Lexicon JamMan

Last updated

The JamMan is an audio looping device manufactured by Lexicon in the mid-1990s. The idea for the JamMan began with modifications Gary Hall had devised for the Lexicon PCM-42 that allowed him to play into a long, looping delay whose clock could be synchronized to an external source. (Hall, who worked for Lexicon in two different periods, was the primary architect of the PCM41 and PCM42, as well as the non-reverberation effects that first appeared in the 224X and became better known in the PCM70.) Bob Sellon extended the concept considerably, starting with elaborate PCM42 modifications and eventually working with several others at Lexicon to arrive at the JamMan.

Contents

The product allowed musicians to record musical phrases at the touch of a button which were then played back, looping indefinitely. The musician would typically use the looping audio as a backing track providing a virtual backing band. The device also allowed MIDI drum machines and sequencers to be synchronized to them providing additional accompaniment. By pressing a button on the floor pedal, the device begins recording a rhythm (8 seconds of memory comes standard, but an upgraded 32-second memory chip is a common upgrade). When the musician is finished playing the part to be looped, simply press the tap button on the floor again and the machine does two things immediately: replays the part from the beginning looping it indefinitely while sending a MIDI clock signal to a drum machine which kicks in right on time and is synchronized to the rhythm part.

The JamMan is a 1U rack mounted unit that is controlled using 1 or 2 footswitches or via MIDI.

Users

See also

Related Research Articles

<span class="mw-page-title-main">Effects unit</span> Electronic device that alters audio

An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.

<span class="mw-page-title-main">MIDI</span> Electronic musical instrument connection standard

MIDI is a technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music.

In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves.

A click track is a series of audio cues used to synchronize sound recordings, sometimes for synchronization to a moving image. The click track originated in early sound movies, where optical marks were made on the film to indicate precise timings for musical accompaniment. It can also serve a purpose similar to a metronome, as in the music industry, where it is often used during recording sessions and live performances.

<span class="mw-page-title-main">Sampler (musical instrument)</span> Device that records and plays back samples

A sampler is an electronic musical instrument that records and plays back samples. Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music.

<span class="mw-page-title-main">Electronic keyboard</span> Musical instrument

An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a synthesizer with a low-wattage power amplifier and small loudspeakers.

<span class="mw-page-title-main">Steinberg Cubase</span> Digital audio workstation

Cubase is a digital audio workstation (DAW) developed by Steinberg for music and MIDI recording, arranging and editing. The first version, which was originally only a MIDI sequencer and ran on the Atari ST computer, was released in 1989. Cut-down versions of Cubase are included with almost all Yamaha audio and MIDI hardware, as well as hardware from other manufacturers. These versions can be upgraded to a more advanced version at a discount.

<span class="mw-page-title-main">GarageBand</span> Digital audio workstations for macOS, iOS, and iPadOS

GarageBand is a software application by Apple for macOS, iPadOS, and iOS devices that allows users to create music or podcasts. GarageBand was originally released for macOS in 2004 and brought to iOS in 2011. The app's music and podcast creation system enables users to create multiple tracks with pre-made MIDI keyboards, pre-made loops, an array of various instrumental effects, and voice recordings.

In digital audio electronics, a word clock or wordclock is a clock signal used to synchronise other devices, such as digital audio tape machines and compact disc players, which interconnect via digital audio signals. Word clock is so named because it clocks each audio sample. Samples are represented in data words.

<span class="mw-page-title-main">Roland JX-3P</span> Analog synthesizer

The Roland JX-3P is a synthesizer produced by Roland Corporation of Japan from 1983–1985. The "3P" in its name refers to "Programmable Preset Polyphonic". It is notable as one of the company's first synthesizers to incorporate a MIDI interface.

<span class="mw-page-title-main">Ableton Live</span> Digital audio workstation

Ableton Live, also known as Live or sometimes colloquially as "Ableton", is a digital audio workstation for macOS and Windows developed by the German company Ableton.

<span class="mw-page-title-main">MIDI controller</span> Device that produces MIDI data

A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features.

Traktor is DJ software developed by Native Instruments. It is also used as a sub-brand for Native Instruments' associated DJ hardware products.

<span class="mw-page-title-main">One-man band</span> A musician who plays various instruments

A one-man band is a musician who plays a number of instruments simultaneously using their hands, feet, limbs, and various mechanical or electronic contraptions. One-man bands also often sing while they perform.

<span class="mw-page-title-main">Roland TR-505</span> Drum machine

The Roland TR-505 rhythm composer is a drum machine and MIDI sequencer released by Roland Corporation in 1986. It hails from the same family of drum machines as the Roland TR-909, TR-808, TR-707, TR-626 and TR-606. The drum kit includes basic rock drum sounds similar to those of the TR-707, plus a complement of Latin-style drum sounds similar to those of the TR-727

<span class="mw-page-title-main">Delay (audio effect)</span> Echo-like effect

Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo.

<span class="mw-page-title-main">Backing track</span>

A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that live musicians play along with or sing along to. Backing tracks enable singers and bands to add parts to their music which would be impractical or impossible to perform live, such as string section or choir parts which were recorded in the studio. A backing track can be used by a one person band to add any amount of bass, drums and keyboards to their live shows without the cost of hiring extra musicians. A small pop group or rock band can use backing tracks to add a string section, horn section, drumming or backing vocals to their live shows.

The ADAT Lightpipe, officially the ADAT Optical Interface, is a standard for the transfer of digital audio between equipment. It was originally developed by Alesis but has since become widely accepted, with many third party hardware manufacturers including Lightpipe interfaces on their equipment. The protocol has become so popular that the term ADAT is now often used to refer to the transfer standard rather than to the Alesis Digital Audio Tape itself.

sndio is the software layer of the OpenBSD operating system that manages sound cards and MIDI ports. It provides an optional sound server and a documented application programming interface to access either the server or the audio and MIDI hardware in a uniform way. sndio is designed to work for desktop applications, but pays special attention to synchronization mechanisms and reliability required by music applications.

The 12 Step foot controller is a bass pedal-style programmable MIDI controller pedal keyboard made by Keith McMillen Instruments which was released in 2011. It has small, soft, rubbery keys that are played with the feet. As a MIDI controller, it does not make or output any musical sounds by itself; rather, it sends MIDI messages about which notes are played to an external synth module or computer music program running on a laptop or other computer. Each key on the 12 Step senses the velocity, aftertouch pressure, and the amount of tilt the player is applying with her feet. The messages from the player's foot presses can be sent via USB to a computer-based virtual instrument or to a synthesizer or other electronic or digital musical instrument.

References

  1. "Daft Punk Equipboard". Equipboard. Retrieved 27 April 2019.
  2. "Article:Death in June Demystified" . Retrieved 2 April 2021.
  3. "Suburban Requiem, by Keith Marquis".
  4. "Nick McCabe: No guitarist left behind". The Verve Live.