Writer in the Dark

Last updated

"Writer in the Dark"
Song by Lorde
from the album Melodrama
Studio
Length3:36
Label
Songwriter(s)
Producer(s)
  • Lorde
  • Antonoff
Melodrama track listing
12 tracks
  1. "Green Light"
  2. "Sober"
  3. "Homemade Dynamite"
  4. "The Louvre"
  5. "Liability
  6. "Hard Feelings/Loveless"
  7. "Sober II (Melodrama)
  8. "Writer in the Dark"
  9. "Supercut"
  10. "Liability (Reprise)"
  11. "Perfect Places"
Japan bonus track
  1. "Green Light" (Chromeo remix)
Spotify bonus track
  1. "Homemade Dynamite" (Remix)

"Writer in the Dark" is a song recorded by New Zealand singer-songwriter Lorde for her second album Melodrama (2017). She co-wrote and co-produced the track with Jack Antonoff. It is a piano ballad with sparse production and an outro. Its lyrics are Lorde's lament to an ex-lover, in which she says she will always love him but she also needs to move her life forwards. The song received acclaim from music critics, many of whom commended its songwriting. Lorde performed "Writer in the Dark" and five other songs as part of a re-imagined Vevo song series at Electric Lady Studios, and was included on the set list of her Melodrama World Tour (2017–2018).

Contents

Background and development

Jack Antonoff co-wrote and co-produced the song. Antonoff at Radio Station.jpg
Jack Antonoff co-wrote and co-produced the song.

In an exclusive podcast interview with The Spinoff , Lorde stated that she wrote "Writer in the Dark" from the perspective of "something being finished, but still feeling like I had something I wanted to say". [1] The singer said about the songwriting process, "It's interesting when you're female and you write this confessional, painfully honest music about your life. There's a lot of guilt associated with that." [1] In a separate interview with NME , the singer said she was inspired to write the lyric, "Bet you rue the day you kissed a writer in the dark" after she woke late one night in a bed she was sharing with a stranger. [2]

According to Lorde, the song is her way of saying, "It's what I've always been. It's what I was when you met me. It's what I will continue to be after you leave. That's exactly what was going to happen when you kissed a writer in the dark." [1] She also said the songwriting process felt therapeutic and complex. When asked about writing from a traditionalist perspective, the singer said she felt she made the song unique by implementing words such as "pseudoephedrine", the name of a sympathomimetic drug, which she said would work better in a hip hop song; she enjoyed taking standard forms and putting "spiky bits on them". [1] The singer also compared "Writer in the Dark" and her 2017 song "Liability" to a rap cadence. [1]

Composition and lyrical interpretation

"Writer in the Dark" was co-written and co-produced by Lorde (credited under her birth-name Ella Yelich-O'Connor) and Jack Antonoff. It was recorded at Electric Lady Studios in Greenwich Village, New York City. [3] The song is composed in the key of G major with a walking pace tempo of 72 beats per minute while Lorde's vocals span a range of D3 to D5. [4] It is a piano ballad with sparse instrumentation in its production. [5] Its lyrics are Lorde's lament to an ex-lover, whom she tells she will always love but she also needs to move forward. [6] Paste writer Emily Reily said the song "combines Lorde’s defiance with her most desperate and exposed moments." [7]

The song drew comments on Lorde's vocals, which several publications compared to those of English singer Kate Bush. [8] According to Colin Groundwater from Pretty Much Amazing, Lorde vocals on the line "I love you til you call the cops on me" stretch to a "painfully human falsetto", [9] while Chicago Tribune editor Greg Kot said the singer delivers a "resonant line about obsession" as she finds a "way to tunnel out from the wreckage". [10] Drowned in Sound noted a shift in Lorde's vocals from her "usual semi-growl of a delivery to a much more high-pitched warble", [11] while Rolling Stone compared the track to a B-side from Bush's 1985 album Hounds of Love . [12] Entertainment Weekly stated that Lorde acknowledges the "trope of the scorned lover" in the song, [13] while No Ripcord said her vocals turn to grief in the lines, "I am my mother's child, I'll love you 'til my breathing stops". [14]

Critical reception

Lorde's vocals on "Writer in the Dark" were compared to those of Kate Bush (pictured in 1986). Kate Bush at 1986 Comic Relief (cropped).png
Lorde's vocals on "Writer in the Dark" were compared to those of Kate Bush (pictured in 1986).

"Writer in the Dark" received critical acclaim from music critics; several publications compared its songwriting to the works of American singer-songwriter Taylor Swift. [15] Stuff.co.nz editor Graeme Tuckett called it one of the highlights from the album, saying, "Lorde giving her toughest and least inflected vocal performance in the service of the album's strongest set of lyrics". [16] Alexis Petridis from The Guardian stated that while the song was not the first attempt from a modern female singer to channel Kate Bush, "it may well be the first one that doesn't make you want to die of embarrassment on their behalf". [17]

Sharing similar sentiments, Spencer Kornhaber from The Atlantic called the song a "wonderful nightmare of a piano piece" and concludes by stating that Lorde is saying "something that's been said many times before in song, but she's still saying it more interestingly than most people". [18] DIY writer Will Richards called the song "flooring, showing her to be one of the most emotionally intelligent pop songwriters around", while NME 's Dan Stubbs described it as "deliciously bitter". [19] Jon Pareles from The New York Times compared its lyrics to Swift and its aesthetic to American singer Lana Del Rey, saying it is "sometimes sparse and transparent enough to accompany Lorde's voice with just a piano note or two". [20]

"Writer in the Dark" was ranked by Entertainment Weekly 8th on their list of the Most Emotionally Devastating Songs of the 2010s. Eve Barlow, writing for the publication, called it "triumphant". [21]

Credits and personnel

Credits adapted from the liner notes of Melodrama. [3]

Recording and management

Personnel

Charts

Chart (2017)Peak
position
New Zealand Artist Singles (RMNZ) [22] 7
New Zealand Heatseekers (RMNZ) [23] 2

Related Research Articles

<span class="mw-page-title-main">Lorde</span> New Zealand singer-songwriter (born 1996)

Ella Marija Lani Yelich-O'Connor, known professionally as Lorde, is a New Zealand singer-songwriter. Taking inspiration from aristocracy for her stage name, she is known for her unconventional musical styles and introspective songwriting.

<span class="mw-page-title-main">Jack Antonoff</span> American musician

Jack Michael Antonoff is an American singer, multi-instrumentalist, songwriter, and record producer. Antonoff is the lead singer of rock band Bleachers, and was a guitarist and drummer in the pop rock band Fun. He was previously the lead singer of the indie rock band Steel Train. Aside from his work with Bleachers and Fun, Antonoff has worked as a songwriter and record producer with various artists, including Taylor Swift, The 1975, Lorde, St. Vincent, Florence and the Machine, Lana Del Rey, Fifth Harmony, Kevin Abstract, Carly Rae Jepsen, the Chicks, Tegan and Sara and Clairo. Antonoff has often been credited with having a significant impact on the sound of contemporary popular music.

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<span class="mw-page-title-main">Green Light (Lorde song)</span> 2017 single by Lorde

"Green Light" is a song by New Zealand singer-songwriter Lorde, released on 2 March 2017 as the lead single from her second studio album Melodrama (2017). It was written and produced by Lorde and Jack Antonoff, with additional writing by Joel Little and production assistance from Frank Dukes, and was released to radio stations by Universal. Musically, "Green Light" is an electropop, dance-pop, and post-disco song. The lyrics use a "green light" as a traffic light metaphor that gives Lorde permission to move on with her life after a breakup.

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Melodrama is the second studio album by New Zealand singer-songwriter Lorde. It was released on 16 June 2017 by Lava and Republic Records and distributed through Universal. Following the breakthrough success of her debut album Pure Heroine (2013), Lorde retreated from the spotlight, and travelled between New Zealand and the United States. Initially inspired by her disillusionment with fame, she wrote Melodrama to capture heartbreak and solitude after her first breakup.

"Liability" is a song recorded by New Zealand singer-songwriter Lorde, from her second studio album Melodrama (2017). Lorde co-wrote and co-produced the track with Jack Antonoff. It was released on 10 March 2017, by Lava and Republic Records as the album's first promotional single. It is a pop piano ballad, which is accompanied with organs and guitar strums in the background. The track's lyrics detail the consequences and scrutiny Lorde's friends received from the media as a result of her new-found fame and the effect it had on her emotional health.

"Sober" is a song recorded by New Zealand singer-songwriter Lorde, from her second studio album Melodrama (2017). Lorde co-wrote and co-produced the song with Jack Antonoff, with production assistance from Malay and vocal production from Kuk Harrell. It was released on 9 June 2017, by Republic as the album's second promotional single. "Sober" is the first of a two-track song, which is completed by "Sober II (Melodrama)". It is an electronic R&B and alternative pop song that features a tiger's roar, trumpets, brass and tenor and baritone saxophones in its production. The lyrics detail the desire to tell someone how you feel about them while wondering how it will be once the liquor wears down.

<span class="mw-page-title-main">Homemade Dynamite</span> 2017 song by Lorde

"Homemade Dynamite" is a song by New Zealand singer-songwriter Lorde from her second album, Melodrama (2017). She co-wrote the track with Tove Lo, Jakob Jerlström, Ludvig Söderberg and co-produced it with Frank Dukes and vocal producer Kuk Harrell. Critics described "Homemade Dynamite" as a R&B and synth-pop song with vocal sound effects, reverberated percussion, a staccato hook, electronic flourishes, synthesizers, and hip hop beats. In the lyrics, Lorde talks about having a feeling of euphoria at a house party with friends.

"The Louvre" is a song recorded by New Zealand singer-songwriter Lorde for her second album, Melodrama (2017). She co-wrote and co-produced the track with Jack Antonoff, with additional production from Flume and Malay. "The Louvre" is an electropop song that has influences of other genres such as indie rock and ambient music. Its name derives from the Louvre, an art museum in Paris, France. The lyrics talk about Lorde's honest, lightly-manic analysis of a newly-sparked romance comparing it to a painting hung behind the quintessential works of the Louvre.

"Hard Feelings/Loveless" is a medley song recorded by New Zealand singer-songwriter Lorde for her second album, Melodrama (2017). She wrote and co-produced the track with Jack Antonoff, with additional production from Frank Dukes. It draws influences from genres such as industrial music and noise music, and uses a distorted synthesizer. "Loveless" includes two samples: a voice sample taken from a documentary about Paul Simon's 1986 album Graceland, and a drum solo from Phil Collins' 1981 song "In the Air Tonight". The lyrics detail the emotions of falling out of love while mocking the current generation's lengths to pretend to be unaffected by love.

"Supercut" is a song by New Zealand singer-songwriter Lorde from her second album, Melodrama (2017). Lorde co-wrote the track with Jack Antonoff, both of whom also co-produced it with Joel Little, with additional production from Frank Dukes, Jean-Benoît Dunckel and Malay. It is a synth-pop, electropop, electronic, and disco song that draws influence from other genres, such as dance, electro house, electronica and new wave music. The lyrics are about Lorde reviewing her most joyful memories from a previous relationship and realising the illusion is no longer present.

<span class="mw-page-title-main">Perfect Places</span> 2017 single by Lorde

"Perfect Places" is a song by New Zealand singer-songwriter Lorde. It was released on 1 June 2017 through Universal Music New Zealand as the second single, following "Green Light" (2017), from her second album, Melodrama (2017). Lorde co-wrote and co-produced the song with Jack Antonoff and Andrew Wyatt, with additional production from Frank Dukes. "Perfect Places" was described as an atmospheric electropop song that blends bass, synths and drum machine beats. In the lyrics, Lorde follows the conclusion of the "teenage party circuit" in Melodrama, wondering where her perfect places are.

<span class="mw-page-title-main">Melodrama World Tour</span> 2017–18 concert tour by Lorde

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<i>Solar Power</i> (album) 2021 studio album by Lorde

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"Stoned at the Nail Salon" is a song by New Zealand singer-songwriter Lorde, released through Universal Music New Zealand on 22 July 2021 as the second single from her third studio album, Solar Power. The song was written and produced by Lorde and Jack Antonoff, and features backing vocals from Phoebe Bridgers, Clairo, Marlon Williams, and Lawrence Arabia.

"Fallen Fruit" is a song by New Zealand singer-songwriter Lorde. The song was released as the fourth single from her third studio album, Solar Power, coinciding with the release of the album's bonus tracks to streaming services on 2 November 2021. The song was written and produced by Lorde and Jack Antonoff, and features backing vocals from Phoebe Bridgers, Clairo, Marlon Williams, and Lawrence Arabia.

"Mood Ring" is a song by New Zealand singer-songwriter Lorde. The song was released through Universal Music New Zealand on 18 August 2021, as the third single from her third studio album, Solar Power. "Mood Ring" was written and produced by Lorde and Jack Antonoff.

"Blouse" is a song by American singer-songwriter Clairo, released through Fader Label and Republic Records on June 11, 2021 as the lead single from her sophomore studio album, Sling. The song was written by Clairo, produced by Clairo and Jack Antonoff, and features backing vocals from New Zealand singer-songwriter Lorde.

References

  1. 1 2 3 4 5 Oliver, Henry (19 June 2017). "The Spinoff Exclusive: Lorde explains the backstory behind every song on her new album". The Spinoff. Archived from the original on 23 December 2017. Retrieved 26 December 2017.
  2. ↑ Morgan Britton, Luke (16 June 2017). "Lorde says she felt 'empowered' writing new album break-up songs". NME. Archived from the original on 17 January 2020. Retrieved 3 September 2020.
  3. 1 2 Melodrama (CD). Lorde. United States: Lava/Republic Records. 2017. B0026615-02.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  4. ↑ "Lorde "Writer in the Dark" Sheet Music in G Major (transposable)". musicnotes.com. 16 June 2017. Archived from the original on 2 July 2018. Retrieved 1 July 2018.
  5. ↑ Dorsett, Andrew (20 June 2017). "Lorde: Melodrama". PopMatters. Archived from the original on 5 January 2018. Retrieved 4 January 2018.
  6. ↑ Thompson, Erik (22 June 2017). "An invite to Lorde's anguished party of the damned". The Line of Best Fit. Archived from the original on 24 September 2019. Retrieved 2 July 2018.
  7. ↑ Reily, Emily (26 June 2017). "Lorde: Melodrama Review". Paste. Archived from the original on 28 December 2017. Retrieved 2 July 2018.
  8. ↑ O'Connor, Roisin (15 June 2017). "Lorde, Melodrama, album review: Unconventional pop that still bangs". The Independent . Archived from the original on 16 June 2017. Retrieved 15 June 2017.
    Anderson, Stacey (16 June 2017). "Lorde: Melodrama". Pitchfork . Archived from the original on 16 June 2017. Retrieved 16 June 2017.
  9. ↑ Groundwater, Colin (19 June 2017). "Review: Lorde, Melodrama". Pretty Much Amazing. Archived from the original on 5 January 2018. Retrieved 2 July 2018.
  10. ↑ Kot, Greg (16 June 2017). "Review: Lorde and the 'Melodrama' of innocence lost". The Chicago Tribune. Archived from the original on 17 March 2018. Retrieved 17 March 2018.
  11. ↑ "Album Review: Lorde – Melodrama". Drowned in Sound. 17 June 2017. Archived from the original on 12 September 2017. Retrieved 23 July 2017.
  12. ↑ Rolling Stone Staff (23 December 2019). "The Biggest Influences on Pop in the 2010s". Rolling Stone. Archived from the original on 24 February 2021. Retrieved 3 September 2020.
  13. ↑ Feeney, Nolan (16 June 2017). "Lorde Makes Partying Sound Holy on 'Melodrama': EW Review". Entertainment Weekly . Archived from the original on 16 June 2017. Retrieved 16 June 2017.
  14. ↑ Marvilli, Joe (21 June 2017). "Lorde: Melodrama – Music Review". No Ripcord. Archived from the original on 28 December 2017. Retrieved 2 July 2018.
  15. ↑ Jenkins, Craig (18 June 2017). "Lorde's Self-Deprecating Melodrama Is a Stunning Achievement". Vulture. Archived from the original on 18 April 2022. Retrieved 27 August 2018.
    Willman, Chris (15 June 2017). "Album Review: Lorde Acts Her Age on 'Melodrama'". Variety. Archived from the original on 4 October 2017. Retrieved 27 August 2018.
  16. ↑ Tuckett, Graeme (16 June 2017). "Review: Lorde's Melodrama: First listen, first reactions". Stuff.co.nz. Archived from the original on 18 April 2022. Retrieved 2 July 2018.
  17. ↑ Petridis, Alexis (16 June 2017). "Lorde: Melodrama review – a cocky challenge to her pop rivals". The Guardian . Archived from the original on 16 June 2017. Retrieved 17 June 2017.
  18. ↑ Kornhaber, Spencer (16 June 2017). "Lorde Is Older but Somehow Less Jaded". The Atlantic. Archived from the original on 2 July 2018. Retrieved 2 July 2018.
  19. ↑ Richards, Will. "Lorde – Melodrama". DIY. Archived from the original on 23 December 2017. Retrieved 2 July 2018.
    Stubbs, Dan (16 June 2017). "Lorde – 'Melodrama' Album Review". NME . Archived from the original on 16 June 2017. Retrieved 16 June 2017.
  20. ↑ Pareles, Jon (16 June 2017). "Lorde Learns She Can't Party Away Her Melancholy on 'Melodrama'". The New York Times. Archived from the original on 27 December 2017. Retrieved 2 July 2018.
  21. ↑ Entertainment Weekly Staff (4 December 2019). "The most emotionally devastating songs of the 2010s". Entertainment Weekly. Archived from the original on 28 July 2020. Retrieved 3 September 2020.
  22. ↑ "Top 20 New Zealand Singles Chart". Recorded Music NZ. 26 June 2017. Archived from the original on 18 April 2022. Retrieved 2 September 2020.
  23. ↑ "NZ Heatseeker Singles Chart". Recorded Music NZ. 26 June 2017. Archived from the original on 28 July 2017. Retrieved 2 September 2020.
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