"Darkness" | ||||
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Single by Peter Gabriel | ||||
from the album Up | ||||
Released | 2004 | |||
Genre | ||||
Length | 6:51 (album version) 14:10 (single remix) | |||
Label | SOG | |||
Songwriter(s) | Peter Gabriel | |||
Producer(s) | ||||
Peter Gabriel singles chronology | ||||
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"Darkness" is a song by English rock musician Peter Gabriel from his 2002 album, Up . [1] A live version was included on the Growing Up Live concert film in 2003. [2] In 2004, a remixed version of the song labeled as the "Englespost Remix" was released as a single in Switzerland. It was previously used as the b-side to "Burn You Up, Burn You Down". [3] An instrumental version of "Darkness", titled "Darker Star", was included on the second season of Canadian sci-fi show Starhunter . [4] In 2011, Gabriel re-recorded the song with an orchestra on his New Blood album. [3]
The working title for "Darkness" was "House in the Woods"; it was also one of the first songs Gabriel finished for Up. [5] When sequencing the running order for Up, Gabriel wanted an "uncomfortable track" to open the album and ultimately selected "Darkness" to fulfill that role. The song opens with a 30-second synthesised intro utilising percussive textures with melodic blips, a kick drum, and cymbals. [6] [4] In an interview with Sound on Sound, engineer Richard Chappell explained that these sounds were derived from a spliced groove triggered through a keyboard; several of the percussion loops were created by Mahut Dominique. [5]
The intro is bookmarked by Gabriel muttering the word "consequence", which is accompanied by what Peter Gabriel biographer Daryl Easlea described as a "sonic assault" that resembles a "death metal record" and the intro to King Crimson's "21st Century Schizoid Man". [6] [4] Chappell explained that the "aggressive loud noise" was achieved by distorting a conga drum with a Lexicon JamMan effect box. [5] An electric guitar played by David Rhodes and a scream were also layered underneath to augment the effect. [3] David Stopps, an old friend of Gabriel, remarked that the song was "really uncompromising" and said that he "pushed the envelope" by making it the album's opening track.
It's almost unbearable to listen to. You can't listen to that, you have to turn it right down before you start or otherwise you might jump out of your skin when that comes in-it's not easy listening, but that's typical Peter. [6]
Chappell said in his interview with Sound on Sound that a few people in Gabriel's inner circle objected to the placement of "Darkness" as the opening track on the album; he also claimed that some listeners accidentally broke their hi-fi loudspeakers because of the song. However, he maintained that the song "had so much muscle and it seemed like a fun idea to have the quiet intro and then the loud assault." [5]
Verse 1 is sung in Gabriel's lower vocal register and addresses the various fears that make him feel minuscule, beginning with his unease about swimming in the sea. For the second verse, the song transitions into a louder section with studio effects that make "Gabriel's higher ranged voice seem almost satanic" according to author Durrell Bowman. [4] Gabriel's distorted vocals were processed with a Sansamp and Line-6 audio plug-in, which were applied during the recording process rather than the production phase. [5] Gentler musical passages follow both of these verses, where Gabriel sings in his normal register without any vocal treatments. [4] The quieter instrumentation continues into the bridge, where the lyrics address the confrontation of the narrator's fears. [3] This section, along with the twice-repeated endings to the verses, fulfill the role of a refrain. The song fades out with the same instrumentation as the intro, which is accompanied by processed vocal murmurs and incantations. [4]
Writing for PopMatters , Andy Hermann highlighted the song's intro, saying that it "attacks the listener with techno-industrial shrieks and an almost Zeppelin-like, stomping backbeat." He also identified "Darkness" as one of the songs on Up that sounded like it took ten years to create. [7] Entertainment Weekly singled out "Darkness" as a song where Gabriel "confront[s] his psychic scars with cathartic insight." [8] Peter Menocal of Kludge wrote that the song was "an enigmatic crawler that taunts the listener into the seductive depths of this screaming Atlantis...The song lashes out and recalls near Trent Reznor-like quality in its composition. Gabriel whispers spoken word only to fall into his trademark ballad. He becomes lost under a layer of instrumentation that is a treat to dissect." [9]
Author Graeme Scarfe thought that listeners who expected a retread of So or Us would likely find the song unsettling, further calling it the least accessible song on Up. [3] Alexis Petridis of The Guardian was critical of certain lyrics, specifically the line about "being mothered with my balls shut in the pen". [10]
Credits from the Up liner notes [12]
"Shock the Monkey" is a song by the English rock musician Peter Gabriel. It was released in September 1982 as the first single from his fourth self-titled studio album, issued in the US under the title Security.
Up is the seventh studio and thirteenth album overall by the English rock musician Peter Gabriel, released on 23 September 2002 through Geffen and Real World Records. The album rose to number 9 in the US, number 11 in the UK, and captured the number 1 position in Italy. The album debuted with sales of 76,000 units in the US and was the highest charting album on the Billboard 200 from a British artist that week. Most critics reviewed it positively, though Rolling Stone said Gabriel was "out of touch". This would be Gabriel's last studio album of new original material until the release of I/O (2023), although he did release several studio projects in the interim.
"Biko" is an anti-apartheid protest song by English rock musician Peter Gabriel. It was released by Charisma Records as a single from Gabriel's eponymous third album in 1980.
"Red Rain" is the first track on English rock musician Peter Gabriel's fifth solo studio album So (1986). In the United States, it was initially only released as a promotional single and reached number three on Billboard magazine's Mainstream Rock chart in June 1986, where it stayed for three weeks between July and August. A year later, in June 1987, it was released as a commercial single in parts of Europe, Australia and the United States, peaking at 46 in the UK Singles Chart after entering the chart in July of that year. A live version also charted in the US and the UK in 1994.
"Digging in the Dirt" is a song by British musician Peter Gabriel. It was released as the first single taken from his sixth studio album, Us, on 7 September 1992. The song was a minor hit on the US Billboard Hot 100, peaking at number 52, but it topped both the Billboard Modern Rock Tracks and Album Rock Tracks charts. The song was moderately successful on the UK Singles Chart, where it peaked at number 24, and it reached the top 10 in Canada, Portugal, and Sweden.
"Games Without Frontiers" is a song written and recorded by the English rock musician Peter Gabriel. It was released on his 1980 self-titled third studio album, where it included backing vocals by Kate Bush. The song's lyrics are interpreted as a commentary on war and international diplomacy being like children's games. The music video includes film clips of Olympic Games events and scenes from the educational film Duck and Cover (1951), which used a cartoon turtle to instruct US schoolchildren on what to do in case of nuclear attack. This forlorn imagery tends to reinforce the song's anti-war theme. Two versions of the music video were initially created for the song, followed by a third one made in 2004.
"Intruder" is a song written and performed by the English rock musician Peter Gabriel. The song was the first to use the "gated reverb" drum sound created by Hugh Padgham and Phil Collins, with Collins performing the song's drum part. The gated drum effect was later used in Collins' own "In the Air Tonight", and appeared frequently through the 1980s, on records such as David Bowie's "Let's Dance" and the Power Station's "Some Like It Hot".
"No Self Control" is a song written and performed by the English rock musician Peter Gabriel. It was released in 1980 as the second single released from his third self-titled album and peaked at number 33 in the UK.
"The Rhythm of the Heat" is a song written and performed by the English rock musician Peter Gabriel. Released in 1982, it is the opening track off his fourth self-titled album. In 1985, the song was used during the opening scene of "Evan" in season one of Miami Vice and also appeared in the Oliver Stone film Natural Born Killers in 1994.
"I Have the Touch" is a song by the English rock musician Peter Gabriel from his fourth eponymous studio album released in 1982. The song's working title during the recording sessions was "Hands". This song was featured in the film The Chocolate War (1988). The 1996 remix was used in the film Phenomenon of the same year. In 1996, Heather Nova recorded a cover version of the song for the teen-witch horror film The Craft.
"Secret World" is the final song on Peter Gabriel's 1992 Us album. It was released as a promotional single and reached the Billboard Album Rock Tracks chart and the Canadian Top Singles Chart. Gabriel used the title for his 1993–94 Secret World Tour, where the song served as the final song of his main set. The song appeared on his Secret World Live album and Secret World concert film; it also served as the subtitle for Gabriel's multimedia CD ROM game Xplora1: Peter Gabriel's Secret World.
"Growing Up" is a song by English rock musician Peter Gabriel from his 2002 album, Up. The song was released as the third single from Up and reached the top 40 in Italy. It was also included on the Growing Up Live concert film in 2003.
"I Don't Remember" is a song written and recorded by the English rock musician Peter Gabriel, released as the fourth and final single from his third eponymous studio album in 1980. Although originally only released as an A-side single in the United States and Canada, a live version released with the album Plays Live (1983) reached No. 62 on the UK Singles Chart and remained in the Top 75 in Britain for 4 weeks. The song was included in Gabriel's compilation album Shaking the Tree (1990) and two different versions were included in Flotsam and Jetsam (2019).
"Kiss That Frog" is the fourth single from English rock musician Peter Gabriel's sixth album, Us (1992). It was written by Gabriel and produced by him with Daniel Lanois. The single was released in September 1993 by Real World, and narrowly failed to enter the UK top 40, peaking at number 46. However, the song did reach the top 40 in Canada, where it peaked at number 36. In the United States, the song missed the Billboard Hot 100 but reached number 18 on both the Billboard Alternative Airplay and Mainstream Rock charts.
"Shakin' the Tree" is a 1989 song by Youssou N'Dour and Peter Gabriel from the Youssou N'Dour album The Lion. Released as a single, it reached number 61 on the UK official singles chart on 17 June 1989.
"The Barry Williams Show" is a song by English rock musician Peter Gabriel from his 2002 album, Up. The song was released as the album's lead single and charted in various European countries. In 2003, the song received a Grammy nomination for Best Male Rock Vocal Performance, although it lost to Bruce Springsteen's "The Rising".
"More Than This" is a song by English rock musician Peter Gabriel from his 2002 album, Up. The song was released as the second single from Up and became the only song from the album to chart in the UK, reaching number 47. It was also included on the Growing Up Live concert film in 2003. Live performances of the song featured projections of a balloon suspended above the stage.
"Come Talk to Me" is the opening song from English rock musician Peter Gabriel's sixth album, Us (1992). It was written by Gabriel and recorded as a duet with Irish singer Sinéad O'Connor. The song was released as a single in the US and also received a music video directed by Matt Mahurin. The music video also included the involvement of Michael Coulson, who served as the creative director from Real World, and British visual artist Nichola Bruce.
"That Voice Again" is a song by English rock musician Peter Gabriel from his 1986 album So. The song was released as a promotional single and reached No. 14 on the Billboard Album Rock Tracks chart. Gabriel identified "That Voice Again" as one of his favorite songs on the album.
"Sky Blue" is a song written and recorded by English musician Peter Gabriel. In September 2002, it appeared on Gabriel's seventh studio album, Up. Fragments of the song were also used on Gabriel's soundtrack album Long Walk Home: Music from the Rabbit-Proof Fence, which preceded the release of Up by a few months.
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