Album profile
The album was recorded at IBC Studios, Portland Place, London between June 1965 and February 1966. [7] Glyn Johns was the studio engineer. In 1966, Small Faces became the eleventh biggest selling artists of the year. [8]
Jimmy Winston was asked to leave after the band's second single, "I've Got Mine", released on 5 November 1965, failed to chart. He still appears on many tracks on this album, including writing contributions to "It's Too Late" and providing keyboards and vocals on various tracks. Winston's replacement, Ian McLagan, appears on the album cover and plays on various tracks as well.
In 1962, Muddy Waters recorded "You Need Love", written for him by peer Willie Dixon. "You Need Loving" is a thinly veiled cover of "You Need Love". [9] Small Faces were never sued by Dixon, even though "You Need Loving" only credits Ronnie Lane and Steve Marriott as writers. Guitarist Jimmy Page (initially of The Yardbirds and later of Led Zeppelin fame) has claimed to have been disappointed when, after coming up with a wicked guitar riff and requesting Robert Plant pen some lyrics, the singer returned with those of "You Need Loving", a tune Plant, a big Small Faces fan, had, according to Small Faces singer Steve Marriott in early '70s Canadian rock newspaper Beetle, said he had longed to record. Thus, "You Need Loving" became the basis for lyrics of Led Zeppelin's hit song "Whole Lotta Love" in 1969.
Three of the tracks had been released prior to the album. These are the two aforementioned singles, "Whatcha Gonna Do About It" and "Sha-La-La-La-Lee", along with the track "It's Too Late", which was issued as the B-side of "I've Got Mine", the group's second single, released in 1965. The band's fourth single, "Hey Girl", was released around the same time as the album; ultimately it was not included and can instead be found on their 1967 compilation album From the Beginning . "Own Up Time" was incorrectly titled "Own Up" on initial pressings from 1966; [10] on newer issues of the album, the initial name has been reinstated.
Additional releases
The album was first released on CD in 1988 by London Records. This edition included four bonus tracks taken from three singles B-sides and one A-side: "What's A Matter Baby", "I Got Mine", "Grow Your Own" and "Almost Grown". 15 of this CD's 16 tracks were in mono, the exception being a stereo mix of "Sha La La La Lee".
It was first remastered for CD in 1997 by Deram Records, and this time the bonus tracks were alternative versions of "Shake", "Come on Children", "What'cha Gonna Do About It", "Own Up Time" and "E Too D".
In 2006 a "40th anniversary edition" with 23 tracks was released by Decca. Included were the singles A-sides and B-sides from that period, "What's A Matter Baby", I've Got Mine", "Grow Your Own", "Hey Girl" and "Almost Grown".
In 2012, a 2-disc Deluxe Edition was released featuring outtakes, non-album singles and alternate versions and mixes, and the remastering and overall reissue was overseen by surviving band members Ian McLagan and Kenney Jones.
The Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band were one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing" and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They evolved into one of the UK's most successful psychedelic bands until 1969.
Ooh La La is the fourth and final studio album by the English rock band Faces, released in March 1973. It reached number one in the UK Albums Chart in the week of 28 April 1973. The album was most recently reissued on CD in a remastered and expanded form on 28 August 2015, including early rehearsal takes of three of its tracks, as part of the 1970–1975: You Can Make Me Dance, Sing Or Anything... box set. The box set's vinyl counterpart did not contain any bonus tracks, but it did replicate the original LP artwork and 'animated' cover.
Small Faces is the second studio album by Small Faces, released through Immediate Records on 23 June 1967. Although this was their first album for new manager Andrew Loog Oldham's Immediate label, recording actually commenced during their tenure with Decca Records, whom they left in January 1967 after severing professional ties with original manager Don Arden. As a result of the switch of label and management, Decca and Arden released an outtakes compilation album, From the Beginning in early June 1967 in order to sabotage the chart success of the Immediate Small Faces release - something that it managed to do to some extent when From the Beginning reached number 17 in the UK charts. The Immediate album shares its name with their 1966 Decca debut album, which has led to some confusion regarding the titles. As a result of this, it has been unofficially dubbed The First Immediate Album by several fans.
James Edward Winston Langwith, known professionally as Jimmy Winston, was an English musician and actor. He was the original keyboard player with Small Faces. Winston had apparently previously worked under the stage name James Moody.
"Lazy Sunday" is a song by the English band Small Faces, which reached number two on the UK Singles Chart in 1968 and number 42 in Canada. It was written by the Small Faces songwriting duo Steve Marriott and Ronnie Lane, and appeared on the band's 1968 concept album Ogdens' Nut Gone Flake. Against the band's wishes, it preceded the album as a single release.
"All or Nothing" is a song written by Steve Marriott and Ronnie Lane of the British rock band Small Faces and released as a single in 1966.
"Sha-La-La-La-Lee" was the third single by English R&B-influenced group Small Faces, recorded in December 1965 and released on 28 January 1966, reaching number three in the UK Singles Chart. It was also the first single by the group to feature Ian McLagan on keyboards.
"Whatcha Gonna Do About It" is the debut single released by the English rock group Small Faces, released in the UK on 6 August 1965. The song peaked at number 14 in the UK Singles Chart, and stayed on chart for a total of 14 weeks. It reached number 28 in Canada.
"I've Got Mine" was the second official song released by the English rock band Small Faces in 1965. The song failed to chart despite receiving favourable reviews in the British music press.
"Hey Girl" was the fourth song release by popular British R&B group Small Faces. The song reached number ten on the UK Singles Charts in 1966.
The Autumn Stone is a posthumous retrospective double album, and the second compilation album released in the UK by Small Faces in 1969 on the Immediate label.
From the Beginning is the first compilation album by the English rock band Small Faces. It was released by Decca Records of group material after the band had left the record label; it consisted of the band's Decca hit singles combined with various unreleased recordings. The album rose to Number 17 in the UK Album Chart.
"(Tell Me) Have You Ever Seen Me?" is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently had a working title of "Mystery" in 1966. Initially planned as the Small Faces debut single on Immediate in mid-1967, it was shelved due to threats from Decca.
"Green Circles" is a song by English rock band Small Faces first recorded in 1966. While not issued as a single in the United Kingdom, it was originally intended as the B-Side of "Here Come the Nice", their first single release on Immediate Records, this release was cancelled and the B-Side was replaced with "Talk to You." It remains one of the group's most well known and influential songs, and showcases the group's venture into psychedelic music, which would be prevalent in their later work, such as on "Itchycoo Park", "Lazy Sunday" and Ogdens' Nut Gone Flake.
The BBC Sessions is the second live album by the British rock group Small Faces, released on 15 November 1999 on Strange Fruit Records. It is a collection of recordings the group made for the BBC. While mostly being made up of tracks recorded for Saturday Club in 1966, it also features three songs recorded for Top Gear in 1968. Accompanying these tracks are four interviews with Steve Marriott, and one featuring Kenney Jones.
"Patterns" is the eighth single by British rock band, Small Faces, first released on Decca Records in 1967. It was the first of two unauthorised singles released in the United Kingdom. It was written by the Small Faces primary songwriters Steve Marriott and Ronnie Lane. It became one of few singles by the group that features Lane on primary vocals, in contrast to Marriott's standard role as the group's lead vocalist.
"You Need Love" is a song with lyrics written by American blues musician Willie Dixon. The instrumentation was recorded first by slide guitarist Earl Hooker and backing musicians, then Chicago blues artist Muddy Waters overdubbed vocals, and Chess Records released it as a single in 1962.
"My Way of Giving" is a song written by Steve Marriott and Ronnie Lane. Initially demoed by their band Small Faces in 1966, it was given to British singer Chris Farlowe, who released his version as a single in early 1967. It was Farlowe's first single not written by Jagger–Richards since 1965's "The Fool". The Small Faces themselves decided to go on and record a version which was released on two different albums on two different record labels.
In Memoriam is the first posthumous album release by East London rock band Small Faces after the announcement of their break-up in early 1969. It was released on 1 May 1969 through Immediate Records in West Germany only. Their second compilation album following 1967's From the Beginning, In Memoriam is a collection of live cuts and unreleased studio tracks. The studio material was recorded during 1967 and the 1968 sessions for Ogdens' Nut Gone Flake, and also included a few tracks possibly intended for their projected but unrealised fourth album 1862. The studio outtakes were complemented by five live tracks recorded on tour in November 1968.
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