South Saturn Delta | ||||
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Compilation album by | ||||
Released | October 7, 1997 | |||
Recorded | July 1967 –August 1970 | |||
Studio |
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Genre | ||||
Length | 65:47 | |||
Label | MCA | |||
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Jimi Hendrix chronology | ||||
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South Saturn Delta is a posthumous compilation album by American rock musician Jimi Hendrix. Released in 1997 by Experience Hendrix (operated by his estate), it consists of material such as demo tapes, unfinished takes and alternate mixes, and previously released material, most of which Hendrix had been working on prior to his death in 1970.
Released prior to South Saturn Delta, First Rays of the New Rising Sun was Experience Hendrix's attempt at presenting Hendrix's planned fourth studio album. [1] The album consists of songs previously released on his first posthumous albums The Cry of Love (1971), Rainbow Bridge (1971), and War Heroes (1972). [2] South Saturn Delta collects five songs from the latter two then out-of-print albums that were not selected for First Rays. [3]
Other tracks include "The Stars That Play with Laughing Sam's Dice", an early Jimi Hendrix Experience B-side single that saw release on the UK compilations Smash Hits (1968) and Loose Ends (1974), but never officially released in the US on a Jimi Hendrix album. [4] Alternate takes and mixes of previously released songs and demos for new songs that Hendrix may or may not have completed for release flesh out the album. [3]
Review scores | |
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Source | Rating |
AllMusic | [5] |
Blender | [6] |
Encyclopedia of Popular Music | [7] |
Entertainment Weekly | A− [8] |
Pitchfork | 7.6/10 [9] |
The Rolling Stone Album Guide | [10] |
In a review for Rolling Stone , David Fricke viewed South Saturn Delta as an inconsistent compilation that is "less of a mess" than the albums that preceded it but does not explore deep enough into Hendrix's recordings. [11] Robert Christgau wrote in Blender , "it establishes the listenability of Hendrix's dribs and drabs", despite being "discographically presumptuous". [6] AllMusic senior editor Stephen Thomas Erlewine said the album serves as an attempt to "capture the full range of Hendrix's music through an alternate history ... an intelligently sequenced, listenable collection of some of the very best outtakes and rarities from Hendrix". [5] James P. Wisdom from Pitchfork found the songs full of Hendrix's growing embrace of fusing rock, blues, and jazz sounds "in ways that had never been considered". [9]
All tracks are written by Jimi Hendrix, except as noted
No. | Title | Original release | Length |
---|---|---|---|
1. | "Look Over Yonder" | Rainbow Bridge | 3:25 |
2. | "Little Wing" | Previously unreleased version | 2:44 |
3. | "Here He Comes (Lover Man)" | Previously unreleased | 6:33 |
4. | "South Saturn Delta" | Previously unreleased alternate mix | 4:07 |
5. | "Power of Soul" | Previously unreleased alternate version [12] | 5:20 |
6. | "Message to the Universe (Message to Love)" | Previously unreleased | 6:19 |
7. | "Tax Free" (Bo Hansson, Janne Carlsson) | War Heroes | 4:58 |
8. | "All Along the Watchtower" (Bob Dylan) | Previously unreleased alternate mix | 4:01 |
9. | "The Stars That Play with Laughing Sam's Dice" | UK single B-side to "Burning of the Midnight Lamp" (1967) | 4:20 |
10. | "Midnight" | War Heroes | 5:32 |
11. | "Sweet Angel (Angel)" | Previously unreleased | 3:55 |
12. | "Bleeding Heart" ( [13] ) | War Heroes | 3:15 |
13. | "Pali Gap" | Rainbow Bridge | 5:08 |
14. | "Drifter's Escape" (Bob Dylan) | Previously unreleased alternate version [14] | 3:05 |
15. | "Midnight Lightning" | Previously unreleased | 3:07 |
Additional Personnel
Track | Location(s) | Recording date(s) |
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Track 1 | TTG Studios, Hollywood, California | October 22, 1968 |
Track 2 | Olympic Studios, London | October 14, 1967 |
Track 3 | TTG | October 29, 1968 |
Track 4 | Record Plant Studios, New York City | May 2 & June 14, 1968 |
Track 5 | Record Plant | January 21 & February 3, 1970 |
Track 6 | The Hit Factory, New York City | August 28, 1969 |
Track 7 | Olympic; Record Plant | January 26 & 28, 1968; May 1, 1968 |
Track 8 | Olympic | January 21 & 26, 1968 |
Track 9 | Mayfair Studios, New York City | July 19, 1967 |
Track 10 | Olmstead Studios, New York City | April 1 & 3, 1969 |
Track 11 | Olympic | November 13, 1967 |
Track 12 | Record Plant; Electric Lady | March 24, 1970; June 1970 |
Track 13 | Electric Lady | July 1, 1970 |
Track 14 | Electric Lady | June 17, July 19–20, & August 22, 1970 |
Track 15 | Record Plant | March 23, 1970 |
Electric Ladyland is the third and final studio album by the Jimi Hendrix Experience, released in October 1968. A double album, it was the only record from the Experience with production solely credited to Hendrix. The band's most commercially successful release and its only number one album, it was released by Reprise Records in the United States on October 16, 1968, and by Track Records in the UK nine days later. By mid-November, it had reached number 1 on the Billboard Top LPs chart, spending two weeks there. In the UK it peaked at number 6, where it spent 12 weeks on the British charts.
Axis: Bold as Love is the second studio album by the Jimi Hendrix Experience. It was first released by Track Records in the United Kingdom on December 1, 1967, only seven months after the release of the group's highly successful debut album, Are You Experienced. In the United States, Reprise Records delayed the release until the following month. The album reached the top ten in the album charts in both countries.
"Little Wing" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience in 1967. It is a slower tempo, rhythm and blues-inspired ballad featuring Hendrix's vocal and guitar with recording studio effects accompanied by bass, drums, and glockenspiel. Lyrically, it is one of several of his songs that reference an idealized feminine or guardian angel-like figure. At about two and a half minutes in length, it is one of his most concise and melodically focused pieces.
Band of Gypsys is a live album by Jimi Hendrix and the first without his original group, the Jimi Hendrix Experience. It was recorded on January 1, 1970, at the Fillmore East in New York City with Billy Cox on bass and Buddy Miles on drums, frequently referred to as the Band of Gypsys. The album mixes funk and rhythm and blues elements with hard rock and jamming, an approach which later became the basis of funk rock. It contains previously unreleased songs and was the last full-length Hendrix album released before his death six months later.
First Rays of the New Rising Sun is a compilation album credited to American rock musician Jimi Hendrix, issued in April 1997 on MCA Records. Featuring songs mostly intended for his planned fourth studio album, it was one of the first releases overseen by Experience Hendrix, the family company that took over management of his recording legacy. It reached the album charts in the United States, United Kingdom, and four other countries.
Experience Hendrix: The Best of Jimi Hendrix is a compilation album of songs by American rock musician Jimi Hendrix, released in 1997 by MCA and reissued in 2010 by Legacy Recordings. The single compact disc collects 20 songs spanning his career, from his first recordings with the Jimi Hendrix Experience in 1966 to his last with Billy Cox and Mitch Mitchell in 1970.
Blues is a compilation album of blues songs recorded by American singer/songwriter/musician Jimi Hendrix. Compiled by interim Hendrix producer Alan Douglas, it was released April 26, 1994, by MCA Records. The album contains eleven songs recorded by Hendrix between 1966 and 1970, six of which were previously unreleased. Hendrix wrote seven of the pieces; other writers include Muddy Waters, Booker T. Jones, and Elmore James. Most are demos, jams, and live recordings, which Hendrix may or may not have completed for release.
Live at Woodstock is a posthumous live album by Jimi Hendrix released on July 6, 1999. It documents most of his performance at the Woodstock Festival on August 18, 1969, and contains Hendrix's iconic interpretation of "The Star-Spangled Banner" and other songs from the original festival film and soundtrack album.
Live at the Fillmore East is a posthumous live album by Jimi Hendrix released on February 23, 1999. The album documents Hendrix's performances with the Band of Gypsys at the Fillmore East on December 31, 1969, and January 1, 1970. It is drawn from the same performances as, and can be seen as an extended complement to, the album Band of Gypsys (1970), consisting mostly of songs not on the original album. The album peaked at No. 77 on the Canadian RPM Album charts.
Live at Berkeley is a live album by American rock musician Jimi Hendrix. It documents his second performance at the Berkeley Community Theatre on May 30, 1970, and was released by MCA Records on September 16, 2003.
The Cry of Love is a posthumous album by American rock singer-songwriter and guitarist Jimi Hendrix. Recorded primarily in 1970, it features new material that Hendrix was working on for his planned fourth studio album before his death later that year. While most of the songs were included on proposed track listings by Hendrix, the final selection was made by recording engineer Eddie Kramer and drummer Mitch Mitchell, with input from manager Michael Jeffery. Hendrix, Kramer, and Mitchell are credited as the album's producers, with Jeffery as the executive producer.
Voodoo Child: The Jimi Hendrix Collection is a two-disc compilation album featuring songs recorded by American rock singer-songwriter and guitarist Jimi Hendrix. It was released on May 8, 2001 by MCA Records. The first disc contains studio recordings, including alternate versions, while the second disc contains live recordings, some of which were previously unreleased. Its accompanying booklet features numerous photos and an essay written by Kurt Loder.
"Angel" is a song by American rock musician Jimi Hendrix, featured on his 1971 posthumous studio album The Cry of Love. Written and self-produced by Hendrix, he recorded it for his planned fourth studio album just months before he died in September 1970.
Nine to the Universe is a posthumous compilation album by American guitarist Jimi Hendrix. It was released in March 1980 in the US and in June 1980 in the UK. It was the third album of Hendrix recordings to be produced by Alan Douglas.
"Freedom" is a rock song by Jimi Hendrix that is often regarded as one of the most fully realized pieces he wrote and recorded in the months before his death. It incorporates several musical styles and the lyrics reflect various situations facing Hendrix at the time.
Rainbow Bridge is a compilation album by American rock musician Jimi Hendrix. It was the second posthumous album release by his official record company and is mostly composed of recordings Hendrix made in 1969 and 1970 after the breakup of the Jimi Hendrix Experience. Despite the cover photo and subtitle Original Motion Picture Sound Track, it does not contain any songs recorded during his concert appearance for the 1971 film Rainbow Bridge.
Woodstock is a live album by Jimi Hendrix released posthumously on August 20, 1994. It presents some of Hendrix's performance at Woodstock Festival on August 18, 1969. The album was replaced by a more-complete version in 1999 titled Live at Woodstock, albeit with some of the performers mixed out.
Radio One is a live album by The Jimi Hendrix Experience. It was released posthumously in November 1988 by Rykodisc and compiles tracks recorded between February and December 1967 for broadcasts by BBC Radio. The album peaked at number 30 on the UK Albums Chart, while in the United States, it charted at number 119 on the Billboard 200. After Hendrix's family gained control of his legacy, Radio One was supplanted by the more comprehensive BBC Sessions in 1998.
"Hey Baby (New Rising Sun)" or simply "Hey Baby" is a song written and recorded by American musician Jimi Hendrix, from his second posthumous album Rainbow Bridge (1971). The song is a slower and more melodic piece, which features the prominent use of chorus- and tremolo-effects on guitar. Hendrix uses an idealized feminine figure that recurs in several of his lyrics. Commentators have seen the song as representative of his post-Band of Gypsys musical direction.