Futurology was the Manics' second new album to be released in the space of a year, having been recorded alongside 2013's Rewind the Film, an album described by the group as being "gentle and delicate" in contrast to the icy, multi-layered and angular Futurology.[1] The album was recorded in Germany with Alex Silva, with whom the band worked on The Holy Bible in 1994, and at Faster Studios, Wales. The album was described to be inspired by modern art and the sense of motion that the band experienced touring the heart of Europe in 2011 in support of National Treasures – The Complete Singles.[2]
About the European inspiration that took over the band in the new record, singer and guitarist James Dean Bradfield stated that: "We started touring mainland Europe in late '91 so obviously we've seen Belfast change in front of our eyes, we've seen Berlin change unbelievably and parts of Belgium... every city in Britain we've seen change. I'd never been abroad before I was in a band, actually, I'd been abroad once, I'd been to Bristol."[3]
Bradfield also tackled the subject of the many guest that have appeared on the last two Manic Street Preachers records, Rewind the Film and Futurology: "I'm 12 albums in - I know my voice can only do certain things, and if I can't take other people singing on the track then I really have got a Napoleon complex. I'm short enough to have one...".[3]
Two songs from Futurology - "Europa Geht Durch Mich" and title track "Futurology" - were debuted on the first night of the 2014 UK Tour, at the First Direct Arena on 28 March 2014.[4] A third one, "Let's Go to War", was first heard at the Brixton Academy, and described by bassist Nicky Wire as a "nice marching song".[5] The track "Walk Me to the Bridge", and its accompanying music video, was released on 28 April 2014.[6] In May 2014, the band released the video for "Europa Geht Durch Mich". The second single from the album, "Futurology", was released 22 September 2014.
The band themselves have stated that this album was very important for celebrating the 20th anniversary of their seminal album The Holy Bible because the band said that after releasing two critically acclaimed albums they now think it was the right time to celebrate the 20th anniversary of the album.[7]
In an interview with Gigwise when asked what influence The Holy Bible had on Futurology, frontman and singer James Dean Bradfield replied: "That we could still trade in a language that is still exclusively ours, that we could still want to write songs that other people are just never going to go near. I just don't think that anyone else would go near that subject matter. We never laid claim to being the most 'original' band, but I think we're unique in that sense."[7]
The Manic Street Preachers have also said that this album is the opposite of last year's Rewind the Film; Futurology, according to the band, is an album full of ideas and one of their most optimistic yet, as Wire said to the NME magazine in an interview: "There's an overriding concept behind Futurology which is to express all the inspiration we get from travel, music and art – all those ideas, do that in a positive way. Rewind the Film was a harrowing 45-year-old looking in the mirror, lyrically. Futurology was very much an album of ideas. It's one of our most optimistic records, the idea that any kind of art can transport you to a different universe."[8]
The songs "Black Square" and "Mayakovsky" refer to Black Square and Vladimir Mayakovsky respectively, and were inspired by the pre-revolutionavantgarde / futuristic art community in Imperial Russia. The song "Between the Clock and the Bed" was inspired by the Edvard Munch painting Self-Portrait. Between the Clock and the Bed.[9] The song "Dreaming a City (Hughesovka)" is inspired the history of the Ukrainian city now known as Donetsk, founded in 1869 by Welsh businessman John Hughes, who operated a steel plant and several coal mines at what was then Aleksandrovka. The worker's settlement at the plant merged with Aleksandrovka and the place was named Yuzovo/Yuzove, later Yuzovka/Yuzivka, or "Hughesovka" after Hughes. In its early period, the city received immigrants from Wales, especially from the town of Merthyr Tydfil.[10]
Release
Futurology was released on 7 July 2014;[11] it was released in standard and deluxe versions and also on vinyl.
The standard edition contains all the thirteen tracks of the album, while the deluxe version contains all the demos from thirteen songs from the record, plus three new tracks: "Blistered Mirrors", "Empty Motorcade" and "The Last Time I Saw Paris", which most of the lyrics are in French. In Japan the band released bonus tracks, which includes "Antisocialmanifesto" and "Kodawari", live versions from the O2 Arena performance were also available, "Ocean Spray" and "You Love Us" were the two songs featured on the Japanese version.[11]
The album remained in the Top 40 in the UK for 3 weeks, something that Rewind the Film didn't manage to do. The album reached number 8 in Ireland and also charted within the Top 40 in Finland, Germany, Greece, Czech Republic, Denmark and Japan. The album peaked and debuted at number 18 on the European Charts, for sales all over Europe, the album sold above 30.000 copies in the European mainland in the first week. Since it has been release the album has sold more than 50.000 copies in the UK.[14]
The band promoted the album with a tour around the UK and Europe from March to May 2014, they also made appearances in festivals like T in the Park in Scotland and Glastonbury Festival in the summer.
Two singles were released from the album: "Walk Me to the Bridge" was the first released on 28 April, it leaked prior to its release. The subject of the lyrics were questioned whether they were about the former band member Richey or not, but Wire said that he wrote the song at a critical time, when he was tired of being in the band, and he wrote the lyrics thinking of that subject.[15]
The title track, "Futurology", was the second and final single released from the album on 22 September. The video debuted on YouTube on 10 August. The video was directed by the British Academy of Film and Television Arts winner Kieran Evans, who worked with the band on videos from their previous effort Rewind the Film.
Musical style
Futurology has been described under genres such as alternative rock,[16]post-punk, dance-rock,[17]new wave[18] and krautrock.[19] Nicky Wire described the sound of the album as "post-punk disco-rock".[17] Canadian music publication Exclaim! proclaimed Futurology's style a "radical vision",[20] which encompassed a great collection of styles including the "Krautrock banger" "The Next Jet to Leave Moscow" and the "prog odyssey" "Mayakovsky".[20]
Upon its release, Futurology received critical acclaim. At Metacritic, which assigns a normalized rating to reviews from mainstream critics, the album received an average score of 83 out of 100, based on 19 reviews, indicating "universal acclaim".[21]
AllMusic critic Stephen Thomas Erlewine wrote: "They're more infatuated with Neu! and Kraftwerk or Public Image Ltd, but these jagged, difficult sounds are filtered through the trio's now instinctual arena-filling gestures and that tension is what gives Futurology a resonant richness."[1] Gareth James of Clash magazine described the album as "Manics doing what they do best, with added krautrock, Georgia Ruth and Green Gartside."[22]
Andrew Trendell of Gigwise wrote: "As a record that embraces the constant sense of movement and progress throughout Europe, it establishes the band themselves as artists in constant revolution."[7] Alexis Petridis of The Guardian stated: "Futurology never feels like a pastiche, and sounds unmistakably like the Manic Street Preachers while sounding unlike any other album they've made."[24]
The Independent critic Kevin Harley commented that "Elsewhere, the Manics' band identity proves robust enough to withstand the tweaking."[25] Ben Hewitt of NME stated that "the Manics prove they are still the enemies of greed, conformity and corruption."[2]The Telegraph declared: "...the dark pulse of that krautrock influence gives the songs a steely sleekness of purpose (and real cohesion), while the band layer a vigorous variety of sounds and tempos on top to keep things interesting."[28]PopMatters associate music editor John Garratt wrote that the album "can just about stand toe-to-toe with any of their past albums."[27]
Writing for The Quietus, Simon Price described the album as "bona fide, solid-as-granite masterpiece", stating: "Futurology is more than just that version of the Manics, and one of those albums."[30]
Sputnikmusic staff reviewer Joseph Viney stated that the album "wraps up the ideals of what has come before it, mixed it with their present experience and forged ahead with songs that demonstrate a group with a lot more life in them yet."[31]
MusicOMH awarded the album four out of five stars, saying that "[...] Futurology is full of glam-pop hits that demonstrate the Preachers' ability to write good songs with a distinct sense of Britishness", finishing with: "Futurology is a welcome return by Manic Street Preachers to the forefront of pop, featuring no lack of technical prowess or instrumental capabilities. Every track is quite full of life and holds no lack of energy that characterizes good, classic British rock 'n' roll. Despite past hardship, the future continues to be bright for these modern legends."[32]
As of September2021[update], the album had sold 52,829 copies in the UK.[33]
Accolades
Futurology was a critical and commercial success, the album was presented with very positive reviews from music critics around the world and was well received by the fans. In the end of the year lists, the album achieved the following accolades:
NME magazine stated that Futurology was the 41st best album of 2014.[34]
NME magazine also choose the title track "Futurology" as one of the best tracks of 2014.[35]
The Telegraph placed the album in number 38 in their list of 50 best albums of 2014.[36]
Mojo placed Futurology in number 20 in their 50 best albums of 2014.[37]
XFM placed the album in number 11 in their end of the year list.[38]
The Quietus placed Futurology in number 8 on their end of the year list for 2014.[39]
Q placed the album in number 4 on their list of 50 best albums of 2014.[40]
Reflecting on the album XFM stated that Futurology was very different from their last year's effort: "After the acoustic experimentation of Rewind the Film, here's classic rabble rousing Manics, with massive choruses",[38] while Q said that the album was "Exhilaratingly dense with new sounds" and it had " deas and conflicting emotions..."[40] On the other hand, talking about the title track, NME stated that: "The title track serves as a manifesto for all that follows: a declaration of positivity to tee-up the rest of the LP and a reminder that right can trump wrong in the end. There's a bubbling urgency and vibrancy and vitality here that was lacking from Rewind the Film, and a chorus that's a mantra for belief in a greater good."[35]
Manic Street Preachers, also known simply as the Manics, are a Welsh rock band formed in Blackwood, Caerphilly, in 1986. The band consists of Nicky Wire and cousins James Dean Bradfield and Sean Moore. They form a key part of the 1990s Welsh Cool Cymru cultural movement.
Generation Terrorists is the debut studio album by Welsh alternative rock band Manic Street Preachers, released on 10 February 1992 by Columbia Records.
Gold Against the Soul is the second studio album by Welsh alternative rock band Manic Street Preachers, released on 21 June 1993 by Columbia Records. The follow-up to the band's 1992 debut album Generation Terrorists, the record reached No.8 on the UK Albums Chart.
Everything Must Go is the fourth studio album by Welsh alternative rock band Manic Street Preachers, released on 20 May 1996 by Epic Records. It was the first record released by the band following the disappearance of lyricist and rhythm guitarist Richey Edwards.
This Is My Truth Tell Me Yours is the fifth studio album by Welsh alternative rock band Manic Street Preachers, released on 14 September 1998 by Epic Records.
Know Your Enemy is the sixth studio album by Welsh alternative rock band Manic Street Preachers, released on 19 March 2001 by Epic Records. It was supported by four singles, all of which reached the top 20 of the UK Singles Chart.
Forever Delayed is a greatest hits album and DVD by Welsh alternative rock band Manic Street Preachers, released on 28 October 2002 by Epic Records. The album included three singles which had never appeared on any of the band's earlier albums, as well as two new songs, the single "There by the Grace of God" and "Door to the River".
Nicholas Allen Jones, known as Nicky Wire, is a Welsh musician and songwriter, best known as lyricist, bassist and secondary vocalist of the Welsh alternative rock band Manic Street Preachers.
Lifeblood is the seventh studio album by Welsh alternative rock band Manic Street Preachers, released on 1 November 2004 by Sony Music UK.
Send Away the Tigers is the eighth studio album by Welsh alternative rock band Manic Street Preachers, released on 7 May 2007 by Columbia Records. It reached number 2 on the UK Albums Chart.
Journal for Plague Lovers is the ninth studio album by Welsh alternative rock band Manic Street Preachers, released on 18 May 2009 by Columbia Records. Recorded between October 2008 and February 2009 and produced by Steve Albini and Dave Eringa, it features exclusively posthumously published lyrics by Richey Edwards, who disappeared on 1 February 1995 and was presumed deceased in 2008. It is the only Manic Street Preachers album in which the lyrics for every song were written solely by Edwards.
The Holy Bible is the third studio album by Welsh alternative rock band Manic Street Preachers, released on 30 August 1994 by Epic Records. While the album was being written and recorded, lyricist and rhythm guitarist Richey Edwards was struggling with severe depression, alcohol abuse, self-harm and anorexia nervosa, and its contents are considered by many sources to reflect his mental state. The songs focus on themes relating to politics and human suffering. The Holy Bible was the band's last album released before Edwards' disappearance on 1 February 1995.
Postcards from a Young Man is the tenth studio album by Welsh alternative rock band Manic Street Preachers, released on 20 September 2010 by Columbia Records.
National Treasures – The Complete Singles is a compilation album by the Welsh alternative rock band Manic Street Preachers, released on 31 October 2011 by Columbia Records/Sony Music. It is the band's third compilation album, after Forever Delayed: Manic Street Preachers, The Greatest Hits (2002), and the B-sides/rarities collection Lipstick Traces (2003). The compilation features one new recording, a cover of The The's "This Is the Day", which was issued as a single on 18 September 2011. The compilation reached number 10 on the UK Album Chart in November 2011.
Rewind the Film is the eleventh studio album by Welsh alternative rock band Manic Street Preachers, released on 16 September 2013 by Columbia Records. The sound is very different from previous records and is more acoustic-driven. It features guests Lucy Rose, Cate Le Bon and Richard Hawley.
"Walk Me to the Bridge" is the first single released by the Manic Street Preachers from the album Futurology. The single was planned for release on 28 April 2014, but it was leaked earlier in the month.
"Futurology" is the second single released by the Manic Street Preachers from their twelfth studio album, Futurology. The song features keyboards from Super Furry Animals member Cian Ciaran. The single was released on 22 September 2014. It is a duet between James Dean Bradfield, the main vocalist, and Nicky Wire, the band's bassist.
Catherine Anne Davies, better known by the stage name the Anchoress, is a Welsh-born multi-instrumentalist, songwriter and author.
Resistance Is Futile is the thirteenth album by Welsh alternative rock band Manic Street Preachers, released on 13 April 2018 by Columbia Records.
The Ultra Vivid Lament is the fourteenth studio album by Welsh alternative rock band Manic Street Preachers, released on 10 September 2021 by Columbia Records.
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