"Wallflower" | ||||
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Single by Peter Gabriel | ||||
from the album Peter Gabriel | ||||
B-side | "Kiss of Life" | |||
Released | 1982 | |||
Recorded | 1981–1982 | |||
Studio | Ashcombe House, Bath, England | |||
Length |
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Label | Geffen | |||
Songwriter(s) | Peter Gabriel | |||
Producer(s) |
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Peter Gabriel singles chronology | ||||
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"Wallflower" is a song by the English rock musician Peter Gabriel from his fourth eponymous studio album released in 1982. The song was released as a single in the Netherlands but did not chart. Some of the instrumentation from "Wallflower" was incorporated into "Under Lock and Key" and "At Night", which appeared on Gabriel's 1985 Birdy soundtrack album. [1] He also performed the song with an orchestral arrangement for his 2011 New Blood album. Lyrically, "Wallflower" touches upon human rights issues, specifically the treatment of political prisoners. [2]
Gabriel recorded a demo of "Wallflower" during the recording sessions of his 1980 eponymous release. [2] The demo contained melodic aspects that were eventually used on his 1982 eponymous release, although the lyrics took some additional time to develop. After originally considering a romantic set of lyrics to accompany the instrumentation of "Wallflower", Gabriel instead took some inspiration from the human rights work of Amnesty International. [3] In an interview with Alan Freeman, Gabriel explained that he decided to orient the lyrics around prisoners of conscience after viewing an Amnesty International television program related to the topic. [2] The song later became popular amongst Amnesty International workers; Gabriel occasionally prefaced live performances of the song by mentioning the work of Amnesty International. [4]
"Wallflower" was the only song from Gabriel's 1982 eponymous album that was not previewed at the first World of Music, Arts and Dance (WOMAD) festival, which he had co-founded in 1980. [5] He dedicated the song to International Bridges to Justice in 2011 to promote the organization's work protecting legal rights, including the right to a lawyer. [6]
In February 2010, Gabriel released Scratch My Back , an album comprising orchestral covers of 12 different musical artists. [2] The concept of this project was to participate in a song exchange; the artists who Gabriel covered on Scratch My Back would record one of his own compositions for the companion album And I'll Scratch Yours . [7] Thom Yorke of Radiohead had contacted Gabriel in advance of Scratch My Back's release to express interest in recording a rendition of "Wallflower" in return for Gabriel covering Radiohead's song "Street Spirit (Fade Out)". [8] In a podcast posted on his website, Gabriel said that he was "very excited" to hear their rendition of "Wallflower". [9]
However, around the time Scratch My Back was released, Gabriel told The Sun that he had not been in contact with Yorke for several months and was unsure if Radiohead would cover "Wallflower" for And I'll Scratch Yours. Gabriel had sent the band a code to access the cover of "Street Spirit" in advance of Scratch My Back's release; the code also provided Gabriel with information on the number of times the band streamed the song, which indicated that they listened to it once. [10] Despite Yorke claiming that he never listened to Gabriel's cover of "Street Spirit", Gabriel said that the band was reportedly displeased with some of the creative liberties he took with the song, which he believed contributed to Radiohead's decision not to cover "Wallflower". [11] When I'll Scratch Yours was released in 2013, "Wallflower" was not included in the track listing. [12]
Adam Sweeting of Melody Maker described "Wallflower" as an "ode to political prisoners, prisoners of conscience, [and] anyone behind bars." While Sweeting said that the song was "not badly done", he questioned the grandiosity of the composition and believed that it would better serve as a diary entry rather than a commercial release for the public. [13] In his book Without Frontiers: The Life and Music of Peter Gabriel, Daryl Easlea said that "Wallflower" was "one of Gabriel's most beautiful and overlooked ballads". [5] Tim Bowness of Louder Sound described the song as a "hymnal highlight" with a "claustrophobic and poignant prisoner of conscience narrative." [14]
Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. They comprise Thom Yorke ; brothers Jonny Greenwood and Colin Greenwood (bass); Ed O'Brien ; and Philip Selway. They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.
Peter Brian Gabriel is an English singer, songwriter and human rights activist. He was the original lead singer of the progressive rock band Genesis. After leaving the band in 1975, he launched a solo career with "Solsbury Hill" as his first single. His fifth studio album, So (1986), is his best-selling release and is certified triple platinum in the UK and five times platinum in the US. The album's most successful single, "Sledgehammer", won a record nine MTV Awards at the 1987 MTV Video Music Awards and, according to a report in 2011, it was MTV's most played music video of all time.
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Peter Gabriel is the second studio album by the English singer-songwriter Peter Gabriel, released on 2 June 1978 by Charisma Records. Gabriel started recording the album in November 1977, the same month that he had completed touring in support of his debut solo release. He employed former King Crimson guitarist Robert Fripp, who was part of Gabriel's early touring band, to produce the album and incorporated his use of Frippertronics effects on the co-written "Exposure".
"Shock the Monkey" is a song by the English rock musician Peter Gabriel. It was released in September 1982 as the first single from his fourth self-titled studio album, issued in the US under the title Security.
Peter Gabriel is the third solo studio album by the English rock musician Peter Gabriel, released on 30 May 1980 by Charisma Records. The album, produced by Steve Lillywhite, has been acclaimed as Gabriel's artistic breakthrough as a solo artist. AllMusic wrote that it established him as "one of rock's most ambitious, innovative musicians".
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