"Intruder" | |
---|---|
Song by Peter Gabriel | |
from the album Peter Gabriel (Melt) | |
Released | 30 May 1980 |
Recorded | Late 1979 |
Genre | |
Length | 4:54 |
Label | |
Songwriter(s) | Peter Gabriel |
Producer(s) | Steve Lilywhite |
"Intruder" is a song written and performed by the English rock musician Peter Gabriel. The song was the first to use the "gated reverb" drum sound created by Hugh Padgham and Phil Collins, with Collins performing the song's drum part. [4] The gated drum effect was later used in Collins' own "In the Air Tonight", and appeared frequently through the 1980s, on records such as David Bowie's "Let's Dance" and the Power Station's "Some Like It Hot".
In its demo form, "Intruder" was centered around a drum machine pattern rather than live drums; Gabriel conceived the song as having a fuller arrangement at this stage of development. [5] The working title for the song was "Marguerita", although Gabriel later changed the name to "Intruder" once further musical components were added. [6] When the song was still titled "Marguerita", Gabriel intended for David Jackson to overdub a saxophone part, [7] although the instrument was ultimately unused on the final recording. [8]
The gated drum sound – which features heavily throughout the song – was achieved by Hugh Padgham and Phil Collins while working at The Townhouse with an early SSL console, which had noise gates and compressors built into every channel. The console also had a reverse talkback feature that allowed the musicians to communicate with the producers in the control room. [9] Padgham noticed that the microphone made everything in the recording room sound "massive", so he asked one of the engineers in the studio to patch the compressor from the talkback microphone into the recording console. [10] When Gabriel's band was running through a song, Padgham recalled that "Phil was playing the drums and I had the reverse talkback on because he was speaking, and then he started playing the drums. The most unbelievable sound came out because of the heavy compressor." [9]
Gabriel was excited by this development, saying that it would "revolutionise drum sounds", and subsequently built "Intruder" around the drums. [11] He then instructed Collins to remove the cymbals from his kit and repeat the drum pattern throughout the entire song. [5] During the song's run-through, Collins kept intuitively striking the air where his cymbals were previously situated, so Gabriel suggested that they place additional drums in those locations. The removal of these cymbals allowed Padgham to place microphones closer to Collins' drum kit. [6]
At the request of Collins, Gabriel gave him credit in the liner notes for creating the drum pattern. [12] Gabriel contended that the gated-reverb sound had been used prior to "Intruder", specifically on Drums and Wires by XTC, where the effect was used more as a "colouring agent". However, Gabriel wanted to showcase the gated-reverb drum sound to a greater extent than earlier uses of the effect by making it the focal point of "Intruder". [5]
The drum pattern encompasses a one bar figure with six drum strikes: the third and sixth drum hits are played on a snare drum and the remaining drum hits occur on tom-tom drums. David Rhodes created the creaking noises heard during the intro and outro by scraping the lowest string of an acoustic guitar. [13] Rhodes used an Ovation acoustic guitar connected through a Roland Jazz Chorus amplifier on "Intruder", which was the first time he used this setup on a recording. [14] After the introduction of the guitar scrapes, a series of dissonant and percussive guitar and piano chords follow, which later segue into a descending melodic pattern accompanied by processed vocalizations. [13] Melodically, Gabriel structured "Intruder" around flattened fifths on his piano to give the song "a sense of menace". [15] The song's subject matter relates to a burglar breaking into a house and is told from the intruder's perspective. [16]
In his review of Gabriel's third self-titled album, Chris Roberts of The Quietus described "Intruder" as "an extraordinary piece of creepy-sexy art-rock." He said that the song's narrator was represented as an "up-to-no-good stalker, breaking and entering, part-Hitchcock, part-care-in-the-community" whose "lusts and motivations [are] intense.". [17] Stephen Thomas Erlewine of AllMusic labelled the song as an "ominous opener" that was also "undeniably alluring." He believed that some of the sounds on the recording were the scariest that Gabriel had achieved up to that point in his career. [18]
The song was often performed live by Gabriel in the early 1980s, and is included on his first live album, Plays Live (1983). It appears also on Gabriel's ninth studio album New Blood (2011) in symphonic version. Gabriel stated that the song's New Blood arrangement was inspired by the work of film director Alfred Hitchcock and composer Bernard Herrmann. [19]
In 1992, the band Primus recorded a cover version of the song and included it as the opening track to their Miscellaneous Debris EP. The band later covered the song again in 2018 with Brann Dailor of Mastodon at a live performance in Sterling Heights, Michigan. [20]
"In the Air Tonight" is the debut solo single by English drummer and singer-songwriter Phil Collins. It was released as the lead single from Collins's debut solo album, Face Value, in January 1981. It was selected as the second single from the album in the US and Canada after "I Missed Again".
Face Value is the debut solo studio album by English drummer and singer-songwriter Phil Collins, released on 13 February 1981, by Virgin Records in the United Kingdom and Atlantic Records in North America. After his first wife filed for divorce in 1979, Collins began to write songs during a break in activity from Genesis with much of the material concerning his personal life. The album was recorded from mid-1980 to early 1981 with Collins and Hugh Padgham as producers. Additional musicians include the Phenix Horns, Alphonso Johnson, and Eric Clapton.
Hugh Charles Padgham is an English record producer and audio engineer. He has won four Grammy Awards, for Producer of the Year and Album of the Year for 1985, Record of the Year for 1990, and Engineer of the Year for 1993. Padgham's co-productions include hits by Phil Collins, XTC, Genesis, the Human League, Sting, and the Police. He pioneered the "gated reverb" drum sound used most famously in Collins' song "In the Air Tonight".
Invisible Touch is the thirteenth studio album by the English rock band Genesis, released on 6 June 1986 by Atlantic Records in the United States and on 9 June 1986 by Charisma/Virgin Records in the United Kingdom. After taking a break in 1984 for each member to continue his solo career, the band reconvened in October 1985 to write and record Invisible Touch with engineer and producer Hugh Padgham. As with their previous album, it was written entirely through group improvisations and no material developed prior to recording was used.
A noise gate or simply gate is an electronic device or software that is used to control the volume of an audio signal. Comparable to a limiter, which attenuates signals above a threshold, such as loud attacks from the start of musical notes, noise gates attenuate signals that register below the threshold. However, noise gates attenuate signals by a fixed amount, known as the range. In its simplest form, a noise gate allows a main signal to pass through only when it is above a set threshold: the gate is "open". If the signal falls below the threshold, no signal is allowed to pass : the gate is "closed". A noise gate is used when the level of the "signal" is above the level of the unwanted "noise". The threshold is set above the level of the "noise", and so when there is no main "signal", the gate is closed.
Genesis is the twelfth studio album by English rock band Genesis, released on 3 October 1983 by Charisma and Virgin Records in the UK and by Atlantic Records in the US and Canada. Following the band's tour in support of their 1982 live album Three Sides Live, Genesis took an eight-month break before they regrouped in the spring of 1983 to record a new album. It is their first written and recorded in its entirety at their studio named The Farm in Chiddingfold, Surrey, and the songs were developed through jam sessions in the studio with nothing written beforehand. Hugh Padgham returned as their engineer.
Abacab is the eleventh studio album by English rock band Genesis, released on 18 September 1981 by Charisma Records. After their 1980 tour in support of their previous album, Duke (1980), the band took a break before they reconvened in 1981 to write and record a new album. Abacab is the first Genesis album recorded at The Farm, a recording studio bought by the group in Chiddingfold, Surrey. It marked the band's development from their progressive roots into more accessible and pop-oriented songs, and their conscious decision to write songs unlike their previous albums.
Peter Gabriel is the third solo studio album by the English rock musician Peter Gabriel, released on 30 May 1980 by Charisma Records. The album, produced by Steve Lillywhite, has been acclaimed as Gabriel's artistic breakthrough as a solo artist. AllMusic wrote that it established him as "one of rock's most ambitious, innovative musicians".
Something's Going On is the third solo album by Swedish singer Anni-Frid Lyngstad (Frida), one of the founding members of the Swedish pop group ABBA, and her first album recorded entirely in English. Her previous two albums had been recorded in Swedish. Recorded in early 1982 during the final months of ABBA, the album was released on 10 September of that same year.
"Mama" is a song by the English rock band Genesis, released as the first single in 1983 from their self-titled album. It is recognisable for its harsh drum machine introduction composed by Mike Rutherford, which leads into minimalist synthesizer lines in a minor tonality and finally Phil Collins' reverb-laden voice. It remains the band's most successful single in the UK, peaking at No. 4 on the UK singles chart. It also made the top 10 in Switzerland, Austria, Norway, Ireland and the Netherlands. It was less popular in the US, only reaching No. 73 on the Billboard Hot 100. A 1992 re-release of the single managed to reach the Top 40 in Germany.
"I Don't Care Anymore" is a song written, performed, and produced by the English drummer Phil Collins. It was the second US single from Collins' second solo studio album, Hello, I Must Be Going! (1982). It became a moderate US hit, peaking at number 39 on the Billboard Hot 100. It did not see a UK release; however, it was released as the third single in various other countries such as Germany and Australia.
Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate that cuts the tail of the reverb. The effect is typically applied to recordings of drums to make the hits sound powerful and "punchy" while keeping the overall mix sound clean and transparent.
The Town House was a recording studio located at 140 Goldhawk Road, Shepherd's Bush in London, built in 1978 under the direction of Richard Branson for Virgin Records. The studios changed ownership and eventually ceased operation in 2008, with luxury apartments now in its place.
"Family Snapshot" is a song written and performed by the English rock musician Peter Gabriel, appearing on his third eponymous studio album.
"No Self Control" is a song written and performed by the English rock musician Peter Gabriel. It was released in 1980 as the second single released from his third self-titled album and peaked at number 33 in the UK. The first 30,000 copies of the single were distributed in picture sleeves.
"I Have the Touch" is a song by the English rock musician Peter Gabriel from his fourth eponymous studio album released in 1982. The song's working title during the recording sessions was "Hands". This song was featured in the film The Chocolate War (1988). The 1996 remix was used in the film Phenomenon of the same year. In 1996, Heather Nova recorded a cover version of the song for the teen-witch horror film The Craft.
Spill is the occurrence in sound recording and live sound mixing whereby sound is picked up by a microphone from a source other than that which is intended. Spill is usually seen as a problem, and various steps are taken to avoid it or reduce it. In some styles of music, such as orchestral music, jazz, and blues, it is more likely to be accepted or even seen as desirable.
Heavy metal drumming is a style of rock music drum kit playing that developed in the late 1960s and early 1970s, largely in the United States and the United Kingdom. With roots in blues rock and psychedelic/acid rock drum playing, heavy metal drummers play with emphatic beats, and overall loudness using an aggressive performing style. Heavy metal drumming is traditionally characterized by emphatic rhythms and dense bass guitar-and-drum sound.
A reverb effect, or reverb, is an audio effect applied to a sound signal to simulate reverberation. It may be created through physical means, such as echo chambers, or electronically through audio signal processing. The American producer Bill Putnam is credited for the first artistic use of artificial reverb in music, on the 1947 song "Peg o' My Heart" by the Harmonicats.
The Solid State Logic SL 4000 is a series of large-format analogue mixing consoles designed and manufactured by Solid State Logic (SSL) from 1976 to 2002. 4000 Series consoles were widely adopted by major commercial recording studios in the 1980s.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite news}}
: CS1 maint: unfit URL (link)