This Is the Modern World | ||||
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Studio album by | ||||
Released | 18 November 1977 | |||
Recorded | 25 August – 21 September 1977 | |||
Studio | Basing Street, London | |||
Genre | ||||
Length | 31:19 | |||
Label | Polydor | |||
Producer | ||||
The Jam chronology | ||||
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Singles from This Is the Modern World | ||||
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This Is the Modern World is the second studio album by British band the Jam, released in November 1977. The album was released less than six months after their debut album In the City , [3] and reached No. 22 on the UK Albums Chart.
Although generally met with negative reviews by music critics upon release, This Is the Modern World has been described as being an album "with far more light and shade" than In the City. [4]
The only single from This Is the Modern World was the censored version of "The Modern World", which peaked at No. 36 on the UK Singles Chart. [5]
The photography for the album was taken by Gered Mankowitz and David Redfern. The front cover depicts the band standing beneath London's Westway. [6]
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
The Encyclopedia of Popular Music | [8] |
Pitchfork | 8.0/10 [9] |
Q | [10] |
Record Mirror | [11] |
The Rolling Stone Album Guide | [12] |
Spin Alternative Record Guide | 6/10 [13] |
The Village Voice | B+ [14] |
The New York Times praised "the kind of ability to vary rock's basic signatures without departing from its stylistic essentials." [15]
All tracks are written by Paul Weller, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Modern World" | 2:31 | |
2. | "London Traffic" | Bruce Foxton | 1:49 |
3. | "Standards" | 2:29 | |
4. | "Life from a Window" | 2:52 | |
5. | "The Combine" | 2:20 | |
6. | "Don't Tell Them You're Sane" | Bruce Foxton | 3:40 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "In the Street, Today" | Paul Weller, Dave Waller | 1:31 |
2. | "London Girl" | 2:40 | |
3. | "I Need You (For Someone)" | 2:41 | |
4. | "Here Comes the Weekend" | 3:30 | |
5. | "Tonight at Noon" | 3:01 | |
6. | "In the Midnight Hour" | Steve Cropper, Wilson Pickett | 1:54 |
Total length: | 31:19 |
The US release had a different track order, included the "censored" single version of "The Modern World", and added the single "All Around the World" which was released in the UK between their first two albums. "All Around the World" had been their biggest UK hit to date, peaking at No. 13, a placement they would not match until 1979 when "The Eton Rifles" peaked at No. 3. [5] Thereafter, no domestically released single by the Jam would ever reach a peak position lower than No. 4. [5]
Credits are adapted from the album's liner notes. [16]
The Jam
Technical
Chart (1977–78) | Peak position |
---|---|
UK Albums (OCC) [17] | 22 |
US Bubbling Under the Top LPs ( Billboard ) [18] | 1 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [19] | Silver | 60,000^ |
^ Shipments figures based on certification alone. |
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In half a year, the Jam sound had evolved considerably - and for that alone, the LP was an achievement. Weller once spoke of the album as their attempt to "cross over" into new wave - "the pop music of the Seventies," as he called it. They were patently keen to progress beyond the punk mould of In the City, as evidenced by the melodic rush of Paul's slower, more contemplative songs and the cover photo by legendary Sixties photographer Gered Mankowitz.
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