Jericho | ||||
---|---|---|---|---|
Studio album by | ||||
Released | November 2, 1993 | |||
Recorded | Mid-1993, except "Country Boy" (October 1985) and "Atlantic City" (1990–91) | |||
Studio |
| |||
Genre | Rock | |||
Length | 56:53 | |||
Label | Rhino | |||
Producer | John Simon, Aaron L. Hurwitz, the Band | |||
The Band chronology | ||||
|
Jericho is the eighth studio album by Canadian-American rock group the Band. Coming seventeen years after their "farewell concert", it was released in 1993 and was the first album to feature the latter-day configuration of the group, as well as their first release for the Rhino subsidiary Pyramid Records.
Original members Levon Helm (drums/mandolin/guitar/vocal), Rick Danko (bass/guitar/vocal) and Garth Hudson (organ/keyboards/horns) were joined by Jim Weider (who had played guitar for the group from the time of their 1983 reformation), Randy Ciarlante (who had joined on drums in 1990) and Richard Bell (who had joined as keyboardist in 1991). There were an additional fourteen guest musicians. Having so many guests would be commonplace on the latter-day group's albums.
In 1985, the Band went into the studio for the first time since 1977 with the intent of recording tracks for an eventual album. Richard Manuel had recently expressed interest in writing new material for the group, [1] and had written "Breaking New Ground" with Gerry Goffin and Carole King. [2] However, on March 4, 1986, Manuel died by suicide, [3] and the Band abandoned efforts to make an album for several years. [4]
In 1990, Sony offered the Band a recording contract. The group hired fellow Hawks member Stan Szelest to replace Manuel on keyboards, and proceeded to record new material with songwriter Jules Shear. However, these recordings were rejected by Sony, which suggested the group take submissions from various songwriters. Just as recording continued, Szelest died of a heart attack. The Band then requested release from Sony and found a new contract with Great Pyramid Records. Without Manuel or Robbie Robertson as songwriters, the group relied mostly on outside sources, such as Muddy Waters, Willie Dixon, Bruce Springsteen, and their friends Bob Dylan and Artie Traum. A few sessions also involved Champion Jack Dupree. "Country Boy", a song from the 1985 sessions with Manuel on vocals, was also selected for inclusion on the album. John Simon, who had produced the Band's first two albums, was again brought in to produce along with Aaron L. Hurwitz (engineer, record producer), [5] to form the collection which would ultimately become Jericho. The album was finally completed in 1993, with new members Richard Bell, Randy Ciarlante and Jim Weider on keyboards, second drums and lead guitar respectively. [4]
The album cover is a painting by Peter Max of the "Big Pink" house in West Saugerties, New York, where Bob Dylan and the Band recorded music during the mid to late 1960s. [6] The albums The Basement Tapes and Music from Big Pink both originated from the music created in this house. [7] [8] The painting depicts the same view of the house used in the photographs on the cover of Music from Big Pink.
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
Rolling Stone | [10] |
Mark Deming of AllMusic gave the album 3.5 stars out of 5. He wrote that while Robertson's strong songwriting and stinging lead guitar were sorely missed, the remaining musicians and guests performed well and Jericho "did unexpectedly prove that the Band could function very well without Robertson". [9] Rolling Stone called their version of "Atlantic City" a "clear highlight". [11] "Stuff You Gotta Watch" was included in the 1994 film Little Big League .
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Remedy" | Colin Linden, Jim Weider | 4:25 |
2. | "Blind Willie McTell" | Bob Dylan | 6:42 |
3. | "The Caves of Jericho" | Richard Bell, Levon Helm, John Simon | 5:23 |
4. | "Atlantic City" | Bruce Springsteen | 5:16 |
5. | "Too Soon Gone" | Jules Shear, Stan Szelest | 3:59 |
6. | "Country Boy" | Marshall Barer, Fred Brooks | 3:17 |
7. | "Move to Japan" | Joe Flood, Levon Helm, John Simon, Stan Szelest, Jim Weider | 4:25 |
8. | "Amazon (River of Dreams)" | Artie Traum | 6:00 |
9. | "Stuff You Gotta Watch" | Muddy Waters | 2:50 |
10. | "Same Thing" | Willie Dixon | 4:31 |
11. | "Shine a Light" | Marty Grebb, Daniel Moore | 4:12 |
12. | "Blues Stay Away from Me" | Alton & Rabon Delmore, Henry Glover, Wayne Raney | 6:01 |
The Band was a Canadian-American rock band formed in Toronto, Ontario, in 1967. It consisted of Canadians Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and American Levon Helm. The Band combined elements of Americana, folk, rock, jazz, country, influencing musicians such as George Harrison, Elton John, the Grateful Dead, Eric Clapton and Wilco.
Richard Clare Danko was a Canadian musician, bassist, songwriter, and singer, best known as a founding member of the Band, for which he was inducted into the Rock and Roll Hall of Fame in 1994.
Richard George Manuel was a Canadian musician, singer, and songwriter, best known as a pianist and one of three lead singers in the Band, for which he was posthumously inducted into the Rock and Roll Hall of Fame in 1994.
Cahoots is the fourth studio album by Canadian/American rock group the Band. It was released in 1971 to mixed reviews, and was their last album of original material for four years. The album's front cover was painted by New York artist/illustrator Gilbert Stone, while the back cover features a photograph portrait of the group by Richard Avedon. The album features guest vocals from Van Morrison. Libby Titus, the partner of drummer Levon Helm and mother of their daughter Amy Helm, also contributed uncredited backing vocals to "The River Hymn", the first time a woman appeared on a Band album.
Northern Lights – Southern Cross is the sixth studio album by Canadian-American rock group the Band, released in 1975. It was the first album to be recorded at their new California studio, Shangri-La, and the first album of all new material since 1971's Cahoots. It was recorded using a 24-track tape recorder, which allowed Garth Hudson to include multiple layers of keyboards on several tracks, and it is the only Band album where all songs are credited as compositions of guitarist Robbie Robertson.
The Last Waltz is the second live album by the Band, released on Warner Bros. Records in 1978, catalogue 3WS 3146. It is the soundtrack to the 1978 film of the same name, and the final album by the original configuration of the Band. It peaked at No. 16 on the Billboard 200.
High on the Hog is the ninth studio album by Canadian-American rock group the Band, released in 1996. As with its predecessor, 1993's Jericho, it relies heavily on cover versions; only two tracks are original. Songs include Bob Dylan's "Forever Young", a live recording of Richard Manuel performing "She Knows", and the closer "Ramble Jungle".
Jubilation is the tenth and final studio album by Canadian/American rock group the Band. Recorded in the spring of 1998 in Levon Helm's home studio in Woodstock, New York, it was released on September 15, 1998. For the first time since the group reformed without guitarist and songwriter Robbie Robertson, there were more originals than covers. Songs include "Last Train to Memphis", featuring guest guitarist Eric Clapton, Garth Hudson's solo instrumental closer "French Girls", Rick Danko's "High Cotton" and the ode to Ronnie Hawkins, "White Cadillac".
Live at Watkins Glen is a 1995 album by the Band, presented by Capitol Records as a live album from the Summer Jam at Watkins Glen rock festival held outside Watkins Glen, New York, on July 28, 1973, in front of 600,000 people. Garth Hudson's organ solo, "Too Wet to Work", and the plainly titled "Jam" come from the actual Watkins Glen concert, as does the introduction of the group by Bill Graham. The former track appears on the out-of-print 1994 box set Across the Great Divide, but the latter track is only present on the Watkins Glen disc. The remainder of the tracks are two studio outtakes with overdubbed crowd noise, "Back to Memphis" and "Endless Highway", plus five tracks from the Academy of Music shows in December 1971 and "Don't Ya Tell Henry" from the Woodstock festival in 1969. The two studio outtakes are available on the 2001 re-release of Moondog Matinee, without the crowd overdubs. The Academy of Music tracks are available on the 2001 two-CD re-release of Rock of Ages as "previously unavailable" tracks.
Rick Danko is the 1977 eponymous debut by the bassist and singer for the Band. Featuring ten tracks mainly written by Danko, mostly in conjunction with lyricists Bobby Charles and Emmett Grogan, it was the first solo album by any member of the group and was Danko's only solo studio album; the other two albums he released in his lifetime were solo live recordings and collaborative studio albums.
Rick Danko in Concert was Canadian musician Rick Danko's second solo release, issued in 1997 as the first release from Woodstock Records, a small label in which Danko and the Band had interests. Featuring live recordings of eight tracks previously issued on both early-period and late-period Band albums, it was culled from two low-fidelity live shows at the Orpheum Theatre, Boston, Massachusetts, on 22 February 1997, and Atomic Productions, Clinton, New Jersey, on 6 March 1997.
Times Like These was Band bassist Rick Danko's final album, a posthumous release featuring tracks from a variety of sources dating from an aborted solo project in 1993 to Danko's final live performance in Ann Arbor, Michigan just days before his death.
Ridin' on the Blinds is the second and final album by the folk-rock trio of Rick Danko, Jonas Fjeld and Eric Andersen, released in 1994.
"Look Out Cleveland" is the title of the Robbie Robertson-written song on The Band's self-titled album, also known as The Brown Album. The song begins with a boogie-woogie blues riff by pianist Richard Manuel followed by lead singer Rick Danko warning -- "Look out Cleveland, storm is coming through, And it’s runnin’ right up on you". The song's reference is presumably to Cleveland, Ohio, but Cleveland, Texas has also been suggested.
You Are What You Eat is a 1968 American counterculture semi-documentary movie that attempts to capture the essence of the 1960s flower power hippie era and the Haight-Ashbury scene. The film features locally known personalities, including well known drug dealer Super Spade and musicians of the day, including Tiny Tim, David Crosby and Peter Yarrow, and radio disc jockey, Rosko.
Stanley Martin Szelest was an American musician from Buffalo, New York, known for founding an influential blues band in the 1950s and 1960s, Stan and the Ravens, and later as a keyboardist with Ronnie Hawkins and, briefly, with The Band.
Let It Rock is a Juno Award-nominated album that documents American-Canadian singer Ronnie Hawkins's 60th birthday celebration and concert at Massey Hall in Toronto, Ontario. The concert took place on January 8, 1995, and featured performances by Hawkins, Carl Perkins, Jerry Lee Lewis, the Band and Larry Gowan. Jeff Healey sat in on guitar for most, if not all, of the performances. Hawkins's band, the Hawks, or permutations of it, backed most, if not all, of the acts. All of the musicians performing that night were collectively dubbed "the Rock ‘N’ Roll Orchestra". The concert is among the last recorded of both Perkins and Rick Danko of the Band. An eponymous video of the concert was also released.
"We Can Talk" is a 1968 song by The Band that was the opener for the second side of their debut album Music From Big Pink Written by Richard Manuel, it features The Band's three main vocalists in nearly equal turns, often finishing each other's phrases. Initially a staple of their concerts, it was dropped from the set list in 1971.
The Night They Drove Old Dixie Down: The Best of the Band Live in Concert is a 1990 compilation of live recordings from American roots rock group the Band released by CEMA Special Markets.