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Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.
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The kazoo is a musical instrument that adds a "buzzing" timbral quality to a player's voice when the player puts their lips in between the smaller hole and vocalizes into it. It is a type of mirliton, one of a class of instruments which modifies its player's voice by way of a vibrating membrane of goldbeater's skin or material with similar characteristics. There is a smaller version of the kazoo, known as a humazoo.
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The eunuch flute, onion flute, or mirliton is a membranophone used during the 16th and 17th centuries. It produces music akin to a comb and paper, and is still manufactured as a toy.
"Lady Madonna" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. In March 1968 it was released as a mono non-album single, backed with "The Inner Light". The song was recorded on 3 and 6 February 1968, before the Beatles left for India, and its boogie-woogie style signalled a more conventional approach to writing and recording for the group following the psychedelic experimentation of the previous two years.
"Carry That Weight" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, it is the seventh and penultimate song in the album's climactic side-two medley. It features unison vocals in the chorus from all four Beatles, a rarity in their songs. It is preceded by "Golden Slumbers" and segues into "The End".
"Martha My Dear" is a song by the English rock band the Beatles from their 1968 double album The Beatles. Credited to Lennon–McCartney, the song was written solely by Paul McCartney inspired in title only by his Old English Sheepdog, Martha. The song has been interpreted as a veiled reference to his break up with Jane Asher, particularly in the line "don't forget me". "Help yourself to a bit of what is all around you" refers to her alleged affair while away from McCartney with The Old Vic Theatre. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal.
"Lovely Rita" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written mainly by Paul McCartney and credited to Lennon–McCartney. It is about a meter maid and the narrator's affection for her.
"The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of chapter 47 from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire.
"I'm Down" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was released on a non-album single as the B-side to "Help!" in July 1965. The song originated in McCartney's attempt to write a song in the style of Little Richard, whose song "Long Tall Sally" the band regularly covered.
The studio practices of the Beatles evolved during the 1960s and, in some cases, influenced the way popular music was recorded. Some of the effects they employed were sampling, artificial double tracking (ADT) and the elaborate use of multitrack recording machines. They also used classical instruments on their recordings and guitar feedback. The group's attitude towards the recording process was summed up by Paul McCartney: "We would say, 'Try it. Just try it for us. If it sounds crappy, OK, we'll lose it. But it might just sound good.' We were always pushing ahead: Louder, further, longer, more, different."
The Mound City Blue Blowers were an American novelty jazz ensemble, formed in St. Louis, Missouri, United States. It was co-founded by Red McKenzie and Jack Bland and performed from 1923 to 1936.
William 'Red' McKenzie was an American jazz vocalist and musician who played a comb as an instrument. He played the comb-and-paper by placing paper, sometimes strips from the Evening World, over the tines and blowing on it, producing a sound like a kazoo.
References
- ↑ James Lincoln Collier, Jug Bands and Handmade Music: A Creative Approach to Music Theory and the Instruments, 1973, p.90
- ↑ Chisholm, Hugh, ed. (1911). "Eunuch Flute". Encyclopædia Britannica . Vol. 9 (11th ed.). Cambridge University Press. p. 891.
- ↑ Musical instruments of the world: an illustrated encyclopedia, Paddington Press, 1976 p. 161
- ↑ "Blue-blowing", Oxford Music Online
- ↑ Betty Casey, Dance Across Texas, 1985 University of Texas Press, pp.23,24 ISBN 0-292-71551-X
- ↑ Scott Yanow, Mound City Blue Blowers at Allmusic
- ↑ Condon, Eddie (1956). We Called It Music. London: Jazz Book Club. p. 181.
- ↑ Lewisohn 1988, pp. 104.
- ↑ https://www.unifiedmanufacturing.com/blog/hold-tiger/ [ bare URL ]
- ↑ Lyrics to ‘I’m A Brass Band’ ‘I’m A Brass Band’
- ↑ Archived at Ghostarchive and the Wayback Machine : Britain's Got Talent 2015 S09E12 Semi-Finals Narinder Dhani Plays the Comb. YouTube .
- Lewisohn, Mark (1988). The Beatles Recording Sessions. New York: Harmony Books. ISBN 0-517-57066-1.