Black Gold is an unreleased song cycle by Jimi Hendrix, recorded shortly before his death in 1970. Some consider Black Gold to be the "holy grail" of Hendrix collectibles. [1] The themed songs, plus the label markings and conventions used by Hendrix to identify the tapes, led fans to believe that this demo represents a proposed fifth studio album, and predicted that the material will reveal the broadest extensions of Hendrix's intended musical direction. The tapes are currently in the possession of Hendrix's half-sister Janie. [2]
In early 1970, Hendrix recorded an autobiographical song cycle in his Greenwich Village apartment that he titled Black Gold. [3] Months later, at the Isle of Wight Festival, Hendrix gave tapes to his drummer Mitch Mitchell to have him listen and comment on the necessary rhythm section requirements for recording the songs. After Hendrix's death in September 1970, Mitchell simply forgot about the tapes, apparently unaware that they were one-of-a-kind masters. For 22 years, the Black Gold tapes sat in a black Ampex tape box that Hendrix tied shut with a headband and labelled "BG".
Hendrix's producer Alan Douglas discussed another tape in his possession in a 1974 interview. The tape included "eight tunes, running for about 30 minutes". He described it briefly: "the quality might be OK for us to put it out in audio form, but it is such an incredible story that I'm thinking along the lines of an animated film". [4] At the time of the interview Mitchell's tapes were as-yet undiscovered, so Douglas' single cassette was presumably a different item.
It was not until 1992 that Tony Brown, the avid Hendrix collector and biographer, interviewed Mitchell and learnt that the mythical Black Gold tapes, thought to have been stolen from Hendrix's apartment by vandals who ransacked it for collectibles soon after his death, were lying in Mitchell's home in England. Mitchell also possessed the Martin guitar that was used to create the material. Brown was invited to review the tapes and published a summary of his account, though not the tracks themselves.
Mitchell was in possession of the tapes at the time of his death in 2008, leaving the whereabouts of the Black Gold tapes uncertain. [5] In March 2010, Janie Hendrix was described as being a "custodian of a vast stash of unreleased material", and stated that Black Gold will be released "this decade", [6] though that did not eventuate. "Suddenly November Morning" was included in the album West Coast Seattle Boy: The Jimi Hendrix Anthology , released in November 2010. The first track on the Black Gold suite, it was released as the last track on the album. This is the only track from Black Gold ever released. Douglas died in 2014, and the status of his copy is unknown.
Mitchell's tapes consisted of 16 songs, all created by a solo Hendrix armed only with his voice and a Martin acoustic guitar. Near the end of the collection lies an embryonic two-part rendition of his superhero themed funk-rock tune "Astro Man", in which Hendrix sings lines from the 1950s Mighty Mouse cartoon theme and makes humorous references to Superman. Other songs from the Black Gold sessions were also further developed in the studio and have surfaced in the Hendrix catalogue ("Stepping Stone", "Machine Gun", and "Drifting"), but at least nine of the songs are known to be unique to the tapes. Eric Burdon recalled a conversation with Hendrix at the time, describing it as: “an autobiographical, multi-song fantasy piece he had been working on. Jimi intended it to accompany an animated feature about a black rock star — himself on the road... forty minutes of fresh new material that clearly demonstrated the direction Jimi was headed in. He talked excitedly about the cartoon character he’d envisioned. I know he did at least some work on the suite before he died.”
There is a 1996 bootleg release called "Black Gold" but that is a collection of Electric Ladyland outtakes and rehearsals, and does not include the Greenwich Village material. [7]
There is little to go by regarding the actual names of the tracks on Black Gold. On the only recorded source Jimi had written "Idea for L.P. side 1 suite ... Black Gold" on side A. On the B side of the cassette the only writing was "cont from side A". Some of the tracks have been released on other albums, such as the tracks "Machine Gun" and "Drifting", found on Band of Gypsys and First Rays of the New Rising Sun , respectively. These are based on Mitchell's tapes rather than the single cassette Douglas referred to. [8]
James Marshall "Jimi" Hendrix was an American guitarist, singer and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music."
"Purple Haze" is a song written by Jimi Hendrix and released as the second single by the Jimi Hendrix Experience on March 17, 1967. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song.
Are You Experienced is the debut studio album by the Jimi Hendrix Experience. Released in 1967, the LP was an immediate critical and commercial success, and it is widely regarded as one of the greatest albums of all time. The album features Jimi Hendrix's innovative approach to songwriting and electric guitar playing which soon established a new direction in psychedelic and hard rock music.
Axis: Bold as Love is the second studio album by the Jimi Hendrix Experience. The album was first released by Track Records in the United Kingdom on December 1, 1967, only seven months after the release of the group's highly successful debut, Are You Experienced. In the United States, Reprise Records delayed the release until the following month. The album reached the top ten in the album charts in both countries.
Band of Gypsys is a live album by Jimi Hendrix and the first without his original group, the Jimi Hendrix Experience. It was recorded on January 1, 1970, at the Fillmore East in New York City with Billy Cox on bass and Buddy Miles on drums, frequently referred to as the Band of Gypsys. The album mixes funk and rhythm and blues elements with hard rock and jamming, an approach which later became the basis of funk rock. It contains previously unreleased songs and was the last full-length Hendrix album released before his death.
First Rays of the New Rising Sun is a compilation album credited to American rock musician Jimi Hendrix, issued in 1997 on MCA Records. Featuring songs mostly intended for his planned fourth studio album, it was one of the first releases overseen by Experience Hendrix, the family company that took over management of his recording legacy. It reached the album charts in the United States, United Kingdom, and four other countries.
Blues is a compilation album of blues songs recorded by American singer/songwriter/musician Jimi Hendrix. Compiled by interim Hendrix producer Alan Douglas, it was released April 26, 1994, by MCA Records. The album contains eleven songs recorded by Hendrix between 1966 and 1970, six of which were previously unreleased. Hendrix wrote seven of the pieces; other writers include Muddy Waters, Booker T. Jones, and Elmore James. Most are demos, jams, and live recordings, which Hendrix may or may not have completed for release.
"Voodoo Chile" is a song written by Jimi Hendrix and recorded in 1968 for the third Jimi Hendrix Experience album Electric Ladyland. It is based on the Muddy Waters blues song "Rollin' Stone", but with original lyrics and music. At 15 minutes, it is Hendrix's longest studio recording and features additional musicians in what has been described as a studio jam.
"Voodoo Child (Slight Return)" is a song recorded by the Jimi Hendrix Experience in 1968 that appears as the final track on the Electric Ladyland album released that year. It contains improvised guitar and a vocal from Jimi Hendrix, backed by Noel Redding on bass and Mitch Mitchell on drums. The song is one of Hendrix's best known; it was a feature of his concert performances throughout his career, and several live renditions were recorded and released on later albums.
"Machine Gun" is a song written by American musician Jimi Hendrix, and originally recorded for the 1970 Band of Gypsys album, with Billy Cox and Buddy Miles. It is a lengthy, loosely defined (jam-based) protest of the Vietnam War, and perhaps a broader comment on conflict of any kind.
Live at Berkeley is a live album by American rock musician Jimi Hendrix. It documents his second performance at the Berkeley Community Theatre on May 30, 1970, and was released by MCA Records on September 16, 2003.
The Cry of Love is a posthumous album by American rock singer-songwriter and guitarist Jimi Hendrix. Recorded primarily in 1970, it features new material that Hendrix was working on for his planned fourth studio album before his death later that year. While most of the songs were included on proposed track listings by Hendrix, the final selection was made by recording engineer Eddie Kramer and drummer Mitch Mitchell, with input from manager Michael Jeffery. Hendrix, Kramer, and Mitchell are credited as the album's producers, with Jeffery as the executive producer.
"Angel" is a song by American rock musician Jimi Hendrix, featured on his 1971 posthumous studio album The Cry of Love. Written and self-produced by Hendrix, he recorded it for his planned fourth studio album just months before he died in September 1970.
"Third Stone from the Sun" is a mostly instrumental composition by American musician Jimi Hendrix. It incorporates several musical approaches, including jazz and psychedelic rock, with brief spoken passages. The title reflects Hendrix's interest in science fiction and is a reference to Earth in its position as the third planet away from the sun in the solar system.
Crash Landing is a posthumous compilation album by American guitarist Jimi Hendrix. It was released in March and August 1975 in the US and the UK respectively. It was the first Hendrix album to be produced by Alan Douglas.
Midnight Lightning is a posthumous compilation album by American rock guitarist Jimi Hendrix. It was released in November 1975 by Reprise Records in the US and Polydor Records in the UK. It was the second to be produced by Alan Douglas and Tony Bongiovi and contains demo-type recordings that were overdubbed with musicians who had never played with Hendrix. Despite including reworkings of the popular live songs "Hear My Train" and "Machine Gun", the album was not as well received as its predecessor, peaking at numbers 43 in the US and 46 in the UK.
The Essential Jimi Hendrix is a compilation album of songs by American rock musician Jimi Hendrix, released in 1978 by Reprise Records. Some editions in the UK, Japan and Italy also contained a 7-inch 331⁄3 rpm one-sided EP single of the Jimi Hendrix Experience performing the song "Gloria".
The Essential Jimi Hendrix Volume Two is a compilation album of songs by American rock musician Jimi Hendrix, released in 1979 by Reprise Records. It is the follow-up album to The Essential Jimi Hendrix, released by Reprise the previous year.
Jimi Hendrix: An Illustrated Experience is a biography of American guitarist Jimi Hendrix, written by his stepsister Janie and his biographer John McDermott, and published on October 9, 2007. The book tells the story of Hendrix and his life through reproductions of rare material such as letters, drawings, postcards and posters. An Illustrated Experience also contains a companion CD entitled Hendrix: Live, which includes three live tracks, two interviews, and a studio jam entitled "Keep on Groovin'".
American guitarist Jimi Hendrix intended to release his fourth studio album as a double or triple LP before Christmas 1970. From June to August 1970, he made good progress on the realization of the planned album in his new Electric Lady Studios. Many songs were mixed on 20, 22 and 24 August. Four of these mixes were regarded as definitive versions and were presented at the opening party of Electric Lady on 26 August. Hendrix died on September 18 that year, leaving behind an enormous number of unreleased recordings in various stages of completion. It is impossible to know what Hendrix would have changed and what he actually would have released, but there is some documentation of the album configurations he had in mind. While a good part of the designated tracks only needed some finishing touches, others only existed as rough recordings and for some titles no recordings are known at all. The Cry of Love (1971), Voodoo Soup (1995) and First Rays of the New Rising Sun (1997) are officially released attempts to reconstruct the planned album. First Rays of the New Rising Sun is usually regarded as closest to Hendrix's vision, but features a track that was probably never part of Hendrix's plans and omits some tracks that were definitely considered. All but one of the tracks that are known to have been recorded for the album have eventually been released in some shape or other on official albums.