Axis:Bold as Love is the second studio album by the Jimi Hendrix Experience. It was first released by Track Records in the United Kingdom on December 1,1967,only seven months after the release of the group's highly successful debut album,Are You Experienced. In the United States,Reprise Records delayed the release until the following month. The album reached the top ten in the album charts in both countries.
The album displays several musical styles and critics saw it as demonstrating Jimi Hendrix's growth as a songwriter. It features "Spanish Castle Magic" and "Little Wing",two Hendrix compositions that draw on his roots performing with rhythm and blues bands and would remain in his live repertoire throughout his career. Its album cover generated controversy for displaying Hindu religious iconography. It was designed without Hendrix's approval,and he publicly expressed his dissatisfaction.
Following the completion of Are You Experienced at the end of April 1967,the Jimi Hendrix Experience continued their schedule of regular recording sessions,returning to Olympic Studios in London on May 4 to begin composing material for a follow-up LP.[2] With Chas Chandler returning as producer and Eddie Kramer returning as engineer,along with George Chkiantz as second engineer,the band started the session by working on a Noel Redding original that he had written about hippies,titled "She's So Fine". It featured background vocals by Hendrix and Mitch Mitchell;Redding later recalled that Hendrix was enthusiastic to record the song because it was written in A with an open Gchord that he enjoyed playing.[3] They achieved a working master on the 23rd take,on which Redding overdubbed his lead vocal.[3][nb 1] The band also made initial recordings of what would become "If 6 Was 9",using the working titles of "Section A" and "Section B" to identify its two distinct segments.[3] During a session the following day,Hendrix and Mitchell improved "Section B",now titled "Symphony of Experience",by re-recording most of their guitar and drum parts. A reduction mix prepared by Kramer made room for additional overdubs,including Hendrix's lead vocal,backing vocals,and a percussion effect created by Chandler,Hendrix,and guests Graham Nash and Gary Leeds stamping their feet on a drum riser. As an additional oddity,Hendrix played a recorder on the track,achieving what they considered a satisfactory sound despite his complete lack of formal training with the instrument.[5][nb 2] Also recorded during these sessions was the experimental track "EXP".[7] In the span of two days,the group recorded basic tracks for seven compositions,though only three were included on the album.[7]
I would fill the four basic tracks with stereo drums on two of the channels, the bass on the third, and Jimi's rhythm guitar on the fourth. From there, Chandler and I would mix this down to two tracks on another four-track recorder, giving us two more tracks to put on whatever we wanted, which usually included Jimi's lead guitar and vocals as well as backing vocals and some additional percussion.[8]
On May 9, the Experience reconvened at Olympic with Chandler, Kramer and Chkiantz. Hendrix had been curious about a harpsichord that was stored in the facility's Studio A, so on this day he sat at the instrument and began writing "Burning of the Midnight Lamp", a song that became the fourth UK single for the Experience. Hendrix attempted four takes before stopping for the day, producing a rough demo that was approximately a minute and a half in length.[5] On May 10, the band performed their latest single, "The Wind Cries Mary", on the BBC television program Top of the Pops.[9]
After a month-long break from the studio while playing gigs in Europe, the Experience returned to Olympic on June 5.[10] They devoted the session to a new Hendrix song titled "Cat Talking to Me", recording 17 takes before deciding that the second was the superior version, to which they added guitar and percussion overdubs after Kramer prepared a reduction mix.[10] It was later included on the posthumous album West Coast Seattle Boy: The Jimi Hendrix Anthology (2010).[11]
On June 18, 1967, the Experience made its U.S. debut at the Monterey Pop Festival.[12] Immediately after the festival, Bill Graham booked them for a series of five concerts at the Fillmore.[13][nb 3] While they were in California, Chandler booked session time for June 28, 29 and 30 at Houston Studios in Los Angeles. Although they worked on "Burning of the Midnight Lamp" and a new Hendrix composition, "The Stars That Play with Laughing Sam's Dice", they abandoned the inferior recordings. Chandler commented: "I booked three days there because I was told it was a state-of-the-art studio, but it was dire. The place was like a rehearsal studio compared to Olympic. Los Angeles was so far behind at that time."[15] After a week of performances in Los Angeles and New York, time was booked at Mayfair Studios in London for July 6 and 7.[16]
Axis: Bold As Love's scheduled release date was almost delayed when Hendrix lost the master tape of side one of the LP, leaving it in the back seat of a London taxi.[17] With the deadline looming, Hendrix, Chas Chandler, and engineer Eddie Kramer remixed most of side one in a single overnight session, but they could not match the quality of the lost mix of "If 6 Was 9". Bassist Noel Redding had a tape recording of this mix, which had to be smoothed out with an iron as it had gotten wrinkled.[18] During the verses, Hendrix doubled his singing with a guitar line which he played one octave lower than his vocals.[19] Hendrix voiced his disappointment about having re-mixed the album so quickly, and he felt that it could have been better had they been given more time.[17]
Kramer was patient with Hendrix, who often demanded numerous re-takes; however, by October 1967, Chandler had grown weary of the guitarist's perfectionism.[20]Noel Redding was also frustrated by Hendrix's repeated demands for re-takes, and began to resent Hendrix's explicit instructions regarding what he played in the studio.[21] Hendrix and Mitchell had begun to express their opinions regarding creative choices that had been left up to Chandler during the recording of Are You Experienced.[22] Mitchell commented: "Axis was the first time that it became apparent that Jimi was pretty good working behind the mixing board, as well as playing, and had some positive ideas of how he wanted things recorded. It could have been the start of any potential conflict between him and Chas in the studio."[23]
Music and lyrics
The lyrics of "Spanish Castle Magic" were inspired by The Spanish Castle, a dance hall in what is now Des Moines, Washington, near Seattle where Hendrix jammed with local rock groups during his high school years. On "Little Wing" Hendrix plays his guitar through a Leslie speaker for the first time (a revolving speaker which creates a wavering effect, typically used with electric organs). According to Colin Larkin, Axis focuses less on guitar playing than Are You Experienced, and more on Hendrix's "gifts as a songwriter".[24] Author Charles Shaar Murray described Axis as "lighter, looser and more melodic" than its predecessor.[25]
Axis: Bold as Love opens with "EXP", which incorporates microphonic and harmonic feedback.[26] It also showcases an experimental stereo panning effect in which sounds emanating from Hendrix's guitar move through the stereo image, revolving around the listener.[27] The piece reflected his growing interest in science fiction and outer space.[28] Author Keith Shadwick described the track as "some of the wildest music Hendrix ever released".[7]
"Wait Until Tomorrow" is a pop song with an R&B guitar riff and Mitchell and Redding singing backing vocals. The fifth track, "Ain't No Telling", is a rock song with a complex structure despite its short length. Hendrix said that "Little Wing" was his impression of the Monterey Pop Festival put into the form of a girl.[29] "If 6 Was 9", the last song on side one, is the album's longest track; some of the percussive effects were created by Gary Leeds (from the Walker Brothers) and Graham Nash stomping their feet.
"You Got Me Floatin'", a rock song opening with a swirling backwards guitar solo, opens the second side of the album. Roy Wood and Trevor Burton from the Move, who toured with Hendrix on a package tour through Britain during winter 1967, supplied backing vocals. According to Wood, he and Burton were in the studio next door while the song was being recorded, and Redding came by and asked them if they would like to sing on it.[30] The following track, "Castles Made of Sand", is a ballad that also includes a backwards guitar solo. "She's So Fine", Redding's sole contribution to the album as a writer, is a quintessentially a British pop and rock Who-influenced piece, featuring Redding on lead vocals with assistance from Mitchell. "One Rainy Wish" begins as a ballad waltz, but develops a rock feel during the chorus that is in a different time signature from the verses.
The song "Little Miss Lover" has elements of funk, while the final song of the album, "Bold as Love", with an extended guitar solo at the end, closes out the album. In 2004, Rolling Stone ranked "Little Wing" number 357 on its list of the "500 Greatest Songs of All Time", with its position rising to number 188 in the 2020 revision.[31][32]
Hendrix composed the album's title track and finale around two verses and two choruses, during which he pairs emotions with personas, comparing them to colors.[33] The song's coda features the first recording of stereo phasing.[34][nb 4] Numerous attempts at a basic rhythm track were undertaken before a satisfactory one was achieved on the 27th take.[36] Shadwick described the composition as "possibly the most ambitious piece on Axis, the extravagant metaphors of the lyrics suggesting a growing confidence" in Hendrix's songwriting.[37] His guitar playing throughout the song is marked by chordal arpeggios and contrapuntal motion, with tremolo-picked partial chords providing the musical foundation for the chorus, which culminates in what musicologist Andy Aledort described as "simply one of the greatest electric guitar solos ever played".[38] The track fades out on tremolo-picked thirty-second notedouble stops.[39] In 2011, Guitar World ranked the track number 24 in a list of Hendrix's 100 greatest performances.[36]
Artwork and packaging
The album cover depicts Hendrix and the Experience as various forms of Vishnu, incorporating a painting of the musicians by Roger Law, from a photo-portrait by Karl Ferris.[40]Melody Maker journalist Nick Jones described the artwork as a "beautiful fold out package" that compensated for the "very poor presentation" of Are You Experienced. Likening the design to the cover image on the Beatles' recent Sgt. Pepper's Lonely Hearts Club Band, he said it showed Hendrix "with a lot of freaky looking Indian cats and gods, sages and one guy with an elephant's trunk for a nose or something!"[41]
Hendrix expressed dismay at the choice of cover art.[40] He stated that the cover would have been more appropriate had it highlighted his Native American heritage.[42] The painted image of the Experience was then superimposed on top of a copy of a mass-produced religious poster.[43] Hendrix commented: "The three of us have nothing to do with what's on the Axis cover."[44] Unlike the previous album's cover art, both the UK and US editions featured the same image.[45]
Some Hindus have since expressed anger over the use of religious images for the album's artwork. The Malaysian government's Home Ministry instituted a ban on the album's art in response to complaints.[46]
Track released Axis: Bold as Love in the UK on December 1, 1967, where it peaked at number five and spent 16 weeks on the charts.[57] In February 1968, it charted at number three in the United States.[58] The album was also well received by music critics, who praised its mixture of hard rock, rhythm and blues, and jazz.[59]
In his preview of the album for Rolling Stone, Nick Jones described it as "at times shatteringly beautiful" and highlighted "Spanish Castle Magic".[41] Reviewing Axis in the same publication, Jim Miller hailed it as "the refinement of white noise into psychedelia... the finest voodoo album that any rock group has produced to date".[60]Q magazine wrote in a retrospective review that the album "dazzles as the Experience creates a genre probably short-lived because nobody else could play it".[54]AllMusic's Cub Koda considered it a demonstration of Hendrix's "remarkable growth and depth" as a songwriter, utilizing Curtis Mayfield-like soul guitar work, "Dylanesque lyrical imagery, and Fuzz Face hyperactivity to produce yet another side to his grand psychedelic musical vision".[47] According to author Peter Doggett, the record "heralded a new subtlety in Hendrix's work",[61] while BBC Music's Chris Jones said it is distinguished from his other Hendrix albums as his "coming-of-age-in-songwriting album... his peak in crafting pop rock perfection".[62]
Some critics have found Axis: Bold as Love to be the least memorable of the Experience's three studio releases.[63] According to Richie Unterberger, it was the least impressive from the Experience,[64] while Kris Needs called the record a "transitional, but often overlooked, masterpiece".[65] Reviewing Hendrix's back catalogue in 2005 for Blender, Robert Christgau acknowledged the adequate production and guitar quality on the album, and praised the fluidity of Mitchell's drumming; he criticised, however, the music's "spaced-out lightness", and the brevity of some tracks: "half the songs are forgettable as songs if fine as recordings."[48]
The original UK Track and US Reprise albums did not list running times for the songs.[70][71] Instead, they are taken from the Reprise monaural promotional album.[72] All songs written by Jimi Hendrix, except where noted.
↑ Also recorded on May 4 was "Taking Care of No Business", a track Hendrix had written in 1965 while playing with Curtis Knight. The recording featured overdubbed background noises and vocal chatter that mimicked the sounds of a busy tavern. On May 5, Kramer prepared a reduction mix and Mitchell added a tambourine part.[4]
↑ On May 5, after working on "If Six was Nine", the group shifted its focus to "Mr. Bad Luck", a medium-tempoblues song Hendrix had written during his time with Jimmy James and the Blue Flames. They quickly achieved a working master to which they added overdubs, including Hendrix's lead vocals, and although they thought the track showed promise it was not included on Axis: Bold as Love.[6]
↑ Following their successful West Coast introduction, which included a free open-air concert at Golden Gate Park and a concert at the Whisky a Go Go, the Experience were booked as the opening act for the first American tour of the Monkees.[14]
↑ As with their previous album, the band had to schedule recording sessions in between performances.[35]
↑ Axis: Bold as Love (Album notes). Jimi Hendrix Experience. New York City: Reprise Records. 1967. LP Sides 1 & 2 labels. RS 6281.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Axis: Bold as Love (Promotional copy) (Album notes). Jimi Hendrix Experience. Reprise Records. LP Sides 1 & 2 labels. R 6281.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
James Marshall "Jimi" Hendrix was an American guitarist, songwriter and singer. He is widely regarded as the greatest guitarist in the history of popular music and one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music."
Electric Ladyland is the third and final studio album by the Jimi Hendrix Experience, released in October 1968. A double album, it was the only record from the Experience with production solely credited to Hendrix. The band's most commercially successful release and its only number one album, it was released by Reprise Records in the United States on October 16, 1968, and by Track Records in the UK nine days later. By mid-November, it had reached number 1 on the Billboard Top LPs chart, spending two weeks there. In the UK it peaked at number 6, where it spent 12 weeks on the British charts.
"Purple Haze" is a song written by Jimi Hendrix and released as the second single by the Jimi Hendrix Experience on March 17, 1967, in the United Kingdom. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. It was included as the opening track in the North American edition of the Experience's debut album, Are You Experienced (1967).
Are You Experienced is the debut studio album by the Jimi Hendrix Experience, released in May 1967. The album was an immediate critical and commercial success, and is widely regarded as one of the greatest albums of all time. It features Jimi Hendrix's innovative approach to songwriting and electric guitar playing, which soon established a new direction in psychedelic and rock music as a whole.
"Little Wing" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience in 1967. It is a slower tempo, rhythm and blues-inspired ballad featuring Hendrix's vocal and guitar with recording studio effects accompanied by bass, drums, and glockenspiel. Lyrically, it is one of several of his songs that reference an idealized feminine or guardian angel-like figure. At about two and a half minutes in length, it is one of his most concise and melodically focused pieces.
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"Red House" is a song written by Jimi Hendrix and one of the first songs recorded in 1966 by the Jimi Hendrix Experience. It has the musical form of a conventional twelve-bar blues and features Hendrix's guitar playing. He developed the song prior to forming the Experience and was inspired by earlier blues songs.
"Spanish Castle Magic" is a song written by Jimi Hendrix and performed by the Jimi Hendrix Experience. Produced by Chas Chandler, it is the third track from the album Axis: Bold as Love. The lyrics refer to a club near Seattle, where Hendrix sometimes played early in his career. The song was a staple of live shows and several live recordings were released after Hendrix's death.
Jimi Hendrix (1942–1970) was an American guitarist whose career spanned from 1962 to 1970. His discography includes the recordings released during his lifetime. Prior to his rise to fame, he recorded 24 singles as a backing guitarist with American R&B artists, such as the Isley Brothers and Little Richard. Beginning in late 1966, he recorded three best-selling studio albums and 13 singles with the Jimi Hendrix Experience. An Experience compilation album and half of a live album recorded at the Monterey Pop Festival were also issued prior to his death. After the breakup of the Experience in mid-1969, songs from his live performances were included on the Woodstock: Music from the Original Soundtrack and More and Band of Gypsys albums. A studio single with the Band of Gypsys was also released.
"Stone Free" is a song written by Jimi Hendrix and the second song recorded by the Jimi Hendrix Experience. It has been described as a "counterculture anthem, with its lyrics praising the footloose and fancy-free life", which reflected Hendrix's restless lifestyle. Instrumentally, the song has a strong rhythmic drive provided by drummer Mitch Mitchell with harmonic support by bassist Noel Redding. "Stone Free" was issued on December 16, 1966, as the B-side of the Experience's first UK single "Hey Joe" and later included on the Smash Hits compilation album.
"Third Stone from the Sun" is a mostly instrumental composition by American musician Jimi Hendrix. It incorporates several musical approaches, including jazz and psychedelic rock, with brief spoken passages. The title reflects Hendrix's interest in science fiction and is a reference to Earth in its position as the third planet away from the sun in the solar system.
"Mercy, Mercy" is a soul song first recorded by American singer/songwriter Don Covay in 1964. It established Covay's recording career and influenced later vocal and guitar styles. The songwriting is usually credited to Covay and Ron Alonzo Miller, although other co-writers' names have also appeared on various releases.
"I Don't Live Today" is a song by the Jimi Hendrix Experience, released on their debut album Are You Experienced (1967). In a 1968 interview, Hendrix said it "was dedicated to the American-Indian and all minority depression groups". The song was part of the Experience concert repertoire and Hendrix often repeated the dedication during his introductions.
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"Wait Until Tomorrow" is a song by the Jimi Hendrix Experience from their 1967 second album Axis: Bold as Love. Written by Jimi Hendrix, the song details the scenario of a male protagonist addressing his female love with whom he plans to leave home, only to be shot dead by her father. Despite not being released as a single, "Wait Until Tomorrow" has been recognized as one of the strongest songs on the album.
"Hear My Train A Comin'" is a blues-based song written by Jimi Hendrix. Lyrically, it was inspired by earlier American spirituals and blues songs which use a train metaphor to represent salvation. Hendrix recorded the song in live, studio, and impromptu settings several times between 1967 and 1970, but never completed it to his satisfaction.
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