Charles Lempriere "Prairie" Prince is an American drummer and visual artist. He came to prominence in the 1970s as a member of the San Francisco–based rock group The Tubes, was a member of Jefferson Starship from 1992 to 2008 and has worked with a wide range of other performers as a session musician.
The Tubes are a San Francisco-based rock band. Their self-titled 1975 debut album included the single "White Punks on Dope", while their 1983 single "She's a Beauty" was a top-10 U.S. hit and its music video was frequently played in the early days of MTV. The band also performed in the 1980 film Xanadu, singing the rock portion of the cross-genre song "Dancin'" opposite a big band.
Young and Rich is the second studio album by The Tubes, released in 1976. It reached #46 on the Billboard 200.
The Completion Backward Principle is the fifth studio album by the American rock group the Tubes. It is the group's first for Capitol Records. It was accompanied by a long form music video release of the same name, although it did not contain all of the songs from the album. It is a concept album presented as a motivational business document. The album contains two hit singles, "Don't Want to Wait Anymore" and "Talk to Ya Later."
Outside Inside is the sixth studio album by The Tubes, released in 1983. It was the second album by the group to be released by Capitol Records. The album was produced by David Foster. The Tubes had their biggest radio hit with the single from this album, "She's a Beauty".
William "Sputnik" Spooner is a musician, guitarist, singer and songwriter, and the founder of The Tubes, a theatrical rock band. His songwriting is known for its use of humor and satire. He has released three solo albums: First Chud (1985), Mall to Mars (1997), and Demo-licious. He previously played in the San Francisco Bay area with the band The Folk Ups, and now plays as a solo artiste or in sessions with his son Boone. He is still recording.
New Tattoo is the eighth studio album by the American heavy metal band Mötley Crüe, released in 2000. Artistically, New Tattoo shows the band returning to the earlier musical style that gave them commercial success in the 1980s and early 1990s. This is the only album by the band not to feature drummer Tommy Lee, who left the band a year before, and was replaced by former Ozzy Osbourne drummer Randy Castillo on the album. The album also marked Castillo’s final full-length studio recording project that he was involved in before his death in March 2002.
Missing Man Formation is an album by the rock band Missing Man Formation. Their only album, it was released by Grateful Dead Records on April 28, 1998.
Remote Control is the fourth studio album released by the Tubes. This was their first to be produced by Todd Rundgren. It is a concept album about a television-addicted idiot savant.
What Do You Want from Live is the debut live album released by The Tubes, and was recorded at the Hammersmith Odeon, London.
Peace on You was Roger McGuinn's second full-length solo album, released in 1974. The album peaked at number 92 in the US in October 1974.
Now is the third studio album released by The Tubes. It was produced by John Anthony. Fed up with constant meddling from Bud Scoppa and Don Wood under the direction of Bill Spooner including surreptitiously remixing a track when Anthony was not at the studio, Anthony was advised to leave the project by Jerry Moss. The head of A&M A&R Kip Cohen said that they took advantage of Anthony and believed that they overran the budget to increase their union fees. Bill Spooner took over and completed the project with the help of the engineer Wood and Scoppa.
Genius of America is the eighth and most recent studio album to date by The Tubes and marked their return to the studio for the first time since 1985's Love Bomb. The band self-produced the album and is their first body of work to include Gary Cambra. The album was released on October 15, 1996. A CD featuring re-mixed versions of the songs plus two bonus tracks was released in Europe in 1999 as Hoods from Outer Space.
Wild In London is the third live album by The Tubes released in 2005. It was recorded on December 6, 2004 at Londons' Shepherd's Bush Empire and features some newer Fee Waybill characters such as "Russell Chaps". The CD featured a guest appearance by Beki Bondage who dueted with Fee Waybill on "Don't Touch Me There"
Tattoos & Tequila is the third and most recent solo studio album by Mötley Crüe frontman Vince Neil. It is his first solo release in 7 years since the live album Live at the Whisky: One Night Only in 2003 and first solo studio album in 15 years since 1995's Carved in Stone. It is his first release on Eleven Seven Music.
(re)Production is the twenty-third solo album by rock musician Todd Rundgren that was recorded and released in 2011. For this album, Rundgren re-recorded songs that he had produced for other bands across his career, including Meat Loaf, Hall & Oates, The Tubes and Grand Funk Railroad. (re)Production gives these songs a much more modern sheen, incorporating elements of electronic dance music and synthpop. The work was created during the MyRecordFantasy Camp sessions at the Track Shack in January 2011 arranged by the label Gigatone Records. Album packaging includes samples of cover art submissions by fans. Alternate covers were used for International, Domestic, and online versions.
The Pope Smokes Dope is the third album by David Peel and the Lower East Side, released on April 17, 1972 through Apple Records.
T.R.A.S.H. is a compilation album by the rock band The Tubes, released in November 1981.
Mickey Hart's Mystery Box is an album by former Grateful Dead drummer Mickey Hart. It was released on CD and cassette by Rykodisc Records on June 11, 1996. The album combines Hart's percussion-based world music with the vocal harmonies of the British singing sextet the Mint Juleps. Robert Hunter wrote the lyrics for all the songs.
"White Punks on Dope", abbreviated as "WPOD", is a 1975 song by San Francisco-based rock group The Tubes from their debut album, produced by Al Kooper. The song was written by the band's dual lead guitarists, Bill Spooner and Roger Steen with Michael Evans. It has been called an "absurd anthem of wretched excess", ridiculing the rich and famous offspring of Hollywood elite. The song became the group's rock anthem and spectacular closing number to their elaborate stage shows. The band developed a cult-like fan base that has followed them for decades.
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