Let It Happen is a B-sides and rarities album by punk rock band MxPx.
Retro Active is a compilation album by the English rock band Def Leppard, released in 1993. The album features touched-up versions of B-sides and previously unreleased recordings from the band's recording sessions from 1984 to 1993. The album charted at number 9 on the Billboard 200 and No. 6 on the UK Albums Chart.
Signify is the fourth studio album by British progressive rock band Porcupine Tree. It was released in September 1996 and later re-released in 2003 with a second disc of demos, which had previously been released on the b-side cassette tape Insignificance, and a third time, on vinyl, on 9 May 2011. It was the first album that frontman Steven Wilson recorded with the band on board from the beginning; previous albums had been essentially solo efforts with occasional help from other musicians.
Zodiac Mindwarp and the Love Reaction were a British hard rock group, which was formed in 1985.
Forever Now is the third studio album by the English rock band the Psychedelic Furs. The 10-song album, including the hit single "Love My Way", was recorded in the spring of 1982 and released on 24 September of that year by Columbia/CBS. A 20th-anniversary reissue included six related bonus tracks.
Clash on Broadway is a box set compilation album by the English punk rock band the Clash, released on Legacy Records in 1991. It comprises 64 tracks on three compact discs, spanning the time period from their 1977 debut single, "White Riot", through the Combat Rock album of 1982. It does not include material from the band's final sessions led by Joe Strummer and Paul Simonon, resulting in the final album Cut the Crap (1985). It was initially released in longbox form.
Direction Reaction Creation is an anthology issued in 1997 by the British band The Jam. It includes 117 tracks over 5 discs. Discs 1 to 4 comprise at least one studio version of every song the group released during their time together, either as album tracks or single A- or B-sides, in chronological order. Disc 5 is made up of demos and unreleased recordings, also in chronological order. The box set reached number 8 in the UK Albums Chart.
Do It Yourself is a 1979 album by Ian Dury & the Blockheads. It was the first album to be credited to Ian Dury & the Blockheads rather than Ian Dury alone, although Dury had used the full band name for the "What a Waste" 7" single of 1978. The album was released in the wake of the chart-topping hit single "Hit Me with Your Rhythm Stick", and reached number two in the charts, behind ABBA's Voulez-Vous. Do It Yourself sold around 200,000 copies, and was Dury's second Platinum album.
Later Days and Better Lays is a compilation album by the American punk rock band the Queers, released in March 1999 by Lookout! Records. It combines a 14-song demo tape from 1991 with some demos recorded in the lead-up to their 1996 album Don't Back Down, as well as some outtakes from that album's recording sessions. The compilation fulfilled the band's contractual obligations to Lookout!, following seven years and four studio albums on the label. They moved on to Hopeless Records, but would return to Lookout! for the Today EP (2001) and album Pleasant Screams (2002) before parting ways with the label again.
The House of Love is the eponymous debut album by the British alternative rock band the House of Love. Released on 16 May 1988 by Creation Records, the album was a critical success. It appeared in many 1988 critics' lists in NME, Melody Maker and Sounds.
Blonde and Beyond is a compilation album of recordings by Blondie released on Chrysalis Records in 1993.
Beer Drinkers and Hell Raisers is an EP by the band Motörhead, released in November 1980. The EP consists of four tracks recorded during sessions for their first album Motörhead, in 1977 at Escape Studios, Kent, England, but were previously unreleased. The EP was released by Big Beat Records, a subsidiary of Chiswick Records, who the band were signed to when the tracks were recorded in 1977. The release was not authorized by the band, though they did not oppose it. The EP entered the UK Singles Charts on 22 November, where it peaked at No. 43.
Hamburger is a compilation album by pop punk band, The Muffs released in 2000 by Sympathy for the Record Industry (SFTRI). It is a collection of singles, compilation appearances, outtakes, demos and covers spanning the band's entire career up to the time of its release.
The Headquarters Sessions is a compilation album by the American pop rock band the Monkees, released in 2000 by Rhino Handmade. It contains 84 tracks on three CDs, including 60 previously unreleased recordings from the sessions that produced the band's third album, Headquarters (1967).
Stop Us If You've Heard This One Before is a compilation album by Barenaked Ladies which includes rare recordings dating between 1992 and 2003. The album was originally planned as a companion to Hits from Yesterday & the Day Before; however, the release was pushed back to 8 May 2012, making it a standalone release. The 12-track album contains ten never-before-released tracks, as well as two previously released rarities. The album was released by Rhino Records
Rarities is the name of two separate and unrelated compilation albums by the English rock band the Beatles. The first was released in the United Kingdom in December 1978, while the second album was issued in the United States in March 1980.
Rare Cult is a limited edition, six-CD box set from British rock band the Cult, released in November 2000. The chronologically-organized set contains 90 tracks of studio B-sides, radio sessions, 12-inch mixes, alternate mixes, demos and the complete then-unreleased Peace album. The set is packaged in a matte black box with gold lettering, containing three 2-disc gatefold digipaks and an extensive 80-page booklet of liner notes and photos.
"Leave Me Be" is a song written by British bassist Chris White and recorded by his band the Zombies. Following the release of their debut single "She's Not There" in July 1964, White wrote a handful of songs in between performances during the band's heavy schedule. Most of the work on the song occurred in August 1964, when the Zombies recorded both a demo and the backing track for it. The instrumentation largely differs from both earlier and later Zombies records; it features electric organ played by Rod Argent, compared to his previous usage of the electric piano. Together with record producer Ken Jones, they returned in September to finish the vocal track, which was disliked by most band members for its similarity to "She's Not There"; the vocals would eventually be re-recorded a few months later.
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