Sunburst Finish | ||||
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Studio album by | ||||
Released | February 1976 | |||
Studio | Abbey Road Studios, London; Air Studios, London | |||
Genre | ||||
Length | 39:47 | |||
Label | Harvest | |||
Producer | ||||
Be-Bop Deluxe chronology | ||||
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Singles from Sunburst Finish | ||||
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Review scores | |
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Source | Rating |
Q | ![]() ![]() ![]() ![]() ![]() |
Sunburst Finish is the third studio album by English rock band Be-Bop Deluxe, released in February 1976. [2] It was recorded in Abbey Road Studios, London. [3]
The album contains what would become one of their few forays into chart success; the February 1976 single "Ships in the Night", which reached number 23 in the UK Singles Chart.
Keyboardist Andy Clark, who had served as a temporary member during Be-Bop Deluxe's 1975 Futurama tour, joined the band as a full member for this album. He remained until the band was dissolved by Bill Nelson in 1978 and would be the only member of Be-Bop Deluxe apart from Bill Nelson to become part of Bill Nelson's Red Noise .
The album marked the production debut of John Leckie, who would later produce artists such as Simple Minds, XTC, The Stone Roses and Radiohead. [4] It was re-released in early 1991 with three bonus tracks. [1]
Q Magazine described it as the band's 'finest hour' where 'Bill's lyrical excesses are held in check while the band belt out track after track of uniquely futuristic pop'. [1]
The music of Sunburst Finish has been classified as art rock, [5] pop rock [6] and progressive pop. [7]
All songs written by Bill Nelson.
with:
John Thornton photographed the cover [8] based on a concept by Mike Doud. [9] The model was Nicky Howarth Dwek.
William Nelson is an English singer, guitarist, songwriter, producer, painter, video artist, writer and experimental musician. He rose to prominence as the chief songwriter, vocalist and guitarist of the rock group Be-Bop Deluxe, which he formed in 1972. Nelson has been described as "one of the most underrated guitarists of the seventies art rock movement". In 2015, he was recognised with the Visionary award at the Progressive Music Awards.
Venus and Mars is the fourth studio album by the British–American rock band Wings. Released in May 1975 as the follow-up to Band on the Run, Venus and Mars continued Wings' run of commercial success and provided a springboard for a year-long worldwide tour. The album was Paul McCartney's first post-Beatles album to be released worldwide by Capitol Records rather than Apple.
Wild Life is the debut studio album by the British-American rock band Wings and the third studio album by Paul McCartney after the breakup of the Beatles. The album was mainly recorded in seven sessions between 24 July and 4 September 1971, at EMI Studios by McCartney, his wife Linda, session drummer Denny Seiwell, whom they had worked with on the McCartneys' previous album Ram, and guitarist Denny Laine, formerly of the English rock band the Moody Blues. It was released by Apple Records on 7 December in the UK and US, to lukewarm critical and commercial reaction.
John Barleycorn Must Die is the fourth studio album by English rock band Traffic, released in 1970 as Island ILPS 9116 in the United Kingdom, United Artists UAS 5504 in the United States, and as Polydor 2334 013 in Canada. It marked the band's comeback after a brief disbandment, and peaked at number 5 on the Billboard Top LPs chart, making it their highest-charting album in the US, and has been certified a gold record by the RIAA. In addition, the single "Empty Pages" spent eight weeks on the Billboard Hot 100, peaking at number 74. The album was marginally less successful in the UK, reaching number 11 on the UK Albums Chart.
The Magnificent Moodies is the 1965 debut album by British rock band the Moody Blues, released on Decca Records.
Nightlife is the fourth studio album by Irish rock band Thin Lizzy, released on 8 November 1974 by Vertigo Records. It was produced by Ron Nevison and bandleader Phil Lynott, and was the first album to feature the band as a quartet with newcomers Scott Gorham and Brian Robertson on guitars.
Head is the sixth studio album by the American pop rock band the Monkees, released in 1968 by Colgems Records, and the soundtrack to the film of the same name. The album primarily consists of musique concrète pieces assembled from the film's dialogue, while the six new songs encompass genres such as psychedelic music, lo-fi, acid rock and Broadway theatre.
Simon Andrew Clark is an English keyboard and synthesizer player best known for working alongside guitarist Bill Nelson in art rock band Be-Bop Deluxe and their synthpop offshoot Red Noise. One of his earlier involvements in music was as member of a progressive rock band from Sheffield, Yorkshire, called Mother's Pride.
The Grateful Dead is the debut studio album by the American rock band the Grateful Dead, released by Warner Bros. Records on March 17, 1967. According to the biographies of both bassist Phil Lesh and drummer Bill Kreutzmann, the band released the album as San Francisco's Grateful Dead.
Be-Bop Deluxe were an English rock band who achieved critical acclaim and moderate commercial success during the mid to late 1970s.
A Beard of Stars is the fourth studio album by English psychedelic folk band Tyrannosaurus Rex, and their last before changing their name to T. Rex. It was released in March 1970 by record label Regal Zonophone.
Ian Walter Nelson was an English new wave musician, and younger brother of Be-Bop Deluxe singer and guitarist Bill Nelson, whom he accompanied in different musical projects. He played mainly the saxophone.
Bill Nelson's Red Noise, or more simply Red Noise, was Bill Nelson's umbrella term for what effectively became a British new wave band formed by himself, his brother Ian (saxophone), Andy Clark (keyboards) and Rick Ford (bass). Dave Mattacks and Steve Peer (drums) both had brief stints in the band.
Drastic Plastic is the fifth and final album by English rock band Be-Bop Deluxe, released in February 1978.
The Gibson ES-345 is a guitar manufactured by the Gibson Guitar Company. The guitar was produced from 1959 to 1981. It was designed as a jazz guitar and an upscale version of the ES-335.
Axe Victim is the debut album by English rock band Be-Bop Deluxe, released in June 1974.
Futurama is the second album by the band Be-Bop Deluxe, released in 1975 and generally classified musically as a progressive rock album.
Cool Blues is a live album by American jazz organist Jimmy Smith featuring performances recorded at Small's Paradise in New York City in 1958 but not released on the Blue Note label until 1980. The album was rereleased on CD with three bonus tracks recorded at the same performance.
Sound-on-Sound is the sole album by English new wave band Bill Nelson's Red Noise, released in February 1979 by record label Harvest. Band leader Bill Nelson formed the group after the disbandment of Be-Bop Deluxe in 1978. The record was recorded with producer and engineer John Leckie, and marks a stylistic change for Nelson with its emphasis on synthesizers. His lyrics were inspired by science fiction and dystopian themes, which the musician tried to present in a humorous way. The album cover, featuring a bed-ridden robot, was photographed by Bishin Jumonji
Modern Music is the fourth studio album by English rock band Be-Bop Deluxe. It was produced by band leader Bill Nelson and producer/engineer John Leckie. As AllMusic reviewer William Ruhlmann states in his review, "the album charted high in England and made the Top 100 in the U.S., but it was Be Bop's peak, not its breakthrough.