| Empires and Dance | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 12 September 1980 [1] | |||
| Recorded | May – July 1980 | |||
| Studio | ||||
| Genre | ||||
| Length | 45:33 | |||
| Label | Arista | |||
| Producer | John Leckie | |||
| Simple Minds chronology | ||||
| ||||
| Singles from Empires and Dance | ||||
Empires and Dance is the third studio album by Scottish new wave band Simple Minds, released on 12 September 1980 by record label Arista. [6]
The album was influenced by the band's experience of travelling in Europe on their previous tour. Prior to the album the band demoed several of their new songs, including "Capital City" and "I Travel" that had appeared on that tour. "Room" was first recorded as a John Peel session in December 1979 together with three songs from Real to Real Cacophony . (These recordings were all later released as part of the 2004 box set Silver Box ). [7] [8]
Associated with the British postpunk-scene at the time along with bands such as Joy Division and Echo & the Bunnymen, on Empires and Dance Simple Minds also took influence from disco and electronic music by artists such as Donna Summer, Kraftwerk and Grace Jones they heard in German nightclubs. The album includes lengthier, structured songs such as "I Travel", "This Fear of Gods" and "Thirty Frames a Second", as well as a number of more experimental tracks, such as "Contantinople Line", "Twist/Run/Repulsion" and "Kant-Kino". Jim Kerr's lyrics is written from the perspective of a character travelling in central Europe and observing. The lyrics to "This Fear of Gods" was partly inspired by a story by Jorge Luis Borges Kerr recently had read. "Twist/Run/Repulsion" features Chantalle Jeunet reading from a French translation of Nevsky Prospect by Nikolay Gogol. [9]
Empires and Dance was recorded from May to July 1980 [10] in Wales at Rockfield Studios [11] and the Rolling Stones Mobile Studio. [6]
While more successful than its non-charting predecessor ( Real to Real Cacophony ), Empires and Dance charted relatively poorly, peaking at only number 41 in the UK Albums Chart. [12] According to AllMusic, this was primarily because Arista Records only released a small number of copies at a time before each batch sold out. This had the effect of limited availability for fans. [13]
The opening track "I Travel" was released as a single in 1980, but failed to chart. "Celebrate" was chosen as the second single due to popularity amongst fans. However, it was only released after Simple Minds had left Arista. As a result, the single sold very poorly, and the picture sleeve 7" is amongst the hardest of the band's singles to find.
Following the release of the album, Simple Minds transferred to Virgin Records, where they met with much greater commercial success. Arista tried to capitalise on this success by re-releasing "I Travel" as a single in 1982, along with the compilation Celebration . In 1983, Virgin re-released "I Travel" on 12", to coincide with the acquisition of the band's Arista catalogue. Both times, it still failed to chart.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [13] |
| The Great Rock Discography | 8/10 [14] |
| Pitchfork | 8.1/10 [15] |
| Record Mirror | [16] |
| Smash Hits | 9/10 [17] |
Empires and Dance has been well-received critically. Paul Morley called it "a weird, agitating record" in his review for NME . He highlighted "I Travel" as one of "the great disco-rock songs" and "the magnificent" "This Fear of Gods" as the band's "most impressive work to date", and concluded: "Simple Minds have invented their own ways, melodramatic yet modernist. An authentic new torch music. I'm dancing as fast as I can." [18] Simon Ludgate of Record Mirror praised Empires and Dance as "one of the few classic albums of 1980." [16]
In a retrospective review, Andy Kellman of AllMusic described Empires and Dance as a "post-punk dance classic". [13] Trouser Press said that despite its inconsistency, Empires and Dance was an "extremely atmospheric and promising" album, "with good dance tunes and a few more quasi-psychedelic ones." [19]
John Foxx has praised the album and Jim Kerr as a "unique" lyricist. [20]
The album cover's faux Cyrillic typeface was emulated for the cover of Manic Street Preachers' third album The Holy Bible , released in 1994. (While the former album reversed all Rs and Ns to resemble Cyrillic letters, the latter album, in contrast, reversed only the Rs.) Twenty years later, Empires and Dance would be cited as a key influence on Futurology , the Manics' twelfth album. It remains one of singer and guitarist James Dean Bradfield's favourite records. [21] He said of Empires and Dance in a 1995 Melody Maker article on his favourite albums:
"I've always liked records which are completely misinformed and displaced. They were aware that they were Scottish, and trying to shun it. [...] Anyway, that's why they tried to become really European, this dark, unemotive, industrial band, but in demographic/geographic terms they were really confused, and that can produce brilliant records. I don't think the British look towards Europe in the rose-tinted way Americans do. We see it in Basil Fawlty-ish terms. I remember reading Jim Kerr going on about the Baader-Meinhof gang, and the Red Brigade, and trying to make sense of all these conflicting ideologies. On musical terms it really does make sense. The best bands manifest their lyrics into their music, and it really fucks me off when people don't realise that." [22]
Imagery in Patrik Sampler's novel The Ocean Container [23] was inspired by "Thirty Frames a Second".
All lyrics are written by Jim Kerr; all music is composed by Simple Minds
| No. | Title | Length |
|---|---|---|
| 1. | "I Travel" | 4:00 |
| 2. | "Today I Died Again" | 4:36 |
| 3. | "Celebrate" | 5:03 |
| 4. | "This Fear of Gods" | 7:03 |
| No. | Title | Length |
|---|---|---|
| 1. | "Capital City" | 6:15 |
| 2. | "Constantinople Line" | 4:43 |
| 3. | "Twist/Run/Repulsion" | 4:31 |
| 4. | "Thirty Frames a Second" | 5:02 |
| 5. | "Kant-Kino" | 1:52 |
| 6. | "Room" | 2:28 |
Adapted from the album's liner notes. [24]
Simple Minds
Technical
| Chart (1980–81) | Peak position |
|---|---|
| New Zealand Albums (RMNZ) [27] | 47 |
| UK Albums (OCC) [28] | 41 |
Simple Minds are a Scottish rock band formed in Glasgow in 1977. They have released a string of hit singles, becoming best known internationally for "Don't You " (1985), which topped the Billboard Hot 100 in the United States. Other commercially successful singles include "Glittering Prize" (1982), "Someone Somewhere in Summertime" (1982), "Waterfront" (1983) and "Alive and Kicking" (1985), as well as the UK number one single "Belfast Child" (1989).
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James Kerr is a Scottish singer and the lead singer of the rock band Simple Minds, becoming best known internationally for "Don't You " (1985), which topped the Billboard Hot 100 in the United States. Other commercially successful singles include "Glittering Prize" (1982), "Someone Somewhere in Summertime" (1982), "Waterfront" (1983) and "Alive and Kicking" (1985), as well as the UK number one single "Belfast Child" (1989).
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Real to Real Cacophony is the second studio album by Scottish rock band Simple Minds. It was released on 23 November 1979 through record labels Zoom and Arista.
Celebration is a compilation album by Simple Minds, released in 1982. The compilation features tracks from the band's first three albums released during their tenure on the Arista Records label, prior to their move to Virgin Records in 1981. One of the tracks, "Kaleidoscope", was exclusive to this CD and LP until it appeared on the X5 box set in 2012.
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Real Live 91 is the second live album by Scottish rock band Simple Minds, released in May 1998 by the band's own Mindmood label as a fanclub-only album given away with the first issue of Travelling Man magazine.
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Zoom Records was a short-lived record label established in Edinburgh, Scotland. It was founded and funded by the successful music shop owner Bruce Findlay in the summer of 1977. After the first four single releases it secured a licensing deal with Arista Records. Findlay closed the label in 1980, to dedicate his time to managing one of the most successful bands who began there, Simple Minds.
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