"Physical" | ||||
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Single by Olivia Newton-John | ||||
from the album Physical | ||||
B-side | "The Promise (The Dolphin Song)" | |||
Released | 28 September 1981 | |||
Recorded | June 1981 | |||
Genre | ||||
Length | 3:44 | |||
Label | ||||
Songwriter(s) |
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Producer(s) | John Farrar | |||
Olivia Newton-John singles chronology | ||||
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Music videos | ||||
"Physical" on YouTube |
"Physical" is a song recorded by British-Australian singer Olivia Newton-John for her 1981 eleventh studio album of the same name. It was released as the album's lead single in 1981. The song was produced by John Farrar and written by Steve Kipner and Terry Shaddick, who had originally intended to offer it to Rod Stewart. [3] The song had also been offered to Tina Turner by her manager Roger Davies, but when Turner declined, Davies gave the song to Newton-John, another of his clients. [4]
"Physical" was an immediate smash hit, shipping two million copies in the United States, where it was certified Platinum by the Recording Industry Association of America (RIAA), and spent 10 consecutive weeks at number one on the Billboard Hot 100, which tied the record of most consecutive weeks at number one on that chart. "Physical" ultimately became Newton-John's biggest hit and cemented her legacy as a pop superstar, a journey that began when she crossed over from her earlier country pop roots. The song's suggestive lyrics, which even caused it to be banned in some markets, helped change Newton-John's longstanding clean-cut image, replacing it with a sexy, assertive persona that was strengthened with follow-up hits such as "Make a Move on Me", "Twist of Fate" and "Soul Kiss".
"Physical" (originally "Let's Get Physical") was written by Terry Shaddick and Newton-John's longtime friend Steve Kipner, and initially was intended for a "macho male rock figure like Rod Stewart", according to Kipner. When Newton-John's then manager Lee Kramer accidentally heard the demo, he immediately sent the song to her, and she became interested in recording it. [5] Newton-John recalled that she later had misgivings about the song because of its innuendos and asked that the song be pulled from release. However, she was told it was too late and the song was already performing well on the charts. [6]
The song's guitar solo was performed by Steve Lukather, best known as a founding member of the American rock band Toto. "Physical" is written in the key of E minor with Newton-John's vocal range spanning from A3 to E5. [7]
"Physical" was described by Mark Ellen of Smash Hits as "one of the most successful career-revivers in living memory". [8] It is the most successful single of Newton-John's career and became her fifth (and last) number-one single on the US Billboard Hot 100. "Physical" stayed for 10 weeks on the top of Hot 100, from 21 November 1981 through 23 January 1982, out of a total of 26 weeks on the chart. It was the largest permanence at the time, becoming the most successful song on the Billboard in the 1980s. [9] [10] The song was very controversial due to the implied sexual content, being innovative and somewhat provocative for the time. [10] [11]
"Physical" has received positive reviews from music critics since release, with some of them calling it "good-naturedly sexy" and "an eighties gem". [12] [13] Record World attributed its success to a "big pounding beat and the lusty idea of Olivia getting physical." [14] The song won a Grammy Award for Video of the Year [15] and won the Billboard Award for Top Pop Single. [16] [ failed verification ]
"Physical" rose to number one on the US Billboard Hot 100 in November 1981 and stayed there for 10 weeks (the most of any single in the 1980s [17] ), remaining until the second half of January 1982. [18] It reached number two on the Radio & Records CHR/Pop Airplay chart on 27 November 1981, staying there for two weeks and remaining on the chart for 14 weeks. [19] In terms of chart placement, "Physical" was Newton-John's most successful single in the United States, and her final single to reach the top spot. Billboard ranked the song as the number-one single of 1982 (since the chart year for 1982 actually began in November 1981). In Canada, the song was number one for five weeks beginning 19 December 1981, was on the Top 50 charts for 26 weeks, and was her sixth number-one song.[ citation needed ]
"Physical" was both preceded and followed in the number-one chart position by recordings by American duo Hall & Oates: "Private Eyes" was dethroned by "Physical" in November 1981 and "Physical" was supplanted by "I Can't Go for That (No Can Do)" the following January. "Physical" held Foreigner's "Waiting for a Girl Like You" at number two on the Hot 100 for nine weeks and "I Can't Go for That (No Can Do)" then held Foreigner at number two for a tenth and final consecutive week. "Physical" remained in the top ten for a total of 15 weeks, thus making it the longest run of 1981, as well as tying it for the longest run of the decade among number-one singles. "Physical" also peaked at number 28 on the Hot Soul Singles chart.[ citation needed ]
"Physical" achieved great success around the world, reaching number seven in the United Kingdom, where it was certified Silver. [20] However, the song was censored and even banned by some radio stations as a result of its sexually suggestive content, such as the line "There's nothing left to talk about, unless it's horizontally"[ citation needed ].
Also, the line "Let me hear your body talk" caused some radio stations to ban the song.
The accompanying music video for "Physical", directed by Brian Grant, features Newton-John in a tight leotard trying to make several overweight men lose weight. The men fail comically and Newton-John leaves the room to take a shower. When the men work out on their own, they suddenly transform into muscular, attractive men. A stylistic shot shows one muscular man glancing at his overweight self in a mirror. Newton-John is shocked when she returns and starts to flirt with them. Two of the men secretly go out, holding hands, implying they are gay. This surprises Newton-John, as does the sight of two more of the men leaving with their arms around each other. Finally, she finds that the last of the overweight men is heterosexual and they go off to play tennis together.
The Olivia Physical music video collection, which contained "Physical", won a Grammy Award for Video of the Year in 1983. [21] The video was featured on VH1's Pop-Up Video and was the first video to air on Beavis and Butt-head.[ citation needed ]
Billboard ranked "Physical" number six on its "All Time Top 100" list, [22] number one on its "Top 50 Sexiest Songs of All Time" list, [23] and number one on its "Top 100 Songs of the 1980s" list. [24]
A revamped bossa nova version of the song was released on the 2002 Newton-John album (2) as a bonus track, and this version replaced the original in Newton-John's tours. Her duet with Jane Lynch was included in the episode "Bad Reputation" of the television series Glee .[ citation needed ] This version peaked at number 89 on the Billboard Hot 100 in May 2010.[ citation needed ]
From the Physical album's liner notes: [25]
Weekly charts
| Year-end charts
Decade-end charts
All-time charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [65] | Platinum | 100,000^ |
Canada (Music Canada) [66] | 2× Platinum | 200,000^ |
Japan | — | 200,000 [67] |
New Zealand (RMNZ) [68] | Gold | 10,000* |
United Kingdom (BPI) [20] | Silver | 250,000^ |
United States (RIAA) [69] | Platinum | 2,000,000^ |
* Sales figures based on certification alone. |
Stephen Alan Kipner is an American-born Australian songwriter and record producer, with hits spanning a 40-year period, including chart-topping songs such as Olivia Newton-John's "Physical", Natasha Bedingfield's "These Words", and Christina Aguilera's "Genie in a Bottle", for which he won an Ivor Novello Award for International Hit of the Year. Other hits he has writing credits on include Chicago's "Hard Habit to Break", 98 Degrees' "The Hardest Thing", Dream's "He Loves U Not", Kelly Rowland's "Stole", The Script's "Breakeven" and "The Man Who Can't Be Moved", American Idol Kris Allen's top 5 debut "Live Like We're Dying", Cheryl Cole's "Fight for This Love", Camila Cabello's "Crying in the Club" and James Arthur's "Say You Won't Let Go".
Tin Tin was a pop rock band, which first formed in Australia as the Kinetics in 1966. They relocated to the United Kingdom in 1969 and were renamed as Tin Tin, which comprised Steve Kipner, Steve Groves, John Vallins and Geoff Bridgford (drums). In 1970 they issued a single, "Toast and Marmalade for Tea", which was a No. 10 hit on the Go-Set National Singles Chart in June the following year. It also reached No. 20 in the United States on the Billboard Hot 100. Their next single, "Is That the Way?" (1971), peaked at No. 59 on the Billboard Hot 100.
"Angel of the Morning" is a popular song written by Chip Taylor, originally recorded by Evie Sands but which first charted with a version by Merrilee Rush. The song has been covered by many artists including Chrissie Hynde, Dusty Springfield, P. P. Arnold, Connie Eaton, Mary Mason, Guys 'n' Dolls, Melba Montgomery, Olivia Newton-John and Juice Newton, who reached the Billboard Top Ten with her version in the early 1980s.
"You're the One That I Want" is a song performed by American actor and singer John Travolta and Anglo-Australian singer and actress Olivia Newton-John for the 1978 film version of the musical Grease. It was written and produced by John Farrar, and released in 1978 by RSO Records as the second single from Grease: The Original Soundtrack from the Motion Picture. The song is one of the best-selling singles in history to date, having sold over 4 million copies in the United States and the United Kingdom alone, with estimates of more than 15 million copies sold overall.
"The Grease Megamix" is a megamix released in 1990 to commemorate the video release of Grease. The single was credited to John Travolta and Olivia Newton-John and released via Polydor Records. It was created by Phil Harding and Ian Curnow for PWL by the request of Polydor Records, who supplied copies of the original multi-track recordings. The megamix topped the charts of Australia and Spain and became a top-five hit in Denmark, Ireland, the Netherlands, Norway, and the United Kingdom.
Physical is the eleventh studio album by British-Australian singer Olivia Newton-John, released through MCA Records on 13 October 1981. The album was produced and partly written by her long-time record producer John Farrar. Recorded and mixed at David J. Holman's studio in Los Angeles additional recording at Ocean Way, Physical became one of Newton-John's most controversial and sexual records, and her most successful studio album. Musically, the album features considerable use of synthesizers, and it explores lyrical themes such as love and relationships, sex, and environmental protection. Upon its release, while the album was a success it received positive reviews from music critics, many of them considering it to be Newton-John's best effort. The album charted high in several countries, including the United States, Japan and Newton-John's native Australia, becoming one of the most successful albums of the early 1980s. It also ranks among the best-selling albums by Australian solo artists, selling more than ten million copies worldwide.
"I Can't Go for That (No Can Do)" is a song by American duo Hall & Oates. Written by Daryl Hall, John Oates and Sara Allen, the song was released as the second single from their tenth studio album, Private Eyes (1981). The song became the fourth number one hit single of their career on the Billboard Hot 100. It features Charles DeChant on saxophone.
"Xanadu" is the title song from the soundtrack of the 1980 musical film of the same name. Written by Jeff Lynne of the English rock band Electric Light Orchestra (ELO), the song is performed by British and Australian singer, songwriter and actress Olivia Newton-John, with Lynne adding parenthetic vocals in the style of his other songs on the Xanadu soundtrack, and ELO providing the instrumentation. It was Lynne's least favourite of his own songs. Released as a single in June 1980, it reached number one in several European countries and was the band's only UK number-one single when it peaked there for two weeks in July 1980. It was certified silver by the British Phonographic Industry. It also peaked at number eight on the US Billboard Hot 100.
Olivia's Greatest Hits Vol. 2 is a greatest hits album by Olivia Newton-John released on 3 September 1982 in North America, Australasia, Scandinavia, South Africa and certain Asian and Latin American territories. It was her second greatest hits album released in North America and her third in other territories.
"Hopelessly Devoted to You" is a song recorded by British-Australian singer, songwriter and actress Olivia Newton-John for Grease: The Original Soundtrack from the Motion Picture (1978). It was written and produced by John Farrar and originally performed by Newton-John in the film version of the musical Grease (1978). The song reached number three on the US Billboard Hot 100 and number seven on the Adult Contemporary chart. On the country chart, "Hopelessly Devoted to You" peaked at number 20 and was her first top 20 country hit in two years. Newton-John performed the song at the 21st Grammy Awards in 1979. The song was released in Australia in August 1978 and peaked at number two.
"Private Eyes" is a 1981 single by American duo Daryl Hall & John Oates and the title track from their album of the same name. The song was number one on the Billboard Hot 100 charts for two weeks, from November 7 through November 20, 1981. This single was the band's third of six number one hits, and their second number one hit of the 1980s. It was succeeded in the number one position by Olivia Newton-John's "Physical," which was coincidentally succeeded by another single from Hall & Oates, "I Can't Go for That ".
"Magic" is a song recorded by British-Australian singer Olivia Newton-John for the soundtrack to the 1980 musical fantasy film Xanadu, which starred Newton-John and Gene Kelly. Written and produced by Newton-John's frequent collaborator John Farrar, "Magic" was released as the soundtrack's lead single in May 1980 and topped the US Billboard Hot 100 for four weeks beginning on August 2. On August 30, it was displaced from the top by Christopher Cross's "Sailing".
"Twist of Fate" is a song recorded by British-Australian singer Olivia Newton-John for the soundtrack to the 1983 film Two of a Kind. Written by Peter Beckett and Steve Kipner, and produced by David Foster, the song was released as the first single from the album on 21 October 1983, and reached number four in Australia and Canada. It reached its peak position of number five on the US Billboard Hot 100 in January 1984, becoming her last top 10 single on the chart, and she would only crack the top 40 two more times for the rest of her career. Billboard magazine ranked "Twist of Fate" as the 42nd most popular single of 1984.
"Make a Move on Me" is a song recorded by singer Olivia Newton-John for her eleventh studio album. Physical (1981). It was written by John Farrar and Tom Snow, and produced by the former. The follow-up single to the number-one hit "Physical", it was released in January 1982 and peaked at number five on the US Billboard Hot 100 that April. It also became her twelfth and final single to be certified Gold by the Recording Industry Association of America (RIAA).
"A Little More Love" is a song recorded by British-Australian singer Olivia Newton-John for her tenth studio album, Totally Hot (1978). Written and produced by Newton-John's long-time record producer John Farrar, the song was released as the lead single from Totally Hot in November 1978 and became a worldwide hit single.
"If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the Billboard country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. It was nominated for the 1974 Country Music Association Award for Single of the Year.
Two of a Kind: Music from the Original Motion Picture Soundtrack is the soundtrack album of the film of the same name released in 1983 by MCA Records and features songs by the film's star Olivia Newton-John, as well as songs from various other artists.
"Landslide" is a song recorded by British-Australian singer Olivia Newton-John for her eleventh studio album, Physical (1981). Written and produced by John Farrar, the song was released in several countries as the third and final single in April 1982.
"Heart Attack" is a song recorded by English-born Australian singer Olivia Newton-John for her second greatest hits album Olivia's Greatest Hits Vol. 2 (1982). Written by Paul Bliss and Steve Kipner, and produced by John Farrar, the song was the first single released from the album and was nominated for a Grammy Award for Best Female Pop Vocal Performance in 1983.
"I Need Love" is a song recorded by Australian singer Olivia Newton-John, one of four new tracks recorded for the compilation album, Back to Basics: The Essential Collection 1971–1992 and released as the first single from the record. The song was produced by Giorgio Moroder and written by Steve Kipner who had also penned Newton-John's hits "Physical", "Heart Attack" and "Twist of Fate". The song was a minor hit in the U.S. and U.K. and was later covered by Australian group Girlfriend.
"Physical" slides into a percolating, insistent post-disco groove...
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