|"Come On Eileen"|
|Single by Dexy's Midnight Runners and the Emerald Express|
|from the album Too-Rye-Ay|
|Released||25 June 1982|
|Length||4:12 (single version)|
4:32 (album version)
4:07 (US album version)
3:48 (video version)
3:28 (special DJ edit)
|Dexys Midnight Runners singles chronology|
"Come On Eileen" is a song by English group Dexys Midnight Runners (credited to Dexys Midnight Runners and the Emerald Express), released in the United Kingdom on 25 June 1982as a single from their album Too-Rye-Ay . It reached number one in the United States, and it was their second number one hit in the UK, following 1980's "Geno". The song was initially claimed to be written by Kevin Rowland, Jim Paterson and Billy Adams, and it was produced by Clive Langer and Alan Winstanley, although Rowland later stated that the essence of the tune should be attributed to Kevin Archer.
"Come On Eileen" won Best British Single at the 1983 Brit Awards and in 2015, the song was voted by the British public as the nation's sixth favourite 1980s number one in a poll for ITV.It was ranked number eighteen on VH1's 100 Greatest Songs of the '80s.
There are various versions of the song; some, in addition to the main section, feature either a Celtic fiddle-solo intro or an a capella coda both based on Thomas Moore's Irish folk song "Believe Me, if All Those Endearing Young Charms".
The main section begins with a Celtic-style fiddle played over a drum beat, with the bass guitar and piano providing accompaniment.
The lyrics of the song begin with the lines:
The bridge of "Come On Eileen" features an improvised counter-melody which begins in a slow tempo and gets faster and faster over an accelerando vocal backing. The chord sequence of the bridge is actually the same as the verses, but transposed up by a whole tone.
Throughout the song, there are numerous tempo changes and key changes:
|Section||Introduction||Verses||Chorus and bridge|
|Key||F major||C major||D major|
Although often believed to have been inspired by a childhood friend with whom Kevin Rowland had a romantic, and later sexual, relationship in his teens,there was actually no real Eileen. "In fact she was composite, to make a point about Catholic repression."
The 1982 music video was directed by Julien Temple and filmed in the inner south London suburb of Kennington in the vicinity of the corner of Brook Drive and Hayles Street, then Austral Street and Holyoak Road. The character of "Eileen" in the music video, as well as on the single cover, is played by Máire Fahey, sister of Siobhan Fahey from Bananarama.
Archival footage of Johnnie Ray arriving at London Heathrow Airport in 1954 was featured in the video.
In a poll by Channel 4, a UK TV channel, the song was placed at number thirty-eight in the 100 greatest number one singles of all time.Similar polls by the music channel VH1 placed the song at number three in the 100 Greatest One-hit Wonders of all time, number 18 in VH1's 100 Greatest Songs of the 1980's and number one in the 100 Greatest One Hit Wonders of the 80s (the group had a previous number one single in the UK—"Geno" in 1980—but "Come On Eileen" was their only US hit). "Come on Eileen" has sold 1.33 million copies in the UK as of June 2013.
The song reached number one in the United States on the Billboard Hot 100 charts during the week ending 23 April 1983. "Come on Eileen" prevented Michael Jackson from having back-to-back number one hits in the US: "Billie Jean" was the number one single the previous seven weeks, while "Beat It" was the number one song the ensuing three.
Certifications and sales
In 1997, ska band Save Ferris released a cover of the song as a single from album It Means Everything .
In 2004, the band 4-4-2 was formed to cover the song as "Come On England" with altered lyrics to support the England national football team during their appearance in the 2004 European Championships.
On 7 August 2005, the song was used to wake the astronauts of Space Shuttle Discovery on the final day of STS-114 in reference to commander Eileen Collins.
The song was featured in the films Tommy Boy (1995),Take Me Home Tonight (2011), and The Perks of Being a Wallflower (2012).
In 2020, Sara Evans released a cover of the song as a single from her album Copy That .
A one-hit wonder is any entity that achieves mainstream popularity, often for only one piece of work, and becomes known among the general public solely for that momentary success. The term is most commonly used in regard to music performers with only one hit single that overshadows their other work. Sometimes, artists dubbed "one-hit wonders" in a particular country have had great success in other countries. Music artists with subsequent popular albums and hit listings are typically not considered a one-hit wonder. One-hit wonders usually see their popularity decreasing after their hit listing and most often don't return to hit listings with other songs or albums.
Dexys Midnight Runners are an English pop band with soul influences from Birmingham, who achieved major commercial success in the early to mid-1980s. They are best known in the UK for their songs "Come On Eileen" and "Geno", both of which peaked at No. 1 on the UK Singles Chart, as well as six other top-20 singles. "Come On Eileen" also topped the US Billboard Hot 100, and with extensive airplay on MTV they are associated with the Second British Invasion.
Kevin Rowland is an English singer-songwriter of Irish descent and frontman for the pop band Dexys Midnight Runners, which had several hits in the early 1980s, the most notable being "Geno" and "Come On Eileen", both of which reached number one on the UK Singles Chart.
Helen O'Hara is a British musician, formerly a member and violinist of the band Dexys Midnight Runners between 1982 and 1987, including performing on songs such as "Come on Eileen" from the Too-Rye-Ay album.
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Searching for the Young Soul Rebels is the debut studio album by English pop group Dexys Midnight Runners, released on 11 July 1980, through EMI Records. Led by Kevin Rowland, the group formed in 1978 in Birmingham, England, and formed a strong live reputation before recording their first material. Recorded during April 1980, the album combines the aggressiveness of punk rock with soul music, particularly influenced by the Northern soul movement.
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"Geno" is a 1980 single by Dexys Midnight Runners. Written by Kevin Archer and Kevin Rowland, it was the band's second single and their first UK number one, staying at the top of the Singles Chart for two weeks. The song charted at number two in Ireland.
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New Wave spawned some of pop music's classic one-hit wonders, artists who are vividly remembered today: Dexys Midnight Runners ("Come on Eileen"), Nena ("99 Luftballons"), and Thomas Dolby ("She Blinded Me with Science"), to name just a few.
"Come on Eileen," a distinctive fusion of '80s pop, Celtic folk, and blue-eyed soul.