"I Shot the Sheriff" is a song written by Jamaican reggae musician Bob Marley and released in 1973 with his band the Wailers.
Mud are an English glam rock band, formed in February 1966. Their earlier success came in a pop and then glam rock style, while later hits were influenced by 1950s rock and roll and rockabilly, and they are best remembered for their hit singles "Dyna-mite", "Tiger Feet", which was the UK's best-selling single of 1974, and "Lonely This Christmas" which reached Christmas number 1 in December 1974. After signing to Rak Records and teaming up with songwriters/producers Nicky Chinn and Mike Chapman, the band had fourteen UK Top 20 hits between 1973 and 1976, including three number ones.
"Eye of the Tiger" is a song by the American rock band Survivor. It was written as the theme song for the 1982 film Rocky III and released that year as a single from Survivor's third album, Eye of the Tiger.
Thomas Leslie Gray was an English musician best known for his work with glam rock pop band Mud. Gray was also known for his distinctive vocal impersonation of Elvis Presley, as well as being a lifelong supporter of Leeds United.
"The Ballroom Blitz" is a song by British glam rock band The Sweet, written by Nicky Chinn and Mike Chapman. The song reached number one in Canada, number two in the UK Singles Chart and the Australian Chart, and number five on the US Billboard Hot 100. It remains an enduring favourite, with more than 90 million streams on Spotify alone by the end of 2022.
"You Ain't Seen Nothing Yet" is a song by Canadian rock band Bachman–Turner Overdrive (BTO). The song was written by Randy Bachman for the band's third studio album Not Fragile (1974). It was released as a single in 1974, with an instrumental track "Free Wheelin'" as the B-side. It reached the number one position on the Billboard Hot 100 singles chart and the Canadian RPM chart the week of November 9, 1974, as well as earning the band their only major hit single in the United Kingdom, peaking at number 2 on the UK Singles Chart. The follow-up single, "Roll on Down the Highway", was also a minor UK hit.
"Murder on the Dancefloor" is a song written by Sophie Ellis-Bextor and Gregg Alexander, produced by Alexander and Matt Rowe for Ellis-Bextor's first album, Read My Lips (2001). Released on 3 December 2001, the song peaked at number two on the UK Singles Chart and became a top-10 hit worldwide, charting within the top three in Australia, New Zealand, and four European countries. In the United States, the single reached number nine on the Billboard Maxi-Singles Sales chart. "Murder on the Dancefloor" is reported to have been the most played song in Europe in 2002.
"Sorry Seems to Be the Hardest Word" is a song written by English musician Elton John and songwriter Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.
"I'll Be There for You" is a song by American rock band Bon Jovi, released as the third single from their 1988 album, New Jersey. The power ballad was written by Jon Bon Jovi and Richie Sambora. The single reached number one on the US Billboard Hot 100 and number five on the Album Rock Tracks chart.
"Kids in America" is a song recorded by English pop singer Kim Wilde. It was released in the United Kingdom as her debut single in January 1981, and in the United States in spring 1982, later appearing on her self-titled debut studio album. Largely inspired by the synth-pop style of Orchestral Manoeuvres in the Dark (OMD) and Gary Numan, the song reached number two on the UK Singles Chart for two weeks and number one in Finland and South Africa, and charted in the top 10 of many European charts as well as Australia and New Zealand. In North America, the song reached the top 40 in Canada and the United States. It was certified gold in the United Kingdom, South Africa, Australia and Sweden; and has sold over three million copies worldwide. The song has been covered by many artists from different genres.
"Living Doll" is a song written by Lionel Bart made popular by Cliff Richard and the Shadows in 1959. It was the top selling single in the UK in 1959. It has topped the UK charts twice: in its original version in 1959 and a new version recorded in 1986 in aid of Comic Relief. It is one of the few songs released by an English singer to chart on the American Billboard charts before the British Invasion occurred.
"Can the Can" is the second solo single by American singer-songwriter Suzi Quatro and her first to reach number one in the UK, spending a single week at the top of the chart in June 1973. It also reached number one on the European and Australian charts in whose market Quatro achieved her most consistent success throughout her career as a recording artist. The single belatedly became a hit in the US peaking at number 56 on the Billboard Hot 100 in 1976. It was re-released as a single in the UK, with "Devil Gate Drive" as the B-side, in 1984, but failed to chart. The single made the charts again in 1987 in the UK at number 87, it also appeared on her 1995 album What Goes Around.
"You're the First, the Last, My Everything" is a song recorded by American singer and songwriter Barry White from his third studio album, Can't Get Enough (1974). The song was written by White, Tony Sepe and Peter Radcliffe and produced by White. It reached number two on the US Billboard Hot 100 and number one on the UK Singles Chart. The song was certified Gold by the Recording Industry Association of America (RIAA) in 1974, and certified silver by the British Phonographic Industry (BPI), also in 1974.
"Lonely This Christmas" is a Christmas song by the English glam rock band Mud, that topped the UK Singles Chart in 1974, selling over 750,000 copies and reaching Christmas number one.
"Love Me for a Reason" is a song by Johnny Bristol. It was recorded most famously by the Osmonds, and released in 1974. Twenty years later, Boyzone covered the song. Both versions were successful, reaching the top 10 of the charts in many countries.
"Kiss You All Over" is a 1978 song performed by American group Exile, written by Mike Chapman and Nicky Chinn. It was included on the band's third album, Mixed Emotions (1978), and featured lead vocalist Jimmy Stokley and guitarist J.P. Pennington on vocals. On the American Top 40 broadcast of May 26, 1979, Casey Kasem reported that Chapman stated his source of inspiration for "Kiss You All Over" was "It's Ecstasy When You Lay Down Next to Me" by Barry White. The song was a number one single in the United States, but proved to be Exile's only big hit in the pop market.
"Fox on the Run" is a 1975 song by the British glam rock band Sweet, first recorded in 1974. It was the first Sweet single written by the band, rather than by producers Nicky Chinn and Mike Chapman, and was their 14th single overall. The song became the best charting single in Australia in 1975, with six weeks at number one. It is about the band's groupie. She was unnamed on purpose.
"Dyna-mite" is a 1973 single, written by the songwriting team of Mike Chapman and Nicky Chinn. It was originally written for the Sweet, who rejected it, and later inherited by the English glam rock band Mud. Chapman and Chinn produced the song as well.
"Little Willy" is a song written by songwriters Nicky Chinn and Mike Chapman and performed by the British glam rock band The Sweet, released in 1972 as a non-album single in the UK, peaking at number 4 in the UK Singles Chart. It was released in the US in January 1973 and also appeared on their US debut album The Sweet and became their biggest hit in the US, reaching number 3 on the Billboard Hot 100. Billboard ranked it as the number 18 song for 1973.
"Co-Co" is a 1971 single by British glam rock band The Sweet. It was the Sweet's second single to chart in the UK, peaking at No. 2 on the UK Singles Chart. Outside the UK, "Co-Co" reached No. 1 in the Flanders region of Belgium, South Africa, Switzerland and West Germany. The single was included on their debut album, Funny How Sweet Co-Co Can Be, in November 1971.
