"Get Yourself Together" | |
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Song by Small Faces | |
from the album Small Faces | |
Released | 23 June 1967 (UK Album) 1 December 1967 (US Album) |
Recorded | 13 December 1966, January – 28 February 1967 |
Studio | |
Genre | |
Length | 2:16 |
Label | |
Songwriter(s) | |
Producer(s) |
"Get Yourself Together" is a song by British rock band Small Faces, first released in 1967. It was cut during their tenure on both Decca and Immediate Records in 1966 and 1967 and was written by the Marriott/Lane partnership, who wrote a majority of the Small Faces material. [2] It is regarded as one of their best compositions. [3] It remains one of their most popular efforts despite it not being released as single in the United Kingdom nor the United States and has since been covered by other influential artists.
Recording of the song coincided with the recording of another track, namely "Green Circles", both of which were taped on 13 December 1966 at IBC Studios. Further work started in January and a final mix was completed the following month. It was first released on their eponymous second studio album Small Faces on 23 June 1967 in both mono and stereo versions. [4] The album became a relative success, reaching number 12 on the UK Albums Chart. [5] [6] Despite this, Small Faces was not issued in America, and the song would not appear in the US until almost half a year later, when it was included on There Are But Four Small Faces on 1 December 1967. [7] It was also the title track of an EP released in Thailand by TK Records.
During the recording at IBC Studios, John Pantry was the responsible studio engineer, whilst further work on the song was engineered by the Rolling Stones engineer Glyn Johns, being assisted by Eddie Kramer.
During the instrumental section of the song, audible laughter and incoherent vocals can be heard, they are more prominent in the stereo versions of the track, and more upfront on alternate mixes of the song found on Here Comes The Nice: Immediate Years box set 1967-69. [8]
Personnel according to Here Comes The Nice: Immediate Years box set 1967-69. [8]
Small Faces
"Get Yourself Together" | |
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Song by the Jam | |
from the EP Live | |
Released | 14 October 1983 |
Recorded | 2 December 1982 |
Venue | Wembley Arena |
Genre | |
Length | 2:11 |
Label | Polydor |
Songwriter(s) |
British mod revival group the Jam had incorporated the song into their live repertoire during the later part of their existence. A recorded version, dating back to December 1982 recorded at Wembley Arena appears on Live, a 4 track extended play that briefly accompanied their 1983 compilation album Snap!. [9] For reasons unknown, the EP was withdrawn from production of the album to date. The EP remains one of the rarest releases by the Jam, and is seen as a collectible among fans, since the tracks have not appeared on other compilation albums released by the group.
A studio demo recorded for Peter Wilson was initially scrapped, but was later included on Extras, a compilation of rare and unissued material by the group. A stereo version was more recently released on the 2010 deluxe edition of the band's 1980 studio album Sound Affects . [10]
Lead singer Paul Weller is known to be a fan of both the song and Small Faces. [11] [12]
Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band was one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing" and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They evolved into one of the UK's most successful psychedelic bands until 1969.
Ogdens' Nut Gone Flake is the third studio album, and only concept album by the English rock band Small Faces. Released on 24 May 1968, the LP peaked at number one on the UK Album Charts on 29 June, where it remained for a total of six weeks. It ultimately became the group's final studio album during their original incarnation. The album title and distinctive packaging design was a parody of Ogden's Nut-brown Flake, a brand of tinned tobacco that was produced in Liverpool from 1899 onwards by Thomas Ogden.
Small Faces is the second studio album by Small Faces, released through Immediate Records on 23 June 1967. Although this was their first album for new manager Andrew Loog Oldham's Immediate label, recording actually commenced during their tenure with Decca Records, whom they left in January 1967 after severing professional ties with original manager Don Arden. As a result of the switch of label and management, Decca and Arden released an outtakes compilation album, From the Beginning in early June 1967 in order to sabotage the chart success of the Immediate Small Faces release - something that it managed to do to some extent when From the Beginning reached number 17 in the UK charts. The Immediate album shares its name with their 1966 Decca debut album, which has led to some confusion regarding the titles. As a result of this, it has been unofficially dubbed The First Immediate Album by several fans.
Small Faces is the debut album of Small Faces, released in May 1966 by Decca Records. It includes the hit singles "Whatcha Gonna Do About It" and "Sha-La-La-La-Lee". The album was well received by music critics and was popular with the public, rising to number 3 on the UK album chart remaining at the top for several weeks. It also reached number 8 in Finland.
As Safe as Yesterday Is is the debut studio album by English rock band Humble Pie, released in August 1969.
"All or Nothing" is a song written by Steve Marriott and Ronnie Lane of the British rock band Small Faces and released as a single in 1966.
"Tin Soldier" is a song released by the English rock band Small Faces on 2 December 1967, written by Steve Marriott. The song peaked at number nine in the UK singles chart and number 38 in Canada. It has since been covered by many other notable rock artists.
"The Universal" is a song by English band Small Faces, released as a single on 28 June 1968. It reached number 16 in the UK, staying in the top 40 for a total of 10 weeks.
"Here Come the Nice" is a song by English rock band Small Faces. Written by guitarist Steve Marriott and bass guitarist Ronnie Lane, it was released as a single on 2 June 1967, through Immediate Records. The song, which was the band's debut on Immediate, was their first promoted release of 1967, following feuds with Decca Records. It marked a distinct turning point for Small Faces' career, being their first single to deliberately venture into psychedelia, though they had previously done that on a few album tracks for Decca. The song's subject regarding a drug dealer somehow bypassed the BBC censors, who did not ban it, which resulted in the song managing to chart at number 12 on the UK Singles Chart during the summer of 1967. The song received mostly good reviews from music critics, with many positively noting the change of genres.
"I Can't Make It" is a song that was released in March 1967 by English band Small Faces. The single peaked at number 26 on the UK Singles Chart.
The Autumn Stone is a posthumous retrospective double album, and the second compilation album released in the UK by Small Faces in 1969 on the Immediate label.
From the Beginning is the first compilation album by the English rock band Small Faces. It was released by Decca Records of group material after the band had left the record label; it consisted of the band's Decca hit singles combined with various unreleased recordings. The album rose to Number 17 in the UK Album Chart.
There Are But Four Small Faces is a studio album by British rock group Small Faces, released in 1968 through Immediate Records and distributed by CBS Records. It was the band's first LP release in the United States, and is a modified version of the UK album Small Faces, which came out the previous year. There Are But Four combines tracks from the UK album with the standalone singles "Itchycoo Park", "Here Come the Nice" and "Tin Soldier", and their respective B-sides.
"Talk to You" is a song by English rock band Small Faces. It was recorded in 1967 and issued as the B-side of "Here Come the Nice" that peaked at number 12 on the UK Singles Chart.
"(Tell Me) Have You Ever Seen Me?" is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently had a working title of "Mystery" in 1966. Initially planned as the Small Faces debut single on Immediate in mid-1967, it was shelved due to threats from Decca.
"Green Circles" is a song by English rock band Small Faces first recorded in 1966. While not issued as a single in the United Kingdom, it was originally intended as the B-Side of "Here Come the Nice", their first single release on Immediate Records, this release was cancelled and the B-Side was replaced with "Talk to You." It remains one of the group's most well known and influential songs, and showcases the group's venture into psychedelic music, which would be prevalent in their later work, such as on "Itchycoo Park", "Lazy Sunday" and Ogdens' Nut Gone Flake.
"Patterns" is the eighth single by British rock band, Small Faces, first released on Decca Records in 1967. It was the first of two unauthorised singles released in the United Kingdom. It was written by the Small Faces primary songwriters Steve Marriott and Ronnie Lane. It became one of few singles by the group that features Lane on primary vocals, in contrast to Marriott's standard role as the group's lead vocalist.
"My Way of Giving" is a song written by Steve Marriott and Ronnie Lane. Initially demoed by their band Small Faces in 1966, it was given to British singer Chris Farlowe, who released his version as a single in early 1967. It was Farlowe's first single not written by Jagger–Richards since 1965's "The Fool". The Small Faces themselves decided to go on and record a version which was released on two different albums on two different record labels.
"Up the Wooden Hills to Bedfordshire" is a song written by English keyboardist Ian McLagan, first recorded and released by his band Small Faces in 1967. The song was McLagan's first original composition written for the band.
In Memoriam is the first posthumous album release by East London rock band Small Faces after the announcement of their break-up in early 1969. It was released on 1 May 1969 through Immediate Records in West Germany only. Their second compilation album following 1967's From the Beginning, In Memoriam is a collection of live cuts and unreleased studio tracks. The studio material was recorded during 1967 and the 1968 sessions for Ogdens' Nut Gone Flake, and also included a few tracks possibly intended for their projected but unrealised fourth album 1862. The studio outtakes were complemented by five live tracks recorded on tour in November 1968.