"Up the Wooden Hills to Bedfordshire" | |
---|---|
Song by Small Faces | |
from the album Small Faces | |
Released | 23 June 1967 |
Recorded | March 1967 |
Studio | Olympic Studios, London |
Genre | Pop rock [1] |
Length | 2:05 |
Label | Immediate |
Songwriter(s) | Ian McLagan |
Producer(s) |
"Up the Wooden Hills to Bedfordshire" (alternatively known as "Up the Wooden Hills") is a song written by English keyboardist Ian McLagan, first recorded and released by his band Small Faces in 1967. The song was McLagan's first original composition written for the band. [2]
Ian McLagan joined the Small Faces in October 1965 as a keyboardist, and performed his first gig with them on 2 November that year at the Lyceum Theatre, in London. [3] McLagan acted as a keyboardist, preferring to play the Hammond organ over other organs, but also occasionally played rhythm guitar, an instrument he played in a previous band. [4] [5] However, McLagan had not significantly contributed a song to the band, who either played covers or songs written by Steve Marriott and Ronnie Lane. [6] He had however, received a shared songwriting credits for several instrumentals of the band, including "Own Up Time" from their debut album, "Grow Your Own", the B-Side of "Sha-La-La-La-Lee" and "Almost Grown", the B-side of "Hey Girl". [7] [8] [9]
By early 1967, the band had had experiences with psychedelic drugs, and started coming up with new songs. [10] The song was largely inspired by Ronnie Lane's father Stan Lane, who used to have specific word plays. [2] In a later interview, Stan stated that upon putting Ronnie into bed, he would say "Come on, let's go up the wooden hills to Bedfordshire". As Stan was a lorry driver, he would occasionally go to Bedfordshire to pick up bricks, often bringing Ronnie there. [2] Later, during an interview with Ken Sharp, McLagan would ask "Do you know what that means? Up the stairs to bed. Wooden hills. It was an expression that Ronnie Lane's father used to use when he was about to go to bed "....well, it's up the wooden hills to Bedfordshire...." I thought it was a lovely line. It's a drug song I suppose. I used to be stoned all the time -- you know, when you "sleep"—trying to explain how you felt. "When you're slipping into sleep..." isn't falling asleep, it's gettin' stoned." [11]
The song was recorded at Olympic Studios during the early months of 1967, with Glyn Johns along with Eddie Kramer engineering. [12] The song was mixed within the following months. "Up the Wooden Hills to Bedfordshire" was first released on 23 June 1967, when it was featured on the second side of Small Faces, the group's second studio album. [13] The song was first issued in the US on 17 March 1968, when it was featured on the first side of the North American release There Are But Four Small Faces . [14] [15] For this release, the song was promptly renamed to simply "Up the Wooden Hills", removing the "to Bedfordshire" suffix. [8] The reason behind this is currently unclear, however, it is believed to be due to the fact that the region of Bedfordshire is virtually unknown to most Americans. An alternate mix of the song was created for radio stations, used to advertise There Are But Four Small Faces. [12] An alternate mix was used on the Here Comes The Nice: Immediate Years box set 1967-69. [16]
Often called an overdue songwriting debut by McLagan, the song received mostly positive reviews. [17] In 1968, Billboard magazine called it one of the best recordings by the group. [18] In a retrospective review, Roland Schmitt writes that the song's harmonic layout bears a similarity to contemporary rock group Procol Harum due to the layers of acoustic guitars and keyboards which layer the track. [19] Upon hearing the composition for the first time, Small Faces drummer Kenney Jones knew that McLagan had succeeded in writing a good song. [20] Coincidentally, the song has a similar title to a Vera Lynn song: in 1936, she recorded and released a composition called "Up the Wooden Hill to Bedfordshire", which was written by Nixon Grey and Reginald Connelly. [21] This track was Lynn's first solo single, and it was released on the Crown Records label. [22]
Personnel according to Here Comes The Nice: Immediate Years box set 1967-69. [23]
Faces are an English rock band formed in 1969 by members of Small Faces after lead singer and guitarist Steve Marriott left to form Humble Pie. The remaining Small Faces—Ian McLagan (keyboards), Ronnie Lane, and Kenney Jones —were joined by guitarist Ronnie Wood and singer Rod Stewart, both from the Jeff Beck Group, and the new line-up was renamed Faces.
Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band was one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing" and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They evolved into one of the UK's most successful psychedelic bands until 1969.
Ronald Frederick Lane was an English musician and songwriter who was the bassist and co-founder of the rock bands Small Faces (1965–69) and Faces (1969–73).
Ooh La La is the fourth and final studio album by the English rock band Faces, released in March 1973. It reached number one in the UK Albums Chart in the week of 28 April 1973. The album was most recently reissued on CD in a remastered and expanded form on 28 August 2015, including early rehearsal takes of three of its tracks, as part of the 1970–1975: You Can Make Me Dance, Sing Or Anything... box set. The box set's vinyl counterpart did not contain any bonus tracks, but it did replicate the original LP artwork and 'animated' cover.
Small Faces is the second studio album by Small Faces, released through Immediate Records on 23 June 1967. Although this was their first album for new manager Andrew Loog Oldham's Immediate label, recording actually commenced during their tenure with Decca Records, whom they left in January 1967 after severing professional ties with original manager Don Arden. As a result of the switch of label and management, Decca and Arden released an outtakes compilation album, From the Beginning in early June 1967 in order to sabotage the chart success of the Immediate Small Faces release - something that it managed to do to some extent when From the Beginning reached number 17 in the UK charts. The Immediate album shares its name with their 1966 Decca debut album, which has led to some confusion regarding the titles. As a result of this, it has been unofficially dubbed The First Immediate Album by several fans.
First Step is the debut studio album by the English rock band Faces, released on 27 March 1970 by Warner Bros. Records. The album was released only a few months after the Faces had formed from the ashes of the Small Faces and The Jeff Beck Group. The album is credited to the Small Faces on all North American issues and reissues, while record labels for initial vinyl printings give the title as The First Step.
Ian Patrick McLagan was an English keyboardist, best known as a member of the rock bands Small Faces and Faces. He also collaborated with the Rolling Stones and led his own band from the late 1970s. He was inducted into the Rock and Roll Hall of Fame in 2012.
Small Faces is the debut album of Small Faces, released in May 1966 by Decca Records. It includes the hit singles "Whatcha Gonna Do About It" and "Sha-La-La-La-Lee". The album was well received by music critics and was popular with the public, rising to number 3 on the UK album chart remaining at the top for several weeks. It also reached number 8 in Finland.
As Safe as Yesterday Is is the debut studio album by English rock band Humble Pie, released in August 1969.
"The Universal" is a song by English band Small Faces, released as a single on 28 June 1968. It reached number 16 in the UK, staying in the top 40 for a total of 10 weeks.
"Here Come the Nice" is a song by English rock band Small Faces. Written by guitarist Steve Marriott and bass guitarist Ronnie Lane, it was released as a single on 2 June 1967, through Immediate Records. The song, which was the band's debut on Immediate, was their first promoted release of 1967, following feuds with Decca Records. It marked a distinct turning point for Small Faces' career, being their first single to deliberately venture into psychedelia, though they had previously done that on a few album tracks for Decca. The song's subject regarding a drug dealer somehow bypassed the BBC censors, who did not ban it, which resulted in the song managing to chart at number 12 on the UK Singles Chart during the summer of 1967. The song received mostly good reviews from music critics, with many positively noting the change of genres.
The Autumn Stone is a posthumous retrospective double album, and the second compilation album released in the UK by Small Faces in 1969 on the Immediate label.
There Are But Four Small Faces is a studio album by British rock group Small Faces, released in 1968 through Immediate Records and distributed by CBS Records. It was the band's first LP release in the United States, and is a modified version of the UK album Small Faces, which came out the previous year. There Are But Four combines tracks from the UK album with the standalone singles "Itchycoo Park", "Here Come the Nice" and "Tin Soldier", and their respective B-sides.
"Get Yourself Together" is a song by British rock band Small Faces, first released in 1967. It was cut during their tenure on both Decca and Immediate Records in 1966 and 1967 and was written by the Marriott/Lane partnership, who wrote a majority of the Small Faces material. It is regarded as one of their best compositions. It remains one of their most popular efforts despite it not being released as single in the United Kingdom or the United States and has since been covered by other influential artists.
"Talk to You" is a song by English rock band Small Faces. It was recorded in 1967 and issued as the B-side of "Here Come the Nice" that peaked at number 12 on the UK Singles Chart.
"(Tell Me) Have You Ever Seen Me?" is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently had a working title of "Mystery" in 1966. Initially planned as the Small Faces debut single on Immediate in mid-1967, it was shelved due to threats from Decca.
"Green Circles" is a song by English rock band Small Faces first recorded in 1966. While not issued as a single in the United Kingdom, it was originally intended as the B-Side of "Here Come the Nice", their first single release on Immediate Records, this release was cancelled and the B-Side was replaced with "Talk to You." It remains one of the group's most well known and influential songs, and showcases the group's venture into psychedelic music, which would be prevalent in their later work, such as on "Itchycoo Park", "Lazy Sunday" and Ogdens' Nut Gone Flake.
"Patterns" is the eighth single by British rock band, Small Faces, first released on Decca Records in 1967. It was the first of two unauthorised singles released in the United Kingdom. It was written by the Small Faces primary songwriters Steve Marriott and Ronnie Lane. It became one of few singles by the group that features Lane on primary vocals, in contrast to Marriott's standard role as the group's lead vocalist.
"My Way of Giving" is a song written by Steve Marriott and Ronnie Lane. Initially demoed by their band Small Faces in 1966, it was given to British singer Chris Farlowe, who released his version as a single in early 1967. It was Farlowe's first single not written by Jagger–Richards since 1965's "The Fool". The Small Faces themselves decided to go on and record a version which was released on two different albums on two different record labels.
In Memoriam is the first posthumous album release by East London rock band Small Faces after the announcement of their break-up in early 1969. It was released on 1 May 1969 through Immediate Records in West Germany only. Their second compilation album following 1967's From the Beginning, In Memoriam is a collection of live cuts and unreleased studio tracks. The studio material was recorded during 1967 and the 1968 sessions for Ogdens' Nut Gone Flake, and also included a few tracks possibly intended for their projected but unrealised fourth album 1862. The studio outtakes were complemented by five live tracks recorded on tour in November 1968.
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