"These Arms of Mine" | |
---|---|
Single by Otis Redding | |
from the album Pain in My Heart | |
B-side | "Hey Hey Baby" |
Released | October 1962 |
Recorded | 1962 |
Genre | Rhythm and blues, soul |
Length | 2:35 |
Label | Stax/Volt |
Songwriter(s) | Otis Redding |
"These Arms of Mine" is a song written by soul musician Otis Redding. Redding was at that time a member of Pat Teacake's Band, consisting of lead guitarist Johnny Jenkins, bassist Pat Teacake and vocalist/songwriter Redding, who also served as driver for Jenkins, who did not have a driver's license. Atlantic Records artist representative Joe Galkin showed interest in Jenkins and proposed to send him to a studio. On the way to a gig, Redding had the opportunity to perform the songs "Hey Hey Baby" and "These Arms of Mine" as Jenkins and house band Booker T. & the M.G.'s ended their sets earlier than scheduled.
The performance of the latter song was highly praised; Jim Stewart was so impressed that he offered Redding a contract to record for Stax Records of Memphis, Tennessee, which Redding signed soon afterward. "These Arms of Mine" became Redding's first-released Stax Records single, with "Hey Hey Baby" on its B-side. After a series of unnoticed numbers, the song "These Arms of Mine" became Redding's first successful single and sold around 800,000 copies. The song was also included in Redding's 1964 (Atlantic Records) Atco label debut album Pain in My Heart.
As a member of Teacake's Band, Redding toured in the Southern United States, especially on the Chitlin' Circuit. These performance venues were safe for African American musicians during the age of racial segregation which lasted into the early 1960s. [1] Lead guitarist Johnny Jenkins later left Teacake to become the featured artist with The Pinetoppers. [2] Around this time, Redding met Phil Walden, the future founder of the recording company Phil Walden and Associates, and later Bobby Smith, who ran a small record label, Confederate Records. He signed with Confederate and recorded his second single, "Shout Bamalama" (a rewrite of "Gamma Lamma"), which he performed with his band "Otis and the Shooters". [3] [4] Wayne Cochran, the only solo artist signed to Confederate, became Pinetoppers' bass guitarist. [2]
Around the time Walden started to look for a record label, Atlantic Records representative Joe Galkin was interested in working with guitarist Jenkins and proposed to send him to a Stax studio in Memphis. Jenkins, who attended disc jockey Hamp Swain's "The Teenage Party", saw Redding's performance with the backing band, but he was not satisfied with their performance. Subsequently, he offered Redding to help winning the contest; with his help he won several weeks in a row. [5] On the way to a gig, Redding drove for Jenkins, as the latter did not possess a driver's license. [6] Jenkins performed with house band Booker T. & the M.G.'s. When that set ended early, Redding had the opportunity to perform. The first song was "Hey Hey Baby", but studio chief Jim Stewart thought it sounded too much like Little Richard. The next song was "These Arms of Mine", which featured Jenkins on guitar, Steve Cropper on piano, Lewie Steinberg on bass, Booker T. Jones on organ and Al Jackson Jr. on drums. [7] [8] [9]
The following musicians played on the session for "These Arms of Mine". [10]
"These Arms of Mine" was released on the Volt sister label in October 1962, but charted in March the following year. [11] The single sold more than 800,000 copies. [12] It was included on Redding's debut album Pain in My Heart , which was released on January 1, 1964 by Stax on the Volt sister label. [13] [14]
When Redding performed the song "These Arms of Mine" during a session, featuring Jenkins on guitar and Cropper on piano, producer Jim Stewart praised his performance and noted, "Everybody was fixin' to go home, but Joe Galkin insisted we give Otis a listen. There was something different about [the ballad]. He really poured his soul into it." [7] [8]
"These Arms of Mine" was included on several soundtracks, such as The Boat That Rocked , [15] Perfect Stranger , [16] in the Lost episode "S.O.S.", Glory Road , [16] EDtv , [17] Road House , [18] The Sapphires and most prominently in Dirty Dancing . [19] It is also prominently featured in the TV series 12 Monkeys, including playing in the opening and closing sequence of the series and having an episode named after it. [20]
Chart | Peak position |
---|---|
Billboard Hot 100 | 85 |
Billboard R&B singles | 20 |
From allmusic
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [21] | Silver | 200,000‡ |
United States (RIAA) [22] | Gold | 500,000‡ |
‡ Sales+streaming figures based on certification alone. |
Booker T. & the M.G.'s were an American instrumental, R&B, and funk band formed in Memphis, Tennessee, in 1962. The band is considered influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961. It also shared its operations with sister label Volt Records.
Steven Lee Cropper, sometimes known as "The Colonel", is an American guitarist, songwriter and record producer. He is the guitarist of the Stax Records house band, Booker T. & the M.G.'s, which backed artists such as Otis Redding, Wilson Pickett, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations.
Albert J. Jackson Jr. was an American drummer, producer, and songwriter. He was a founding member of Booker T. & the M.G.'s, a group of session musicians who worked for Stax Records and produced their own instrumentals. Jackson was affectionately dubbed "The Human Timekeeper" for his drumming ability. He was inducted into the Memphis Music Hall of Fame in 2015, and the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s in 1992.
Donald "Duck" Dunn was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley, and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. In 2017, he was ranked 40th on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
Otis Blue/Otis Redding Sings Soul is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt.
Eddie Lee Floyd is an American R&B and soul singer and songwriter, best known for his work on the Stax record label in the 1960s and 1970s, including the No. 1 R&B hit song "Knock on Wood".
Donald James Randolph, better known by the stage name Don Covay, was an American R&B, rock and roll, and soul singer-songwriter most active from the 1950s to the 1970s.
Pain in My Heart is the debut album of soul singer-songwriter Otis Redding. Redding recorded for Volt Records, a subsidiary of Stax Records, based in Memphis, Tennessee. Volt LPs were initially issued on the Atco label, which released this album. The song was written and arranged by Naomi Neville, a pseudonym used by Allan Toussaint.
The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
King & Queen is a studio album by American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding.
Johnny Edward Jenkins was an American left-handed blues guitarist, who helped launch the career of Otis Redding. His flamboyant style of guitar playing also influenced Jimi Hendrix.
Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
This is the discography of American soul singer Otis Redding.
Otis Ray Redding Jr. was an American singer and songwriter. He is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the "King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
Willie Cornelius Jones, known as Little Willie Jones, is an American soul singer and musician.
Joe Galkin was a Russian-born American record producer and musician, best known for his producing at Atlantic Records and his own Gerald Record label and work with Otis Redding and Phil Walden. Galkin saw the potential of Redding's "Love Twist" and purchased the masters to the song and had Atlantic release it and who persuaded Jim Stewart to permit Redding to record two songs, "These Arms of Mine" and "Hey, Hey Baby".
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
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