Steve Kipner | |
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Birth name | Stephen Alan Kipner |
Born | 1950 (age 74–75) Cincinnati, Ohio, U.S. |
Origin | Brisbane, Queensland, Australia |
Genres | |
Occupations |
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Instrument | Vocals |
Years active | 1960–present |
Stephen Alan Kipner [1] [2] (born 1950) is an American-born Australian songwriter and record producer, with hits spanning a 40-year period, including chart-topping songs such as Olivia Newton-John's "Physical", Natasha Bedingfield's "These Words", [3] and Christina Aguilera's "Genie in a Bottle", [4] for which he won an Ivor Novello Award for International Hit of the Year. Other hits he has writing credits on include Chicago's "Hard Habit to Break", 98 Degrees' "The Hardest Thing", Dream's "He Loves U Not", Kelly Rowland's "Stole", The Script's "Breakeven" and "The Man Who Can't Be Moved", American Idol Kris Allen's top 5 debut "Live Like We're Dying", Cheryl Cole's "Fight for This Love", [5] Camila Cabello's "Crying in the Club" and James Arthur's "Say You Won't Let Go".
Born in Cincinnati, Ohio, United States, Kipner began his music career in Brisbane, Queensland, Australia, where he grew up. [4]
His first band, Steve & the Board [6] achieved Australian chart success with the song "Giggle Eyed Goo", [7] co-written by his father Nat Kipner and released on Spin Records in 1966. [8] As a result of his father's A&R involvement in Spin Records, the members of Steve & the Board became good friends with the Bee Gees, who were also on the label. [8] Nat Kipner, interviewed in 2001, said that Steve Kipner sang backing vocals on some songs on the Bee Gees album Spicks and Specks which was produced by Nat Kipner (Colin Petersen, the drummer of Steve & the Board, also played on some songs on that album). [9]
Steve & the Board broke up in early 1967. Kipner then formed a duo with Steve Groves and relocated to England in 1968, where they recorded an unsuccessful LP as Steve & Stevie on Toast Records. After Kipner ran into Barry Gibb in 1969, Kipner and Groves were signed to Robert Stigwood with Maurice Gibb as their producer. Under the name Tin Tin, the group scored an international hit, "Toast and Marmalade for Tea", including an American top 20 placing in 1971. The next year Tin Tin, with additional member John Vallins, supported the Bee Gees on their American tour.
In August 1969, Kipner, Groves, Gibb, and Billy Lawrie recorded the song "Have You Heard the Word" in a Tin Tin session, with Kipner on piano and participating on the lead vocals with Groves and Gibb. Maurice Gibb's vocal impersonation of John Lennon led to the song appearing on Beatles bootleg albums as supposedly a lost Beatles recording. [10]
Kipner moved from London to California in 1974 and was a member of the bands "Friends" (MGM), "Skyband" (RCA), and "Think out Loud" (A&M). He then recorded the solo album Knock the Walls Down [11] in 1979. While writing and recording for his own album, Kipner came into contact with other artists who developed an interest in his songs for their albums, and accidentally fell into a song-writing career as more and more opportunities arose.
At that time he met Australian manager Roger Davies, who in the late 1970s was working for Olivia Newton-John's manager Lee Kramer. Kipner had co-written a song with English songwriter Terry Shaddick titled "Let's Get Physical," and played the demo to Davies, imagining the song would be suited to a male singer such as Rod Stewart. Kramer overheard the song from the next room and thought it would be a way to promote another one of his clients, Mr. Universe, by having him appear with Newton-John on her album cover. [4] Retitled "Physical", the song spent ten weeks at number 1 on the American Billboard Hot 100 chart and was a worldwide hit.
"Fight for This Love" reached number 1 on the UK Singles Chart, and was the fastest-selling single of 2009 with 292,846 sales in its first week. [12]
"Catch 22 (2 Steps Forward, 3 Steps Back)" is Track 4 on the Two of a Kind soundtrack and performed by Kipner. Two of a Kind was the second movie John Travolta and Olivia Newton-John co-starred in after Grease.
"Physical" was ranked by Billboard in 2017 as the No. 8 song among all those which charted during the 50+ year history of the Hot 100. [13]
In 1999, Christina Aguilera released "Genie in a Bottle", written by Kipner, David Frank, and Pam Sheyne, which reached No. 1 on the Billboard Hot 100.
Over the years, Kipner has written songs for some of the music industry's biggest artists including Olly Murs, Doug Parkinson, Heart, Janet Jackson, Cher, Matsuda Seiko, Diana Ross, Neil Diamond, Laura Branigan, The Temptations, America, Cheap Trick, LFO, Westlife, Huey Lewis & the News, Joe Cocker, Al Jarreau, Rod Stewart, and American Idol's David Archuleta from Season 7. Other Billboard charting songs include "20/20" by George Benson, [14] "Invisible Man" by 98 Degrees, "Potential New Boyfriend" by Dolly Parton, "Moonlight on Water" by Laura Branigan, "Heart Attack", "Twist of Fate" and "I Need Love" by Olivia Newton-John, and "Impulsive" by Wilson Phillips.
"Nothin' You Can Do About It" by The Manhattan Transfer ( Extensions ) written by David Foster, Jay Graydon, Steve Kipner (1979).
"Murphy's Law" by Al Jarreau ( High Crime ) written by Steve Kipner, Paul Bliss (1984).
The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid-to-late 1970s. The group sang recognisable three-part tight harmonies: Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The group wrote all their own original material, as well as writing and producing several major hits for other artists, and are regarded as one of the most important and influential acts in pop-music history. They have been referred to in the media as The Disco Kings, Britain's First Family of Harmony, and The Kings of Dance Music.
Cucumber Castle is the seventh studio album by the Bee Gees, released in April 1970. It was produced by Barry Gibb, Maurice Gibb, and Robert Stigwood. It consists of songs from their television special of the same name, which was named after a song on their 1967 album Bee Gees' 1st. Cucumber Castle is the only Bee Gees album not to feature any recorded contributions from Robin Gibb, as he had left the group before the album was recorded.
Cheryl Lau Sang, known professionally as Samantha Sang, is an Australian singer. She had an earlier career as a teenage singer under the stage name Cheryl Gray, before adopting the stage name she is more widely known as in 1969. She first received nationwide recognition in Australia in 1967, after releasing the top ten single "You Made Me What I Am".
This Is Where I Came In is the twenty-second and final studio album by the Bee Gees. It was released on 2 April 2001 by Polydor in the UK and Universal in the US, less than two years before Maurice Gibb died from a cardiac arrest after surgery to repair a twisted intestine.
Tin Tin was a pop rock band, which first formed in Australia as the Kinetics in 1966. They relocated to the United Kingdom in 1969 and were renamed as Tin Tin, which comprised Steve Kipner, Steve Groves, John Vallins and Geoff Bridgford (drums). In 1970 they issued a single, "Toast and Marmalade for Tea", which was a No. 10 hit on the Go-Set National Singles Chart in June the following year. It also reached No. 20 in the United States on the Billboard Hot 100. Their next single, "Is That the Way?" (1971), peaked at No. 59 on the Billboard Hot 100.
Life in a Tin Can is the Bee Gees' eleventh studio album, released in January 1973.
Spicks and Specks is the second studio album by the Bee Gees. It was released in November 1966, on Spin. Primarily written by Barry Gibb, the album includes the first Robin Gibb composition "I Don't Know Why I Bother With Myself" and a Maurice Gibb composition "Where Are You".
Physical is the eleventh studio album by British-Australian singer Olivia Newton-John, released through MCA Records on 13 October 1981. The album was produced and partly written by her long-time record producer John Farrar. Recorded and mixed at David J. Holman's studio in Los Angeles additional recording at Ocean Way, Physical became one of Newton-John's most controversial and sexual records, and her most successful studio album. Musically, the album features considerable use of synthesizers, and it explores lyrical themes such as love and relationships, sex, and environmental protection. Upon its release, while the album was a success it received positive reviews from music critics, many of them considering it to be Newton-John's best effort. The album charted high in several countries, including the United States, Japan and Newton-John's native Australia, becoming one of the most successful albums of the early 1980s. It also ranks among the best-selling albums by Australian solo artists, selling more than ten million copies worldwide.
Come On Over is the seventh studio album by British-Australian singer Olivia Newton-John, released in March 1976. The album peaked at number two on the US Top Country Albums chart and number 13 on the US Billboard 200.
Olivia Newton-John's Greatest Hits is a greatest hits album released by Olivia Newton-John in 1977. In Australasia, it was released as Greatest Hits Vol. 2 as an extension of the 1974 compilation First Impressions, while in other regions, it fully spanned Newton-John's career up to the point of release.
"Toast and Marmalade for Tea" is a song by the Australian rock group Tin Tin, and was written by Steve Groves and produced by Maurice Gibb. It was a top 20 U.S. hit in 1971.
Spin Records was an Australian popular music label, active in the late 1960s and early 1970s.
"I Can't See Nobody" is a song by the Bee Gees, released first as the B-side of "New York Mining Disaster 1941". With "New York Mining Disaster 1941", this song was issued as a double A in Germany and Japan, and included on the group's third LP, Bee Gees' 1st. "I Can't See Nobody" charted for one week at number 128 on the Billboard Bubbling Under the Hot 100 in July 1967.
Carl Arnold Groszmann was an Australian songwriter and musician.
"Rest Your Love on Me" is a country ballad performed by the Bee Gees and written and sung by Barry Gibb. It was the B-side of the US No. 1 hit "Too Much Heaven". Andy Gibb recorded the song as a duet with Olivia Newton-John for his 1980 album After Dark.
"Come On Over" is a ballad written by Barry and Robin Gibb and recorded by the Bee Gees for their album Main Course, with lead vocals by Robin, joined by Barry in the chorus.. A live version was recorded in Los Angeles during their Children of the World Tour and appeared on their first live album Here at Last...Bee Gees...Live. The song was more reminiscent of their older style as compared to the new R&B sound of "Jive Talkin'" and "Nights on Broadway". It would become a No.1 adult contemporary hit for Olivia Newton-John in 1976.
The Fut were a short-lived rock group formed in London in 1969, consisting of Maurice Gibb, Steve Groves, Steve Kipner and Billy Lawrie. Their only single was "Have You Heard the Word", released in the UK on Beacon Records. This was the first time since the formation of the Bee Gees that Gibb, who was still in the group, had performed with another group. Groves and Kipner were members of the group Tin Tin.
John Vallins is an Australian songwriter and musician best known for his 1970s song "Too Much, Too Little, Too Late".
Nathan Kipner was an American songwriter and record producer with a considerable career in Australia. He is remembered as the producer of the Bee Gees' first hit "Spicks and Specks". He was the father of Steve Kipner who is also a songwriter and music producer.
Geoff Bridgford is a drummer from Melbourne, Australia. He was in pop group The Groove, and later worked with Steve Kipner in The Board and Tin Tin. For one year, he was an official member of Bee Gees, the last non Gibb brother to be in the group as an actual member.