Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violinist.
James Fletcher Hamilton Henderson was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson.
Ernest Loring "Red" Nichols was an American jazz cornetist, composer, and jazz bandleader.
Eddie Lang was an American musician who is credited as the father of jazz guitar. During the 1920s, he gave the guitar a prominence it previously lacked as a solo instrument, as part of a band or orchestra, and as accompaniment for vocalists. He recorded duets with guitarists Lonnie Johnson and Carl Kress and jazz violinist Joe Venuti, and played rhythm guitar in the Paul Whiteman Orchestra and was the favoured accompanist of Bing Crosby.
Irving Milfred Mole, known professionally as Miff Mole was an American jazz trombonist and band leader. He is generally considered one of the greatest jazz trombonists and credited with creating "the first distinctive and influential solo jazz trombone style."
Ben Pollack was an American drummer and bandleader from the mid-1920s through the swing era. His eye for talent led him to employ musicians such as Benny Goodman, Jack Teagarden, Glenn Miller, Jimmy McPartland, and Harry James. This ability earned him the nickname the "Father of Swing".
Claude Driskett Hopkins was an American jazz stride pianist and bandleader.
Orie Frank Trumbauer was an American jazz saxophonist of the 1920s and 1930s. His main instrument was the C-melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. He also played alto saxophone, bassoon, clarinet and several other instruments.
James Dugald McPartland was an American cornetist. He worked with Eddie Condon, Art Hodes, Gene Krupa, Benny Goodman, Jack Teagarden, and Tommy Dorsey, often leading his own bands. He was married to pianist Marian McPartland.
Frank Signorelli was an American jazz pianist.
Jack Bland was an American jazz banjoist and guitarist.
William 'Red' McKenzie was an American jazz vocalist and musician who played a comb as an instrument. He played the comb-and-paper by placing paper, sometimes strips from the Evening World, over the tines and blowing on it, producing a sound like a kazoo.
Major "Mule" Holley Jr. was an American jazz upright bassist.
David Michael Barbour was an American jazz guitarist. He was married to singer Peggy Lee and was her co-writer, accompanist, and bandleader.
Jim Lanigan was an American jazz bassist and tubist.
Clifton Luther Jackson was an American stride pianist.
Timeless Records is a jazz record label based in the Netherlands.
Comb and paper is a rudimentary musical instrument which consists of a comb with a piece of paper pressed to it. To play it, one has to press their lips to the paper pressed to the comb and sing or vocalize into it. The voice makes the paper vibrate and changes the voice quality. The 1911 Encyclopedia Britannica refers to it as "the comb-music of the nursery". "Comb and paper" belongs to the category of "singing membranophones", sometimes called "mirlitons" after "mirliton", another name for the eunuch flute.
Frank R. "Josh" Billings was an American jazz drummer.
