"Glory and Gore" | ||||
---|---|---|---|---|
Single by Lorde | ||||
from the album Pure Heroine | ||||
Released | 11 March 2014 | |||
Recorded | Golden Age Studios | |||
Genre | Electropop | |||
Length | 3:32 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Joel Little | |||
Lorde singles chronology | ||||
|
"Glory and Gore" is a song by New Zealand singer-songwriter Lorde from her debut studio album, Pure Heroine (2013). The song was released on 11 March 2014 as the album's fourth and final single by Lava Records and Republic Records. The track was written by Lorde and its producer, Joel Little. "Glory and Gore" is an electropop song influenced by chillwave and hip hop music. It speaks about modern society's fascination with violence and celebrity culture, comparing these to gladiators.
The song was met with a mixed reception from critics, and reached numbers sixty-eight and nine on the United States Billboard Hot 100 and Hot Rock Songs, respectively. In 2014, "Glory and Gore" was used in an advertisement for the second season of the History television series Vikings .
As with the rest of Pure Heroine, "Glory and Gore" was written by Lorde and Joel Little, recorded at Golden Age Studios and produced, mixed and engineered by Little. [1] "Glory and Gore" is a chillwave and hip hop-influenced electropop ballad, [2] [3] instrumented by pulsing synthesisers. [4]
According to the sheet music published at Musicnotes.com by EMI Music Publishing, it is set in a moderate tempo of 72 beats per minute. It is written in the key of F minor, and follows the chord progression A♭–Fm–Cm–B♭m. Lorde's vocals range from E♭3 to E♭5. [5] Throughout the song, she uses black satire to express disdain towards modern emphasis on violence, [6] and compares celebrity culture to gladiatorial combat. [7] This is exemplified in the lyric "Glory and gore go hand-in-hand/That's why we're making headlines." [6] It continues the derision of popular culture of "Team", the preceding song on Pure Heroine. [8] "Glory and Gore" also portrays an empowerment theme; PopMatters ' Evan Sawdey described it as a "dark" version of Katy Perry's "Roar" (2013). [9]
"Glory and Gore" was sent to United States modern rock radio by Lava Records and Republic Records on 11 March 2014 as the third US single from Pure Heroine, following "Royals" and "Team". [10] A US adult album alternative (AAA) release followed on 7 April 2014. [11] "Glory and Gore" serves as the fourth single overall from Pure Heroine, as "Tennis Court" was released outside the US in 2013. [12] Originally, "Tennis Court" was going to be the third US single, [13] [14] but the record labels changed to "Glory and Gore" instead after it was featured in History's promotional campaign for the second season of its historical television series, Vikings . [15] [16] However, the 8 April 2014 US contemporary hit radio (CHR) scheduled release of "Glory and Gore" was cancelled, [16] [17] and "Tennis Court" eventually impacted US CHR on 22 April 2014. [18]
In a review of Pure Heroine, Larry Day from The 405 called the track "single-worthy". [19] Billboard's Jason Lipshutz called Lorde's vocals during the song's hook "contagious". [6] Jon Hadusek of Consequence of Sound wrote that "Glory and Gore" did not fit in with the minimal production found in the majority of Pure Heroine. [20] Pitchfork 's Lindsay Zoladz criticised the song for having too many lyrics forced into each line. [21] John Murphy from MusicOMH was critical of the latter half of Pure Heroine, writing "by the time 'Glory and Gore' and 'Still Sane' roll around, the template's starting to sound a bit tired." [22]
Following the release of Pure Heroine, "Glory and Gore" appeared at number 17 on the New Zealand Artists Singles Chart dated 7 October 2013. [23] Prior to its single release, the song entered the United States Billboard Hot 100 chart at number 88 on the week of 8 March 2014, [24] with sales of about 32,000 copies that week—almost double the sales of the previous week. [25] The following week "Glory and Gore" sold 47,000 copies (up 46%) and became the Hot 100's "Digital Gainer" as it moved up to number 68 on the chart. [26] The song peaked at number 30 on the US Digital Songs chart, [27] number seventeen on the US Alternative Songs, [28] and number nine on the main Hot Rock Songs. [29] As of April 2014, "Glory and Gore" has sold 307,000 digital downloads in the US. [16]
On 24 September 2013, Lorde performed the track, among others, at The Fonda Theatre in Los Angeles, California. [30] On 3 October 2013, Lorde held a concert at the Warsaw Venue in Brooklyn and performed the song among other tracks from the album. [31] Lorde performed "Glory and Gore" at Silo Park, Auckland on 29 January 2014 as part of her make-up show for the 2014 Laneway Festival, with The New Zealand Herald 's Chris Schulz calling the performance a "highlight". [32] In 2014, Lorde opened her show at Roseland Ballroom and her Coachella Festival set with the song, [33] and performed it at Lollapalooza in São Paulo, Brazil and in Buenos Aires, Argentina. [34]
Weekly charts
| Year-end charts
Certifications
|
Region | Date | Format | Label(s) | Ref. |
---|---|---|---|---|
United States | 11 March 2014 | Modern rock | [10] | |
7 April 2014 | Adult album alternative | [11] |
Ella Marija Lani Yelich-O'Connor, known professionally as Lorde, is a New Zealand singer and songwriter. She is known for her unconventional style of pop music and introspective songwriting.
The Love Club EP is the debut extended play (EP) by New Zealand singer-songwriter Lorde. At the age of 12, she was discovered by Universal Music Group scout Scott MacLachlan, and began writing songs. In December 2011, MacLachlan paired Lorde with producer Joel Little, and within three weeks, the pair had co-written and produced all five songs on the EP. In November 2012, Lorde self-released the EP for free download via SoundCloud. On 8 March 2013 the record was commercially released by Universal Music Group and Virgin Records.
Joel Little is a New Zealand record producer, musician and Grammy Award-winning songwriter. He is best known for his work as a writer and producer with artists Lorde, Taylor Swift, Broods, Sam Smith, Imagine Dragons, Ellie Goulding, Khalid, Elliphant, Jarryd James, Shawn Mendes, Marina Diamandis, Amy Shark, Goodnight Nurse, Noah Kahan, Years & Years, the Jonas Brothers, and Niall Horan.
"Royals" is the debut single by New Zealand singer-songwriter Lorde, included in her debut extended play (EP) The Love Club EP (2012) and debut studio album Pure Heroine (2013). Lorde wrote the song with producer Joel Little. "Royals" is a minimalist art pop and electropop song with influences of hip hop, R&B, and indie pop. The track's lyrics critique the sumptuous lifestyle presented in songs and music videos by popular musicians, making them appear like modern-day royalty.
"Tennis Court" is a song recorded by New Zealand singer-songwriter Lorde. She co-wrote the song with Joel Little, with production handled by the latter. Universal Music Group (UMG) released the song as the second single from her debut studio album Pure Heroine (2013) in Australia and New Zealand on 7 June 2013. On the same day, the label released an extended play (EP) of the same name containing three additional tracks throughout Europe. It combines alternative pop, art pop, and downtempo music over hip hop beats, minimalist synthesisers, and an electronic pulse. Inspired by Lorde's fresh insights into the music industry, the lyrics address her newfound fame and nostalgia for Auckland.
Pure Heroine is the debut studio album by New Zealand singer-songwriter Lorde. It was released on 27 September 2013 by Universal, Lava, and Republic Records. After several unsuccessful sessions with songwriters, Lorde was paired with Joel Little by A&R representative Scott Maclachlan, who assisted with the album's production. Recording took place at Golden Age Studios in Auckland. Pure Heroine has been described as an electronica, electropop, and dream pop album with minimalist production, deep bass and programmed beats.
"Team" is a song by New Zealand singer-songwriter Lorde, taken from her debut studio album, Pure Heroine (2013). The song was released on 13 September 2013 as the album's third single in Australia and New Zealand by Universal Music New Zealand, and the second in the United States and the United Kingdom by Lava and Republic Records. The track was written by Lorde and Joel Little and produced by Little, with additional production from Lorde herself. "Team" is a hybrid of alternative pop and electro hop featuring synthesiser, bass and snare drum instrumentation over a handclap-based beat. Lyrically, the track is a tribute to her friends and country.
New Zealand singer-songwriter Lorde has released three studio albums, four extended plays, 12 singles and nine music videos. At the age of 13, she was signed to Universal Music Group (UMG) and started to write music. In November 2012, when she was 16 years old, she self-released The Love Club EP via SoundCloud. It was released for sale by UMG in March 2013; a song from the EP, "Royals", topped numerous single charts internationally, including the US Billboard Hot 100. The track sold over 10 million units worldwide, making it one of the best-selling singles of all-time.
"Buzzcut Season" is a song by New Zealand singer-songwriter Lorde, taken from her debut studio album, Pure Heroine (2013). It was released on 23 September 2013 by Universal Music Group (UMG) as a promotional single from the album. Written by Lorde and Joel Little, "Buzzcut Season" is an electropop song that features elements from tropical music and discusses the "ridiculousness of modern life."
"Swingin Party" is a song written by Paul Westerberg and recorded by his band The Replacements for their fourth studio album Tim (1985). The song is an indie rock and rock and roll ballad with influences from jazz, country and new wave. Lyrically, it portrays the protagonist's "feigned nonchalance". It was well received by music critics, who praised Westerberg's songwriting talent. The song has been covered by other artists, notably Kindness in 2009 and Lorde in 2013.
"Ribs" is a song by New Zealand singer-songwriter Lorde, from her debut studio album Pure Heroine (2013). Universal Music Group (UMG) released it as a promotional single on 30 September 2013. Written and produced by Lorde and Joel Little, "Ribs" is an electronica, indietronica and electropop song discussing Lorde's stress over ageing.
"Bravado" is a song by New Zealand singer-songwriter Lorde, originally included on her debut EP The Love Club EP. It was later featured on her Tennis Court EP and the extended version of her debut album Pure Heroine (2013). The song was written by Lorde and Joel Little and was produced by the latter. The track was released as a single on 6 September 2013, via iTunes Stores, in a number of European countries and India. Characterised as a chamber pop and electropop song, "Bravado" addresses Lorde's introverted nature and the need to feign confidence in the music industry. The single was well received by music critics and peaked at number five on the New Zealand Artist Singles chart.
"No Better" is a song by New Zealand singer-songwriter Lorde, taken from the extended version of her debut studio album Pure Heroine (2013). The track was released on 13 December 2013 by Universal Music Group as a promotional tool for the album. "No Better" is an electropop and trip hop ballad with elements of hip hop, in which Lorde discusses an infatuation. Music critics opined that the single has similar musical style to songs from Pure Heroine.
"Yellow Flicker Beat" is a song by New Zealand singer-songwriter Lorde released on 29 September 2014 as the lead single from the soundtrack for The Hunger Games: Mockingjay – Part 1 by Republic Records. Written by Lorde and Joel Little and produced by Little and Paul Epworth, it is as an art pop and electropop song with minimal synthesisers, drums, and vocal samples in its production. Music critics compared its instrumentation style to the singer's work on her 2013 debut album Pure Heroine. The track's lyrics refer to the rise of Katniss Everdeen, the heroine of The Hunger Games (2008–2010) young adult dystopian novel trilogy.
"Magnets" is a song by British electronic duo Disclosure featuring vocals from New Zealand singer-songwriter Lorde. It was written by Howard Lawrence, Guy Lawrence, Lorde and produced by James Napier and Disclosure. The single was released on 23 September 2015, by PMR and Island Records, as the fourth single from their second studio album Caracal (2015). "Magnets" is an electronica and dancehall song with influences of reggae fusion along with electronic beats, percussion loops, synthesizers and tribal drums in its instrumentation. Its lyrics describe the risk taken by two lovers restricted from being together for moral reasons.
"Heartlines" is a song recorded by New Zealand music duo Broods from their second studio album, Conscious (2016). Georgia Nott and Caleb Nott, the sole members of Broods, wrote the song with New Zealand singer Lorde and record producer Joel Little, who was responsible for production. It was first released on 10 June 2016 as the first promotional single from the album, and later as the album's second single on 16 January 2017. It is a synthpop track with electronic beats and synthesizers. Its lyrics detail the hope left in a tumultuous long-distance relationship.
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The Pure Heroine Tour was the inaugural concert tour by New Zealand singer-songwriter Lorde, in support of her debut studio album, Pure Heroine (2013). Her first performance was at the Splendour in the Grass music festival as a last-minute replacement for Frank Ocean. Before the tour, Lorde performed at small nightclubs and bars around New Zealand and Australia. North American shows were announced in August 2013, followed by a series of dates in Oceania. Dates in Europe and South America soon followed.
"Stoned at the Nail Salon" is a song by New Zealand singer-songwriter Lorde, released through Universal Music New Zealand on 22 July 2021 as the second single from her third studio album, Solar Power. The song was written and produced by Lorde and Jack Antonoff, and features backing vocals from Phoebe Bridgers, Clairo, Marlon Williams, and Lawrence Arabia.
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