Tomorrow Is a Long Time

Last updated

"Tomorrow Is a Long Time"
Song by Bob Dylan
from the album Bob Dylan's Greatest Hits Vol. II
Released1971
RecordedApril 12, 1963, Town Hall, New York City
Genre Folk
Length3:01
Label Columbia Records
Songwriter(s) Bob Dylan

"Tomorrow Is a Long Time" is a song written and recorded by Bob Dylan. Dylan's version first appeared on the album Bob Dylan's Greatest Hits Vol. II compilation, released in 1971. It was subsequently included in the triple LP compilation Masterpieces .

Contents

Dylan's versions

Dylan's officially released version of the song is a live recording from his April 12, 1963, concert at New York's Town Hall. Dylan had recorded the song in December 1962 as a demo for M. Witmark & Sons, his publishing company. This particular recording, long available as a bootleg, was released by Columbia in 2010 on The Bootleg Series Vol. 9: The Witmark Demos: 1962-1964 . A studio version of the song, an outtake from the June 1970 sessions for New Morning , has also been bootlegged.

The song was featured in the first-season finale of The Walking Dead . [1] [2] [3]

In the 2017 film The Vanishing of Sidney Hall the song appears twice: once sung by Logan Lerman and again by Bob Dylan in the closing scene.

Elvis Presley version

Elvis Presley recorded the song on May 26, 1966, during a session for his album How Great Thou Art . The song originally appeared as a bonus track on the album Spinout . Dylan once said that Presley's cover of the song was "the one recording I treasure the most". [4] [5]

According to Ernst Jorgensen's book Elvis Presley: A Life In Music - The Complete Recording Sessions, Presley first heard the song via Charlie McCoy, who had previously participated in the Highway 61 Revisited and Blonde on Blonde sessions. McCoy played the 1965 Odetta album Odetta Sings Dylan before an Elvis session and Presley "had become taken with 'Tomorrow Is A Long Time.'"

Presley's cover was featured in Francis Ford Coppola's 1983 film adaptation of S.E. Hinton's novel The Outsiders.

Other cover versions

Notes

  1. The Walking Dead Soundtrack Retrieved March 7, 2012
  2. The Walking Dead Season 1 Finale Retrieved March 7, 2012
  3. What's That Song From The Walking Dead Season Finale? Archived January 10, 2013, at the Wayback Machine Retrieved March 7, 2012
  4. Ernst Jorgensen (1998). Elvis Presley: A Life In Music - The Complete Recording Sessions. St. Martin's Press. ISBN   0-312-18572-3.
  5. Rolling Stone (1981). The Rolling stone interviews : talking with the legends of Rock & Roll, 1967-1980. St. Martin's Press/Rolling Stone Press. ISBN   0-312-68954-3.
  6. "Esther Ofarim - Esther and Abi Ofarim - Esther & Abi Ofarim - Ofraim אסתר עופרים".
  7. We Five, Catch the Wind [ permanent dead link ] Retrieved March 7, 2012.
  8. Lankford, Ronnie D. Jr. "The Seldom Scene - Scenechronized". Allmusic. Retrieved August 16, 2019.
  9. Bird, Jeff. "MARGO TIMMINS: TY TYRFU SESSIONS VOLUME ONE". Archived from the original on May 26, 2019. Retrieved February 19, 2021.

Related Research Articles

<i>The Freewheelin Bob Dylan</i> 1963 studio album by Bob Dylan

The Freewheelin' Bob Dylan is the second studio album by the American singer-songwriter Bob Dylan, released on May 27, 1963, by Columbia Records. Whereas his self-titled debut album Bob Dylan had contained only two original songs, this album represented the beginning of Dylan's writing contemporary lyrics to traditional melodies. Eleven of the thirteen songs on the album are Dylan's original compositions. It opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul and Mary soon after the release of the album. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right".

<span class="mw-page-title-main">Bob Johnston</span> American record producer and musician

Donald William "Bob" Johnston was an American record producer, best known for his work with Bob Dylan, Johnny Cash, Leonard Cohen, and Simon & Garfunkel.

<span class="mw-page-title-main">Don't Think Twice, It's All Right</span> 1963 single by Bob Dylan

"Don't Think Twice, It's All Right" is a song written by Bob Dylan in 1962 and released the following year on his album The Freewheelin' Bob Dylan and as the B-side of the single "Blowin' in the Wind". The song was covered by several other artists, including Waylon Jennings in 1964, Emilie-Claire Barlow in her 2010 album The Beat Goes On and Peter, Paul and Mary, who released it as a single, which reached the Top 10 of the Billboard Hot 100.

"Masters of War" is a song by Bob Dylan, written over the winter of 1962–63 and released on the album The Freewheelin' Bob Dylan in the spring of 1963. The song's melody was adapted from the traditional "Nottamun Town." Dylan's lyrics are a protest against the Cold War nuclear arms build-up of the early 1960s.

"Bob Dylan's Dream" is a song written by Bob Dylan in 1963. It was recorded by Dylan on April 24, 1963, and was released by Columbia Records a month later on the album The Freewheelin' Bob Dylan.

"Bob Dylan's Blues" is a song written and performed by the American singer-songwriter Bob Dylan, that was first released as the fifth track on his 1963 album, The Freewheelin' Bob Dylan.

<span class="mw-page-title-main">I Shall Be Released</span> 1967 song by Bob Dylan

"I Shall Be Released" is a 1967 song written by Bob Dylan.

"She Belongs to Me" is a song by Bob Dylan, and was first released as the second track on his 1965 album Bringing It All Back Home. The song may be about a former girlfriend, Suze Rotolo, or fellow folk singer Joan Baez, contemporary siren Nico, or Sara Lownds, the woman that Dylan would wed in November 1965.

<span class="mw-page-title-main">Sometimes I Feel Like a Motherless Child</span> Traditional spiritual song

"Sometimes I Feel Like a Motherless Child", also "Motherless Child", is a traditional spiritual. It dates back to the era of slavery in the United States.

"(Now and Then There's) A Fool Such as I" is a popular song written by Bill Trader and published in 1952. Recorded as a single by Hank Snow it peaked at number four on the US country charts early in 1953.

"I'll Keep It with Mine" is a song written by Bob Dylan in 1964, first released by folk singer Judy Collins as a single in 1965. Dylan attempted to record the song for his 1966 album Blonde on Blonde.

"What Have They Done to the Rain" is a protest song against above-ground nuclear testing written by Malvina Reynolds. The song has been sung by many singers such as Joan Baez, and a version by the English band The Searchers was released as a single, which charted in the US and UK.

"Oxford Town" is a song written by American singer-songwriter Bob Dylan in 1962. It was recorded in Columbia's Studio A on December 6, 1962, for his second album, The Freewheelin' Bob Dylan.

<i>Spinout</i> (soundtrack) 1966 soundtrack album by Elvis Presley

Spinout is the 14th soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3702, on October 31, 1966. It is the soundtrack to the 1966 film of the same name starring Presley. Recording sessions for the film songs took place at Radio Recorders in Hollywood, California, on February 16 and 17, 1966. The album was augmented with three non-film songs recorded earlier in the year. It peaked at number 18 on the Top Pop Albums chart.

Bob Dylan bootleg recordings are unreleased performances by American singer-songwriter Bob Dylan, that have been circulated throughout the public without undergoing an official, sanctioned release. It is commonly misconceived that bootlegs are only restricted to audio, but bootleg video performances, such as Dylan's 1966 film Eat the Document, which remains officially unreleased, are considered to be bootlegs. Dylan is generally considered to be the most bootlegged artist in rock history, rivaled only by the Grateful Dead.

<i>The Bootleg Series Vol. 9: The Witmark Demos: 1962–1964</i> 2010 compilation album by Bob Dylan

The Bootleg Series Vol. 9: The Witmark Demos: 1962–1964 is a compilation album by American singer-songwriter Bob Dylan, containing demo recordings he made for his first two publishing companies, Leeds Music and M. Witmark & Sons, from 1962 to 1964. The seventh installment of the ongoing Bob Dylan Bootleg Series, it was released on October 19, 2010 on Legacy Records.

"Farewell", also known as "Fare Thee Well", is a song by American singer-songwriter Bob Dylan. Dylan wrote the song in January 1963. He considered it for his third album, The Times They Are a-Changin', but only attempted a few takes during the album's first studio session. Dylan's earlier recordings of "Farewell" found their way onto various bootlegs, and a collection of demos that included the song was released in October 2010 as The Bootleg Series Vol. 9 – The Witmark Demos: 1962–1964.

"Walkin' Down the Line" is a song written by Bob Dylan and first recorded by him in November 1962 for Broadside magazine. Dylan recorded the song again in March 1963 for his music publisher Witmark and this version was released in 1991 on The Bootleg Series Volumes 1–3 1961–1991.

"Mama, You Been on My Mind" is a song by American singer-songwriter Bob Dylan. Written in 1964 during a trip to Europe, the song dealt with his recent breakup with his girlfriend, Suze Rotolo. Dylan first recorded the song in June of that year during a session for his album Another Side of Bob Dylan. However, the song was not included on the album, and Dylan's version remained unreleased until 1991. In total, in the 1990s and 2000s four versions were put out on Dylan's Bootleg Series of releases, including two live performances with Joan Baez from 1964 and 1975.

"I Shall Be Free" is a song by American singer-songwriter Bob Dylan. It was recorded on 6 December 1962 at Studio A, Columbia Recording Studios, New York, produced by John Hammond. The song was released as the closing track on The Freewheelin' Bob Dylan on 27 May 1963, and has been viewed as a comedic counterpoint to the album's more serious material. Dylan has never performed the song in concert.