Journal for Plague Lovers | ||||
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Studio album by | ||||
Released | 18 May 2009 | |||
Recorded | October 2008 – February 2009 | |||
Studio | Rockfield Studios in Monmouth, Wales | |||
Genre | ||||
Length | 42:37 | |||
Label | Columbia | |||
Producer | ||||
Manic Street Preachers chronology | ||||
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Journal for Plague Lovers is the ninth studio album by Welsh alternative rock band Manic Street Preachers, released on 18 May 2009 by Columbia Records. Recorded between October 2008 and February 2009 and produced by Steve Albini and Dave Eringa, it features exclusively posthumously published lyrics by Richey Edwards, who disappeared on 1 February 1995 and was presumed deceased in 2008. It is the only Manic Street Preachers album in which the lyrics for every song were written solely by Edwards. [1]
The album received critical acclaim upon release and debuted at number 3 on the UK Albums Chart.
The Manics posted the following message on their official website:
All thirteen songs on the new record feature lyrics left to us by Richey. The brilliance and intelligence of the lyrics dictated that we had to finally use them. Topics include The Grande Odalisque by Ingres, Marlon Brando, Giant Haystacks, celebrity, consumerism and dysmorphia; all reiterating the genius and intellect of Richard James Edwards. [2]
Wire, the band's de facto lyricist, had begun contributing musically to the songwriting process on the album, stating "I did write quite a bit of music. [...] I wrote all of 'William's Last Words', I wrote pretty much all of 'Marlon JD', I wrote the chorus for 'Peeled Apples', the verse for 'She Bathed Herself in a Bath of Bleach'". [3] The lyrics are taken from a folder of songs, haikus, collages and drawings Edwards gave to bassist-lyricist Nicky Wire a few weeks before he disappeared. [4] Edwards also gave photocopies of the folder to singer-guitarist James Dean Bradfield and drummer Sean Moore. The band have described the Rymans folder as having a picture of Bugs Bunny drawn on the front emblazoned with the word 'opulence' in capital letters. In promotional interviews for the album, Bradfield and Wire have revealed that the folder contains around twenty-eight songs. Four of these appeared on the 1996 album Everything Must Go : "Elvis Impersonator: Blackpool Pier", "Kevin Carter", "Removables" and "Small Black Flowers that Grow in the Sky". Of the rest of the folder, Wire stated:
There's probably between eight and ten maybe that were too impossible. Some of them are little haikus, four lines. "Dolphin-Friendly Tuna Wars", that's one; "Alien Orders/Invisible Armies", that's one [the band have recorded an instrumental that takes its title from this lyric]; "Young Men", which is quite Joy Division. They just didn't feel right. We'll probably put them all out in a book one day. There's not gonna be a Journal for Plague Lovers Two. The special version of the record does come with the original version of the tracks on there. So you can see the editing process, if there is any. [4]
The album was released with a Deluxe edition that included pages from Richey's journal. The table of contents page for Richey's journal is reproduced within the liner notes. Eighteen of the twenty-eight listings there, however, are removed using black felt-tip. There are only a limited number of pages from the journal that are reproduced in the liner notes.
Several tracks refer to Edwards' time in a couple of hospitals in 1994. Among them is "She Bathed Herself in a Bath of Bleach", of which James Dean Bradfield said to the NME : "There're some people he met when he was in one of the two places having treatment and I think he just digested other people's stories and experiences." [5] The final track, "William's Last Words", has been compared to a suicide note, and although Nicky Wire rejects this suggestion [6] Bradfield observes, "you can draw some pretty obvious conclusions from the lyrics." [7] Wire, who admitted finding the task of editing this song "pretty choking", [6] eventually composed the music and sang lead vocals after Bradfield found himself unsuited to the task. [7] The album features several cultural references, including a passage from the film The Machinist , which features in the song "Peeled Apples" and a passage taken from the film The Virgin Suicides , which features in the song "Doors Closing Slowly".
Bradfield commented that Journal for Plague Lovers was an attempt to finally secure the legacy of their former member Richey Edwards and the result was that, during the recording process, it was as close to feeling his presence since his disappearance: "There was a sense of responsibility to do his words justice. That was part of the whole thing of letting enough time lapse. Once we actually got into the studio, it almost felt as if we were a full band; it [was] as close to him being in the room again as possible." [8]
Stylistically, the album features a post-punk and alternative rock sound reminiscent of The Holy Bible . [9] [10] Cam Lindsay of Exclaim! proclaimed the record to be a "relentlessly exploratory piece of art rock". [11]
The album's opening track "Peeled Apples" was played for the first time on Zane Lowe's BBC Radio 1 show on 25 March 2009. [12] During an interview with Lowe, Wire said there would be no singles released from the album. "Jackie Collins Existential Question Time" was aired on XFM and Kerrang! Radio on 30 March. It was also embedded on the band's official website.
In 2020, an in-depth analysis of Edwards' lyrics on the album, by Guy Mankowski (with input from Edwards' sister, Rachel) was published in the journal 'Punk & Post-Punk'. Mankowski concluded that 'in Edwards' lyrics, a number of metaphors reconfigure the malleability of the physical body and expand the concept of how self-fashioning can be applied in relation to it'. [13]
The album was released on 18 May 2009 on CD, a two-disc CD edition, download and LP. The album entered the UK Album Chart at number 3, selling 34,707 copies in the first week. It charted within the Top 20 in Ireland and in Norway. So far the album has been certified Silver in the UK.
A Deluxe Edition CD was released, includes a second disc with demo versions of all thirteen album songs and a hardback 36-page booklet featuring Edwards' original lyrics and artwork. These lyrics, in the process of adaptation to the album, had often been substantially edited and rearranged. This version of the album is missing the hidden track "Bag Lady", whose lyrics are however not included on the single disc edition. The Japanese edition of the album was released on 13 May 2009, and features two exclusive bonus tracks. The download version includes a bonus remix by the NYPC and an acoustic version of the title track.
The album cover art uses an original painting, Stare (2005), by Jenny Saville, who also contributed artwork for The Holy Bible. The top four UK supermarkets stocked the CD in a plain slipcase, after the cover was deemed "inappropriate" due to the belief that the red on the boy's face was blood. [14] Bradfield said the decision was "utterly bizarre", and commented: [14]
You can have lovely shiny buttocks and guns everywhere in the supermarket on covers of magazines and CDs, but you show a piece of art and people just freak out.
The album cover art placed second in a 2009 poll for Best Art Vinyl. [15]
Aggregate scores | |
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Source | Rating |
AnyDecentMusic? | 7.7/10 [16] |
Metacritic | 85/100 [17] |
Review scores | |
Source | Rating |
AllMusic | [18] |
The Guardian | [19] |
The Irish Times | [20] |
Mojo | [21] |
NME | 8/10 [22] |
The Observer | [23] |
Pitchfork | 7.8/10 [24] |
Q | [25] |
Record Collector | [26] |
Uncut | [27] |
Contrary to worries on the part of Nicky Wire that Journal for Plague Lovers "could seriously damage" the band, [28] and in spite of initial suspicions that the album constituted "a blatant attempt to recapture the glory days of an album [they] released 15 years ago", [29] reviews were ultimately highly favourable. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 85 out of 100 based on eighteen reviews, which indicates "universal acclaim". [17]
Journal for Plague Lovers scored a rare five-star review in Q magazine, which argued that by "breathing life into Richey Edwards's own last words", the band "crafted not a memorial but a celebration". [25] Retrospectively, the publication named the album the fifth best record of 2009, declaring it one of the band's "finest and most heartfelt moments". [30] John Doran from NME awarded the record an 8/10 grade, arguing that Journal for Plague Lovers should not be burdened with expectations of becoming "The Holy Bible Mark II" but was simply "an outstanding album in its own right". [7] The magazine named the album the 14th best of the year. [31] Uncut , meanwhile, argued that the record brought a "sense of closure" to the legacy of Richey Edwards, describing it as a "brave, compelling record that stands shoulder to shoulder with the Manics' best", [27] and the twenty-third best album of 2009. [32]
Response from news publications was mostly positive, with Caroline Sullivan of The Guardian describing it as "a passionate rock album that honours the past yet is very much of the present", [19] and Simon Price of The Independent declared Journal for Plague Lovers "the album of 2009 – hands down, no contest". [33] David Cheal of The Daily Telegraph was critical, however, accusing them of being "a plodding indie-rock trio whose ambition has consistently outstripped their ability" [34] and giving the record only two stars out of five. Elsewhere, Journal for Plague Lovers earned recognition as a return to form begun on previous album Send Away the Tigers ; for example, from Pitchfork 's Joe Tangari, who summarized the album thus: "Even if it were the desperate or cynical move some people have claimed it is, there's no denying that purging Edwards' old lyric folder has helped the band create its best album in a decade. Quite simply, they haven't sounded so focused or so purposeful in a long, long time, and they are at their best with a sense of purpose underpinning their music." [24] Likewise, Stephen Thomas Erlewine of AllMusic remarked that "they were making inroads in this direction on 2007's Send Away the Tigers – for tight, clanking, cantankerous guitars" and commended the album for its sense of hope: "Journal for Plague Lovers winds up being The Holy Bible in reverse: every moment of despair is a reason to keep on living instead of an excuse to pack it all in." [18]
Journal for Plague Lovers was placed at number 10 on Metacritic's list of the fifty best-reviewed albums of 2009, [35] and was placed on numerous critics' ranking lists for the year, particularly from British music magazines:
All lyrics are written by Richey Edwards; all music is composed by Manic Street Preachers (James Dean Bradfield, Sean Moore, Nicky Wire)
No. | Title | Length |
---|---|---|
1. | "Peeled Apples" | 3:33 |
2. | "Jackie Collins Existential Question Time" | 2:24 |
3. | "Me and Stephen Hawking" | 2:46 |
4. | "This Joke Sport Severed" | 3:04 |
5. | "Journal for Plague Lovers" | 3:45 |
6. | "She Bathed Herself in a Bath of Bleach" | 2:18 |
7. | "Facing Page: Top Left" | 2:40 |
8. | "Marlon J.D." | 2:50 |
9. | "Doors Closing Slowly" | 2:52 |
10. | "All Is Vanity" | 3:35 |
11. | "Pretension/Repulsion" | 2:05 |
12. | "Virginia State Epileptic Colony" | 3:25 |
13. | "William's Last Words" (featuring the hidden track "Bag Lady") | 10:48 |
Total length: | 42:37 |
No. | Title | Length |
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14. | "Marlon J.D." (NYPC's 'Wire Up' Mix) | 3:33 |
15. | "Journal for Plague Lovers" (acoustic) | 2:24 |
Total length: | 48:34 |
No. | Title | Length |
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13. | "William's Last Words" | 4:17 |
14. | "Alien Orders/Invisible Armies" | 2:36 |
15. | "Primitive Painters" (Felt cover; features the hidden track "Bag Lady") | 10:13 |
Total length: | 48:55 |
No. | Title | Length |
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1. | "Peeled Apples" (demo) | 2:29 |
2. | "Jackie Collins Existential Question Time" (demo) | 2:18 |
3. | "Me and Stephen Hawking" (demo) | 2:40 |
4. | "This Joke Sport Severed" (demo) | 2:46 |
5. | "Journal for Plague Lovers" (demo) | 3:32 |
6. | "She Bathed Herself in a Bath of Bleach" (demo) | 2:25 |
7. | "Facing Page: Top Left" (demo) | 2:00 |
8. | "Marlon J.D." (demo) | 2:30 |
9. | "Doors Closing Slowly" (demo) | 2:24 |
10. | "All Is Vanity" (demo) | 3:03 |
11. | "Pretension/Repulsion" (demo) | 2:06 |
12. | "Virginia State Epileptic Colony" (demo) | 3:22 |
13. | "William's Last Words" (demo) | 4:14 |
Total length: | 35:55 |
Manic Street Preachers
Additional personnel
| Technical personnel
|
Chart (2009) | Peak position |
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Belgian Albums (Ultratop Flanders) [40] | 69 |
Czech Albums (ČNS IFPI) [41] | 31 |
Dutch Albums (Album Top 100) [42] | 88 |
Finnish Albums (Suomen virallinen lista) [43] | 23 |
German Albums (Offizielle Top 100) [44] | 49 |
Irish Albums (IRMA) [45] | 6 |
New Zealand Albums (RMNZ) [46] | 35 |
Norwegian Albums (VG-lista) [47] | 16 |
Scottish Albums (OCC) [48] | 3 |
Spanish Albums (PROMUSICAE) [49] | 54 |
Swedish Albums (Sverigetopplistan) [50] | 37 |
Swiss Albums (Schweizer Hitparade) [51] | 30 |
UK Albums (OCC) [52] | 3 |
Region | Certification | Certified units/sales |
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United Kingdom (BPI) [53] | Silver | 60,000* |
* Sales figures based on certification alone. |
Journal for Plague Lovers Remixes | ||||
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EP by | ||||
Released | 15 June 2009 | |||
Manic Street Preachers chronology | ||||
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Tracks from Journal for Plague Lovers have been remixed by a number of artists, and the Journal for Plague Lovers Remixes EP was released on 15 June 2009. Martin Noble of the band British Sea Power remixed the song "Me and Stephen Hawking"; [54] Andrew Weatherall remixed "Peeled Apples", which he has described as "sounding like Charlie Watts playing with PiL"; The Horrors remixed "Doors Closing Slowly"; [55] NYPC remixed the song "Marlon J.D" and the EP also features remixes by Patrick Wolf, Underworld, Four Tet, Errors, Adem, Optimo and Fuck Buttons.
No. | Title | Length |
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1. | "Peeled Apples" (Andrew Weatherall Remix) | 7:44 |
2. | "Me and Stephen Hawking" (British Sea Power Remix) | 4:28 |
3. | "Facing Page: Top Left" (Adem Remix) | 3:40 |
4. | "All Is Vanity" (Errors Remix) | 3:09 |
5. | "Doors Closing Slowly" (The Horrors Remix) | 3:27 |
Manic Street Preachers, also known simply as the Manics, are a Welsh rock band formed in Blackwood, Caerphilly, in 1986. The band consists of Nicky Wire and cousins James Dean Bradfield and Sean Moore. They form a key part of the 1990s Welsh Cool Cymru cultural movement.
Generation Terrorists is the debut studio album by Welsh alternative rock band Manic Street Preachers, released on 10 February 1992 by Columbia Records.
Everything Must Go is the fourth studio album by Welsh alternative rock band Manic Street Preachers, released on 20 May 1996 by Epic Records. It was the first record released by the band following the disappearance of lyricist and rhythm guitarist Richey Edwards.
This Is My Truth Tell Me Yours is the fifth studio album by Welsh alternative rock band Manic Street Preachers, released on 14 September 1998 by Epic Records.
Know Your Enemy is the sixth studio album by Welsh alternative rock band Manic Street Preachers, released on 19 March 2001 by Epic Records. It was supported by four singles, all of which reached the top 20 of the UK Singles Chart.
Forever Delayed is a greatest hits album and DVD by Welsh alternative rock band Manic Street Preachers, released on 28 October 2002 by Epic Records. The album included three singles which had never appeared on any of the band's earlier albums, as well as two new songs, the single "There by the Grace of God" and "Door to the River".
Nicholas Allen Jones, known as Nicky Wire, is a Welsh musician and songwriter, best known as lyricist, bassist and secondary vocalist of the Welsh alternative rock band Manic Street Preachers.
Richard James Edwards, also known as Richey James or Richey Manic, was a Welsh musician who was the lyricist and rhythm guitarist of the alternative rock band Manic Street Preachers. He was known for his dark, politicized, and intellectual songwriting which, combined with an enigmatic and eloquent character, has assured him cult status. He has been cited as a leading lyricist of his generation, leading the Cool Cymru movement.
"Kevin Carter" is a song by Manic Street Preachers, released as the third single from their album Everything Must Go in 1996. The song peaked at number nine on the UK Singles Chart.
Lifeblood is the seventh studio album by Welsh alternative rock band Manic Street Preachers, released on 1 November 2004 by Sony Music UK.
"Faster" is a song by Welsh alternative rock band Manic Street Preachers. It was released in 1994 by record label Epic as the first single from the band's third studio album, The Holy Bible.
Send Away the Tigers is the eighth studio album by Welsh alternative rock band Manic Street Preachers, released on 7 May 2007 by Columbia Records. It reached number 2 on the UK Albums Chart.
The Holy Bible is the third studio album by Welsh alternative rock band Manic Street Preachers, released on 30 August 1994 by Epic Records. While the album was being written and recorded, lyricist and rhythm guitarist Richey Edwards was struggling with severe depression, alcohol abuse, self-harm and anorexia nervosa, and its contents are considered by many sources to reflect his mental state. The songs focus on themes relating to politics and human suffering. The Holy Bible was the band's last album released before Edwards' disappearance on 1 February 1995.
Postcards from a Young Man is the tenth studio album by Welsh alternative rock band Manic Street Preachers, released on 20 September 2010 by Columbia Records.
National Treasures – The Complete Singles is a compilation album by the Welsh alternative rock band Manic Street Preachers, released on 31 October 2011 by Columbia Records/Sony Music. It is the band's third compilation album, after Forever Delayed: Manic Street Preachers, The Greatest Hits (2002), and the B-sides/rarities collection Lipstick Traces (2003). The compilation features one new recording, a cover of The The's "This Is the Day", which was issued as a single on 18 September 2011. The compilation reached number 10 on the UK Album Chart in November 2011.
Rewind the Film is the eleventh studio album by Welsh alternative rock band Manic Street Preachers, released on 16 September 2013 by Columbia Records. The sound is very different from previous records and is more acoustic-driven. It features guests Lucy Rose, Cate Le Bon and Richard Hawley.
Futurology is the twelfth studio album by Welsh alternative rock band Manic Street Preachers, released on 7 July 2014 by Columbia Records. The album features collaborations with Green Gartside, Nina Hoss, Georgia Ruth, Cian Ciaran and Cate Le Bon.
"Peeled Apples" is a song by Welsh alternative rock band Manic Street Preachers. It is the opening track of the band's ninth studio album, Journal for Plague Lovers. Produced by Steve Albini, the song, along with the other tracks of the album, features posthumous lyrics by Richey Edwards, who disappeared on 1 February 1995, and was declared legally dead in 2008.
Resistance Is Futile is the thirteenth album by Welsh alternative rock band Manic Street Preachers, released on 13 April 2018 by Columbia Records.
The Ultra Vivid Lament is the fourteenth studio album by Welsh alternative rock band Manic Street Preachers, released on 10 September 2021 by Columbia Records.