"Everybody Wants to Rule the World" | ||||
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Single by Tears for Fears | ||||
from the album Songs from the Big Chair | ||||
B-side | "Pharaohs" | |||
Released | 18 March 1985 [1] | |||
Studio | The Wool Hall (Beckington, Somerset, England) | |||
Genre | ||||
Length |
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Label | ||||
Songwriter(s) | ||||
Producer(s) | Chris Hughes | |||
Tears for Fears singles chronology | ||||
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Music video | ||||
"Everybody Wants to Rule the World" on YouTube |
"Everybody Wants to Rule the World" is a song by English pop rock band Tears for Fears from their second studio album Songs from the Big Chair (1985). It was written by Roland Orzabal, Ian Stanley, and Chris Hughes and produced by Hughes. It was released on 18 March 1985 by Phonogram, Mercury, and Vertigo Records as the third single from the album. "Everybody Wants to Rule the World" is a new wave and synth-pop song with lyrics that detail the desire humans have for control and power and centre on themes of corruption.
An international success, the song peaked at number two in Ireland, Australia, and the United Kingdom and at number one in Canada, New Zealand, and on both the US Billboard Hot 100 and Cashbox . It was certified gold by both Music Canada (MC) and the British Phonographic Industry (BPI). Retrospectively, music critics have praised "Everybody Wants to Rule the World", with some ranking the song among the decade's best. Along with "Shout" (1984), it is one of the band's signature songs.
A music video received promotion from MTV. In 1986, the song won Best Single at the Brit Awards, and was re-recorded by the band as a charity single for the Sport Aid campaign the same year. "Everybody Wants to Rule the World" has been covered extensively since its release, most notably by New Zealand singer Lorde for the soundtrack to the film adaptation of The Hunger Games: Catching Fire .
"Everybody Wants to Rule the World" was written by Roland Orzabal, Ian Stanley and Chris Hughes, and produced by Hughes. The song was a "last-minute" addition during recording sessions of Songs from the Big Chair (1985). The decision to include the song in the album came after Orzabal played two chords on his acoustic guitar for Hughes. [2] It was recorded in two weeks and added as the final track on the album. According to Orzabal, the final line in the song's chorus, originally written as "Everybody wants to go to war", contributed to his indifference towards the track. [3]
In an interview with Mix magazine, Hughes said that "as a piece of recording history, [the song is] bland as hell". [4] Orzabal's unimpressed reaction to the track during their songwriting sessions prompted Hughes to convince him to record it, in a calculated effort to garner American chart success. After completing their sessions at 6 p.m., they would spend an hour reviewing each recording many times; this helped Orzabal to create the song's guitar figure and change its title. [5] Orzabal acknowledged that the shuffle beat used in the song was "alien" to their way of writing music, stating it was "jolly rather than square and rigid in the manner of "Shout", but it continued the process of becoming more extrovert." Curt Smith, the song's lead singer, said the themes were "quite serious – it's about everybody wanting power, about warfare and the misery it causes." [6]
"Everybody Wants to Rule the World" was first released on 22 March 1985 [1] through Phonogram, Mercury and Vertigo Records as the third single from Songs from the Big Chair. [7] The song was released for sale (as a 7-inch, [8] 10-inch [9] and 12-inch [10] vinyl set) which included its B-side, interviews from the band and different versions of the song. [11] To accommodate the vinyl release, a CD video set was also distributed and included the song's music video along with audios of bonus tracks. [12] [13]
"Everybody Wants to Rule the World" is a new wave [14] [15] and synth-pop song. [16] The song is set in the key of D major [17] with a 12
8 time signature and a tempo of 112 beats per minute. [18] The band stated that the driving shuffle rhythm was influenced by Simple Minds' 1983 song "Waterfront", [19] and Linx's 1981 song "Throw Away the Key". [5] "Everybody Wants to Rule the World" incorporates synthesizers, [2] guitar, [2] a shuffle groove, [20] two guitar solos, [21] and keyboards. [22]
According to Joe Strummer (of The Clash) in a 1988 interview, he was in a restaurant and saw Orzabal, whereupon he told him that "you owe me a fiver", explaining that the title of "Everybody Wants to Rule the World" was an exact lift of the first line of the middle eight in "Charlie Don't Surf". According to Strummer, Orzabal simply reached into his pocket and gave him a five pound note, confirming that this had been the case. [23] [24] The song's lyrics detail the desire humans have for control and power. [25] [26] In 2017, Tal Rosenberg of Pitchfork stated that its lyrics could be applied in different scenarios such as the environment ("Turn your back on mother nature"), short-lived financial success ("Help me make the most of freedom and of pleasure/Nothing ever lasts forever"), dictatorial rule ("Even while we sleep/We will find you"), and the Cold War ("Holding hands while the walls come tumbling down"). [2]
The song's lyrics have elicited different political interpretations. A writer for The Economist called the track "a Cold War anthem" and noted its "timeless message", stating that "the song's lyrics speak to the anxieties of every age". [27] Marc Ambinder from The Atlantic used the lyrics "Say that you'll never, never, never need it / One headline, why believe it? / Everybody wants to rule the world" in his article about the United States government's use of "original classified authority" and the abuse of power between the branches of government. [28] Dominic Pino of National Review described the track as a "conservative pop song", noting the lyrics' tension between "personal ambition" and "channeling that personal ambition to good ends", comparing these themes to James Madison's concerns about private interest in the Federalist Papers. [29] Curt Smith challenged this interpretation. [30]
Tears for Fears revisited the song and its message in a 2017 interview with Yahoo! Music, stating that the song's themes were still "just as poignant" as they were when they first wrote it. [31] They mentioned that they discussed the Cold War with "Everybody Wants to Rule the World" and Songs from the Big Chair but that was the "U.S. and Russia then, and now the concern is more with the U.S. and [North] Korea." [31]
Consequence of Sound editor Michael Roffman praised the group for being able to produce a "timeless and influential composition" with minimal effort. Roffman also noted that "Everybody Wants to Rule the World" was appropriate when it was first released, calling it a "meditative commentary on an era that was so corrupt economically and spiritually." [25] AllMusic's Stanton Swihart expressed in his retrospective review that the group "perfectly captured the zeitgeist of the mid-'80s while impossibly managing to also create a dreamy, timeless pop classic." [32] Pitchfork called it a song with "near-universal appeal", as well as a staple for "classic-rock radio, pharmacies, bars, and parties". [2] In their review for the best albums of the 1980s, Eric Henderson from Slant Magazine stated that the song "seems like one of the great indictments of the materialism and false triumphalism of the decade." [33]
"Everybody Wants to Rule the World" was voted the 25th best single in The Village Voice's Pazz & Jop critics' poll for 1985 with 17 points, sharing the spot with Tom Petty and the Heartbreakers' "Don't Come Around Here No More" (1985) and Sade's "Smooth Operator" (1984). [34] Pitchfork placed the song at number 82 on their list for the best songs of the 80s expressing that "underneath the synth-pop sheen, its vague message" and its lesson in how power-driven society could be, the song was able to reach "Reagan and Margaret-era youth fed up with political greed". [26] Kevin Korber from Spectrum Culture ranked the song at 24 on his 80s decade list, calling the song a "testament to how much of a free-for-all the pop landscape was in the 1980s". Korber dismissed the song's vague lyrics but praised its complex melodic structure, saying it was "both the perfect representation of its time and a timeless composition". [35] Treble included the song at number 49 on their decade list. [36] In 2021, Rolling Stone ranked the song at number 319 in their updated list of the 500 Greatest Songs of All Time. [37]
In 1986, the song won "Best Single" at the Brit Awards. Band member and co-writer Roland Orzabal argued that the song deserved to win the Ivor Novello International Hit of the Year award, claiming that the winner—"19" by Paul Hardcastle—was not an actual song, but only a "dialogue collage". [38] In 2015, 30 years after its release, the song was honoured at the annual BMI Awards in London for achieving 6 million radio airplays. [39] "Everybody Wants to Rule the World" is regarded as the group's signature song, along with "Shout" (1984). [40]
"Everybody Wants to Rule the World" was banned for broadcast by the BBC for the duration of the first Gulf War (2 August 1990 –28 February 1991) due to the song's political themes. [41]
In the United Kingdom, "Everybody Wants to Rule the World" debuted at number 16 on the UK Singles Chart, in the issue dated 24 March 1985. [42] On the week of 14 April 1985, the song peaked at number two, where it stayed for an additional week, both times being blocked from the top spot by "We Are the World" by USA for Africa. [43] "Everybody Wants to Rule the World" received a quadruple platinum certification by the British Phonographic Industry (BPI) on 18 October 2024 for 2,400,000 sales [44] and re-entered the UK Singles Chart in 2022 and 2023. In addition, as of May 2023, is the 12th most streamed song from the 1970s, 1980s, and 1990s by British artists in the United Kingdom. [45] The song peaked at number three in Belgium, [46] and at number two in both the Netherlands and Ireland. [47] [48]
In the United States, "Everybody Wants to Rule the World" debuted at number 70 on the Billboard Hot 100 in the issue dated 16 March 1985. [49] On the week of 27 April 1985, the song rose to number 18. [50] On the week of 8 June 1985, the song moved 2–1, replacing Wham!'s "Everything She Wants" (1984) as the number one on the chart; [51] it would spend a total of two weeks in this position. The song was a commercial success in other American markets, peaking at number two on the Adult Contemporary and Top Rock Tracks and charting at number one on the Hot Dance Club Play, [52] Hot Dance Music/Maxi-Singles Sales, [52] and Cash Box charts. [53] It ranks as the 345th best-charting single of all time in the United States. [54] In Canada, the song reached the number one spot, [55] earning a gold certification from Music Canada (MC) for 40,000 sales shipments on 1 May 1985. [56]
In Australia, the song reached the number two position. [57] On the report dated 19 May 1985, the song debuted at number four on the New Zealand Top 40 Singles chart; it would later peak at number one. [58] It was certified Gold by the Recorded Music NZ (RMNZ) for sales of 10,000. [59]
"Pharaohs" is the B-side to the "Everybody Wants to Rule the World" single. It samples a recording of BBC Radio 4 announcer Brian Perkins reading the Shipping Forecast for the North Sea region of the United Kingdom. [60] The title of the song has an identical enunciation to the Faroe Islands ("Faroes"), one of the places referenced in the forecast. Orzabal, Ian Stanley, Curt Smith and Hughes share writing credits. [61] "Pharaohs" is included on the Groove Armada compilation album Back to Mine (2000). [62] Chris Hughes wrote about the song in the liner notes of Saturnine Martial & Lunatic (1996), saying:
No matter how horrifying the conditions may really be, the voice reading the shipping forecast is deliberately calm and relaxed. Recorded at the Wool Hall for the B-side of 'Everybody' in a calm and relaxed way. [61]
"Pharaohs" shipping forecast read by Brian Perkins:
There are warnings of gales in Viking, Forties, Cromarty, Forth, Fisher, Dover, Wight, Portland, Plymouth, Finisterre, Sole, Lundy, Fastnet, Shannon, Rockall, Malin, Hebrides, Bailey, Fair Isle, Faroes and Southeast Iceland.
The general synopsis at one eight double-O: low just north of Viking, nine double-seven, moving steadily east-northeast.
Low 300 miles south of Iceland. Atlantic low forming, moving steadily northeast.
A ridge of high pressure has swayed between North and South Utsire. The area forecast for the next twenty-four hours. Viking, Forties, Cromarty, Forth. [61]
The video for "Everybody Wants to Rule the World" was directed by Nigel Dick. It was filmed in Los Angeles, Desert Hot Springs, Palm Springs, and Cabazon, California. [63] [64] Curt Smith admitted to Pitchfork that the video shoot was a "disaster"; Dick was "in tears" on the second night of shooting. [63] Smith also mentioned that there was an accident while filming the "dirt bikes and four-wheel [ sic ] off-road vehicles" scene, with one child flying out of a vehicle and smashing his head, leaving him unconscious. [63]
The video begins with Smith driving a vintage Austin-Healey 3000 sports car while a toddler points toy guns in Smith's direction. [63] The car is then seen driving through a desert, on Interstate 10, this scene is intercut with the band performing the song in a studio. Smith parks the car at the Wheel Inn diner and makes a call from a telephone booth. The camera pans to show a statue of a prospector and his donkey in the foreground. Smith leaves the diner in the car while singing the song's lyrics. The following scene shows two men in suits performing synchronised dance movements in front of two gas pumps. [65] Shots of young people riding three-wheeled ATVs and dirt bikes through desert sand dunes are also shown. Smith is then shown singing in the desert wearing black sunglasses as many of the dirt bike and ATV riders approach from behind him and pass to either side. [66]
The music video promoted the group in America, due to "heavy rotation" on the music video channel MTV. [67] HuffPost editor Daryl Deino ranked the video at number three on their year-end list for best music videos of 1985 stating that the video "represents pure Americana as it was in 1985". Deino also mentioned that the video "proves that at times, artists were able to do so much with so little." [67]
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Credits adapted from the original album liner notes, the liner notes of Saturnine Martial & Lunatic, [61] Reverb Machine, [69] and Mix . [70]
Tears for Fears
Additional personnel
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
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Australia (ARIA) [97] | 5× Platinum | 350,000‡ |
Brazil (Pro-Música Brasil) [98] | Platinum | 60,000‡ |
Canada (Music Canada) [56] | Gold | 50,000^ |
Denmark (IFPI Danmark) [99] | Platinum | 90,000‡ |
Germany (BVMI) [100] | Gold | 250,000‡ |
Italy (FIMI) [101] | Platinum | 100,000‡ |
New Zealand (RMNZ) [102] | 5× Platinum | 150,000‡ |
United Kingdom (BPI) [44] | 4× Platinum | 2,400,000‡ |
^ Shipments figures based on certification alone. |
"Everybody Wants to Run the World" | ||||
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Single by Tears for Fears | ||||
Released | 23 May 1986 [103] | |||
Length | 4:30 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Tears for Fears | |||
Tears for Fears singles chronology | ||||
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"Everybody Wants to Run the World" is a re-recording of the band's song "Everybody Wants to Rule the World". The reworked single was released in May 1986 as the theme song for the Sport Aid campaign, a charitable event held to raise money for famine relief in Africa. [104] It was a success in the UK Singles Chart, becoming the band's sixth top 5 hit, peaking at number 5 in June 1986. [105] The song also reached number 4 in Ireland. [106]
Chart (1986) | Peak position |
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Ireland (IRMA) [106] | 4 |
UK Singles (OCC) [105] | 5 |
"Everybody Wants to Rule the World" | |
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Song by Lorde | |
from the album The Hunger Games: Catching Fire | |
Released | 15 November 2013 |
Genre | |
Length | 2:35 |
Label | |
Songwriter(s) | |
Producer(s) |
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New Zealand singer Lorde recorded a cover of the song for the soundtrack of The Hunger Games: Catching Fire (2013). [109] The cover was produced by Peter Shurkin and Joel Little with arrangement by Michael A. Levine and Lucas Cantor. [110] Orzabal praised Lorde for reinventing the cover, stating that the group finds it interesting when artists take what they do and reinterpret it. [111] For their Rule the World Tour, the duo uses this version to launch their show. [112]
Critics were positively receptive to the cover, some praised it for its darker atmosphere mood although others criticized it for stripping away the song's original upbeat composition. [113] [114] David Haglund from Slate stated that while the song "doesn't top the great original, it does memorably reinvent it". [115] Sam Lansky from Idolator called the cover "haunting and melodramatic". [116] Conversely, Stereogum editor Nate Patrin criticized the chorus and production but praised the "aloof strangeness" in Lorde's vocals for being able to carry the song "past the usual Dramatic Reenvisionings". [117] Paste and Exclaim! included the cover in their respective 2013 year-end lists for covers, [118] [119] while the former ranked it 13th on their decade-end list for covers. [120] Her cover appeared on the New Zealand Singles Chart at number 14. [121] It reached number 53 in Australia, [122] number 65 in the United Kingdom, [123] number 93 in France, [124] and number 27 on the U.S. Hot Rock Songs chart. [125]
Weekly charts
| Certifications
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Ted Leo and the Pharmacists covered the song in 2010 for the inaugural episode of The A.V. Club's A.V. Undercover web series. [128]
Relient K recorded a version of the song for their 2011 cover album Is for Karaoke . [129]
Weezer covered the song on their 2019 self-titled cover album. [130] They were joined by Orzabal and Smith to perform the song live at Coachella 2019 on April 14, [131] and again two days later on Jimmy Kimmel Live! . [132]
The song was interpolated by Miley Cyrus for a remix of "Black Skinhead" by Kanye West which leaked online in January 2016. [133]
The song appears at the end of Despicable Me 4 , where Gru and Maxime Le Mal are in prison putting on a talent show for all of the prisoners. The franchise's villains from previous films return in this song. The cover version, performed by the film's cast, also appears on the movie's soundtrack. [134]
Tears for Fears are an English pop rock band formed in Bath in 1981 by Curt Smith and Roland Orzabal. Founded after the dissolution of their first band, the mod-influenced Graduate, Tears for Fears were associated with the synth-pop bands of the 1980s, and attained international chart success as part of the Second British Invasion.
Everybody Loves a Happy Ending is the sixth studio album by English pop rock band Tears for Fears, released on 14 September 2004 in the United States and on 7 March 2005 in the United Kingdom and Europe.
The Seeds of Love is the third studio album by English pop rock band Tears for Fears, released on 25 September 1989 by Fontana Records. It retained the band's epic sound while incorporating influences ranging from jazz and soul to Beatlesque pop. Its lengthy production and scrapped recording sessions cost over £1 million. The album spawned the title hit single "Sowing the Seeds of Love", as well as "Woman in Chains", and "Advice for the Young at Heart", both of which reached the top 40 in several countries.
Songs from the Big Chair is the second studio album by the English band Tears for Fears, released on 25 February 1985 by Mercury Records, distributed by Phonogram Inc. A follow-up to the band's successful debut album, The Hurting (1983), Songs from the Big Chair was a significant departure from that album's dark, introspective synth-pop, featuring a more mainstream, guitar-based pop rock sound, sophisticated production values and diverse stylistic influences, while Roland Orzabal and Ian Stanley's lyrics displayed socially and politically conscious themes.
The Hurting is the debut studio album by British new wave band Tears for Fears, released on 7 March 1983 by Mercury Records distributed by Phonogram Inc. The album peaked at No. 1 on the UK Albums Chart in its second week of release and was certified Gold by the BPI within three weeks of release. The album also entered the Top 40 in several other countries including Canada, Germany, and Australia. It was certified Platinum in the UK in January 1985.
"Mad World" is a 1982 song by British band Tears for Fears. Written by Roland Orzabal and sung by bassist Curt Smith, it was the band's third single release and first chart hit, reaching number three on the UK Singles Chart in November 1982. Both "Mad World" and its B-side, "Ideas as Opiates", appeared on the band's debut LP The Hurting (1983). This single was also the band's first international success, reaching the Top 40 in several countries in 1982–83. In the UK it was the 12th best-selling single of 1982.
Curt Smith is an English singer, songwriter, musician and record producer, who is best known as the co-lead vocalist, bassist and co-founding member of the pop rock band Tears for Fears along with childhood friend Roland Orzabal. Smith has co-written several of the band's songs, and sings lead vocals on the hits "Mad World", "Pale Shelter", "Change", "The Way You Are", "Everybody Wants to Rule the World", and "Advice for the Young at Heart".
Roland Jaime Orzábal De La Quintana is an English musician, singer, songwriter, record producer, and author. He is the guitarist, co-lead vocalist, main songwriter, co-founder, and the only constant member of Tears for Fears. He is also a producer of artists such as Oleta Adams. In 2014, Orzabal published his first novel, a romantic comedy.
"Shout" is a song by English pop rock band Tears for Fears, released as the second single from their second studio album, Songs from the Big Chair (1985), on 23 November 1984. Roland Orzabal is the lead singer on the track, and he described it as "a simple song about protest". The single became the group's fourth top 5 hit on the UK Singles Chart, peaking at No. 4 in January 1985. In the US, it reached No. 1 on the Billboard Hot 100 on 3 August 1985 and remained there for three weeks; also topping the Cash Box chart. "Shout" became one of the most successful songs of 1985, eventually reaching No. 1 in multiple countries.
The English new wave/pop rock band Tears for Fears have released seven studio albums, along with numerous singles, compilations and videos. Formed in 1981 by Roland Orzabal and Curt Smith, the duo signed to Phonogram Records in the UK and released their first single the same year. It was not until Tears for Fears' third single, "Mad World" (1982), that they scored their first hit, and their platinum-selling debut album The Hurting (1983) was a UK number one.
Tears Roll Down is a greatest hits album by the English pop/rock band Tears for Fears. It was released on 2 March 1992 by Fontana Records. Preceded by the single "Laid So Low ", the album contains the band's UK and international top-20 singles. It has been certified double platinum in the United Kingdom, platinum in the United States, and gold in several other countries including Canada, France and Germany.
"Head over Heels" is a song recorded by British band Tears for Fears for their second studio album Songs from the Big Chair (1985). The song was released by Mercury Records, as the album's fourth single on 14 June in the UK. It was the band's tenth single release in the United Kingdom and eighth top 40 hit in the region, peaking at number 12. In the United States, it was the third single from the album and continued the band's run of hits there, peaking at number three on the Billboard Hot 100 chart. A limited edition four-leaf-clover-shaped picture disc was issued for the single's release in the UK. The song was also an international success, reaching the top 40 in several countries.
"Pale Shelter" is a song by the British band Tears for Fears. Written by Roland Orzabal and sung by bassist Curt Smith, it was originally the band's second single release in early 1982. The original version of the song, entitled "Pale Shelter (You Don't Give Me Love)", did not see chart success at the time of its original UK release. However, it did later become a top 20 hit in Canada and a top 75 hit when it was reissued in the UK in 1985.
"Mothers Talk" is a 1984 song by the British band Tears for Fears. Written by Roland Orzabal and Ian Stanley and sung by Orzabal, it was the band's seventh single release (the first to be taken from their second album Songs from the Big Chair and fifth UK Top 40 chart hit. The song was released six months in advance of the album, and enjoyed moderate success internationally.
"Sowing the Seeds of Love" is a song by English pop rock band Tears for Fears. It was released in August 1989 as the first single from their third studio album, The Seeds of Love (1989).
"Woman in Chains" is a song by English band Tears for Fears, released as the second single from their third studio album, The Seeds of Love (1989). It has been described as a "feminist anthem". It was an international success, reaching the top 40 in several countries, including the United Kingdom, the United States, Canada, France, and the Netherlands.
"Break It Down Again" is a song by English pop rock band Tears for Fears, released in May 1993 by Mercury Records as the first single from their fourth studio album, Elemental (1993). It is one of the band's later songs with the typical late 1980s sound, using synthesizers. The song was the second single released after the departure of Curt Smith from the band.
"Team" is a song by New Zealand singer-songwriter Lorde, taken from her debut studio album, Pure Heroine (2013). The song was released on 13 September 2013 as the album's third single in Australia and New Zealand by Universal Music New Zealand, and the second in the United States and the United Kingdom by Lava and Republic Records. The track was written by Lorde and Joel Little and produced by Little, with additional production from Lorde herself. "Team" is a hybrid of alternative pop and electropop featuring synthesiser, bass and snare drum instrumentation over a handclap-based beat. Lyrically, the track is a tribute to her friends and country.
New Zealand singer-songwriter Lorde has released three studio albums, four extended plays, 12 singles and 13 music videos. At the age of 13, she was signed to Universal Music Group (UMG) and started to write music. In November 2012, when she was 16 years old, she self-released The Love Club EP via SoundCloud. It was released for sale by UMG in March 2013; a song from the EP, "Royals", topped numerous single charts internationally, including the US Billboard Hot 100. The track sold over 10 million units worldwide, making it one of the best-selling singles of all time.
The Tipping Point is the seventh studio album by the English pop rock band Tears for Fears, released on 25 February 2022 through Concord Records. It is the band's first studio album since Everybody Loves a Happy Ending, released almost 18 years prior. Work on the album commenced in 2013, but the project endured numerous delays and setbacks between touring; disagreements that bandleaders Roland Orzabal and Curt Smith had with their record label and management; and the death of Orzabal's wife, which influenced many of the songs on the album. The bulk of the album was completed in 2020 and 2021.
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