"Believe" | ||||
---|---|---|---|---|
| ||||
Single by Cher | ||||
from the album Believe | ||||
B-side | "Believe" (Xenomania Mix) | |||
Released | October 19, 1998 | |||
Recorded | 1998 | |||
Studio | Dreamhouse Studio (West London) | |||
Genre | ||||
Length | 3:59 | |||
Label | Warner Bros. | |||
Songwriter(s) |
| |||
Producer(s) | ||||
Cher singles chronology | ||||
| ||||
Music video | ||||
"Believe" on YouTube |
"Believe" is a song by American entertainer Cher from her twenty-second studio album of the same name (1998). It was released as the album's lead single on October 19, 1998, by Warner Bros. Records. After circulating for months, a demo written by Brian Higgins, Matthew Gray, Stuart McLennen and Timothy Powell, was submitted to Warner's chairman Rob Dickins, while he was scouting for songs to include on Cher's new album. Aside from the chorus, Dickins was not impressed by the track so he enlisted two more writers, Steve Torch and Paul Barry in order to complete it. Recording took place at Dreamhouse Studio in West London, while production was in charge of Mark Taylor and Brian Rawling.
"Believe" is an upbeat dance-pop and electropop song and represents a complete musical departure from Cher's previous efforts. It featured a pioneering use of the audio processing software Auto-Tune to distort the singer's vocals, which was widely imitated and became known as the "Cher effect". The song's lyrics describe empowerment and self-sufficiency after a painful breakup. "Believe" has been met with appreciation ever since its release; music critics have praised in particular its production and catchiness, with some of whom deemed it as a highlight from the album, and listed it as one of Cher's most important releases. At the 42nd Annual Grammy Awards the song was nominated for the Record of the Year and the Best Dance Recording, winning the latter.
"Believe" was a commercial success worldwide, topping the record charts in over 23 countries and with sales of over 11 million copies is Cher's most successful single to date and one of the best-selling singles in music history. "Believe" was the biggest-selling song of 1998 in the United Kingdom and remains the highest-selling single by a solo female artist. In the United States it was Cher's fifth number-one single on the Billboard Hot 100 chart and topped the Year-End Hot 100 singles of 1999. The accompanying music video, directed by Nigel Dick, was nominated for Best Dance Video at the 1999 MTV Video Music Awards.
Cher has performed the song in several occasions, including the 1999 Brit Awards and the Sanremo Music Festival and it has been a regular staple in the set list of her concert tours ever since. "Believe" has been covered by numerous artists and it's also been sung or referenced in feature films and TV shows. Scholars and academics noted the way in which Cher was able to re-invent herself and remain fresh and contemporary amidst the more teen pop-based music of the period. They also credited the song for restoring Cher's popularity and cementing her position as a pop culture icon. "Believe" earned Cher a place in the Guinness Book of World Records ; Rolling Stone listed it among the "500 Greatest Songs of All Time".
A demo of "Believe", written by Brian Higgins, Matthew Gray, Stuart McLennen and Timothy Powell, circulated at Warner Records for months. According to producer Mark Taylor, "everyone loved the chorus but not the rest of the song". [1] Warner chairman Rob Dickins asked the production house Dreamhouse to work on it; their goal was to make a dance record that would not alienate Cher fans. [1] Two more writers, Steve Torch and Paul Barry, joined and completed a version that Dickens and Cher were happy with." [1]
Though she is not credited as a songwriter, [2] [3] Cher said she contributed the lines 'I need time to move on, I need love to be strong / I've had time to think it through and maybe I'm too good for you". According to Cher, "I was singing [the song] in the bathtub, and it seemed to me the second verse was too whiny. It kind of pissed me off, so I changed it. I toughened it up a bit." [4]
"Believe" was recorded in mid-1998 in Kingston upon Thames, London, at the Dreamhouse studio operated by Metro Productions. It was assembled with Cubase VST on an early model Power Macintosh G3, with synthesizers including a Clavia Nord Rack and an Oberheim Matrix 1000. Cher's vocals were recorded on three TASCAM DA-88 digital audio recorders with a Neumann U67 microphone. [1] [5]
The effects on Cher's vocals were achieved using the pitch correction software Auto-Tune. Auto-Tune was designed to be used subtly to correct sharp or flat notes in vocal performances; however, Taylor used extreme settings to create unnaturally rapid corrections, thereby removing portamento, the natural slide between pitches in singing. [6] Taylor said it was "the most nerve-wracking part of the project", as he was not sure how Cher would react. [1] She approved and insisted the effect remain when Warner wanted it removed. [5] In an attempt to protect their method, the producers initially claimed it was achieved using a vocoder. [6] The effect was widely imitated and became known as the "Cher effect". [6]
"Believe" is a dance-pop and electropop song. [7] [8] [9] It contains uncredited samples of "Prologue" & "Epilogue" performed by the Electric Light Orchestra. [10] The track was recorded in the key of F♯ major with a tempo of 133 beats per minute. The song follows a chord progression of F♯–C♯–G♯m–B–F♯–A♯m7–G♯m–D♯m, and Cher's vocal range spans from the low note of F♯3 to the high note of C♯5. [11]
Upon the release, Chuck Taylor from Billboard said that it is "the best darn thing that Cher has recorded in years". He added, "Some songs are so natural, so comfortably sung, that you wonder that somebody didn't think them up decades before. With this, you'll be whirling around the floor, tapping hard on the accelerator to "Believe," a simple ode to those feelings that we all search out and cling to. Cher is just a prize here; even her hardy detractors will be fighting the beat on this one." [12] Music critic Robert Christgau highlighted "Believe" as the best song on the album. [13] A reviewer from Entertainment Weekly described the song as "poptronica glaze, the soon-to-be club fave..." and noted Cher's voice as "unmistakable". [14] Deborah Wilker from Knight Ridder said that "her electronically altered vocal" on "Believe" "is like nothing she's ever done." [15]
Knight Ridder also described the song as "present-tense disco, with Cher an anthemic, Madonna manqué." [16] New York Daily News described the song as a "club track so caffeinated, it not only microwaved her cold career to scorching-hot but gave dance music its biggest hit since the days of disco." [17] They also noted the song's "killer hook and amazing beat." [18] Neil Strauss from The New York Times wrote that "the verses are rich and bittersweet, with the added gimmick of breaking up Cher's voice through an effect that makes her sound robotic. And the choruses are catchy and uplifting, with Cher wailing, "Do you believe in life after love?" All of it bounces over a bed of 80s-style electronic pop. It is a song with a universal theme—a woman trying to convince herself that she can survive a breakup". [19] Another editor, Jim Sullivan, noted the track as a "hooky, defiant, beat-fest of a song". [20]
In 2019, Bill Lamb from About.com declared it as a "perfect piece of dance-pop", including it in his list of "Top 10 Pop Songs of 1999". [8] AllMusic editor Joe Viglione called "Believe" a "pop masterpiece, one of the few songs to be able to break through the impenetrable wall of late 1990s fragmented radio to permeate the consciousness of the world at large." [21] Another editor, Michael Gallucci, gave a lukewarm review, writing that the Believe album is an "endless, and personality-free, thump session". [22] Stopera and Galindo from BuzzFeed noted it as "iconic", featuring it in their "The 101 Greatest Dance Songs of the '90s" in 2017. [23] Damon Albarn, frontman of the bands Blur and Gorillaz, called the song "brilliant". [24]
In 2014, Tom Ewing from Freaky Trigger wrote that "Believe" "is a record in the "I Will Survive" mode of embattled romantic defiance – a song to make people who've lost out in love feel like they're the winners." He added that "it's remarkable that it took someone until 1998 to come up with "do you believe in life after love?", and perhaps even more remarkable that it wasn't Jim Steinman, but the genius of the song is how aggressive and righteous Cher makes it sound." [25] Bob Waliszewski of Plugged In said that Cher "musters self-confidence to deal with a failed romance". [26] In 2018, Dave Fawbert from ShortList described "Believe" as a "really great pop song with, as ever, an absolute powerhouse vocal performance from Cher". [27]
The song was released as the album's lead single on October 19, 1998, [28] peaked at number one in 21 countries worldwide. [29] On January 23, 1999, it reached the Top 40 on the Billboard Hot 100 and reached number one on the chart on March 13, making Cher the oldest female artist (at the age of 52) to perform this feat. [30] Cher also set the record for the longest gap between number-one singles on the Hot 100; there was a gap of 33 years and 7 months between her singles "I Got You Babe" and "Believe" reaching number one. [31] "Believe" was ranked as the number-one song of 1999 by "Billboard" on both the "Billboard" Hot 100 and Hot Dance Club Play charts and became the biggest single in her entire career. "Believe" became Cher's 17th and last top ten hit in the US.
In the United Kingdom, "Believe" debuted atop the UK Singles Chart on October 25, 1998 – for the week ending date October 31, 1998 [32] – during a week in which the top five singles were all new entries, a first for the chart. [33] It became Cher's fourth number one in the UK and remained at the top of the chart for seven consecutive weeks. "Believe" become Britain's biggest-selling song of 1998, and won its writers three Ivor Novello Awards (for Best Selling UK Single, for Best Song Musically and Lyrically, and for International Hit of the Year) at the 1999 ceremony. [34] On July 30, 2021, "Believe" was certified Quadruple Platinum by the British Phonographic Industry. As of October 2017, the song has sold 1,830,000 copies in Britain, making it the biggest-selling song by a woman on the UK Singles Chart. [35] At 52 years old Cher was the oldest female artist to top the UK charts, a record that has since been broken by Kate Bush who was 63 when "Running Up That Hill" reached number one. [36]
The success of the song not only expanded through each country's singles chart, but also most countries' dance charts. In the United States "Believe" spent 15 weeks on the U.S. Hot Dance Club Play chart, five of those weeks at number one, and 22 weeks on the European Hot Dance Charts. "Believe" also set a record in 1999 after spending 21 weeks in the top spot of the Billboard Hot Dance Singles Sales chart, it was still in the top ten even one year after its entry on the chart. [37] On October 13, 2008, the song was voted number 10 on Australian VH1's Top 10 Number One Pop Songs countdown. "Believe" was nominated for Record of the Year and Best Dance Recording at 42nd Grammy Awards, the latter of which it won. [38] [39] Peter Rauhofer (Club 69) won the Grammy Award in 2000 for Best Remixer of the Year for his remix of Cher's "Believe".
The official music video for "Believe", directed by Nigel Dick, features Cher in a nightclub in a double role as a singer on stage while wearing a glowing headdress and as a supernatural being in a cage (with auto-tuned voice) surrounded by many people to whom she is giving advice. The video largely revolves around a woman who is in the club looking for her boyfriend and is heartbroken when she sees him with another woman. The version on The Very Best of Cher: The Video Hits Collection is slightly different from the previous version (the version that is also included on the Mallay Believe Bonus VCD) with additional scenes towards the end that were not in the original video. There are also two 'rough' versions of the video as the song was released in Europe before a video was completed. The first is a compilation of scenes from the videos of Cher's previous singles "One by One" and "Walking in Memphis" and the second includes a brief scene of the "Believe" video where Cher sings the chorus while the rest of the video is composed of scenes from "One by One".
Three official remix videos exist for this song. Two of the remix videos were created by Dan-O-Rama in 1999. Both follow different concepts from the original unmixed video. Instead of showing the significance of the lyrics the videos mostly show Cher with different colored backgrounds and people dancing. The two remixes used for these videos were the Almighty Definitive Mix and the Club 69 Phunk Club Mix. The third video entitled Wayne G. Remix was released by Warner Bros. and the concept is similar to the Club 69 Phunk Club Mix video.
Billboard music critic Chuck Taylor in March 1999 graded the video a "C", praising Cher's appearance and hairstyle but criticizing "an unnecessary subplot about a few kids stalking each other." [40]
Cher performed the song during the Do You Believe?, The Farewell Tour, Cher at the Colosseum and the Dressed to Kill Tour. While she would lip-sync the entire song on various television programs, she would only lip-sync the synthesized verses when performing on her Believe and Farewell tours, the Colosseum shows and on the 2002 edition of VH1 Divas Live . Since 1999, the song has been the encore to all of Cher's concerts until her 2014 Dressed to Kill Tour, where the encore is the ballad "I Hope You Find It", a second single from her 25th studio album Closer to the Truth . [41] It returned as the encore at her Classic Cher (2017-2020) shows and stayed in that place for the Here We Go Again Tour (2018-2020) as well.
VH1 placed "Believe" at number 60 in their list of 100 Greatest Dance Songs in 2000 [42] and at number 74 in their list of 100 Greatest Songs of the 90s in 2007. [43] In 2007, Rolling Stone placed "Believe" at No. 10 in their list of the "20 Most Annoying Songs" [44] In 2020, British national newspaper The Guardian ranked "Believe" as the 83rd greatest UK number one. [45] "Believe" was placed on the 2021 revised list of Rolling Stone's "500 Greatest Songs of All Time". [3]
In July 2020, a digital publication The Pudding carried out a study on the most iconic songs from the '90s and songs that are most known by Millennials and the people of Generation Z. "Believe" was the sixth song with the highest recognisability rate. [46]
Year | Publisher | Country | Accolade | Rank |
---|---|---|---|---|
1999 | The Village Voice | United States | "Top Singles Of The 90's" | 96 |
2000 | VH1 | United States | "100 Greatest Dance Songs" [47] | 60 |
2005 | Blender | United States | "The 500 Greatest Songs Since You Were Born" [48] | 134 |
2005 | Bruce Pollock | United States | "The 7,500 Most Important Songs of 1944-2000" [49] | * |
2007 | VH1 | United States | "100 Greatest Songs of the 90s" [50] | 74 |
2007 | Rolling Stone | United States | "20 Most Annoying Songs" [44] | 10 |
2012 | Max | Australia | "1000 Greatest Songs of All Time" [51] | 252 |
2012 | NME | United Kingdom | "50 Best-selling Tracks of the ’90s" [52] | 5 |
2015 | Robert Dimery | United States | "1,001 Songs You Must Hear Before You Die, and 10,001 You Must Download (2015 Update)" [53] | 1002 |
2017 | BuzzFeed | United States | "The 101 Greatest Dance Songs Of the '90s" [23] | 15 |
2019 | Billboard | United States | "Billboard's Top Songs of the '90s" [54] | 64 |
2019 | Elle | United States | "52 Best 1990s Pop Songs" [55] | 51 |
2019 | Insider | United States | "100 of the Best Songs From the '90s" [56] | * |
2019 | Insider | United States | "102 Songs Everyone Should Listen to in Their Lifetime" [57] | * |
2019 | Max | Australia | "1000 Greatest Songs of All Time" [58] | 892 |
2019 | Paste Magazine | United States | "The Best Songs of 1999" [59] | 9 |
2020 | Glamour | United States | "53 Best ’90s Songs That Are All That and a Bag of Chips" [60] | 14 |
2020 | The Guardian | United Kingdom | "The 100 Greatest UK No 1s" [45] | 83 |
2020 | Cleveland.com | United States | "Best Billboard Hot 100 No. 1 Song of the 1990s" [61] | 25 |
2021 | Rolling Stone | United States | "500 Greatest Songs of All Time" [3] | 337 |
2022 | Pitchfork | United States | "The 250 Best Songs of the 1990s" [62] | 23 |
2022 | Time Out | United Kingdom | "The 50 Best Gay Songs to Celebrate Pride All Year Long" [63] | 18 |
(*) indicates the list is unordered.
In May 2012 after successfully auditioning for The X Factor UK, Ella Henderson, then 16 years old, performed a ballad arrangement of "Believe" after the Bootcamp round, reducing guest judge Nicole Scherzinger to tears. [64] The cover, which was based on Adam Lambert's version performed on American Idol in 2009, [65] was so popular for its slow tempo, emotional interpretation that Henderson released an acoustic performance in 2013 on YouTube [66] and performed it at the National Television Awards on January 23, 2013. [67] Henderson also included a studio version of the cover on a deluxe edition of her debut album "Chapter One" as part of a pre-order EP "Chapter One Sessions".
In December 2018 Lambert performed his ballad version of "Believe" again in honor of Cher during the 41st annual Kennedy Center Honors; the performance was highly acclaimed, with Cher stating that she was "at a loss for words" and was moved to tears. [68] [69] On December 6, 2019, Lambert released a studio version of his version of "Believe" which reached number 23 on the Billboard Digital Song Sales chart on December 21, 2019. [70] [71]
|
|
Credits are adapted from the Believe album liner notes.
Weekly charts
| Year-end charts
Decade-end charts
All-time charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [154] | 3× Platinum | 210,000^ |
Austria (IFPI Austria) [155] | Platinum | 50,000* |
Belgium (BEA) [156] | 3× Platinum | 150,000* |
Denmark (IFPI Danmark) [157] | Platinum | 90,000![]() |
France (SNEP) [158] | Diamond | 750,000* |
Germany (BVMI) [159] | 5× Gold | 1,250,000^ |
Italy (FIMI) [160] | Gold | 125,000 [161] |
Netherlands (NVPI) [162] | Platinum | 75,000^ |
New Zealand (RMNZ) [163] | Gold | 5,000* |
Norway (IFPI Norway) [164] | 2× Platinum | |
Sweden (GLF) [165] | 3× Platinum | 90,000^ |
Switzerland (IFPI Switzerland) [166] | Platinum | 50,000^ |
United Kingdom (BPI) [167] | 4× Platinum | 2,400,000![]() |
United States (RIAA) [168] | Platinum | 1,800,000 [169] |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United Kingdom | October 19, 1998 |
| Warner Bros. | [28] |
United States | November 10, 1998 | [170] | ||
1998 | Maxi-CD | |||
January 1999 |
| [171] | ||
Canada | January 19, 1999 | CD | [172] |
"Iris" is a song by American alternative rock band Goo Goo Dolls. Originally written for the soundtrack of the 1998 film City of Angels, the song was later included on the band's sixth album, Dizzy Up the Girl. The song was released as a single on April 1, 1998.
"Gettin' Jiggy wit It" is a song by American rapper and actor Will Smith, released as the third single from his debut solo album, Big Willie Style (1997). The verse is based around a sample of "He's the Greatest Dancer" by Sister Sledge, and the chorus is sampled from "Sang and Dance" by the Bar-Kays. Released on January 26, 1998, the song was Smith's second hit produced by Poke & Tone and L.E.S., who replaced his long-time partner Jazzy Jeff, though the record-scratching techniques of Jazzy Jeff can be heard in the song.
"Bailamos" is a single by Spanish singer Enrique Iglesias sung in Spanglish. The song was released in 1999 as part of the soundtrack to the film Wild Wild West (1999) and later as the lead single from Iglesias's fourth and debut English-language album, Enrique (1999). "Bailamos" reached number one on the Spanish Singles Chart and on the US Billboard Hot 100, and it became a top-three hit in Canada, Hungary, New Zealand, Norway, and Sweden. In both New Zealand and Spain, it was the second-most-successful single of 1999.
"Up and Down" is a song by Dutch Eurodance group Vengaboys. Originally released in the Netherlands in February 1998, it reached number four in the United Kingdom in November 1998. It also reached number one on the US Hot Dance Music/Club Play chart in 1999. The Tin Tin Out remix of the song was sampled in DMC's remix of Cher's "Believe". The "Wooo!" voice in the song is sampled from "Crash Goes Love" by Loleatta Holloway.
"Angel of Mine" is a song by British R&B girl group Eternal from their first compilation album, Greatest Hits (1997). It was written by Rhett Lawrence and Travon Potts, produced by Lawrence, and released on 29 September 1997. The song became Eternal's 12th and final top-10 hit on the UK Singles Chart, peaking at number four. "Angel of Mine" was the ensemble's final single as a three-piece, as after its release, Kéllé Bryan left the group. In June 2019, "Angel of Mine" was ranked at number 91 on the Official Charts Company's "Top 100 Girl Band Singles of the Last 25 Years".
Believe is the twenty-second studio album by American singer and actress Cher, released on October 22, 1998, by WEA and Warner Bros. Records. Following the commercial disappointment of her previous studio album It's a Man's World (1995), her record company encouraged her to record a dance-oriented album, in order to move into a more mainstream sound. Cher started working on the album in the spring of 1998 with English producers Mark Taylor and Brian Rawling at the Dreamhouse Studios in London. The album was dedicated to her former husband Sonny Bono, who had died earlier that year.
"The First Night" is a song by American singer Monica for her second studio album, The Boy Is Mine (1998). It was written by Tamara Savage and Jermaine Dupri, featuring production and additional vocals from the latter. Built around a sample of Diana Ross's 1976 recording "Love Hangover", penned by Marilyn McLeod and Pam Sawyer, who share co-writing credits, the song is about the protagonist's battle with sexual temptations on the night of her first date, despite her conflicting emotions and strong sexual desires.
"One for Sorrow" is a song by British pop-dance group Steps, released as the third single from their debut album, Step One (1998). It also became the quintet's first single to reach the top five on the UK Singles Chart. Debuting at number two and spending 11 weeks on the UK chart, the song established Steps's intention to revive the ABBA sound, striking a considerable resemblance to their 1980 hit "The Winner Takes It All". A remixed version became their debut US single in 1999 and was featured on the Drive Me Crazy film soundtrack. It became Steps' only single to appear on any US Billboard chart, peaking at number 38 on the Hot Dance Club Play chart in October 1999.
"Music Sounds Better with You" is the only song by the French house trio Stardust, released on 20 July 1998. Stardust comprised the producer Thomas Bangalter, the DJ Alan Braxe and the vocalist Benjamin Diamond. They constructed "Music Sounds Better With You", a dance track, from a guitar riff sampled from the 1981 Chaka Khan song "Fate".
"Take Me Home" is a song recorded by American singer and actress Cher for her fifteenth studio album of the same name released in 1979. A disco song, it was conceived after Cher was recommended to venture into said genre, after the commercial failure of her previous albums. The lyrics center around the request of a woman to be taken home by her lover. It was released as the lead single from the Take Me Home album in January 1979 through Casablanca Records, pressed as a 12-inch single.
"The Music's No Good Without You" is a song recorded by American singer Cher for her twenty-fourth studio album, Living Proof. It was released in the United Kingdom on November 5, 2001, by WEA, while in the United States, it was released in 2002. The song reached the top 20 in many countries worldwide, expanding Cher's chart success into five decades.
"All or Nothing" is a song by American singer and actress Cher from her 22nd studio album, Believe (1998). It was released as the third international single from Believe on June 7, 1999, by WEA and Warner Bros. Records. "All or Nothing" reached the top 40 of the US Billboard Hot 100 Singles Sales chart at number 38 and peaked at number one on the Billboard Dance/Club Play Songs chart. In Europe, the single was a top-10 hit in the Czech Republic, Finland, Hungary, and Scotland.
"Dov'è l'amore" is a song recorded by American singer Cher for her twenty-second studio album, Believe (1998). It was written by Mark Taylor and Paul Barry, and produced by Taylor and Brian Rawling, and released as the fourth single from the album on October 25, 1999, by Warner Bros. Records, and WEA. The song is a Latin-influenced track with Spanish guitar over dance beats. In the song, Cher mixes English with Italian lyrics as she sings: "Dov'è l'amore /dov'è l'amore /I cannot tell you of my love/ here is my story".
"Strong Enough" is a song by American recording artist and actress Cher from her twenty-second studio album, Believe (1998). The song was released as the second single from the album. It was released on February 22, 1999, by Warner Bros, and WEA. The song's composition and musical style is strongly reminiscent of 1970s disco music. The song received positive reviews from music critics, many calling it a highlight to Believe and comparing it to Gloria Gaynor's "I Will Survive". The song had less success in the US Billboard Hot 100, where it peaked at number fifty-seven, but did top the Billboard Hot Dance Club Play chart. It also went to number one in Hungary and into the top ten in Austria, Belgium, Finland, France, Germany, Iceland, Italy, New Zealand, Scotland, Spain, Switzerland and the UK.
"My Love Is Your Love" is a song by American singer Whitney Houston. It was written and produced by Wyclef Jean and Jerry Duplessis for Houston’s fourth studio album of the same name (1998). Released on June 21, 1999, as the album's fourth single, it received positive reviews and was successful worldwide, hitting the top 10 in 23 international markets. The song peaked at number four on the US Billboard Hot 100, number two in the United Kingdom, and number one in New Zealand. It was later certified platinum by the Recording Industry Association of America (RIAA).
"Heartbreak Hotel" is a song by American singer Whitney Houston. Originally written for inclusion on TLC's third studio album FanMail, it was later recorded by Houston after TLC rejected the song. It was released as the second single from Houston's 1998 album My Love Is Your Love. The song prominently features R&B singers Faith Evans and Kelly Price during the choruses and bridge.
"Be with You" is a song by Spanish singer-songwriter Enrique Iglesias, released on 29 February 2000 through Interscope Records as the third single from Iglesias's debut English-language studio album, Enrique (1999). It was co-written by Iglesias and produced by Mark Taylor and Brian Rawling, the team responsible for Cher's hit song "Believe". Iglesias once stated that he initially came up with the lyrics of the song while taking a break from recording in London's Hyde Park. He also recorded a Spanish version of the song titled "Sólo me importas tú".
"One by One" is a song by American singer Cher. Written by Anthony Griffiths of English rock band the Real People, it had initially been recorded by the band as a single in 1987, when they were signed to Polydor Records and called Jo Jo and the Real People. In 1989, Irish singer Johnny Logan recorded a cover for his album Mention My Name.
"This Kiss" is a song recorded by American country music singer Faith Hill from her third studio album Faith. It was written by Beth Nielsen Chapman, Robin Lerner and Annie Roboff, and produced by Hill and Byron Gallimore. It was released on February 23, 1998, as the album's first single.
"More Than a Woman" is a song by musical group the Bee Gees, written by Barry, Robin, and Maurice Gibb for the soundtrack to the film Saturday Night Fever. It became a regular feature of the group's live sets from 1977 until Maurice Gibb's death in 2003 and was often coupled with "Night Fever".
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite web}}
: CS1 maint: url-status (link)...with standard-length singles added to the retail mix in late January.