"Shout" | ||||
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Single by Tears for Fears | ||||
from the album Songs from the Big Chair | ||||
B-side | "The Big Chair" | |||
Released | 23 November 1984 [1] | |||
Studio | The Wool Hall (Beckington, England) | |||
Genre | ||||
Length |
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Label | ||||
Songwriter(s) | ||||
Producer(s) | Chris Hughes | |||
Tears for Fears singles chronology | ||||
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Audio sample | ||||
"Shout" | ||||
Music video | ||||
"Shout" on YouTube |
"Shout" is a song by English pop rock band Tears for Fears,released as the second single from their second studio album, Songs from the Big Chair (1985),on 23 November 1984. [1] Roland Orzabal is the lead singer on the track,and he described it as "a simple song about protest". [5] The single became the group's fourth top 5 hit on the UK Singles Chart,peaking at No. 4 in January 1985. In the US,it reached No. 1 on the Billboard Hot 100 on 3 August 1985 and remained there for three weeks;also topping the Cash Box chart. "Shout" became one of the most successful songs of 1985,eventually reaching No. 1 in multiple countries.
Featuring a repetitive hook and a synth-drone throughout,"Shout" is regarded as one of the most recognizable songs from the mid-eighties,with Chris True of AllMusic viewing it as Tears for Fears' defining moment. [6] The song has been covered,remixed and sampled by many artists since its release. In 2010,it was used as the basis for the UK chart-topping song "Shout" (performed by an ensemble featuring Dizzee Rascal and James Corden),an unofficial anthem of the England football team in the 2010 FIFA World Cup.
While Tears for Fears' previous single "Mothers Talk" had showcased a new,more extroverted songwriting style,"Shout" was completed with power chords,heavy percussion,a synth bass solo and a vocal-sounding synth riff. [7] It begins with a percussive loop from an emulator drum machine before leading into the song's chorus,which follows a I–♭VI–IV–I chord progression. [8] The song also has a lengthy guitar solo,unusual for Tears for Fears. Orzabal has said that the song "is actually more concerned with political protest" than the common view that it is about primal scream theory. [7]
The song was written in my front room on just a small synthesizer and a drum machine. Initially I only had the chorus, which was very repetitive, like a mantra. I played it to Ian Stanley, our keyboardist, and Chris Hughes, the producer. I saw it as a good album track, but they were convinced it would be a hit around the world. [9]
— Roland Orzabal
Upon hearing "Shout", Stanley insisted that it would be a "worldwide smash" and assisted Orzabal in completing the song. As such, Stanley received co-writing credits for his contributions. [8]
The promotional video for "Shout", filmed in late 1984, was the second Tears for Fears video directed by Nigel Dick. It features footage of Roland Orzabal and Curt Smith at Durdle Door in Dorset on the south coast of England, as well as in a studio with the full band, including Ian Stanley and Manny Elias, performing the song amidst a crowd of family and friends. [10]
Along with the clip for "Everybody Wants to Rule the World", the "Shout" video helped to establish Tears for Fears in North America due to its heavy airplay on the music video channel MTV. [11]
In addition to the standard 7- and 12-inch releases, the "Shout" single was issued in two collectible formats in the UK: a limited-edition 10-inch single and a 7-inch boxed pack featuring a 1985 Tears for Fears calendar. [12] A similar limited-edition 7-inch pack was released in Canada, this one featuring a 12-page booklet of band photos. In 1988, "Shout" was reissued on the short-lived CD Video format. The disc included two mixes of the title track, a remix of "Everybody Wants to Rule the World", and the "Shout" music video.
"The Big Chair" is the B-side to the "Shout" single. Though there are no lyrics, the track contains dialogue samples performed by actors Sally Field and William Prince from the 1976 television film Sybil , from which the song (and the album Songs from the Big Chair) takes its name. This is one of the few songs in the Tears for Fears catalogue on which bandmember Curt Smith shares a writing credit. The song has since been included in the band's B-sides and rarities collection Saturnine Martial & Lunatic (1996) as well as the remastered and deluxe edition reissues of Songs from the Big Chair.
This track was very much inspired by the film Sybil about a woman suffering from multiple personalities undergoing psychotherapy. The big chair in her therapist's office is the place Sybil feels safest to recount the horrors of her childhood.
— Roland Orzabal
Cash Box said that it has "an anthemic chorus and a booming production sound". [13] John Leland at Spin called it, " the simple, mindless pop song Depeche Mode has been trying to write for years. The vocals sound like they're coming from a porcelain bathroom at the foot of the Alps. Other than that, its got a singsong melody that numbs all critical faculties, portentious lyrics that signify nothing, and a happy lack of synth doodles or Bowie-isms." [14] Smash Hits reviewer Lesley White described it as "Effective and powerful pop with an insidious chorus you'll find yourself singing at the most inoppurtune moments. For that reason, a hit." [15]
7-inch: Mercury / IDEA8 (United Kingdom, Ireland, South Africa) / 880 294-7 (Australia, Europe) / SOV 2351 (Canada)
7-inch: Mercury / 880 481-7Q (Germany) / 7PP-167 (Japan)
7-inch: Mercury / 880 294-7 (United States)
| 12-inch: Mercury / IDEA812 (United Kingdom) / 880 294-1 (Australia, Europe) / SOVX 2351 (Canada) / MIX 3080 (Mexico)
12-inch: Mercury / 880 929-1 (United States)
CDV: Mercury / 080 064-2 (United Kingdom)
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Tears for Fears
Additional personnel
Weekly charts
1Remix | Year-end charts
All-time charts
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Region | Certification | Certified units/sales |
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Canada (Music Canada) [48] | Platinum | 100,000^ |
New Zealand (RMNZ) [49] | Gold | 10,000* |
United Kingdom (BPI) [50] | Gold | 500,000‡ |
United States (RIAA) [51] | Gold | 500,000^ |
United States (RIAA) [51] digital sales | Gold | 500,000* |
* Sales figures based on certification alone. |
"Shout" has been covered by various artists:
In 2010, "Shout" was used as the basis for an unofficial anthem of the England football team in the 2010 FIFA World Cup. The new version, performed by Shout for England featuring Dizzee Rascal and James Corden, utilises elements from the Tears for Fears song amid new verses written specifically for the 2010 World Cup. The track also samples "No Diggity" by Blackstreet and was produced by Simon Cowell in association with TalkTalk. It was released on 9 June. [57] On 13 June, the track entered the UK Singles Chart at No. 1. [58]
Tears for Fears are an English pop rock band formed in Bath in 1981 by Curt Smith and Roland Orzabal. Founded after the dissolution of their first band, the mod-influenced Graduate, Tears for Fears were associated with the synth-pop bands of the 1980s, and attained international chart success as part of the Second British Invasion.
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Songs from the Big Chair is the second studio album by the English band Tears for Fears, released on 25 February 1985 by Mercury Records, distributed by Phonogram Inc. A follow-up to the band's successful debut album, The Hurting (1983), Songs from the Big Chair was a significant departure from that album's dark, introspective synth-pop, featuring a more mainstream, guitar-based pop rock sound, sophisticated production values and diverse stylistic influences, while Roland Orzabal and Ian Stanley's lyrics displayed socially and politically conscious themes.
The Hurting is the debut studio album by British new wave band Tears for Fears, released on 7 March 1983 by Mercury Records distributed by Phonogram Inc. The album peaked at No. 1 on the UK Albums Chart in its second week of release and was certified Gold by the BPI within three weeks of release. The album also entered the Top 40 in several other countries including Canada, Germany, and Australia. It was certified Platinum in the UK in January 1985.
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