Songs from the Big Chair

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Songs from the Big Chair
Tears for Fears Songs from the Big Chair.jpg
Studio album by
Tears for Fears
Released25 February 1985 (1985-02-25) [1]
Recorded1984 [a] [b]
Studio The Wool Hall, Beckington, UK
Genre
Length41:52
Label
Producer Chris Hughes
Tears for Fears chronology
The Hurting
(1983)		Songs from the Big Chair
(1985)		 The Seeds of Love
(1989)
Singles from Songs from the Big Chair
  1. "Mothers Talk"
    Released: 10 August 1984
  2. "Shout"
    Released: 23 November 1984
  3. "Everybody Wants to Rule the World"
    Released: 22 March 1985
  4. "Head over Heels"
    Released: 14 June 1985
  5. "I Believe (A Soulful Re-Recording)"
    Released: 4 October 1985
  6. "Mothers Talk (US remix)"
    Released: 1 April 1986

Songs from the Big Chair is the second studio album by the English band Tears for Fears, released on 25 February 1985 by Mercury Records, distributed by Phonogram Inc. A follow-up to the band's successful debut album, The Hurting (1983), Songs from the Big Chair was a significant departure from that album's dark, introspective synth-pop, featuring a more mainstream, guitar-based pop rock sound, sophisticated production values and diverse stylistic influences, while Roland Orzabal and Ian Stanley's lyrics displayed socially and politically conscious themes.

Contents

The album peaked at number two in the UK and at number one in the U.S., becoming a multi-platinum seller and the band's most successful studio album to date. The singles "Shout" and "Everybody Wants to Rule the World" both topped the U.S. Billboard Hot 100 and reached the top 5 of the UK Singles Chart, while "Head over Heels", "Mothers Talk" and a live version of "I Believe" were also successful internationally. Receiving positive critical reviews upon release, Songs from the Big Chair has accrued lasting praise and has been named one of the 1980s' best albums and was included in the book 1001 Albums You Must Hear Before You Die . [6] [7] [8]

Background

The album was to be titled The Working Hour, but Roland Orzabal thought to change it to Songs from the Big Chair, [9] a title derived from the 1976 American television film Sybil about a woman with multiple personality disorder who only feels safe when sitting in her analyst's "big chair." The title reflects the band's opinion that they were the targets of a hostile British music press. [10]

In an interview for the 2006 deluxe-version booklet, Curt Smith noted: "We were very introverted on The Hurting ; it was a very dark album. We found the need to be more outgoing on The Big Chair." [11]

The band started to generate new material around the beginning of 1984. The first song written for the album was "Head over Heels", which the band played live during a tour undertaken between the two studio albums. [11]

Writing and recording

The album was recorded at The Wool Hall in 1984. Conceptually and musically, it further developed the band's sound from the previous studio album The Hurting (1983), reintroducing guitars to their electronic sound and imparting a lighter approach overall. Early songs written for the album included "Head over Heels" and "The Working Hour". "Mothers Talk" was released months before the album as a single. These songs, as well as "We Are Broken", were all performed on the Tears for Fears 1983 tour. [12] The song "Shout" became a central work during the recording of the album, and the band and producer Chris Hughes spent months working on the track. [13]

The album utilises many styles and influences, and progressive rock was cited as a primary influence on the album. [14] "I Believe" was influenced by the songwriting of Robert Wyatt. [3] "Broken" is a reworking of an earlier song and a live version is repeated at the end of "Head over Heels". The largely instrumental "Listen" has been described as a symphonic piece. [3] Lyrically, the psychological themes on The Hurting were continued and extended to include a variety of themes such as politics, war, money and love. [3]

Near the end of the completion of the album, Roland Orzabal played two simple chords on his acoustic guitar that formed the foundation of the song "Everybody Wants to Rule the World". Although he was initially not interested in working on it, Orzabal was convinced to write a song based on the two chords and he added the chorus line. The song was completed in about a week and was the last track recorded for the album. [13]

Release

Songs from the Big Chair was released on 25 February 1985 [1] with a black and white photograph of Orzabal and Smith on the record cover.

The album reached number two on the UK Albums Chart and spawned five commercially successful singles: "Mothers Talk" (UK #14), "Shout" (UK #4), "Everybody Wants to Rule the World" (UK #2), [15] "Head over Heels" (UK #12), [16] and "I Believe" (UK #23). [17]

The radio-friendly "Everybody Wants to Rule the World" marked the band's breakthrough in the United States; both this single and its follow-up, "Shout", reached number one in the U.S. "Songs From the Big Chair" also reached number one on the Billboard 200 and sold five million copies in the U.S. alone. [1] In the UK, the album spent 79 consecutive weeks on the album chart, remaining on the chart for 18 months until September 1986. [17]

To mark the album's 30th anniversary, Universal Music released the album in five different formats on 10 November 2014. [18]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [19]
Consequence A+ [20]
The Guardian Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [21]
Mojo Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [22]
Pitchfork 8.9/10 [3]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [23]
Record Collector Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [24]
Record Mirror Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [25]
Smash Hits 8/10 [26]
The Village Voice B [27]

Songs from the Big Chair received generally positive reviews. Slant Magazine ranked the record at number 95 on its list of the best albums of the 1980s, [7] and Pitchfork placed it 87th. [8]

Contemporary

In NME , Danny Kelly called Songs from the Big Chair "a calculated and brilliant peak, a quintessence of polished pop putty ... perfect at its shimmering surface, worthless to its craven core." He described it as a descendant of 10cc's The Original Soundtrack (1975) and Pink Floyd's The Dark Side of the Moon (1973)–"a product of obsessional care and attention to (often unnecessary) detail." [28]

Johnny Waller of Sounds awarded the album four and a half stars out of five and said that compared with their debut, "Tears for Fears have lovingly crafted a new masterpiece with softer, smoky vocals, more tempting melodies and less abrasive rhythms." He called the record "glorious pop" and added that "within accepted confines, Tears for Fears are stretching and growing, expanding both their imagination and their horizons." [29]

Rolling Stone reviewer Don Shewey found Tears for Fears reminiscent of various other acts, noting traces of "U2's social conscience, the Bunnymen's echoing guitars and XTC's contorted pop wit" but commented that Chris Hughes' "sparkling" production "nudges Songs from the Big Chair slightly ahead of the pack." [30] Ian Cranna of Smash Hits described the album as "looser, more exploratory" than the band's previous work and praised its "unflinching lyrical honesty." [26]

Robert Christgau of The Village Voice , noted the "uncommon command of guitar and piano, Baker Street sax, synthesizers more jagged than is deemed mete by the arbiters of dance-pop accessibility" but beneath a prevailing "portentous" mood, suggesting "a depth and drama English lads have been falling short on since the dawn of progressive rock." [27] Barry McIlheney of Melody Maker wrote that "none of you should really be too surprised that Tears for Fears have made such an excellent album", calling it "an album that fully justifies the rather sneering, told-you-so looks adopted by Curt Smith and Roland Orzabal on the sleeve" [31]

Retrospective

AllMusic, Stanton Swihart wrote that Songs from the Big Chair "heralded a dramatic maturation in the band's music, away from the synth-pop brand with which it was (unjustly) seared following the debut, and towards a complex, enveloping pop sophistication", deeming it "one of the finest statements of the decade." [19] Mark Elliott of Record Collector said that the album found Tears for Fears "making it big, coating their consistently interesting material in a high-gloss commercial sheen that captured the mid-80s zeitgeist perfectly", [24] while Q highlighted its "sound of spotlit, spacious sophistication plus anthemic choruses you'd bet your house on." [32] Writing for Stylus Magazine in 2006, Andrew Unterberger concluded that "even today, when all rock musicians seem to be able to do is be emotional and honest, the brutality and power of Songs from the Big Chair's catharsis is still quite shocking." [33]

In February 2020, the album was the focus of an episode of the BBC's Classic Albums documentary series. The episode included new interviews with key personnel including Orzabal, Smith, Ian Stanley, producer Chris Hughes, engineer Dave Bascombe, Oleta Adams, John Grant and A&R man David Bates. [9]

Track listing

Side one
No.TitleWriter(s)Length
1."Shout"
6:32
2."The Working Hour"
6:30
3."Everybody Wants to Rule the World"
4:10
4."Mothers Talk"
  • Orzabal
  • Stanley
5:09
Side two
No.TitleWriter(s)Length
1."I Believe"Orzabal4:53
2."Broken"Orzabal2:38
3."Head over Heels / Broken (live)" (reprise)
5:01
4."Listen"
  • Stanley
  • Orzabal
6:48
Total length:41:52

Personnel

Tears for Fears

Additional personnel

Production and artwork

Charts

Certifications and sales

Certifications for Songs from the Big Chair
RegionCertification Certified units/sales
Australia—150,000 [67]
Brazil—200,000 [68]
Canada (Music Canada) [69] 7× Platinum700,000^
France (SNEP) [70] Gold100,000 [71]
Germany (BVMI) [72] Gold250,000^
Hong Kong (IFPI Hong Kong) [73] Platinum20,000*
Netherlands (NVPI) [74] Platinum100,000^
New Zealand (RMNZ) [75] Platinum15,000^
United Kingdom (BPI) [76] 3× Platinum900,000^
United States (RIAA) [77] 5× Platinum5,000,000^
Summaries
Worldwide—9,000,000 [78]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Notes

  1. ↑ "Broken" (live) recorded December 1983 at Hammersmith Odeon
  2. ↑ "Mothers Talk (U.S. remix)" recorded 1986

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  74. ↑ "Dutch album certifications – Tears for Fears – Songs from the Big Chair" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers.Enter Songs from the Big Chair in the "Artiest of titel" box. Select 1989 in the drop-down menu saying "Alle jaargangen".
  75. ↑ "New Zealand album certifications – Tears for Fears – Songs from the Big Chair". Recorded Music NZ. 2 June 1985. Retrieved 20 November 2024.
  76. ↑ "British album certifications – Tears for Fears – Songs from the Big Chair". British Phonographic Industry. 18 February 1986. Retrieved 3 January 2021.
  77. ↑ "American album certifications – Tears for Fears – Songs from the Big Chair". Recording Industry Association of America. 15 May 1995.
  78. ↑ "Da Londra Curt e Roland portano "I semi d'amore"". la Stampa . 16 March 1990. p. 12. Retrieved 5 April 2022. Non a case lo scorsolo album "Songs from the big chair" era riuscito a vendedre ben nove million di copie

Bibliography

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