Band of Gypsys is a live album by Jimi Hendrix and the first without his original group, the Jimi Hendrix Experience. It was recorded on January 1, 1970, at the Fillmore East in New York City with Billy Cox on bass and Buddy Miles on drums, frequently referred to as the Band of Gypsys. The album mixes funk and rhythm and blues elements with hard rock and jamming, an approach which later became the basis of funk rock. It contains previously unreleased songs and was the last full-length Hendrix album released before his death.
First Rays of the New Rising Sun is a compilation album by American rock musician Jimi Hendrix, featuring songs mostly intended for his planned fourth studio album. The 17-track album was one of the first releases overseen by Experience Hendrix, a family company that took over management of his recording legacy. MCA Records issued the album in 1997 and it reached the album charts in the United States, United Kingdom, and four other countries.
George Allen "Buddy" Miles Jr., was an American rock drummer, vocalist, composer, and producer. He was a founding member of the Electric Flag (1967), a member of Jimi Hendrix's Band of Gypsys (1969–1970), founder and leader of the Buddy Miles Express and later, the Buddy Miles Band. Miles also played and recorded with Carlos Santana and others. Additionally, he sang lead vocals on the critically and commercially acclaimed "California Raisins" claymation TV commercials and recorded two California Raisins R&B albums.
Blues is a compilation album of blues-style songs recorded by American musician Jimi Hendrix. Compiled by interim Hendrix producer Alan Douglas, it was released April 26, 1994, by MCA Records. The album contains eleven songs recorded by Hendrix between 1966 and 1970, six of which were previously unreleased. Hendrix wrote seven of the pieces; others include Muddy Waters, Booker T. Jones, and Elmore James. Most are demos, jams, and live recordings, which Hendrix may or may not have completed for release.
William Cox is an American bassist, best known for performing with Jimi Hendrix. Cox is the only surviving musician to have regularly played with Hendrix: first with the experimental group that backed Hendrix at Woodstock, followed by the trio with drummer Buddy Miles that recorded the live Band of Gypsys album, and, lastly, The Cry of Love Tour trio with Mitch Mitchell back on drums. Cox continues to perform dates with the Band of Gypsys Experience and the Experience Hendrix Tour.
"Machine Gun" is a song written by American musician Jimi Hendrix, and originally recorded for the 1970 Band of Gypsys album, with Billy Cox and Buddy Miles. It is a lengthy, loosely defined (jam-based) protest of the Vietnam War, and perhaps a broader comment on conflict of any kind. At a performance in Berkeley, California, Hendrix introduced the song:
I'd like to dedicate this song to soldiers fighting in Berkeley—you know what soldiers I'm talking about—and oh yeah, the soldiers fighting in Vietnam too ... and dedicate [it] to other people that might be fighting wars too, but within themselves, not facing up to the realities.
"Angel" is a song by American rock musician Jimi Hendrix, featured on his 1971 posthumous studio album The Cry of Love. Written and self-produced by Hendrix, he recorded it for his planned fourth studio album just months before he died in September 1970.
"Have You Ever Been " is a song by English-American rock band the Jimi Hendrix Experience, featured on their 1968 third album Electric Ladyland. Written and produced by frontman Jimi Hendrix, the song acts as the title track of the album, as well as essentially the opening track following the short instrumental intro "...And the Gods Made Love".
"Burning of the Midnight Lamp" is a song recorded by English-American rock trio the Jimi Hendrix Experience. Written by frontman Jimi Hendrix and produced by band manager Chas Chandler, it features R&B group Sweet Inspirations on backing vocals.
Nine to the Universe is a posthumous compilation album by American guitarist Jimi Hendrix. It was released in March 1980 in the US and in June 1980 in the UK. It was the third album of Hendrix recordings to be produced by Alan Douglas.
"Mercy, Mercy" is a soul song first recorded by American singer/songwriter Don Covay in 1964. It established Covay's recording career and influenced later vocal and guitar styles. The songwriting is usually credited to Covay and Ron Alonzo Miller, although other co-writers' names have also appeared on various releases.
"1983… " is a song recorded in 1968 for the third studio album, Electric Ladyland, by the Jimi Hendrix Experience. Written and produced by Jimi Hendrix, the song features flute player Chris Wood of the band Traffic, and at over 13 minutes in duration is the second longest track released by the group.
"Are You Experienced?" is the title song for the Jimi Hendrix Experience 1967 debut album. It has been described as one of Jimi Hendrix's most original compositions on the album by music writer and biographer Keith Shadwick. The song is largely based on one chord and has a drone-like quality reminiscent of Indian classical music. It features recorded guitar and drum parts that are played backwards and a repeating piano octave. Live recordings from 1968 are included on The Jimi Hendrix Concerts album and Winterland box set.
"The Stars That Play with Laughing Sam's Dice", also known as "STP with LSD" and various related abbreviations and shortenings, is a song by English-American psychedelic rock band The Jimi Hendrix Experience, featured as the B-side to their 1967 fourth single "Burning of the Midnight Lamp". Written by vocalist and guitarist Jimi Hendrix, the song was later featured on the UK Version of the 1968 compilation album Smash Hits and the posthumous Loose Ends and South Saturn Delta compilations.
"Ezy Ryder" is a funk rock-style song written and recorded by American musician Jimi Hendrix. It is one of the few studio recordings to include both Buddy Miles on drums and Billy Cox on bass, with whom Hendrix recorded the live Band of Gypsys album (1970).
"Bleeding Heart" is a song written and recorded by American blues musician Elmore James in 1961. Considered "among the greatest of James' songs", "Bleeding Heart" was later popularized by Jimi Hendrix, who recorded several versions of the song.
Jimi Hendrix intended to release his fourth studio album as a double or triple LP before Christmas 1970. From June to August 1970, he made good progress on the realization of the planned album in his new Electric Lady Studios. Many songs were mixed on 20, 22 and 24 August. Four of these mixes were regarded as definitive versions and were presented at the opening party of Electric Lady on 26 August. Hendrix died on 18 September, leaving behind an enormous number of unreleased recordings in various stages of completion. It is impossible to know what Hendrix would have changed and what he actually would have released, but there is some documentation of the album configurations he had in mind. While a good part of the designated tracks only needed some finishing touches, others only existed as rough recordings and for some titles no recordings are known at all. The Cry of Love (1971), Voodoo Soup (1995) and First Rays of the New Rising Sun (1997) are officially released attempts to reconstruct the planned album. First Rays of the New Rising Sun is usually regarded as closest to Hendrix's vision, but features a track that was probably never part of Hendrix's plans and omits some tracks that were definitely considered. All but one of the tracks that are known to have been recorded for the album have eventually been released in some shape or other on official albums.
"Night Bird Flying" is a rock song written by Jimi Hendrix. It is a complex piece with multiple guitar parts and reflects a variety of styles. Lyrically, Hendrix continues to explore an idealized feminine figure, as in his 1967 song "Little Wing".
"Hey Baby " or simply "Hey Baby" is a song written and recorded by American musician Jimi Hendrix, from his second posthumous album Rainbow Bridge (1971). The song is a slower and more melodic piece, which features the prominent use of chorus- and tremolo-effects on guitar. Hendrix uses an idealized feminine figure that recurs in several of his lyrics. Commentators have seen the song as representative of his post-Band of Gypsys musical direction.
