Let Me Be There | ||||
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Studio album by | ||||
Released | November 1973 | |||
Recorded | May – June 1973 | |||
Studio | MCA Recording Studios in Universal City California | |||
Genre | ||||
Length | 42:09 | |||
Label | Festival / MCA (US) | |||
Producer | ||||
Olivia Newton-John chronology | ||||
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Singles from Let Me Be There | ||||
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Let Me Be There is the third studio album by British-Australian singer Olivia Newton-John. It was originally released in November 1973 as Music Makes My Day in the United Kingdom, by Pye International Records, and shortly after in Australia as Let Me Be There, which became its most recognisable name. In the United States and Canada, Let Me Be There was released with an alternative tracklist, combining songs from the original release with other tracks from Newton-John's previous albums If Not for You and Olivia .
Let Me Be There marked a shift in Newton-John's career. She achieved considerable success during her early years in the United Kingdom with some folk-inspired singles, but Let Me Be There would make the United States her largest market at the time, being considered her breakthrough album in this country and influencing an inclination to a more country pop sound that would define most of her next records in the 1970s. The songs "Take Me Home, Country Roads" and "Let Me Be There" were released as singles from the album.
The American publication of the album by MCA Records used the cover art from Olivia's 1972 LP record Olivia , which was not released by MCA. Some of its songs were taken for the US publication, such as song titles from the British publications of the albums If Not for You and Olivia .[ citation needed ] The album was not released outside of North America, the UK, Ireland and Australasia. An album with the same title and cover art was released in Japan, but with the same track listing as First Impressions .
Though the title song was a commercial failure in England, it was Olivia Newton-John's first American top ten hit, successfully boosting her singing career in North America. She had previously charted in the Billboard Top 40 with the song "If Not for You".
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Billboard noted that the album was a "mixture of cuts from previous LP's of this versatile Australian songstress who serves up a pleasing set of country, rock and ballads including her current hit, 'Let Me Be There.'" [2]
Olivia's new LP on MCA is as beautiful as she is, sparkling with the kind of fervent intensity rarely heard from a young performer. Definitely country flavored, the album is a slick combination of ballads and uptempo swingers. The title track is a warm, compelling piece and Olivia really delivers on versions of John Denver's, "Take Me Home, Country Roads" and Kris Kristofferson's "Me And Bobby McGee." There's a beautifully shy but sexy cut of Johnny Burnette's "Just A Little Too Much" and an outstanding version of Dylan's "If Not For You." Olivia has it all.
AllMusic editor Joe Viglione wrote in his retrospective review: "It's early Newton-John, a bit naïve and far from the sophistication of her Warm and Tender release on Geffen, but it works, especially because it contains her first two hit records." [1]
The album was released to capitalise on the success of its title track that had earned Newton-John a Grammy for Best Country Female. The album was certified Gold by the RIAA in 1974, [4] and it peaked at No. 54 on the US Pop chart and at No. 1 (for two weeks) on the Country chart.
All songs produced by John Farrar and Bruce Welch. [5]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Take Me Home, Country Roads" | 3:22 | |
2. | "Amoureuse" | 3:40 | |
3. | "Brotherly Love" | John Farrar | 3:21 |
4. | "Heartbreaker" | Russ Ballard | 2:32 |
5. | "Rosewater" | Newton-John | 5:05 |
6. | "You Ain't Got the Right" | 3:31 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Feeling Best" | Glenn Shorrock | 3:22 |
8. | "Being on the Losing End" |
| 3:43 |
9. | "Let Me Be There" | John Rostill | 3:03 |
10. | "Music Makes My Day" | Farrar | 3:14 |
11. | "Leaving" | 3:52 | |
12. | "If We Try" | Don McLean | 3:24 |
In the United States, the album was released with artwork from her 1972 Olivia album and some different songs from this and some earlier Newton-John albums.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Let Me Be There" | Rostill | 3:00 |
2. | "Me and Bobby McGee" | 3:46 | |
3. | "Banks of the Ohio" | Traditional | 3:15 |
4. | "Love Song" | Lesley Duncan | 3:44 |
5. | "If Not for You" | Bob Dylan | 2:50 |
No. | Title | Writer(s) | Length |
---|---|---|---|
6. | "Take Me Home, Country Roads" |
| 3:16 |
7. | "Angel of the Morning" | Chip Taylor | 3:52 |
8. | "If You Could Read My Mind" | Gordon Lightfoot | 3:41 |
9. | "Help Me Make It Through the Night" | Kristofferson | 2:19 |
10. | "Just a Little Too Much" | Johnny Burnette | 2:05 |
Performers and musicians
Weekly charts
Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [14] | Platinum | 100,000^ |
Japan (Oricon Charts) | — | 89,130 [12] |
United States (RIAA) [15] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Xanadu is the soundtrack to the 1980 musical film of the same name, featuring the Australian singer Olivia Newton-John and the British group Electric Light Orchestra (ELO). It was released in June 1980 on MCA Records in the United States and July 1980 by Jet Records in the United Kingdom. The original LP release featured on side one the songs of Newton-John, and on side two the songs of ELO. In 2008 the soundtrack album was digitally remastered as a bonus CD as part of the film's DVD release titled Xanadu: Magical Musical Edition.
Have You Never Been Mellow is the fifth studio album by British-Australian singer Olivia Newton-John, released on 12 February 1975 by MCA Records.
If You Love Me, Let Me Know is the third North American album by singer Olivia Newton-John, released on 28 May 1974. Other than the title track, all the material was from her previous three international albums, Olivia (1972), Music Makes My Day (1973) and Long Live Love (1974). It was her first album to top the Billboard 200.
Physical is the eleventh studio album by British-Australian singer Olivia Newton-John, released through MCA Records on 13 October 1981. The album was produced and partly written by her long-time record producer John Farrar. Recorded and mixed at David J. Holman's studio in Los Angeles additional recording at Ocean Way, Physical became one of Newton-John's most controversial and sexual records, and her most successful studio album. Musically, the album features considerable use of synthesizers, and it explores lyrical themes such as love and relationships, sex, and environmental protection. Upon its release, while the album was a success it received positive reviews from music critics, many of them considering it to be Newton-John's best effort. The album charted high in several countries, including the United States, Japan and Newton-John's native Australia, becoming one of the most successful albums of the early 1980s. It also ranks among the best-selling albums by Australian solo artists, selling more than ten million copies worldwide.
"Let Me Be There" is a popular song written by John Rostill. It was first recorded by Olivia Newton-John and released in September 1973 as the second single from her studio album of the same name. The country-influenced song was Newton-John's first Top 10 single in the US, peaking at No. 6, and also won her a Grammy Award for Best Female Country Vocalist. Mike Sammes sings a bass vocal harmony on the song.
Clearly Love is the sixth studio album by Olivia Newton-John, released in September 1975.
Come On Over is the seventh studio album by British-Australian singer Olivia Newton-John, released in March 1976. The album peaked at number two on the US Top Country Albums chart and number 13 on the US Billboard 200.
Don't Stop Believin' is the eighth studio album by British-Australian singer Olivia Newton-John, released on 30 October 1976. The album received a Gold certification by the Recording Industry Association of America (RIAA) and reached number 33 on the US Billboard 200 and number seven on the US Top Country Albums chart.
Totally Hot is the tenth studio album by British-Australian singer Olivia Newton-John, released on 21 November 1978. Commercially, it became her first top-ten album on the Billboard 200 chart since Have You Never Been Mellow (1975). Dressed on the album cover all in leather, Newton-John's transformation was seen to mirror her character Sandy's transformation in Grease. At the time, Totally Hot was her most successful album and became her first album to receive a Platinum certification by the Recording Industry Association of America (RIAA).
Making a Good Thing Better is the ninth studio album by British-Australian singer Olivia Newton-John, released in June 1977.
Soul Kiss is the twelfth studio album by English-Australian singer Olivia Newton-John, released on 25 October 1985 by Mercury Records in Europe, by Festival Records in Australia, and by MCA Records in the United States. It reached No. 11 on the Australian Kent Music Report Albums Chart and No. 29 on the United States Billboard 200. The album was produced by long-time associate John Farrar, who also co-wrote four tracks; the cover art features photography of Newton-John by Helmut Newton and Herb Ritts.
Back to Basics: The Essential Collection 1971–1992 is the third greatest hits album by English-Australian singer Olivia Newton-John, released on 9 June 1992 by Geffen Records. It is the first compilation to contain both her country and pop hits. The album contained four new tracks: lead single "I Need Love", US Adult Contemporary top-20 single "Deeper Than a River", "Not Gonna Be the One" and a cover version of Brenda Lee's 1960 US number one "I Want to Be Wanted". A tour was planned to promote the album, but had to be cancelled when Newton-John was diagnosed with breast cancer.
One's on the Way is the nineteenth solo studio album by American country music singer-songwriter Loretta Lynn. It was released on March 6, 1972, by Decca Records.
Love Is the Foundation is the twenty-third solo studio album by American country music singer-songwriter Loretta Lynn. It was released on August 13, 1973, by MCA Records.
If Not for You is the debut studio album by British-Australian singer-songwriter Olivia Newton-John, released in November 1971 by Festival Records. The album was released on the Pye International label in the UK as Olivia Newton-John, with a slightly different cover.
They Don't Make 'em Like My Daddy is the twenty-fourth solo studio album by American country music singer-songwriter Loretta Lynn. It was released on September 2, 1974, by MCA Records.
Country Partners is the fourth collaborative studio album by Conway Twitty and Loretta Lynn. It was released on June 10, 1974, by MCA Records.
Loretta Lynn's Greatest Hits, Vol. II is a compilation album by American country music singer-songwriter Loretta Lynn. It was released on May 13, 1974, by MCA Records. The album is made up of Lynn's biggest hits between 1968 and 1973.
"If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the Billboard country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. It was nominated for the 1974 Country Music Association Award for Single of the Year.
Back to the Country is the twenty-fifth solo studio album by American country music singer-songwriter Loretta Lynn. It was released on February 3, 1975, by MCA Records.
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