"Banks of the Ohio" [1] [2] (Roud 157, Laws F5), also known as "Down on the Banks of the Ohio" and "I'll Never Be Yours", [3] is a 19th-century murder ballad, written by unknown authors. The lyrics tell of "Willie" who invites his young lover for a walk during which she rejects his marriage proposal, and once they are alone on the river bank, he murders the young woman.
The song was first recorded by country musicians such as Clarence Horton Greene in 1927, and has been performed by many country and folk singers since. Olivia Newton-John released a version in 1971 and her recording reached No. 1 in Australia and No. 6 in the UK.
The song is similar to other murder ballads in the idiom of songs such as "The Lexington Murder" and "The Knoxville Girl". [4] These ballads may be traced back to the British broadside tradition of songs dated to at least the end of 18th century, such as "The Oxford Girl" and "The Berkshire Tragedy" (Roud 263; Laws P35), songs that may have been based on real events. In these songs, the murderer posing as the narrator asked a girl to walk with him to talk about marriage; he then attacked and killed her, throwing her body into the river, a crime for which he would be hanged. [3] [5] [6] [7]
"Banks of the Ohio" also has some superficial similarity to "Omie Wise" and "Pretty Polly", songs which are also generally narrated in the first person by a killer called Willie, but differing significantly in the narrative; the killer explains why he killed his love, and spends much of the song expressing his sorrow and regret. Musically, it is distinguished by a long refrain which calmly reflects the love and the hopes for the future which he felt before the murder. [8] This gives a different psychological tone to the song, and accompanying singers (or indeed the audience) the possibility of singing along in chorus.
Another, less-well-known version of the song is entitled "On the Banks of the Old Pedee". [9] The lyrics of "Banks of the Ohio" are sometimes adapted for a female singer. [10]
Commercial recordings of the song started in August 1927 with a country version by Red Patterson's Piedmont Log Rollers (as "Down by the Banks of the Ohio"), [4] and by Grayson and Whitter (as "I'll Never Be Yours") the same year as one of their first recordings for Gennett. [3] Other early country music stars who recorded the song included Ernest Stoneman (1928), Clayton McMichen (1931), The Callahan Brothers (1934), The Blue Sky Boys (1936), and The Monroe Brothers (1936). [4] The Blue Sky Boys partly rearranged the song and their version appears on the soundtrack of the 1973 film Paper Moon . [11]
"Banks of the Ohio" | ||||
---|---|---|---|---|
Single by Olivia Newton-John | ||||
from the album If Not for You | ||||
Released | October 1971 | |||
Genre | Pop | |||
Length | 3:15 | |||
Label | Decca | |||
Songwriter(s) | Traditional | |||
Producer(s) | Bruce Welch, John Farrar | |||
Olivia Newton-John singles chronology | ||||
| ||||
Official audio | ||||
"Banks of the Ohio" (Remastered 2022) on YouTube |
Olivia Newton-John recorded an arrangement of the song by John Farrar and Bruce Welch in 1971, for her album If Not for You . It was released as the second single from the album after its title track "If Not for You", and it became her first number one hit in Australia, reaching the top of the Go-Set Chart in November 1971. [12] It was also successful in the UK, peaking at number 6, but failed to reach the top 40 in Canada and the US, peaking at number 69 and 94, respectively. [13] [14] The distinctive bass backing vocals were provided by English musician and vocal session arranger Mike Sammes. [15]
In Newton-John's version, the prospective bride murders her male lover, after he refuses to marry her.
Chart (1971) | Peak position |
---|---|
Australia (Go-Set) [12] | 1 |
Canada Top Singles ( RPM ) [14] | 66 |
Germany (GfK) [16] | 13 |
Ireland (IRMA) [17] | 9 |
New Zealand ( Listener Chart) [18] | 3 |
South Africa [19] | 9 |
UK Singles (OCC) [20] | 6 |
US Cashbox [21] | 94 |
US Billboard Hot 100 [22] | 94 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [23] | Gold | 50,000^ |
^ Shipments figures based on certification alone. |
The song was recorded for the American folk music revival market by Bascom Lamar Lunsford (1953) and by the traditional singer Ruby Vass on a 1959 field recording made by Alan Lomax and issued on the LP (and subsequent CD) series Southern Journey.[ citation needed ] It was recorded several times by Joan Baez: in 1959 as the opening track for the album Folksingers 'Round Harvard Square ; in 1961 in her album Joan Baez, Vol. 2 ; on the 1968 Newport Folk Festival album; and other recordings. It was included on the 2011 CD compilation Voice of the People. [24]
Lomax made a further field recording, in 1961, at his New York City apartment, featuring veteran singer Clarence Ashley, accompanied by Fred Price (fiddle), and Clint Howard and Doc Watson (guitars). The recording, filmed by George Pickow and with sound by Jean Ritchie, was later used by Anna Lomax Wood for the short film Ballads, Blues and Bluegrass. [25] Another recording by this group was issued on Old Time Music at Clarence Ashley's reissued as Original Folkways Recordings: 1960–1962 (1994). Also for Folkways, Doc Watson performed the song as a duet with Bill Monroe in 1963.
Tony Rice recorded the song on his eponymous 1977 album. A Swedish version, recorded by Ann-Louise Hanson, is entitled "Tag emot en utsträckt hand". [26]
Other folk revival artists who recorded the song included the New Lost City Ramblers and Pete Seeger. Artists who returned the song to country music audiences included Johnny Cash with The Carter Family and Porter Wagoner. Other recordings were made by The Wolfe Tones, Arlo Guthrie (as "Arloff Boguslavaki", on the 1972 Earl Scruggs album I Saw the Light), Dave Guard and the Whiskeyhill Singers, Mike Ireland and Holler, Gangstagrass featuring Alexa Dirks also giving a faithful rendition on their 2014 album Broken Hearts and Stolen Money. Dolly Parton recorded the song in 2013, for her album Blue Smoke .[ citation needed ]
The song appears in, and gives the title for, the 2013 album Oh, Willie, Please... a collection of folk murder ballads, by alt-folk musical project Vandaveer. The band made a live 78 acetate recording in 2011. [27] [28]
A Czech version, entitled "Náklaďák", was recorded by Petra Černocká, as a single in 1975 [29] and was later recorded as the title track for her 1994 album. [30]
A German version, titled "Das Haus am Rhein" was released in Michael Holm's 1981 album "Im Jahr der Liebe".[ citation needed ]
A Slovenian version, titled "Dravski most" (The Drava Bridge) was recorder by Neca Falk in 1994. The lyrics were adapted by a well known Slovenian singer-songwriter Tomaž Domicelj. [31]
The song and its title served as the theme song for, and title of, a long-running radio series broadcast of bluegrass music on WAMU-PBS and Bluegrass Country, hosted by Fred Bartenstein and produced for the International Bluegrass Music Museum, near the Ohio River in Owensboro, Kentucky.
Michigan bluegrass singer Missy Armstrong has recorded a play on this song entitled "Ain't Going Down to the River", in which the female singer recognizes that in too many songs, girls get killed at the banks of too many rivers. [32]
"Lily of the West" is a traditional British and Irish folk song, best known today as an American folk song, listed as number 957 in the Roud Folk Song Index. The American version is about a man who travels to Louisville and falls in love with a woman named Mary, Flora or Molly, the eponymous Lily of the West. He catches Mary being unfaithful to him, and, in a fit of rage, stabs the man she is with, and is subsequently imprisoned. In spite of this, he finds himself still in love with her. In the original version, the Lily testifies in his defense and he is freed, though they do not resume their relationship.
"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.
"Foggy Dew" or "Foggy, Foggy Dew" is an English folk song with a strong presence in the South of England and the Southern United States in the nineteenth century. The song describes the outcome of an affair between a weaver and a girl he courted. It is cataloged as Laws No. O03 and Roud Folk Song Index No. 558. It has been recorded by many traditional singers including Harry Cox, and a diverse range of musicians including Benjamin Britten, Burl Ives, A.L. Lloyd and Ye Vagabonds have arranged and recorded popular versions of the song.
"The Cherry-Tree Carol" is a ballad with the rare distinction of being both a Christmas carol and one of the Child Ballads. The song itself is very old, reportedly sung in some form at the Feast of Corpus Christi in the early 15th century.
"Silver Dagger", with variants such as "Katy Dear", "Molly Dear", "The Green Fields and Meadows", "Awake, Awake, Ye Drowsy Sleepers" and others, is an American folk ballad, whose origins lie possibly in Britain. These songs of different titles are closely related, and two strands in particular became popular in commercial country music and folk music recordings of the twentieth century: the "Silver Dagger" version popularised by Joan Baez, and the "Katy Dear" versions popularised by close harmony brother duets such as The Callahan Brothers, The Blue Sky Boys and The Louvin Brothers.
"Little Sadie" is a 20th-century American traditional folk ballad. It is also known variously as "Bad Lee Brown", "Cocaine Blues", "Transfusion Blues", "East St. Louis Blues", "Late One Night", "Penitentiary Blues" and other titles. It tells the story of a man who is apprehended after shooting a woman, in some versions his wife or girlfriend. He is then sentenced by a judge. It is most commonly sung to a tune in Dorian mode.
"Pretty Polly", "The Gosport Tragedy" or "The Cruel Ship's Carpenter" is a traditional English-language folk song found in the British Isles, Canada, and the Appalachian region of North America, among other places.
"He Was a Friend of Mine" is a traditional folk song in which the singer laments the death of a friend. Ethnomusicologist Alan Lomax was the first to collect the song, in 1939, describing it as a "blues" that was "a dirge for a dead comrade."
"The Two Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index. Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"Young Hunting" is a traditional folk song, Roud 47, catalogued by Francis James Child as Child Ballad number 68, and has its origin in Scotland. Like most traditional songs, numerous variants of the song exist worldwide, notably under the title of "Henry Lee" and "Love Henry" in the United States and "Earl Richard" and sometimes "The Proud Girl" in the United Kingdom.
The Farmer's Curst Wife is a traditional English language folk song listed as Child ballad number 278 and number 160 in the Roud Folk Song Index.
"The Knight and the Shepherd’s Daughter" is an English ballad, collected by Francis James Child as Child Ballad 110 and listed as number 67 in the Roud Folk Song Index.
"Darlin' Cory" is a well-known American folk song about love, loss, and moonshine. It is similar in theme to "Little Maggie" and "The Gambling Man" but is not considered the same as those songs.
"Shady Grove" is a traditional Appalachian folk song, believed to have originated in eastern Kentucky around the beginning the 20th century. The song was popular among old-time musicians of the Cumberlands before being widely adopted in the bluegrass repertoire. Many variants of "Shady Grove" exist.
"Jack Monroe", also known as "Jack Munro", "Jack-A-Roe", "Jackaro", "Jacky Robinson", "Jackie Frazier" and "Jack the Sailor", is a traditional ballad which describes the journey of a woman who disguises herself as the eponymous character to board a sailing ship and save her lover, a soldier.
"Take This Hammer" is a prison, logging, and railroad work song, which has the same Roud number as another song, "Nine Pound Hammer", with which it shares verses. "Swannanoa Tunnel" and "Asheville Junction" are similar. Together, this group of songs are referred to as "hammer songs" or "roll songs". Numerous bluegrass bands and singers like Scott McGill and Mississippi John Hurt also recorded commercial versions of this song, nearly all of them containing verses about the legendary railroad worker, John Henry; and even when they do not, writes folklorist Kip Lornell, "one feels his strong and valorous presence in the song".
"Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, American Ballads and Folk Songs, by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
"Down in the Willow Garden", also known as "Rose Connelly", is a traditional Appalachian murder ballad. It is written from the perspective of a man facing the gallows for the murder of his lover, to whom he gave poisoned wine, then stabbed, and threw in a river. It originated in the 19th century, probably in Ireland, before becoming established in the United States. The lyrics greatly vary among earlier versions, but professional recordings have stabilized the song in a cut-down form. First professionally recorded in 1927, it was made popular by Charlie Monroe's 1947 version, and it has been recorded dozens of times since then.
"One Morning in May" is an English folk song which has been collected from traditional singers in England and the USA and has also been recorded by revival singers. Through the use of double-entendre, at least in the English versions, it tells of an encounter between a grenadier and a lady.
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