Booker T. & the M.G.'s are an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era. By the mid-1960s, bands on both sides of the Atlantic were trying to sound like Booker T. & the M.G.'s.
Donald "Duck" Dunn was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. He is ranked number 40 on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
The Dock of the Bay is the first of a number of posthumously released Otis Redding albums, and his seventh studio album. It contains a number of singles and B-sides dating back to 1965 and one of his best known songs, the posthumous hit "(Sittin' On) The Dock of the Bay". In 2003, the album was ranked number 161 on Rolling Stone magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list.
Great Guitars is an album by blues guitarist Joe Louis Walker. It was released in 1997 on the Polygram label as catalogue number 537141.
The Soul Album is the fourth studio album by American soul singer-songwriter Otis Redding, released in 1966.
Morph the Cat is the third studio album by American singer-songwriter Donald Fagen. Released on March 7, 2006, to generally positive reviews from critics, Morph the Cat was described by Fagen as his "death album" in an interview with Fred Kaplan of The New York Times. Musicians on the album include drummer Keith Carlock, saxophonist Walt Weiskopf, bassist Freddie Washington, and guitarists Frank Vignola, Jon Herington, Wayne Krantz, and Hugh McCracken.
Pain in My Heart is the debut album of soul singer-songwriter Otis Redding. Redding recorded for Volt Records, a subsidiary of Stax Records, based in Memphis, Tennessee. Volt LPs were initially issued on the Atco label, which released this album.
The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
Briefcase Full of Blues is the debut album by The Blues Brothers, released on November 28, 1978, by Atlantic Records. It was recorded live on September 9, 1978, at the Universal Amphitheatre in Los Angeles, when the band opened for comedian Steve Martin. The album consists of covers of blues and soul songs from the 1950s to 1970s.
Made in America is the third album by The Blues Brothers. The second live album by the band, it was released in December 1980 as a followup to their hit film released that year, The Blues Brothers. To support the film, the band embarked on a 22 dates tour in North America, culminating with seven dates at the Universal Amphitheater in Los Angeles. Keyboardist and musical director Paul Shaffer, sax player Tom Scott and drummer Steve Jordan, who were absent in the film and the soundtrack due to scheduling conflicts, reprised their roles as full-fledged band members. Drummer Willie Hall was let go but the band decided to retain Murphy Dunne, who had replaced Shaffer in the film, as additional keyboards player. Session man Jeff Mironov was brought in to provide additional guitar for the record.
Home is the debut album by husband-and-wife singers Delaney & Bonnie, released on the Stax label. Most of the album was recorded at Stax Studios in Memphis, Tennessee, from February to November 1968, with additional overdubs in July 1969, and features many of Stax's house musicians, including Donald "Duck" Dunn, Steve Cropper, Booker T. Jones, and Isaac Hayes.
Back to Back is a live album by the Mar-Keys and Booker T & the M.G.'s, released on Stax Records in 1967. It features both groups playing live on the Stax/Volt package tour of Europe. The album peaked at number 98 on the Billboard 200 album chart in the United States.
Dreams to Remember: The Otis Redding Anthology is a 1998 compilation album by American soul singer-songwriter Otis Redding. Advertised as a stopgap between the greatest hits album Very Best Of and the boxset Otis! The Definitive Otis Redding, this two-disc album offers most of Redding's greatest hits, a few album tracks and 5 live recordings taken from The Monterey International Pop Festival.
Knock On Wood is the debut album of soul singer/songwriter Eddie Floyd, released in 1967 on Stax Records. The album was recorded between July and December 1966 at Stax Recording Studio. It features his most well-known single, the title track, "Knock on Wood".
Good To Me is a live album by American soul singer-songwriter Otis Redding, recorded at the Whisky a Go Go on Sunset Strip in Los Angeles, California in April 1966. The recording was made before Otis Redding attained crossover fame at the Monterey Pop Festival, and with his regular touring band. His other available live performances, the 1967 European Stax/Volt revue and 1967 Monterey Pop Festival are recorded with Booker T. & the M.G.'s and The Mar-Keys horns.
Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
Love Man is the third posthumous album by American soul recording artist Otis Redding. It was released in June 1969 and featured songs Redding had recorded in 1967. The album was produced by Steve Cropper, and featured Booker T. and the M.G.'s.
Tell the Truth is the fourth posthumous studio album by Otis Redding, featuring songs recorded in 1967.
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The album has two sides: the first mainly contains cover versions, and the second songs mainly written by Redding.
