Live 1966 | ||||
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Live album by | ||||
Released | 4 June 2021 | |||
Recorded | 9 January 1966 | |||
Venue | Twenty Club, Mouscron, Belgium | |||
Length | 55:21 | |||
Label | Nice | |||
Producer | Nick Robbins | |||
Small Faces chronology | ||||
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Live 1966 is a live album by British rock group Small Faces, initially released on 4 June 2021, becoming the first release on drummer Kenney Jones' Nice Records. The album is a remastered soundboard recording of the Small Faces 9 January 1966 performance at the Twenty Club in Mouscron, Belgium.
The material on the album was initially released with a book called Smalls in 2017. However, as Jones wanted to minimize bootlegging he started Nice Records and acquired the original tapes from the performance. Presented here are several recordings the group never recorded in studios. It received primarily positive reviews upon release.
Live recordings by the Small Faces have always been a rarity, simply because most of their live appearances weren't recorded. Notable exceptions include their appearance on West Germany television show Beat Beat Beat, where they perform four songs, [1] [2] along with In Memoriam or The Autumn Stone , which features five live tracks recorded at Newcastle City Hall. [3] Although their 1999 album The BBC Sessions was marketed as a live album, these were recorded in a studio days before broadcast, essentially making them studio recordings. [4] Besides one BBC session recorded in August 1965, no other live recordings of the Small Faces in 1965 or 1966 have ever surfaced or been recorded, making the Twenty Club performance the earliest. [5] [6]
The recording of Small Faces performing at the Twenty Club initially came from a compact disc included in a book called Smalls. [7] This book was only released in French and was written by Jean-Noël Coghe, who followed the Small Faces on tour in Belgium, documenting the entire trip in the book. [7] Eventually, he arranged for a soundboard recording at the Twenty Club on 9 January 1966 without the knowledge or consent from the Small Faces. [8] Although these were previously unissued tracks, they remained in obscurity due to the fact that the book was only released in France. [8]
Eventually, the Small Faces drummer Kenney Jones got his hands on the recording, much to his satisfaction. [9] [10] He did this in large part due to secure control over the recordings, stating that "It’s great to launch Nice Records and to be able to take back control of the Small Faces products and recordings", [9] following bootlegging of Small Faces material. [11] The tapes were largely remastered and restored by Tosh Flood and Nick Robbins, [11] both of whom have previously worked on material by the group. [12] Jones has stated that "I have assembled a first-class team who understand the importance of the Small Faces legacy." [9] The sound quality on the original Smalls CD was in much worse shape than the Live 1966 recordings will be, this is due to the fact that the author of Smalls wanted to leave it "as authentic as possible". [13]
Live 1966 was initially released as a digital download release on 4 June 2021, [14] while physical copies weren't released until almost three months later, when the CD version of the album was issued on 3 September. [15] A Double LP will be released on 5 November 2021. [14] [15] This release is set to be pressed on coloured vinyl along with Kenney Jones interviews in the liner notes. [15] With the CD release, Nice Records started distributing physical albums for the first time, with Jones stating "We want to do this properly. There is still previously unreleased material locked away in archives because record companies can’t - or won’t - release it, as well as material that labels lost or never got from the artist in the first place.". [16] [17] Live 1966 will become the first in a series of rare or previously unreleased recordings issue on Nice Records, as unreleased and newly recorded Faces songs will be released soon. [5] [6] [17]
Kenney Jones has implied on multiple occasions that he enjoyed playing with the Small Faces during this time, which he thinks this album captures well: "We were a great live act then and even though we started to have hits, our live act was never the same again. This gig is really what the Small Faces were all about" [9] [17] In a review for Making Time, the reviewer praises the sound quality, stating that it gives a very clear sound which helps bring out the clarity and quality of these live recordings, [18] calling the Small Faces "insightful" and saying that the sound quality immerses the listener into a "small club with everyone drenched in sweat" [18] They call it a gem and an "amazing find" and finds the live versions of "E Too D" and "Come On Children" better than the studio versions released on the Small Faces debut album in 1966. [18] The review ends by praising the Small Faces, placing them over any live recordings the Beatles possibly could do. [18]
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "Ooh Poo Pah Doo" | Jessie Hill | Ronnie Lane | 1:56 |
2. | "You Need Loving" | Willie Dixon | Steve Marriott | 4:49 |
3. | "Plum Nellie" / "Baby, Please Don't Go" / "Parchman Farm Blues" / "In the Midnight Hour" / "Work Song" / "Land Of 1000 Dances" (Medley) | instrumental / Marriott | 8:55 | |
Total length: | 15:40 |
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "Whatcha Gonna Do About It" | Marriott | 2:14 | |
2. | "Comin' Home Baby" | instrumental | 2:38 | |
3. | "E Too D" | Marriott | 5:29 | |
Total length: | 10:21 |
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "Come On Children" |
| Marriott | 4:23 |
2. | "Grow Your Own" / "Everything's Gonna Be Alright" / "Shake And Fingerpop" (Medley) |
| instrumental / Marriott | 4:55 |
3. | "Please, Please, Please" |
| Marriott | 4:18 |
4. | "Strange" | Larry Williams | Marriott | 3:36 |
Total length: | 17:12 |
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "You Need Loving" | Dixon | Marriott | 4:35 |
2. | "Comin' Home Baby" |
| instrumental | 2:53 |
3. | "E Too D" |
| Marriott | 2:26 |
4. | "Whatcha Gonna Do About It" |
| Marriott | 2:14 |
Total length: | 12:08 |
Faces are an English rock band formed in 1969 by members of Small Faces after lead singer and guitarist Steve Marriott left to form Humble Pie. The remaining Small Faces—Ian McLagan (keyboards), Ronnie Lane, and Kenney Jones —were joined by guitarist Ronnie Wood and singer Rod Stewart, both from the Jeff Beck Group, and the new line-up was renamed Faces.
Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band was one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing" and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They evolved into one of the UK's most successful psychedelic bands until 1969.
Ronald Frederick Lane was an English musician and songwriter who is best known as the bass guitarist and founding member of Small Faces (1965–69) and subsequently Faces (1969–73).
Small Faces is the second studio album by Small Faces, released through Immediate Records on 23 June 1967. Although this was their first album for new manager Andrew Loog Oldham's Immediate label, recording actually commenced during their tenure with Decca Records, whom they left in January 1967 after severing professional ties with original manager Don Arden. As a result of the switch of label and management, Decca and Arden released an outtakes compilation album, From the Beginning in early June 1967 in order to sabotage the chart success of the Immediate Small Faces release - something that it managed to do to some extent when From the Beginning reached number 17 in the UK charts. The Immediate album shares its name with their 1966 Decca debut album, which has led to some confusion regarding the titles. As a result of this, it has been unofficially dubbed The First Immediate Album by several fans.
James Edward Winston Langwith, known professionally as Jimmy Winston, was an English musician and actor. He was the original keyboard player with Small Faces. Winston had apparently previously worked under the stage name James Moody.
Small Faces is the debut album of Small Faces, released in May 1966 by Decca Records. It includes the hit singles "Whatcha Gonna Do About It" and "Sha-La-La-La-Lee". The album was well received by music critics and was popular with the public, rising to number 3 on the UK album chart remaining at the top for several weeks. It also reached number 8 in Finland.
"Tin Soldier" is a song released by the English rock band Small Faces on 2 December 1967, written by Steve Marriott. The song peaked at number nine in the UK singles chart and number 38 in Canada. It has since been covered by many other notable rock artists.
"Sha-La-La-La-Lee" was the third song by English R&B-influenced group Small Faces, recorded in December 1965 and released on 28 January 1966, reaching number three in the UK Singles Chart. It was also the first single by the group to feature Ian McLagan on keyboards.
"Here Come the Nice" is a song by English rock band Small Faces. Written by guitarist Steve Marriott and bass guitarist Ronnie Lane, it was released as a single on 2 June 1967, through Immediate Records. The song, which was the band's debut on Immediate, was their first promoted release of 1967, following feuds with Decca Records. It marked a distinct turning point for Small Faces' career, being their first single to deliberately venture into psychedelia, though they had previously done that on a few album tracks for Decca. The song's subject regarding a drug dealer somehow bypassed the BBC censors, who did not ban it, which resulted in the song managing to chart at number 12 on the UK Singles Chart during the summer of 1967. The song received mostly good reviews from music critics, with many positively noting the change of genres.
The Autumn Stone is a posthumous retrospective double album, and the second compilation album released in the UK by Small Faces in 1969 on the Immediate label.
From the Beginning is the first compilation album by the English rock band Small Faces. It was released by Decca Records of group material after the band had left the record label; it consisted of the band's Decca hit singles combined with various unreleased recordings. The album rose to Number 17 in the UK Album Chart.
The Nirvana bootleg recordings are a number of audio CD recordings of musical performances by the American rock band Nirvana, which were previously not officially released by the band, or under any other legal authority. The recordings consist of both live performances and outtakes from studio sessions unavailable as a legal release.
Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.
"Get Yourself Together" is a song by British rock band Small Faces, first released in 1967. It was cut during their tenure on both Decca and Immediate Records in 1966 and 1967 and was written by the Marriott/Lane partnership, who wrote a majority of the Small Faces material. It is regarded as one of their best compositions. It remains one of their most popular efforts despite it not being released as single in the United Kingdom nor the United States and has since been covered by other influential artists.
"(Tell Me) Have You Ever Seen Me?" is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently had a working title of "Mystery" in 1966. Initially planned as the Small Faces debut single on Immediate in mid-1967, it was shelved due to threats from Decca.
"Green Circles" is a song by English rock band Small Faces first recorded in 1966. While not issued as a single in the United Kingdom, it was originally intended as the B-Side of "Here Come the Nice", their first single release on Immediate Records, this release was cancelled and the B-Side was replaced with "Talk to You." It remains one of the group's most well known and influential songs, and showcases the group's venture into psychedelic music, which would be prevalent in their later work, such as on "Itchycoo Park", "Lazy Sunday" and Ogdens' Nut Gone Flake.
The BBC Sessions is the second live album by the British rock group Small Faces, released on 15 November 1999 on Strange Fruit Records. It is a collection of recordings the group made for the BBC. While mostly being made up of tracks recorded for Saturday Club in 1966, it also features three songs recorded for Top Gear in 1968. Accompanying these tracks are four interviews with Steve Marriott, and one featuring Kenney Jones.
"Patterns" is the eighth single by British rock band, Small Faces, first released on Decca Records in 1967. It was the first of two unauthorised singles released in the United Kingdom. It was written by the Small Faces primary songwriters Steve Marriott and Ronnie Lane. It became one of few singles by the group that features Lane on primary vocals, in contrast to Marriott's standard role as the group's lead vocalist.
"My Way of Giving" is a song written by Steve Marriott and Ronnie Lane. Initially demoed by their band Small Faces in 1966, it was given to British singer Chris Farlowe, who released his version as a single in early 1967. It was Farlowe's first single not written by Jagger–Richards since 1965's "The Fool". The Small Faces themselves decided to go on and record a version which was released on two different albums on two different record labels.
In Memoriam is the first posthumous album release by East London rock band Small Faces after the announcement of their break-up in early 1969. It was released on 1 May 1969 through Immediate Records in West Germany only. Their second compilation album following 1967's From the Beginning, In Memoriam is a collection of live cuts and unreleased studio tracks. The studio material was recorded during 1967 and the 1968 sessions for Ogdens' Nut Gone Flake, and also included a few tracks possibly intended for their projected but unrealised fourth album 1862. The studio outtakes were complemented by five live tracks recorded on tour in November 1968.
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