The Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band were one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing" and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They evolved into one of the UK's most successful psychedelic bands until 1969.
Ogdens' Nut Gone Flake is the third studio album, and only concept album by the English rock band Small Faces. Released on 24 May 1968, the LP peaked at number one on the UK Album Charts on 29 June, where it remained for six weeks. It became the group's final studio album during their original incarnation. The album title and distinctive packaging design was a parody of Ogden's Nut-brown Flake, a brand of tinned tobacco that was produced in Liverpool from 1899 by Thomas Ogden.
Small Faces is the second studio album by Small Faces, released through Immediate Records on 23 June 1967. Although this was their first album for new manager Andrew Loog Oldham's Immediate label, recording actually commenced during their tenure with Decca Records, whom they left in January 1967 after severing professional ties with original manager Don Arden. As a result of the switch of label and management, Decca and Arden released an outtakes compilation album, From the Beginning in early June 1967 in order to sabotage the chart success of the Immediate Small Faces release - something that it managed to do to some extent when From the Beginning reached number 17 in the UK charts. The Immediate album shares its name with their 1966 Decca debut album, which has led to some confusion regarding the titles. As a result of this, it has been unofficially dubbed The First Immediate Album by several fans.
Sheldon Talmy is an American record producer, songwriter and arranger, best known for his work in the UK in the 1960s with the Who, the Kinks and many others.
A Hard Road is the third album recorded by John Mayall & the Bluesbreakers, released in 1967. It features Peter Green on lead guitar, John McVie on bass, Aynsley Dunbar on drums and John Almond on saxophone. Tracks 5, 7 and 13 feature the horn section of Alan Skidmore and Ray Warleigh. Peter Green sings lead vocals on "You Don't Love Me" and "The Same Way".
Small Faces is the debut album of Small Faces, released in May 1966 by Decca Records. It includes the hit singles "Whatcha Gonna Do About It" and "Sha-La-La-La-Lee". The album was well received by music critics and was popular with the public, rising to number 3 on the UK album chart remaining at the top for several weeks. It also reached number 8 in Finland.
"All or Nothing" is a song written by Steve Marriott and Ronnie Lane of the British rock band Small Faces and released as a single in 1966.
"Here Come the Nice" is a song by English rock band Small Faces. Written by guitarist Steve Marriott and bass guitarist Ronnie Lane, it was released as a single on 2 June 1967, through Immediate Records. The song, which was the band's debut on Immediate, was their first promoted release of 1967, following feuds with Decca Records. It marked a distinct turning point for Small Faces' career, being their first single to deliberately venture into psychedelia, though they had previously done that on a few album tracks for Decca. The song's subject regarding a drug dealer somehow bypassed the BBC censors, who did not ban it, which resulted in the song managing to chart at number 12 on the UK Singles Chart during the summer of 1967. The song received mostly good reviews from music critics, with many positively noting the change of genres.
"I Can't Make It" is a song that was released in March 1967 by English band Small Faces. The single peaked at number 26 on the UK Singles Chart.
The Autumn Stone is a posthumous retrospective double album, and the second compilation album released in the UK by Small Faces in 1969 on the Immediate label.
From the Beginning is the first compilation album by the English rock band Small Faces. It was released by Decca Records of group material after the band had left the record label; it consisted of the band's Decca hit singles combined with various unreleased recordings. The album rose to Number 17 in the UK Album Chart.
"Don't Touch Me" is a song written by Hank Cochran. It was originally written for and recorded by American country artist Jeannie Seely. The song was released as a single on Monument Records in March 1966 and became a major Billboard country hit. "Don't Touch Me" became Seely's signature song and her biggest hit as a solo artist. It would later appear on her debut studio album and be re-recorded by Seely in later years.
"(Tell Me) Have You Ever Seen Me?" is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently had a working title of "Mystery" in 1966. Initially planned as the Small Faces debut single on Immediate in mid-1967, it was shelved due to threats from Decca.
"Green Circles" is a song by English rock band Small Faces first recorded in 1966. While not issued as a single in the United Kingdom, it was originally intended as the B-Side of "Here Come the Nice", their first single release on Immediate Records, this release was cancelled and the B-Side was replaced with "Talk to You." It remains one of the group's most well known and influential songs, and showcases the group's venture into psychedelic music, which would be prevalent in their later work, such as on "Itchycoo Park", "Lazy Sunday" and Ogdens' Nut Gone Flake.
The BBC Sessions is the second live album by the British rock group Small Faces, released on 15 November 1999 on Strange Fruit Records. It is a collection of recordings the group made for the BBC. While mostly being made up of tracks recorded for Saturday Club in 1966, it also features three songs recorded for Top Gear in 1968. Accompanying these tracks are four interviews with Steve Marriott, and one featuring Kenney Jones.
"Patterns" is the eighth single by British rock band, Small Faces, first released on Decca Records in 1967. It was the first of two unauthorised singles released in the United Kingdom. It was written by the Small Faces primary songwriters Steve Marriott and Ronnie Lane. It became one of few singles by the group that features Lane on primary vocals, in contrast to Marriott's standard role as the group's lead vocalist.
"You Need Love" is a song with lyrics written by American blues musician Willie Dixon. The instrumentation was recorded first by slide guitarist Earl Hooker and backing musicians, then Chicago blues artist Muddy Waters overdubbed vocals, and Chess Records released it as a single in 1962.
This Is Jan Howard Country is a studio album by American country music artist Jan Howard. The album was released in October 1967 on Decca Records and was the fourth studio album of her career. The disc featured two singles by Howard that reached the top 40 of the Billboard country songs chart. It was also among Howard's highest-charting studio albums, reaching the top ten of the Billboard country albums chart.
"My Way of Giving" is a song written by Steve Marriott and Ronnie Lane. Initially demoed by their band Small Faces in 1966, it was given to British singer Chris Farlowe, who released his version as a single in early 1967. It was Farlowe's first single not written by Jagger–Richards since 1965's "The Fool". The Small Faces themselves decided to go on and record a version which was released on two different albums on two different record labels.
In Memoriam is the first posthumous album release by East London rock band Small Faces after the announcement of their break-up in early 1969. It was released on 1 May 1969 through Immediate Records in West Germany only. Their second compilation album following 1967's From the Beginning, In Memoriam is a collection of live cuts and unreleased studio tracks. The studio material was recorded during 1967 and the 1968 sessions for Ogdens' Nut Gone Flake, and also included a few tracks possibly intended for their projected but unrealised fourth album 1862. The studio outtakes were complemented by five live tracks recorded on tour in November 1968.
