John Leckie

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John Leckie
John Leckie.jpg
John Leckie, 2006
Background information
Birth nameJohn William Leckie
Born (1949-10-23) 23 October 1949 (age 74)
Paddington, London, England
Genres Rock, pop
Occupation(s) Record producer
Years active1970–present

John William Leckie (born 23 October 1949) is an English record producer and recording engineer. His production credits include Magazine's Real Life (1978); XTC's White Music (1978); Dukes of Stratosphear's 25 O'Clock and The Fall's This Nation's Saving Grace (both 1985); the Stone Roses' The Stone Roses (1989); the Verve's A Storm in Heaven (1993); Radiohead's The Bends (1995); Cast's All Change (1995); Muse's Origin of Symmetry (2001); and the Levellers' We the Collective (2018).

Contents

Early life

Born in Paddington, London, [1] Leckie was educated at the Quintin School, a grammar school in North West London, then Ravensbourne college of Art and Design in Bromley. [2] [3] After leaving school, he worked for United Motion Pictures as an audio assistant. [4]

Career

Leckie began work at Abbey Road Studios on 15 February 1970 as a tape operator, later graduating to balance engineer and record producer. [5] During his early career he worked as a tape operator with artists such as George Harrison ( All Things Must Pass ), John Lennon ( John Lennon/Plastic Ono Band ) [6] and Syd Barrett ( Barrett ). He moved up to the desk to be balance engineer for Pink Floyd ( Meddle and Wish You Were Here ), [7] [8] for Mott The Hoople's album Mott and Paul McCartney and Wings' Red Rose Speedway and the single "Hi, Hi, Hi". Other engineering sessions at Abbey Road at this time were with Roy Harper, Soft Machine, Sammy Hagar, Jack Rieley's Western Justice album and the last recordings with Syd Barrett. [9]

His first jobs as producer, in 1976, were Be-Bop Deluxe's third album, Sunburst Finish , and Doctors of Madness' Figments of Emancipation. His collaboration with Be-Bop Deluxe continued with Modern Music , Live! In the Air Age and Drastic Plastic . [10] In 1977 Leckie produced the Adverts' Crossing the Red Sea with the Adverts , Magazine's Real Life ,. [11]

Leckie left Abbey Road in 1978 and produced albums for Simple Minds ( Life in a Day , Real to Real Cacophony and Empires and Dance ). [12] For Be-Bop Deluxe founder Bill Nelson, he produced the Red Noise album Sound on Sound and Nelson's subsequent solo album Quit Dreaming And Get On The Beam (the latter unreleased until 1981). [13] Leckie recorded the début single, Public Image for Public Image Ltd [14] and produced the Human League's Holiday 80 EP. Leckie's work with XTC included producing their debut 3D single and EP, and first two studio albums, White Music and Go 2 . [15] In 1981 he worked with the legendary Irish band The Atrix on their 3rd single Procession. Later he went on to produce 25 O'Clock and Psonic Psunspot, which XTC issued under the pseudonym The Dukes of Stratosphear [16] in the mid-1980s.

In 1989 Leckie produced the Stone Roses' debut album The Stone Roses . [17] The album was voted the best record of all time on a music poll taken by BBC Radio 6 Music and features as Number 1 on Observer's June 2004 "100 Greatest British Albums". Some months later he produced and mixed their single "Fools Gold", which charted at No. 4 in the UK Singles Chart, [18] and in early 1990 he produced and mixed the single "One Love" which also charted at no. 4 in UK. [19] Leckie also worked on much of the recording the Stone Roses' album Second Coming. [20] In 1995, Leckie produced All Change by the Liverpool band Cast, which became Polydor Records' highest-selling debut album. [21]

Leckie produced and engineered Radiohead's second album, The Bends (1995), [22] which garnered significant critical attention. [23] His next projects were the first two albums by Muse, Showbiz (1999) and Origin of Symmetry (2001). [24] The albums drew comparisons to Radiohead, which Leckie dismissed, saying: "In the late 90s, any British band that sang passionately and played guitar was going to get compared to Radiohead." [24] He said he had been invited to produce several "Radiohead copycats" after The Bends, and chose to produce Muse because he had "intentionally looked for something different". [24] At the 2010 Music Producers Guild Awards, where Muse's self-produced song "Uprising" was named UK Single of the Year, The songwriter, Matt Bellamy, thanked Leckie for "teaching us how to produce". [25] In 2019, Leckie produced Dark Times, the critically acclaimed comeback album by Doctors of Madness.[ citation needed ]

Awards

Albums produced

Related Research Articles

Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. They comprise Thom Yorke ; brothers Jonny Greenwood and Colin Greenwood (bass); Ed O'Brien ; and Philip Selway. They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.

<i>OK Computer</i> 1997 studio album by Radiohead

OK Computer is the third studio album by the English rock band Radiohead, released on 21 May 1997. With their producer, Nigel Godrich, Radiohead recorded most of OK Computer in their rehearsal space in Oxfordshire and the historic mansion of St Catherine's Court in Bath in 1996 and early 1997. They distanced themselves from the guitar-centred, lyrically introspective style of their previous album, The Bends. OK Computer's abstract lyrics, densely layered sound and eclectic influences laid the groundwork for Radiohead's later, more experimental work.

<i>The Bends</i> (album) 1995 studio album by Radiohead

The Bends is the second studio album by the English rock band Radiohead, released on 13 March 1995 by Parlophone. It was produced by John Leckie, with extra production by Radiohead, Nigel Godrich and Jim Warren. The Bends combines guitar songs and ballads, with more restrained arrangements and cryptic lyrics than Radiohead's debut album, Pablo Honey (1993).

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<span class="mw-page-title-main">Nigel Godrich</span> English record producer

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<i>Showbiz</i> (Muse album) 1999 studio album by Muse

Showbiz is the debut studio album by English rock band Muse, first released on 7 September 1999 through Taste Media. It was released in various other regions around the world through the band's different regional labels such as; Naïve in France, Motor in Germany, Russia, Turkey and Ukraine, Maverick in the United States, Play It Again Sam (PIAS) in Benelux, and Avex Trax in Japan.

<i>My Iron Lung</i> 1994 EP by Radiohead

My Iron Lung is the third EP by the English rock band Radiohead, released on 26 September 1994 by Parlophone Records in the UK and by Capitol Records in the US. It was produced by Radiohead, John Leckie and Nigel Godrich. It marked Radiohead's first collaborations with Godrich and the artist Stanley Donwood, who have worked on every Radiohead release since.

<span class="mw-page-title-main">High and Dry / Planet Telex</span> 1995 single by Radiohead

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"Fake Plastic Trees" is a song by the English rock band Radiohead, released on their second album, The Bends (1995). It was the third single from The Bends in the UK, and the first in the US. It reached the top 50 on the UK Singles Chart, the New Zealand Singles Chart, the US Modern Rock Tracks chart and the Canadian Rock/Alternative chart.

<i>Go 2</i> 1978 studio album by XTC

Go 2 is the second studio album by the English band XTC, released 6 October 1978 on Virgin Records. The United Kingdom version contained no singles, but the American and Canadian versions included the single "Are You Receiving Me?" released on 27 October 1978 along with a music video produced for the song.

<i>25 OClock</i> 1985 studio album (mini-LP) by the Dukes of Stratosphear

25 O'Clock is the debut record by English rock band the Dukes of Stratosphear and the eighth studio album by XTC, released on April Fools Day 1985 through Virgin Records. It was publicised as a long-lost collection of recordings by a late 1960s group, but actually consisted of new tracks recorded by Andy Partridge, Colin Moulding, and Dave Gregory of XTC with Gregory's brother Ian.

<span class="mw-page-title-main">Just (song)</span> 1995 single by Radiohead

"Just" is a song by the English rock band Radiohead, included on their second album, The Bends (1995). It was released as a single on 21 August 1995 and reached number 19 on the UK Singles Chart.

<span class="mw-page-title-main">The Bends (song)</span> 1996 single by Radiohead

"The Bends" is a song by the English rock band Radiohead from their second studio album, The Bends (1995). In Ireland, it was released by Parlophone on 26 July 1996 as the album's sixth and final single, and reached number 26 on the Irish Singles Chart.

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<i>Sunburst Finish</i> (album) 1976 studio album by Be-Bop Deluxe

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<span class="mw-page-title-main">The Dukes of Stratosphear</span> 1980s retro psychedelic band

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John Leckie is an English record producer and recording engineer.

References

  1. Gregory, Andy (12 January 2018). The International Who's Who in Popular Music 2002. Psychology Press. p. 297. ISBN   9781857431612 . Retrieved 12 January 2018 via Google Books.
  2. The International Who's Who in Popular Music 2002, edited by Andy Gregory, p297 "Education. The Quintin School, Ravensbourne College of Art"
  3. "XpoNorth: John Leckie interview "after a course in film and TV at Ravensbourne College in Bromley"". Whatson-north.co.uk. Archived from the original on 22 September 2018. Retrieved 30 September 2016.
  4. ""But though working as a runner for film companies in the West End, John couldn't get into the ACTT union where he could have progressed."". Whatson-north.co.uk. Archived from the original on 22 September 2018. Retrieved 11 October 2016.
  5. "John Leckie: Life after Abbey Road and Radiohead" . Retrieved 24 February 2017.
  6. Cunningham, Mark (1998). Good Vibrations: A History of Record Production. London: Sanctuary. pp. 66–68. ISBN   978-1860742422.
  7. "John Leckie - Producer — MusicTank". Musictank.co.uk. 15 February 1970. Retrieved 21 March 2014.
  8. Cromer, Ben (3 June 1995). "Abbey Road was the Beginning for British Producer John Leckie". Billboard. p. 95.
  9. Rob Chapman (2010). Syd Barratt – A Very Irregular Head . p.  291. ISBN   978-0571238545. "On Monday 12 August 1974 Jenner, along with engineers John Leckie and Pat Stapley, returned to Abbey Road studios to produce what would turn out to be his last-ever recording dates."
  10. ""Also during his time at Abbey Road he produced and mixed albums for Be Bop Deluxe"". Musictank.co.uk. Retrieved 2 October 2016.
  11. ""I did a record with Magazine (Real Life)"". Tapeop.com. Retrieved 2 October 2016.
  12. ""produced albums for SIMPLE MINDS ("Life in A Day" "Real To Real Cacophony" and "Empires & Dance""". Sjpdodgy.co.uk. Retrieved 2 October 2016.
  13. ""Bill Nelson was in BeBop Deluxe in '70s and we did seven albums together for which I'm forever grateful 'cos he was the first guy to let me produce."". Thequietus.com. Retrieved 2 October 2016.
  14. ""Public Image Limited, (the debut single, Public Image)"". Musictank.co.uk. Retrieved 2 October 2016.
  15. "True brit: John Leckie". Sound on Sound . May 1997. Retrieved 7 November 2010.
  16. "Andy Partridge's Ape House Label » Andy Partridge Chats With John Leckie – Part One". Ape.uk.net. 31 March 2009. Retrieved 21 March 2014.
  17. Devlin, Louise (19 May 2009). "John Leckie: Producing the Goods". The Skinny . Retrieved 7 November 2010.
  18. ""Production was handled by John Leckie and the recording took a little over a fortnight in the late summer of 1989."" . Independent.co.uk. 5 November 2010. Archived from the original on 13 June 2022. Retrieved 4 October 2016.
  19. "John Leckie: Music Head - "We did go in to record the follow-up album, but the band only had one song called "One Love." We spent a lot of time on this, then I went off and did The Posies while they mixed "One Love.""". Mixonline.com. August 2001. Retrieved 21 October 2016.
  20. ""I worked on the second album (The Second Coming) for over a year and for various reasons I didn't finish it with them."". Thequietus.com. Retrieved 6 October 2016.
  21. Gittins, Ian (6 December 2010). "Cast — review". The Guardian . Retrieved 10 December 2010.
  22. ""How did you guys decide on John Leckie to produce? SELWAY: It was one of the suggestions that came our way. Around that time we were aware of the variety in what he does. I mean it's a very eclectic production record behind him. He had just worked on so many great records that we'd loved, and then of course he'd done the Stone Roses record as well."". Stereogum.com. 9 March 2015. Retrieved 8 October 2016.
  23. Reed, Bill (22 August 2003). "Tune in, tune on to Radiohead". The Gazette . Retrieved 15 September 2021.
  24. 1 2 3 Marchese, David (September 2009). "Pomp and Circumstance". Spin . Retrieved 28 September 2014.
  25. Paul Stokes (11 February 2010). "Muse thank Rick Rubin for teaching them 'how not to produce' at Music Producers Guild Awards". NME . Retrieved 24 April 2023.
  26. 1 2 ""Winning awards for Best Producer numerous times- in 2001 for UK Music Managers Forum, a Brit Award in 1997, a Q Award in 1996 and a Music Week Award in 1995, seems to have in no way blown up an ego bubble."". Theskiiny.co.uk. Retrieved 14 October 2016.
  27. "1996. Best Producer – John Leckie". Everyhit.co.uk. Retrieved 14 October 2016.
  28. "Best British Producer – John Leckie". Brits.co.uk. Retrieved 14 October 2016.
  29. "UK Album of The Year – sponsored by Focusrite: The Coral – Butterfly House, awarded to producer, John Leckie, and engineer, Guy Massey". Mpg.org.uk. 21 January 2014. Retrieved 14 October 2016.
  30. "John Leckie. John Leckie is best known as the Producer of records such The Stone Roses debut album 'The Stone Roses' and 'The Second Coming', Radiohead's 'The Bends' along with albums by Cast, The Coral and The Verve. He has won a Music Week Award (1995), Q Award (1996) and Brit Award (1997) all for "Best Producer" as well as "Producer of the Year" award at the Music Managers Forum in 2001."". Goldbadgeawards.com. Archived from the original on 13 January 2018. Retrieved 14 October 2016.