Orchestra along with extensive studio work with the progressive metal band Savatage. He attended Hamilton College and graduated with a Bachelor of Arts in music with a minor in physics.
Christopher Michael Oliva was an American musician who was the lead guitarist and co-founder of the heavy metal band Savatage. During his lifetime, he released seven studio albums and one EP with the band.
"Christmas Eve/Sarajevo 12/24" is an instrumental medley of "God Rest Ye Merry, Gentlemen" and "Shchedryk", first released on the Savatage album Dead Winter Dead in 1995 as "Christmas Eve ." It was re-released by the Trans-Siberian Orchestra, a side project of several Savatage members, on their 1996 debut album Christmas Eve and Other Stories. The piece describes a lone cello player playing a forgotten Christmas carol in war-torn Sarajevo.
Johnny Lee Middleton is an American musician, best known as the bass guitarist for the heavy metal bands Savatage and Trans-Siberian Orchestra.
Zachary Trussell, known professionally as Zachary "Zak" Stevens, is an American singer, best known as the second lead vocalist of the heavy metal band Savatage. He currently performs with the heavy metal band Circle II Circle. Stevens also has a degree in psychology but is not, as is often reported, a licensed, practicing psychologist.
The Christmas Attic is the second studio album by the American rock band Trans-Siberian Orchestra, released in 1998. The cover art is by Edgar Jerins.
Christopher Caffery is an American heavy metal guitarist, best known for his work as a member of Savatage and the Trans-Siberian Orchestra. Caffery has been releasing solo records singing and playing guitar for almost 20 years, releasing nine albums and many singles since 2004.
Paul O'Neill was an American composer, lyricist, record producer, and guitarist. He was the producer of the progressive metal band Savatage, and the founder of the rock band Trans-Siberian Orchestra.
Doctor Butcher was a side project involving Jon Oliva and Chris Caffery of Savatage which released one major self-titled studio album in 1994. The original album title, A Living Hell, was changed at the last minute.
References
↑ One Child (CD single sleeve). Savatage. Hamburg, Germany: Concrete Records. 1996. 0086715CTR.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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