Stands for Decibels | ||||
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Studio album by | ||||
Released | January 15, 1981 | |||
Recorded | 1980 | |||
Studio | Blue Rock Studio, SoHo, Manhattan | |||
Genre | ||||
Length | 34:36 | |||
Label | Albion | |||
Producer |
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The dB's chronology | ||||
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Stands for Decibels is the debut studio album by American power pop band the dB's, released January 15, 1981 by Albion Records. [1] The album was commercially unsuccessful but critically acclaimed. [2]
At the time of its release, the dB's consisted of singer/guitarists Chris Stamey and Peter Holsapple, bassist Gene Holder, and drummer Will Rigby. The songwriting was evenly divided between Stamey and Holsapple, although Stamey became known for writing the stranger, more avant-garde numbers ("She's Not Worried", "Espionage"), while Holsapple wrote the more accessible, poppier songs ("Black and White", "Bad Reputation"). [3] Both Stamey and Holsapple played keyboards occasionally as well. Holder and Rigby did not receive any songwriting credits (other than a group credit for "Dynamite").
The album, which was recorded at Blue Rock Studio in SoHo, Manhattan, [4] was dedicated to George Scott III. "Black and White" was released as the band's first single. I.R.S. Records reissued the album on CD in 1989. [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
Pitchfork | 9.0/10 [2] |
The Rolling Stone Album Guide | [7] |
Smash Hits | 8/10 [8] |
Spin Alternative Record Guide | 9/10 [9] |
Tom Hull – on the Web | B+ ( ) [10] |
The Village Voice | A− [11] |
In The Village Voice 's year-end Pazz & Jop poll, Stands for Decibels was voted by critics as the 26th best album of 1981. [12]
In a retrospective review for AllMusic, Chris Woodstra stated: "On their debut, the dB's combined a reverence for British pop and arty, post-punk leanings that alternate between minimalism and a love of quirky embellishment, odd sounds, and unexpected twists; Stands for Decibels is clearly a collegiate pop experiment, but rarely is experimentation so enjoyable and irresistibly catchy." [6] He concluded that the album "stands not only as a landmark power pop album, but also as a prototype for much of the Southern jangle that would follow." [6] Stands for Decibels was ranked at number 76 on Pitchfork 's list of the 100 best albums of the 1980s. [13]
Side 1
Side 2
Some later CD versions (including the 1992 compilation dB's First/Repercussion) add two bonus tracks: "Baby Talk" (writer: Stamey, length: 1:50) as track 7, and "Judy" (writer: Holsapple, length: 2:48) as track 13. [14] [15]
Credits are adapted from the album's liner notes. [16]
The dB's
Technical
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world–when he talks, people listen."
The dB's are an American alternative rock and power pop group, who formed in New York City in 1978 and first came to prominence in the early 1980s. Their debut album Stands for Decibels is acclaimed as one of the great "lost" power pop albums of the 1980s.
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Peter Livingston Holsapple is an American musician who formed, along with Chris Stamey, the dB's, a jangle-pop band from Winston-Salem, North Carolina. He became the band's principal songwriter and singer after Stamey's departure. The band, with Stamey back in the fold, reformed with new material in 2005–2006.
Christopher Charles Stamey is an American musician, singer, songwriter, and record producer. After a brief time playing with Alex Chilton, as well as Mitch Easter under the name Sneakers, Stamey formed The dB's with Peter Holsapple.
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Neon Golden is the fifth studio album by German indie rock band The Notwist. It was released on 14 January 2002 by City Slang.
Repercussion is the second studio album by American power pop band the dB's, released in 1981 by Albion Records. Like its predecessor, Stands for Decibels, the album was commercially unsuccessful but critically acclaimed.
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Like This is the third studio album by the American power pop band the dB's, released in 1984 via Bearsville Records. The band recorded as a trio following the departure of Chris Stamey. The album includes a re-mixed version of "Amplifier", the lead single from their previous album, Repercussion.
The Sound of Music is an album by American power pop group The dB's, released in 1987 on I.R.S. Records.
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Will Rigby is an American musician known for being the drummer of jangle pop band the dB's, a band he formed along with Peter Holsapple, Chris Stamey, and Gene Holder in the late 1970s. He has also performed with many other artists and has released two solo albums.
Mavericks is a collaborative album by the two original singer/songwriters of jangle pop band the dB's, Peter Holsapple and Chris Stamey. It was originally released in 1991 on Rhino Records and was re-released on January 15, 2008 by Collectors' Choice Music. The reissue featured six previously unreleased tracks. The album is noted for having a more acoustic and slower sound than Holsapple and Stamey's work with the dB's.
The Bible of Bop is a mini-album and the first solo release by English guitarist and songwriter Kimberley Rew, released in 1982. It mostly consists of tracks taken from three singles Rew released through indie label Armageddon between 1980 and 1982: two under his own name, backed by members of the dB's and the Soft Boys; and one as part of the Waves. In 2010, the album was reissued on CD for the first time on the CGB label with three bonus tracks.
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