The Complete Plantation Recordings | ||||
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Compilation album by | ||||
Released | June 8, 1993 | |||
Recorded | August 24, 1941 – July 24, 1942 | |||
Studio | Stovall's Plantation and Clarksdale, MS | |||
Genre | Blues | |||
Length | 61:39 | |||
Label | Chess CHD-9344 | |||
Producer | Alan Lomax, John Work, Andy McKaie | |||
Muddy Waters chronology | ||||
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Down on Stovall’s Plantation Cover | ||||
The Complete Plantation Recordings, subtitled The Historic 1941-42 Library of Congress Field Recordings, is a compilation album of the blues musician Muddy Waters' first recordings collected by Alan Lomax for the Library of Congress in 1941-42 and released by the Chess label in 1993. [1] Lomax recorded Waters at Stovall Farm in Clarksdale, Mississippi in 1941 and returned the following year to make additional recordings. [2] Thirteen tracks were originally released as Down on Stovall’s Plantation in 1966 on Testament Records. [3] [4]
Review scores | |
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Source | Rating |
AllMusic | [3] (Down on Stovall’s Plantation) |
AllMusic | [5] |
The Penguin Guide to Blues Recordings | [6] |
The album was inducted into the Blues Hall of Fame in 2001 as a Classic of Blues Recording. [7]
The AllMusic reviewer Cub Koda wrote, "At long last, Muddy's historic 1941-1942 Library of Congress field recordings are all collected in one place, with the best fidelity that's been heard thus far. ... Of particular note are the inclusion of several interview segments with Muddy from that embryonic period and a photo of Muddy playing on the porch of his cabin, dressed up and looking sharper than any Mississippi sharecropper on Stovall's plantation you could possibly imagine. This much more than just an important historical document; this is some really fine music imbued with a sense of place, time and loads of ambience." [5]
All compositions credited to McKinley Morganfield except where noted
Robert Leroy Johnson was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings has influenced later generations of musicians. Although his recording career spanned only seven months, he is recognized as a master of the blues, particularly the Delta blues style, and as one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as perhaps "the first ever rock star".
Edward James "Son" House Jr. was an American Delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing.
McKinley Morganfield, known professionally as Muddy Waters was an American blues singer, songwriter and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".
Muddy Waters (1913–1983) was an American blues artist who is considered a pioneer of the electric Chicago blues and a major influence on the development of blues and rock music. He popularized several early Delta blues songs, such as "Rollin' and Tumblin'", "Walkin' Blues", and "Baby, Please Don't Go", and recorded songs that went on to become blues standards, including "Hoochie Coochie Man", "Mannish Boy", and "Got My Mojo Working". During his recording career from 1941 to 1981, he recorded primarily for two record companies, Aristocrat/Chess and Blue Sky; they issued 62 singles and 13 studio albums.
Clarksdale is a city in and the county seat of Coahoma County, Mississippi, United States. It is located along the Sunflower River. Clarksdale is named after John Clark, a settler who founded the city in the mid-19th century when he established a timber mill and business. Clarksdale is in the Mississippi Delta region and is an agricultural and trading center. Many African-American musicians developed the blues here, and took this original American music with them to Chicago and other northern cities during the Great Migration.
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Country blues is one of the earliest forms of blues music. The mainly solo vocal with acoustic fingerstyle guitar accompaniment developed in the rural Southern United States in the early 20th century. It stands in contrast primarily to the urban blues style, especially in the pre-war era.
Alan Lomax was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. He was a musician, folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. Lomax produced recordings, concerts, and radio shows in the US and in England, which played an important role in preserving folk music traditions in both countries, and helped start both the American and British folk revivals of the 1940s, 1950s, and early 1960s. He collected material first with his father, folklorist and collector John Lomax, and later alone and with others, Lomax recorded thousands of songs and interviews for the Archive of American Folk Song, of which he was the director, at the Library of Congress on aluminum and acetate discs.
The Delta Blues Museum in Clarksdale, Mississippi, United States, is a museum dedicated to collecting, preserving, and providing public access to and awareness of the musical genre known as the blues. Along with holdings of significant blues-related memorabilia, the museum also exhibits and collects art portraying the blues tradition, including works by sculptor Floyd Shaman and photographer Birney Imes.
R. L. Burnside was an American blues singer, songwriter and guitarist. He played music for much of his life but received little recognition before the early 1990s. In the latter half of that decade, Burnside recorded and toured with Jon Spencer, garnering crossover appeal and introducing his music to a new fan base in the punk and garage rock scenes.
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