White Music | ||||
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Studio album by | ||||
Released | 20 January 1978 | |||
Recorded | 28 April–7 October 1977 | |||
Studio | The Manor (Oxfordshire) | |||
Genre | ||||
Length | 35:44 | |||
Label | Virgin | |||
Producer | John Leckie | |||
XTC chronology | ||||
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Singles from White Music | ||||
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White Music is the debut studio album by the English rock band XTC, released on 20 January 1978. It was the follow-up to their debut, 3D EP , released three months earlier. White Music reached No. 38 in the UK Albums Chart and spawned the single "Statue of Liberty", which was banned by BBC Radio 1 for the lyric "In my fantasy I sail beneath your skirt". In April 1978, the group rerecorded "This Is Pop" as their third single.
Originally titled Black Music, referring to black comedy, the title was changed at the suggestion of both Virgin Records and the band's manager. The resultant title, White Music, refers to white noise. [2]
In 2014, Stereogum described the album as a "collection of scratchy, hyperactive post-punk". [3] The track "Radios in Motion" has become one of the band's better-known songs. In a 2009 interview, Andy Partridge stated, "We couldn't think of any better way to start off our first album than with the 'kick the door in', breezy opener we used in our live set... the lyrics are very silly, picked for their sonic effect rather than meaning. The first refuge of an inexperienced songwriter, forgive me, but they do have a youthful scattergun energy." [4] The song is considered representative of the band's "agitated amphetamine rock" style of their earlier works, though others would call it "relatively tame mod-pop". [5] [6] The song mentions Milwaukee in the lyrics because Partridge's aunt lived in that city. [7]
Review scores | |
---|---|
Source | Rating |
AllMusic | [8] |
Chicago Tribune | [9] |
Christgau's Record Guide | B+ [7] |
Q | [10] |
The Rolling Stone Album Guide | [11] |
Sounds | [12] |
Spin Alternative Record Guide | 6/10 [13] |
Village Voice critic Robert Christgau felt "Radios in Motion", "Statue of Liberty" and "This Is Pop" were aimed squarely at the American market, and that Partridge failed on the latter because "radio programmers resent anyone telling them their business." Conversely, he opined that Colin Moulding's songs were "aimed at bored Yes fans, which is why he missed—the lad doesn't know that Yes fans like being bored." [7]
In a retrospective review for AllMusic, Chris Woodstra said, "More dissonant than their latter period, the young band shines with directionless energy and a good sense of humor." [8] Greg Kot of the Chicago Tribune later called the album "quirky" and "pithy", [9] while Annie Zaleski of Salon later deemed it "a giddy and (yes) impossible-to-pigeonhole debut" that's "exhilarating and, truth be told, almost exhausting to absorb, simply because it's so relentless and energetic." [14]
White Music achieved modest success, charting in the Top 40 on the UK album charts, although its singles failed to chart. [14] The band performed "Radios in Motion", "I'll Set Myself on Fire" and "Statue of Liberty" on BBC Two's The Old Grey Whistle Test on 14 February 1978. [15]
All tracks are written by Andy Partridge, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Radios in Motion" | 2:52 | |
2. | "Cross Wires" | Colin Moulding | 2:03 |
3. | "This Is Pop" | 2:38 | |
4. | "Do What You Do" | Moulding | 1:14 |
5. | "Statue of Liberty" | 2:52 | |
6. | "All Along the Watchtower" | Bob Dylan | 5:40 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Into the Atom Age" | 2:32 | |
2. | "I'll Set Myself on Fire" | Moulding | 3:00 |
3. | "I'm Bugged" | 3:59 | |
4. | "New Town Animal in a Furnished Cage" | 1:51 | |
5. | "Spinning Top" | 2:38 | |
6. | "Neon Shuffle" | 4:25 |
No. | Title | Writer(s) | Original release | Length |
---|---|---|---|---|
13. | "Science Friction" | 3D EP , 1977 | 3:13 | |
14. | "She's So Square" | 3D EP | 3:06 | |
15. | "Dance Band" | Moulding | 3D EP | 2:41 |
16. | "Hang on to the Night" | B-side of "Statue of Liberty", 1978 | 2:09 | |
17. | "Heatwave" | Moulding | B-side of "This Is Pop?", 1978 | 2:12 |
18. | "Traffic Light Rock" | White Music outtake; from Guillotine, various artists compilation album, 1978 [16] | 1:40 | |
19. | "Instant Tunes" | Moulding | B-side of "Are You Receiving Me?", 1978 | 2:34 |
XTC
Technical
XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge and Colin Moulding, the band gained popularity during the rise of punk and new wave in the 1970s, later playing in a variety of styles that ranged from angular guitar riffs to elaborately arranged pop. Partly because the group did not fit into contemporary trends, they achieved only sporadic commercial success in the UK and US, but attracted a considerable cult following. They have since been recognised for their influence on post-punk, Britpop and later power pop acts.
Andrew John Partridge is an English guitarist, singer-songwriter and record producer best known for co-founding the band XTC. He and Colin Moulding each acted as a songwriter and frontman for XTC, with Partridge writing and singing about two-thirds of the group's material. While XTC were a formative British new wave group, Partridge's songwriting drew heavily from 1960s pop and psychedelia and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only UK top 10 hit, "Senses Working Overtime", was written by Partridge.
Oranges & Lemons is the 11th studio album and the second double album by the English band XTC, released 27 February 1989 on Virgin Records. It is the follow-up to 1986's Skylarking. The title was chosen in reference to the band's poor financial standing at the time, while the music is characterised as a 1980s update of 1960s psychedelia. It received critical acclaim and became the band's highest-charting album since 1982's English Settlement, rising to number 28 in the UK and number 44 in the US.
Black Sea is the fourth studio album by the English rock band XTC, released 12 September 1980 on Virgin Records. It is the follow-up to the previous year's Drums and Wires, building upon its focus on guitars and expansive-sounding drums, but with more economical arrangements written with the band's subsequent concert performances in mind, avoiding overdubs unless they could be performed live.
English Settlement is the fifth studio album and first double album by the English rock band XTC, released 12 February 1982 on Virgin Records. It marked a turn towards the more pastoral pop songs that would dominate later XTC releases, with an emphasis on acoustic guitar, 12-string electric guitar and fretless bass. In some countries, the album was released as a single LP with five tracks deleted. The title refers to the Uffington White Horse depicted on the cover, to the "settlement" of viewpoints, and to the Englishness that the band felt they "settled" into the record.
Mummer is the sixth studio album by the English rock band XTC, released on 30 August 1983 on Virgin Records. It was the first XTC album to be recorded following the band's retirement from live performance in 1982. The album's title and artwork refers to a Mummers' play, in which the identity of the players is hidden. A working title considered for the album was Fruits Fallen From God's Garden.
Go 2 is the second studio album by the English band XTC, released 6 October 1978 on Virgin Records. The United Kingdom version contained no singles, but the American and Canadian versions included the single "Are You Receiving Me?" released on 27 October 1978 along with a music video produced for the song.
Drums and Wires is the third studio album by the English rock band XTC, released 17 August 1979 on Virgin Records. It is a more pop-orientated affair than the band's previous, Go 2 (1978), and was named for its emphasis on guitars ("wires") and expansive-sounding drums. The album was their first issued in the United States and their first recorded with guitarist Dave Gregory, who had replaced keyboardist Barry Andrews earlier in 1979. It features a mix of pop, art rock, new wave and punk styles with much rhythmic interplay between XTC's two guitarists.
Skylarking is the ninth studio album by the English rock band XTC, released 27 October 1986 on Virgin Records. Produced by American musician Todd Rundgren, it is a loose concept album about a nonspecific cycle, such as a day, a year, the seasons, or a life. The title refers to a type of bird (skylark), as well as the Royal Navy term "skylarking", which means "fooling around". It became one of XTC's best-known albums and is generally regarded as their finest work.
Apple Venus Volume 1 is the thirteenth studio album by the English rock band XTC, released on March 2, 1999. It was the first on the band's own Idea Records label, distributed through Cooking Vinyl in the United Kingdom and TVT Records in the United States. The album relies heavily on strings, acoustic guitars and keyboards, expanding upon the more orchestral approach developed on the group's previous LP Nonsuch (1992), whilst its lyrics reflect themes of paganism, middle age, romance and rebirth. Apple Venus Volume 1 was met with critical acclaim and moderate commercial success, peaking at number 42 on the UK Albums Chart and number 106 on the Billboard 200 in the US.
The Big Express is the seventh studio album by the English rock band XTC, released on 15 October 1984 by Virgin Records. It is an autobiographical concept album inspired by the band's hometown of Swindon and its railway system, the Swindon Works. In comparison to its predecessor Mummer (1983), which had a modest, pastoral approach to production, the album features a bright, uptempo sound marked by studio experimentation and denser arrangements, setting a template that they further developed on subsequent albums.
Drums and Wireless: BBC Radio Sessions 77–89 is a compilation album by the English rock band XTC, released by Windsong International in October 1994. It contains a selection of songs recorded for BBC radio between 1977-1989. Its tracks were later included on the 4-disc boxed set Transistor Blast: The Best of the BBC Sessions in 1998.
"Dear God" is a song by the English rock band XTC that was first released as a non-album single with the A-side "Grass". Written by Andy Partridge, the song lyrics grapple with the existence of God and the problem of evil. Partridge was inspired by a series of books with the same title, which Partridge viewed as exploitative of children. The song was originally intended for the album Skylarking, but left off due to concerns from Partridge and Virgin Records. After college radio DJs across America picked up the song, US distributor Geffen Records recalled and re-pressed Skylarking with the track included.
"Statue of Liberty" is a 1978 single by XTC. It was recorded at Abbey Road Studios, London and subsequently banned by BBC Radio 1 for the lyrics "In my fantasy I sail beneath your skirt". XTC performed the song on the BBC2 television show The Old Grey Whistle Test in 1978.
"Making Plans for Nigel" is a song by English rock band XTC, released by Virgin Records as the lead single from their 1979 album Drums and Wires. It was written by Colin Moulding, the band's bassist. The lyrics are told from the point of view of overbearing parents who are certain that their son Nigel is "happy in his world", affirming that his future, to be spent working for British Steel, "is as good as sealed", and that he "likes to speak and loves to be spoken to".
"Sgt. Rock " is a song by the British band XTC. Written by frontman Andy Partridge, it was released as the band's 12th single in December 1980, charting in the UK Singles Chart at No. 16 on 21 February 1981, being XTC's biggest single chart success to that date. The song also reached the Irish Singles Chart, peaking at No. 20.
"This Is Pop" is a song by the English rock band XTC from their 1978 album White Music. A rerecorded version, typeset as "This Is Pop?", was released as the group's third single.
"Love on a Farmboy's Wages" is a song written by Andy Partridge of the English rock band XTC, released as the third single from their 1983 album Mummer. It peaked at number 50 on the UK Singles Chart. Partridge wrote the song during the aftermath of the cancelled English Settlement tour. It features a key modulation from E to F# before its bridge. Drummer Terry Chambers left the band during rehearsals for the song. The single's cover art is a photograph of Partridge's actual wallet with the title embossed.
XTC: This Is Pop is a 2017 documentary film directed by Charlie Thomas and Roger Penny about the English rock band XTC. It is focused on the group's musical evolution over the three decades they were active and includes new interviews with XTC guitarist Andy Partridge, bassist Colin Moulding, second guitarist Dave Gregory and drummer Terry Chambers. Archival footage, animations, and specially shot sequences are also featured. The title is derived from the 1978 XTC song "This Is Pop", which Partridge wrote as an attempt to define the band's aesthetic before rock critics could.
"Thanks for Christmas" is a song by the English band XTC, credited as "the Three Wise Men" and written by Andy Partridge It was released by Virgin Records in late 1983 as a holiday single backed with "Countdown to Christmas Party Time". The song made its first album appearance on the 1990 compilation album Rag and Bone Buffet: Rare Cuts and Leftovers.