Sober (Lorde song)

Last updated

"Sober"
Promotional single by Lorde
from the album Melodrama
Released9 June 2017
Studio
Genre
Length3:17
Label
Songwriter(s)
Producer(s)
Audio video
"Sober" on YouTube

"Sober" is a song recorded by New Zealand singer-songwriter Lorde, from her second studio album Melodrama (2017). Lorde co-wrote and co-produced the song with Jack Antonoff, with production assistance from Malay and vocal production from Kuk Harrell. It was released on 9 June 2017, by Republic as the album's second promotional single. "Sober" is the first of a two-track song, which is completed by "Sober II (Melodrama)". [1] It is an electronic R&B and alternative pop song that features a tiger's roar, trumpets, brass and tenor and baritone saxophones in its production. The lyrics detail the desire to tell someone how you feel about them while wondering how it will be once the liquor wears down.

Contents

The song received mostly positive reviews from music critics who praised its unexpected direction and departure from the maximalist production of her previous singles "Green Light" and "Perfect Places". Its production style was compared to the works of English indie pop band the xx and English downtempo musician James Blake. The song had minor chart placements in Australia and Canada, placing at 61 and 84, respectively. Lorde performed "Sober", with five other songs, as part of a re-imagined Vevo series at the Electric Lady Studios where she recorded most of her album. It was also part of the set list of her Melodrama World Tour (2017–18).

Background

Jack Antonoff (pictured in 2012) co-wrote and co-produced "Sober" Antonoff in Tucson.jpg
Jack Antonoff (pictured in 2012) co-wrote and co-produced "Sober"

In a podcast interview with Hrishikesh Hirway's Song Exploder , Lorde described her first summer after her breakup with longtime boyfriend James Lowe as "wild and fluorescent"; as a result, she would often go drinking in her native country of New Zealand and had a strong desire to cope with her heartache. [2] Her fear of recording on Westlake Recording Studios, which to her was "too fancy", resulted in her exhibiting writer's block. [2] She found a small production room, which she called "The Rat Nest", to create the song. The groove of the song, came after she played a show at Coachella, which was formed using a bongo drum and Lorde singing the words "night, midnight, lose my mind" which were subsequently sampled into the track. [2]

On 7 November 2016, Lorde met with producer Malay in New York City at a session where he underlaid the groove she worked on with Antonoff into the whole song. [2] In this session, she also developed the pause that occurs before the first verse. The horns in the track took inspiration from Hudson Mohawke's production work on TNGHT. [2] She also wanted the track's brass and horns to sound triumphant, testing out a tenor and baritone saxophone as well as the trumpet; Laura Sisk oversaw this during engineering. The sound of a tiger's roar appears before the bridge, which was added two sessions before the song concluded when Antonoff was looking through song samples. [3] According to Antonoff, this was one of his proudest moments when recording Melodrama. [4]

Recording and lyrical interpretation

Lorde recorded "Sober" at three different locations in the United States. She began recording at Westlake Recording Studios, in Los Angeles, California, assisted by recording engineer Eric Eylands. Additional recording also took place at Electric Lady Studios, in Greenwich Village, New York with Malay. Recording was completed at Rough Customer Studios, Antonoff's home studio in Brooklyn Heights where he found the tiger's roar sample used in the track. John Hanes mixed the song at MixStar Studios. Laura Sisk served as the engineer for the track. [7]

"Sober" is composed in the key of B major with a moody pop tempo of 110 beats per minute. Lorde's vocals span a range of E3 to C5 and its chord progression follows a basic sequence of E-G#m-F#. [8] It is an electronic R&B and alternative pop song using bongo drums, trumpets, the tenor and baritone saxophones, brass and a hidden tiger's roar in its production. The track's production style was compared to the works of English indie pop band The xx and English downtempo musician James Blake. [5] [9] [10] Dan Weiss from Consequence of Sound compared her vocal delivery to American musician Prince, [11] while Lauren O'Neill from Noisey noted her vocals as having an "almost hoarse purr". [12]

The New Yorker 's Carrie Battan stated that the lines, "I know this story by heart / Jack and Jill get fucked up and get possessive when they get dark" were about the "experience of being too lucid to ever really feel drunk". [13] PopMatters writer Andrew Dorsett also mentioned that the line referenced the "imagery of a weekend more euphoric than pills is a little familiar" but notes that Lorde looks "ahead" in the chorus line, "What will we do when we're sober?". Mike Neid from Idolator stated that the lyrics detail how "she drunkenly loses herself in a partner's temporary embrace at a party". [14] O'Neill described "Sober" as the part "where things get a bit intense and your heart starts hurting a bit and you start making out with your ex". [12]

Critical reception

"Sober" received mostly positive reviews from music critics upon release. Reviewers compared its production to her work on 2013 debut album Pure Heroine , a departure from the maximalism of her previous singles "Green Light" and "Perfect Places". [10] Spin writer Andy Cush called the song the "strangest" track Lorde had released so far." [10] The National Public Radio called "Sober" a "stormy epic about risk and regret that's timed perfectly to coincide with the start of an eventful weekend," [15] while Rolling Stone described the song as a "a sexy midtempo jam endlessly second-guessing its own pleasure". [16] Spencer Kornhaber from The Atlantic called "Sober" one of album's highlights. [17]

Writing for Pitchfork, Marc Hodges called the song "transitional", as if it was in "motion to somewhere else". He noted that while the name of the track was "less novel" for a performer like herself, the "execution was "still tough to deny." [5] Idolator writer Neid stated that while the song was a "bit of a rehash of her previous material," it boasted some of the "most finessed productions" on the album. [18] Despite several comments over the track's conventionality, it was listed at number one on Stereogum 's top five songs of the week list for June 16. [19] Peter from the publication commended the singer and Antonoff for being able to "capture the highs and the lows of a night out by crafting a banger that feels both understated and anthemic". DIY also placed "Sober" in their best tracks of the week list, with Will Richards complementing how "wonderfully versatile Lorde has become, and how effortlessly she slips into each guise." [20]

Live performances

Lorde performing "Sober" at Roskilde Festival in June 2017 RF 3006 Lorde@Arena Krists Luhaers-8 (35860065056) (cropped).jpg
Lorde performing "Sober" at Roskilde Festival in June 2017

Lorde debuted "Sober" at a "tiny pre-Coachella gig" to a crowd of 240 at Pappy & Harriet's on 15 April 2017. Tickets sold out in minutes. [22] Eve Barlow from Billboard praised the performance, saying that it was "heartwarming to watch Lorde engage with such easy confidence" on stage, noting her growth in her level of comfort with the crowd. [23] She also performed the song at the Governors Ball on 2 June 2017. During the performance, a tilted box was used, pointing downward. At the end, the box opens and Lorde falls into the arms of her dancers. NME called the performance "simple, but delivered with so much poise and finesse, you can't help but be impressed." [24] Lorde performed "Sober", with five other songs, as part of a re-imagined Vevo series at the Electric Lady Studios where she recorded most of her album, [25] and was part of the set list for her Melodrama World Tour (2017–18) and Solar Power Tour (2022–23). [26] [27]

Credits and personnel

Credits adapted from the liner notes of Melodrama. [7]

Recording and management

Personnel

Charts

Chart (2017)Peak
position
Australia (ARIA) [28] 61
Canada (Canadian Hot 100) [29] 84
New Zealand (Recorded Music NZ) [30] 18

Certifications

RegionCertification Certified units/sales
Australia (ARIA) [31] Gold35,000

Sales+streaming figures based on certification alone.

Related Research Articles

<span class="mw-page-title-main">Lorde</span> New Zealand singer and songwriter (born 1996)

Ella Marija Lani Yelich-O'Connor, known professionally as Lorde, is a New Zealand singer and songwriter. She is known for her unconventional style of pop music and introspective songwriting.

<span class="mw-page-title-main">Jack Antonoff</span> American musician (born 1984)

Jack Michael Antonoff is an American singer, songwriter, and record producer. Antonoff is the lead vocalist of rock band Bleachers. He was previously the guitarist and drummer for the pop rock band Fun and the lead vocalist for the indie rock band Steel Train. Aside from his work with the three groups, Antonoff has been prolific in songwriting and production for various music industry acts, including Taylor Swift, Kendrick Lamar, Sara Bareilles, the 1975, Lorde, St. Vincent, Florence and the Machine, Lana Del Rey, Sabrina Carpenter, Gracie Abrams, Fifth Harmony, Kevin Abstract, Carly Rae Jepsen, the Chicks, Tegan and Sara, and Clairo. Antonoff is credited with impacting the sound of popular music throughout the 2010s and 2020s.

<i>Pure Heroine</i> 2013 album by Lorde

Pure Heroine is the debut studio album by New Zealand singer-songwriter Lorde. It was released on 27 September 2013 by Universal, Lava, and Republic Records. After several unsuccessful sessions with songwriters, Lorde was paired with Joel Little by A&R representative Scott Maclachlan, who assisted with the album's production. Recording took place at Golden Age Studios in Auckland. Pure Heroine has been described as an electronica, electropop, and dream pop album with minimalist production, deep bass and programmed beats.

<span class="mw-page-title-main">Ribs (song)</span> 2013 promotional single by Lorde

"Ribs" is a song by New Zealand singer-songwriter Lorde, from her debut studio album Pure Heroine (2013). Universal Music Group (UMG) released it as a promotional single on 30 September 2013. Written and produced by Lorde and Joel Little, "Ribs" is an electronica, indietronica and electropop song discussing Lorde's stress over ageing.

"Sober" is a song by American singer Selena Gomez from her second solo studio album, Revival (2015), included as the fifth track on the record. The song was leaked two days prior the album's release, on October 7, 2015, and was originally scheduled to be released as the album's fifth single following "Kill Em with Kindness". Gomez collaborated with songwriters Chloe Angelides, Jacob Kasher Hindlin, and Julia Michaels, along with Norwegian duo Tor Hermansen and Mikkel Eriksen, who handled production under their stage name Stargate. Frequent collaborator Dreamlab handled the vocal production as well as background vocals. Driven to create a unique sound for herself, the singer focused on lyrics that reflected personal experiences, along with referencing influential albums of her youth, specifically Christina Aguilera's fourth studio album Stripped (2002).

<span class="mw-page-title-main">Green Light (Lorde song)</span> 2017 single by Lorde

"Green Light" is a song by New Zealand singer-songwriter Lorde, released on 2 March 2017 as the lead single from her second studio album Melodrama (2017). It was written and produced by Lorde and Jack Antonoff, with additional writing by Joel Little and production assistance from Frank Dukes, and was released to radio stations by Universal. Musically, "Green Light" is an electropop, dance-pop, and post-disco song. The lyrics use a "green light" as a traffic light metaphor that gives Lorde permission to move on with her life after a breakup.

<i>Melodrama</i> (Lorde album) 2017 studio album by Lorde

Melodrama is the second studio album by New Zealand singer-songwriter Lorde. It was released on 16 June 2017 by Lava and Republic Records and distributed through Universal. Following the breakthrough success of her debut album Pure Heroine (2013), Lorde retreated from the spotlight, and travelled between New Zealand and the United States. Initially inspired by her disillusionment with fame, she wrote Melodrama to capture heartbreak and solitude after her first breakup.

"Liability" is a song recorded by New Zealand singer-songwriter Lorde, from her second studio album Melodrama (2017). Lorde co-wrote and co-produced the track with Jack Antonoff. It was released on 10 March 2017, by Lava and Republic Records as the album's first promotional single. It is a pop piano ballad, which is accompanied with organs and guitar strums in the background. The track's lyrics detail the consequences and scrutiny Lorde's friends received from the media as a result of her new-found fame and the effect it had on her emotional health.

<span class="mw-page-title-main">Don't Take the Money</span> 2017 song

"Don't Take the Money" is a song recorded by American indie pop act Bleachers from their second studio album Gone Now (2017). Frontman Jack Antonoff co-wrote the song with New Zealand singer Lorde, while production was handled by Antonoff, Greg Kurstin and Vince Clarke. It was released on 30 March 2017, by RCA Records as the album's lead single. "Don't Take the Money" is a pop and synth-pop song with influences from 1980s music. According to Antonoff, the song's title is a phrase he uses frequently in a motivational context about meeting a future lover.

<span class="mw-page-title-main">Homemade Dynamite</span> 2017 song by Lorde

"Homemade Dynamite" is a song by New Zealand singer-songwriter Lorde from her second album, Melodrama (2017). She wrote the lyrics with Tove Lo and composed the music with Lo, Jakob Jerlström, and Ludvig Söderberg, and produced it with Frank Dukes and vocal producer Kuk Harrell. Critics described "Homemade Dynamite" as a R&B and synth-pop song with vocal sound effects, reverberated percussion, a staccato hook, electronic flourishes, synthesizers, and hip hop beats. In the lyrics, Lorde talks about having a feeling of euphoria at a house party with friends.

"The Louvre" is a song recorded by New Zealand singer-songwriter Lorde for her second album, Melodrama (2017). She co-wrote and co-produced the track with Jack Antonoff, with additional production from Flume and Malay. "The Louvre" is an electropop song that has influences of other genres such as indie rock and ambient music. Its name derives from the Louvre, an art museum in Paris, France. The lyrics talk about Lorde's honest, lightly-manic analysis of a newly-sparked romance comparing it to a painting hung behind the quintessential works of the Louvre.

"Hard Feelings/Loveless" is a medley song recorded by New Zealand singer-songwriter Lorde for her second album, Melodrama (2017). She wrote and co-produced the track with Jack Antonoff, with additional production from Frank Dukes. It draws influences from genres such as industrial music and noise music, and uses a distorted synthesizer. "Loveless" includes two samples: a voice sample taken from a documentary about Paul Simon's 1986 album Graceland, and a drum solo from Phil Collins' 1981 song "In the Air Tonight". The lyrics detail the emotions of falling out of love while mocking the current generation's lengths to pretend to be unaffected by love.

"Writer in the Dark" is a song recorded by New Zealand singer-songwriter Lorde for her second album Melodrama (2017). She co-wrote and co-produced the track with Jack Antonoff. It is a piano ballad with sparse production and an outro. Its lyrics are Lorde's lament to an ex-lover, in which she says she will always love him but she also needs to move her life forwards. The song received acclaim from music critics, many of whom commended its songwriting. Lorde performed "Writer in the Dark" and five other songs as part of a re-imagined Vevo song series at Electric Lady Studios, and was included on the set list of her Melodrama World Tour (2017–2018).

"Supercut" is a song by New Zealand singer-songwriter Lorde from her second album, Melodrama (2017). Lorde co-wrote the track with Jack Antonoff, both of whom also co-produced it with Joel Little, with additional production from Frank Dukes, Jean-Benoît Dunckel and Malay. It is a synth-pop, electropop, electronic, and disco song that draws influence from other genres, such as dance, electro house, electronica and new wave music. The lyrics are about Lorde reviewing her most joyful memories from a previous relationship and realising the illusion is no longer present.

<span class="mw-page-title-main">Perfect Places</span> 2017 single by Lorde

"Perfect Places" is a song by New Zealand singer-songwriter Lorde. It was released on 1 June 2017 through Universal Music New Zealand as the second single, following "Green Light" (2017), from her second album, Melodrama (2017). Lorde co-wrote and co-produced the song with Jack Antonoff and Andrew Wyatt, with additional production from Frank Dukes. "Perfect Places" was described as an atmospheric electropop song that blends bass, synths and drum machine beats. In the lyrics, Lorde follows the conclusion of the "teenage party circuit" in Melodrama, wondering where her perfect places are.

<span class="mw-page-title-main">Melodrama World Tour</span> 2017–18 concert tour by Lorde

The Melodrama World Tour was the second concert tour by New Zealand singer-songwriter Lorde, undertaken in support of her second studio album, Melodrama (2017). Lorde headlined several music festivals before commencing the tour, and went on to communicate frequently with stage designer Es Devlin to plan the show's design. European shows began in September 2017, followed by dates in Oceania and a solo trek through North America. Dates in other European cities soon followed along with various festival performances.

<i>Solar Power</i> (album) 2021 studio album by Lorde

Solar Power is the third studio album by New Zealand singer-songwriter Lorde. It was released on 20 August 2021, by Universal Music New Zealand. Lorde wrote and produced the album with American musician Jack Antonoff, with whom she also worked on her second studio album, Melodrama (2017).

<i>Sling</i> (album) 2021 studio album by Clairo

Sling is the second studio album by American singer and songwriter Clairo. It was released on July 16, 2021, through Fader and Republic. It serves as the follow-up to her debut album, Immunity. The album was announced on June 11, 2021, alongside the release of the lead single, "Blouse".

"Stoned at the Nail Salon" is a song by New Zealand singer-songwriter Lorde, released through Universal Music New Zealand on 22 July 2021 as the second single from her third studio album, Solar Power. The song was written and produced by Lorde and Jack Antonoff, and features backing vocals from Phoebe Bridgers, Clairo, Marlon Williams, and Lawrence Arabia.

References

  1. Whitley, Tori (15 June 2017). "Lorde On Dialing Out And Turning Inward". National Public Radio. Retrieved 1 March 2018.
  2. 1 2 3 4 5 6 7 Yoo, Noah (25 September 2017). "Lorde Dissects "Sober" on "Song Exploder": Listen". Pitchfork. Retrieved 19 February 2018.
  3. 1 2 "Can you hear Lorde's 'baby tiger' hidden in her song Sober?". Stuff.co.nz. 26 September 2017. Retrieved 19 February 2018.
  4. Feeney, Nolan (28 December 2017). "Jack Antonoff on his jam-packed 2017 and the Taylor Swift song he calls a 'hint at the future'". Entertainment Weekly. Retrieved 19 February 2018.
  5. 1 2 3 4 Marc, Hogan (9 June 2017). ""Sober" by Lorde Review". Pitchfork. Retrieved 19 February 2018.
  6. Blistein, Jon (9 June 2017). "Hear Lorde Navigate Wild Weekend on New Song 'Sober'". Rolling Stone. Retrieved 19 February 2018.
  7. 1 2 Melodrama (CD). Lorde. United States: Lava/Republic Records. 2017. B0026615-02.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  8. "Lorde "Sober" Sheet Music in C Major (transposable)". Musicnotes.com. Retrieved 19 February 2018.
  9. Healy, Andy (22 June 2017). "Lorde returns with 'Melodrama,' a beautiful soundtrack to sorrow | Album Review". Albumism.
  10. 1 2 3 Cush, Andy (9 June 2017). "Lorde's "Sober" Is the Strangest, Coolest Melodrama Song Yet". Spin. Retrieved 18 February 2018.
  11. Weiss, Dan (19 June 2017). "Lorde – Melodrama". Consequence of Sound. Retrieved 19 February 2018.
  12. 1 2 O'Neill, Lauren (9 June 2017). "Lorde's Back with Post-Rager Reflections on "Sober"". Noisey. Vice. Retrieved 24 February 2018.
  13. Battan, Carrie (26 June 2017). "On "Melodrama", Lorde Learns How Messy Adulthood Can Be". The New Yorker. Retrieved 24 February 2018.
  14. Dorsett, Andrew (19 June 2017). "Lorde: Melodrama". PopMatters. Retrieved 24 February 2018.
    Nied, Mike (16 June 2017). "Lorde's 'Melodrama': Album Review". Idolator. Archived from the original on 12 September 2017. Retrieved 19 February 2018.
  15. Thompson, Stephen (9 June 2017). "If A New Lorde Song Comes Out And You Don't Hear It, Is It Still The Weekend?". National Public Radio . Retrieved 1 March 2018.
  16. Hermes, Will (16 June 2017). "Review: Lorde's 'Melodrama' Is Fantastically Intimate, a Production Tour De Force". Rolling Stone. Retrieved 19 February 2018.
  17. Kornhaber, Spencer (16 June 2017). "Lorde Is Older but Somehow Less Jaded". The Atlantic. Retrieved 1 March 2018.
  18. Neid, Mike (16 June 2017). "Lorde's 'Melodrama': Album Review". Idolator. Archived from the original on 12 September 2017. Retrieved 1 March 2018.
  19. Stereogum Staff (16 June 2017). "The 5 Best Songs Of The Week". Stereogum. Retrieved 24 February 2018.
  20. Richards, Will. "Tracks: Lorde, Torres, Zola Jesus and more". DIY. Retrieved 1 March 2018.
  21. Zatat, Narjas (5 July 2017). "Roskilde Festival: Solange, Nas, Lorde and Young M.A sets pulses racing". The Independent. Retrieved 27 September 2020.
  22. Kreps, Daniel (15 April 2017). "Watch Lorde Debut New Song 'Sober' at Tiny Pre-Coachella Gig". Rolling Stone. Retrieved 18 February 2018.
  23. Barlow, Eve (15 April 2017). "Lorde Debuts New Song 'Sober' at First Concert in More Than Two Years". Billboard. Retrieved 18 February 2018.
  24. Daily, Rhian (3 June 2017). "Lorde got in a tilting glass box on stage at Gov Ball and everybody bloody loved it". NME. Retrieved 18 February 2018.
  25. Legaspi, Althea (16 August 2017). "See Lorde's New Videos for Six Reimagined 'Melodrama' Songs". Rolling Stone. Retrieved 17 February 2018.
  26. Cooper, Mathew (27 September 2017). "Review: Lorde at the Manchester Apollo". Manchester Evening News. Retrieved 20 February 2018.
  27. Freeman, Jon (4 April 2022). "Lorde Makes Up for Lost Time With Blissful Tour Opener in Nashville" . Retrieved 4 July 2022.
  28. "Lorde – Sober". ARIA Top 50 Singles. Retrieved 17 February 2018.
  29. "Lorde Chart History (Canadian Hot 100)". Billboard. Retrieved 17 February 2018.
  30. "Lorde – Sober". Top 40 Singles. Retrieved 17 February 2018.
  31. "ARIA Charts – Accreditations – 2019 Singles" (PDF). Australian Recording Industry Association . Retrieved 17 August 2019.